EATING disorder stereotypes can prevent ethnic minority sufferers from seeking help, new research has shown, as two women with experience of the illnesses called for wider awareness of the misconceptions surrounding it.
According to new statistics shared by eating disorder charity Beat on Monday (25), minorities felt less confident in approaching health professionals for help, in comparison to white respondents.
The data, which was released to mark Eating Disorders Awareness Week, also found that 39 per cent of people believed eating disorders were more common among white people than other ethnicities.
Ballari Conner, 25, suffered from anorexia and bulimia as a child. The Glaswegian, who showed signs of anorexia at the age of 10, was diagnosed three years later, and went into treatment when she was 16.
Now in recovery, Conner believes many think only “white, heterosexual, teenage girls” are affected by the illness. However, she has met sufferers from all different backgrounds and hopes to change the stereotype that is associated with eating disorders.
“My parents had to spend time understanding that anyone can [suffer with an eating disorder],” Conner told Eastern Eye. “It doesn’t matter what colour or background you come from.”
She recalled her family commenting on other people’s appearances when she was young.
As the battle with bulimia of Diana, Princess of Wales, made headlines in the 1990s, Conner remembers her mother saying that eating disorders “did not happen to people from minority backgrounds”.
Her father, too, did not understand the illness – his only prior knowledge of it was the
singer Karen Carpenter’s publicised death, caused by anorexia, in the 1980s.
“He had to learn a lot, as his perception was only white, privileged women could get it,” Conner said.
Laura Shah, 22, is in recovery from anorexia.
She was diagnosed at 15 and has been “getting better slowly”.
Claiming anorexia was her coping mechanism, Shah said most portrayals of people with eating disorders in the media are of “young, pretty, white girls”.
“You don’t get a lot of coverage of ethnic minorities who have experienced eating disorders,” Shah told Eastern Eye.
She added that many people believe the media can influence eating disorders by constantly showing images of thin models or focusing on diet plans.
However, she said there were many other factors, such as a tumultuous family life or mental illness, which could contribute to the disorder.
“It is a massive misconception that you can only have an eating disorder because you’ve been influenced by the media,” Shah, from Suffolk, said.
Conner can relate to this – she believes a person’s background has a lot to do with how or if they develop an eating disorder. Describing her own childhood as “chaotic,” she said her mixed-race, south Asian ethnicity played a large role in her illness.
“I didn’t fit in with a standard western or eastern culture,” Conner said. “At the age of 13, I remember internally feeling like I didn’t fit in anywhere.”
Conner admits that she developed an eating disorder as she felt she lacked control in other areas of her life. There was a divide between her Scottish father and Indian mother’s cultural beliefs and she was struggling to come to terms with her sexuality.
“I realised I was bisexual at quite a young age, and I didn’t know what to do with that,” she said. She began to count calories and weigh herself as a way to cope, but it eventually
turned into a disorder.
“It isn’t like I woke up one day and decided not to eat,” she said. “It crept up on me, gradually.”
Shah has been a Beat ambassador for two years. She has spoken out about her experiences as she believes putting the issue into the public eye will put people under pressure to act and raise awareness.
She also wants to challenge the belief that an individual is defined by their eating disorder.
“I have anorexia, I’m not anorexic,” she stressed. “The misconception is that it wholly consumes a person, but that person is still a person. They are just suffering from an illness.”
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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