Gayathri Kallukaran is a Junior Journalist with Eastern Eye. She has a Master’s degree in Journalism and Mass Communication from St. Paul’s College, Bengaluru, and brings over five years of experience in content creation, including two years in digital journalism. She covers stories across culture, lifestyle, travel, health, and technology, with a creative yet fact-driven approach to reporting. Known for her sensitivity towards human interest narratives, Gayathri’s storytelling often aims to inform, inspire, and empower. Her journey began as a layout designer and reporter for her college’s daily newsletter, where she also contributed short films and editorial features. Since then, she has worked with platforms like FWD Media, Pepper Content, and Petrons.com, where several of her interviews and features have gained spotlight recognition. Fluent in English, Malayalam, Tamil, and Hindi, she writes in English and Malayalam, continuing to explore inclusive, people-focused storytelling in the digital space.
Thug Life brings together two giants of Indian cinema, director Mani Ratnam and actor Kamal Haasan, for the first time since their 1987 classic Nayakan. Hopes were understandably sky-high, especially following Ratnam’s recent success with the Ponniyin Selvan films. Unfortunately, the film struggles to match the weight of its own ambition.
A promising start with technical brilliance
The film opens with style. A gritty voiceover by Haasan sets the tone, followed by a black-and-white flashback in Old Delhi that is visually stunning and thematically rich. Ravi K Chandran’s cinematography and A. Sreekar Prasad’s editing stand out, creating a slick first act filled with betrayal, tension, and dramatic flair.
Kamal Haasan and silambarasan steal the show
Haasan delivers a strong performance as Rangaraya Sakthivel, a gangster who faces repeated brushes with death. His layered portrayal is matched by Silambarasan TR’s intense screen presence. Their performances are the film’s biggest strength, bringing emotional weight to an otherwise uneven narrative.
Supporting cast is underserved by thin writing
While the supporting cast includes notable names like Trisha Krishnan, Joju George, and Nasser, most characters are underdeveloped. Rajshri Deshpande’s brief but memorable appearance proves what could have been achieved with better character depth.
Second half slips into confusion
After the interval, the film loses direction. Key plot twists involving mistaken identities and romantic missteps feel unnecessary and slow the narrative. What begins as a gangster epic shifts into melodrama, undermining the gritty tone set earlier.
Stylised action, but lacking real stakes
The action sequences are well-shot and dramatic, but Sakthivel’s repeated survival through avalanches, explosions, and gunfire makes him feel more like a superhero than a vulnerable gangster. This hurts the film’s credibility and emotional impact.
A film that looks good but lacks heart
Despite its visual richness, Thug Life doesn’t pack the emotional punch expected from a Ratnam film. It touches on loyalty, revenge and power, but without the depth or payoff to leave a lasting impression.
Final verdict
- YouTubeYouTube/ Saregama Tamil
Thug Life is a beautifully crafted but uneven gangster tale. Kamal Haasan and Silambarasan shine, but weak storytelling and a faltering second half stop it from becoming a classic. It’s stylish but lacks the substance fans hoped for.
Kantara Chapter 1, the prequel to the 2022 Kannada blockbuster, has wrapped after a 250-day shoot.
Actor-director Rishab Shetty shares a making video capturing three years of intense preparation.
Producer Vijay Kiragandur calls it Hombale Films’ “most ambitious project” to date.
Film to release worldwide on October 2, 2025, in seven languages including Hindi and English.
The much-anticipated prequel Kantara Chapter 1 has officially wrapped production, and the makers have released a behind-the-scenes video that offers a deep dive into the film’s massive scale and emotional core. Helmed by Rishab Shetty, who also leads the cast, the film is being positioned as Hombale Films’ most significant and culturally rooted production yet.
With over 250 days of filming and nearly three years of planning, Kantara Chapter 1 aims to expand the mythological universe introduced in the original 2022 hit Kantara. The prequel, which is set to release in theatres worldwide on October 2, 2025, will be available in seven languages, including English, Tamil, Telugu, Malayalam, Bengali, Kannada, and Hindi.
Rishab Shetty wraps Kantara Chapter 1 after 250 days of shoot Instagram/hombalefilms
What is Kantara Chapter 1 about and how is it different?
While the first Kantara focused on a clash between tradition and governance in a forest-bound village, the prequel takes a deeper dive into the roots of that mythology. In the wrap video, Rishab Shetty is seen undergoing intense physical training and rehearsing ancient martial arts like Kalaripayattu, suggesting a more devotional, period-action tone.
The footage also hints at expansive sets, created from scratch after the team could not find an existing studio space big enough. This led Hombale to build an entire dedicated production facility. “We realised very early that existing infrastructure would not do justice to Rishab’s vision,” producer Vijay Kiragandur said.
Why Vijay Kiragandur calls it Hombale’s biggest project
Hombale Films, known for mega-hits like KGF and Salaar, is no stranger to large-scale productions. Yet, Kiragandur insists that Kantara Chapter 1 surpasses them all, not just in scale, but in intent. “This is not just another pan-India film. This is deeply personal for us,” he said.
“The film demanded a completely new studio, a huge production team, and more shoot days than anything we’ve done before. But beyond the numbers, it’s the emotional weight and cultural depth that make it our most ambitious project yet,” he added.
Apart from Shetty, who has also co-written the film with Anirudh Mahesh and Shanil Gowtham, the creative team features some big names. Ajaneesh Loknath returns as music director, while Arvind Kashyap handles cinematography. Hollywood stunt choreographer Todor Lazarov also worked closely on the project, adding international touches to the action sequences.
Production designer Banglan and costume designer Pragathi Shetty have created an authentic visual landscape, highlighting the region’s mythological roots. The art direction by Dharani Gangepura mixes regional aesthetics with cinematic grandeur, giving the film a timeless visual texture.
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Real tragedies during the shoot underline the film’s emotional weight
While the wrap video celebrates the crew’s achievement, it also comes in the shadow of real-life tragedies. Actors Kalabhavan Niju and Rakesh Poojary, both associated with the film, died of heart attacks during production. A junior artist drowned during filming, and a crew boat capsized in June, though no lives were lost in the latter incident.
Kantara Chapter 1 release date and expectations
Set for release on October 2, 2025, Kantara Chapter 1 is already one of the most awaited Indian films. The original Kantara not only made over £37 million (₹400 crore) globally but also earned cult status for its storytelling, music, and cultural integrity.
By staying true to its roots while expanding its cinematic scope, Kantara Chapter 1 seems poised to be more than just a film. It could be a new benchmark for mythological storytelling from India, crafted for the global stage.
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Ajith’s car reportedly collided with a stationary vehicle on the racetrack
Actor Ajith Kumar was involved in a crash during the GT4 European Series at Misano, Italy
The actor was uninjured but withdrew from the race
A video shows him assisting race officials in clearing debris from the track
The incident involved a collision with a stationary vehicle
Ajith is preparing for the next round at Spa-Francorchamps, Belgium
Actor Ajith Kumar escapes unhurt in Misano crash
Indian actor and motorsport enthusiast Ajith Kumar escaped uninjured after his car crashed during the GT4 European Series at the Misano circuit in Italy. The incident occurred during the second round of the competition. Though he was forced to withdraw from the race, Ajith was seen helping race marshals clear debris from the track.
Collision with stationary car under investigation
Ajith’s car reportedly collided with a stationary vehicle on the racetrack. While the impact resulted in significant damage to his vehicle, Ajith managed to avoid injury. His quick reflexes and on-track experience helped him navigate the crash safely.
Video footage from the event shows him calmly exiting his car and joining staff in clearing wreckage, an act praised by commentators. One remarked,
“Ajith Kumar out of the car, out of the race. He’s a fine champ, he goes and helps the marshals clear up all the body. Not many drivers would do that.”
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Preparing for third round at Spa
Ajith is now preparing for the third round of the GT4 series at the Spa-Francorchamps circuit in Belgium. His participation continues to draw attention, not only due to his celebrity status but also because of his long-standing commitment to motorsport.
Veteran racer and Padma Bhushan awardee
Ajith Kumar began racing professionally in 2003 and participated in the Formula 2 Championship in 2010. He has competed in races across Germany, Malaysia, and now Europe, balancing his racing pursuits alongside a successful acting career.
Earlier this year, he was awarded the Padma Bhushan, one of India’s highest civilian honours, recognising his contributions to both cinema and motorsport.
After a decade-long break from racing, Ajith made a return to the track with renewed enthusiasm. His fans continue to support both his film and racing ventures.
Recent and upcoming projects
Ajith was last seen in Good Bad Ugly, directed by Adhik Ravichandran, which has become the highest-grossing Tamil film of 2025 so far. The actor is currently on a break from filming, but reports suggest he will reunite with director Ravichandran for his next project.
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Mariah Carey confirms new album ‘Here For It All’ releasing this September
Mariah Carey announces her 16th studio album Here For It All, releasing 26 September via Gamma.
Lead single Type Dangerous, released in June, was co-produced with Anderson .Paak.
A second single titled Sugar Sweet is expected soon, with surprise features.
This marks Carey’s first full-length album since 2018’s Caution and her debut with Gamma.
Mariah Carey has officially unveiled her long-awaited 16th studio album, Here For It All, set to release on 26 September 2025 via independent music company Gamma. The news comes after weeks of speculation and follows the release of her single Type Dangerous, which dropped in early June. The album will be Carey’s first in seven years, following 2018’s Caution, and marks a new chapter in her career as she transitions to a non-major label.
Mariah Carey confirms September 26 release date for her 16th albumGetty Images
What is Mariah Carey’s new album Here For It All about?
Though Carey hasn’t shared a full tracklist yet, Here For It All is being teased as a return to her roots, bringing together nostalgic R&B vibes with modern collaborators. The title track briefly features in the announcement video posted across her social media, where the singer is seen confidently walking in stilettos, hinting at a new era.
The album’s lead single, Type Dangerous, samples Eric B. & Rakim’s Eric B. Is President, giving fans a taste of her signature style of hip-hop and soul. The track was co-produced with Anderson .Paak, who is also rumoured to be the executive producer for the full album.
A second single, Sugar Sweet, has also been hinted at through cryptic posts online, and sources say it will feature special guests, though names are yet to be confirmed.
Here For It All is being released under Gamma, the independent music platform launched in 2023 by industry veterans L.A. Reid and Larry Jackson. According to Forbes, Reid himself will serve as executive producer through his new imprint, Mega.
This marks a major shift for Carey, who spent most of her career working with major record labels. Reid called the collaboration a “game-changing moment” for both Gamma and Carey, praising her decision to align with an artist-first, independent label model.
Carey had previously spoken to Variety in 2024 about actively writing new material. “I’ve written some new songs. You know, I’m excited about it,” she said. “I have to figure out which songs I’m going to do and which songs I’m not going to do. But I think I’m very excited about it.”
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Why is this album release significant for Mariah Carey fans?
For fans, Here For It All represents more than just a new album. It’s Carey’s return after a long hiatus, and it marks her first project as an independent artist. Her last album, Caution, featured a wide range of collaborators like Skrillex and Timbaland and was praised for its sleek production and vocal restraint.
This new era, starting with Type Dangerous, appears to combine vintage Mariah with fresh, contemporary production. The involvement of artists like Anderson .Paak suggests the album might explore new musical directions while retaining her signature style.
Mariah Carey collaborates with Anderson Paak and L A Reid on upcoming albumGetty Images
Adding to the anticipation, Carey’s ex-husband Nick Cannon publicly supported the project in the comments of her teaser post, writing, “Greatest of all time!” along with fire emojis. The former couple shares 14-year-old twins Monroe and Moroccan.
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5 reasons Shreya Ghoshal’s surprise Saiyaara song is leaving audiences in tears
Just when audiences thought Saiyaara had wrapped up its emotional rollercoaster, the film hit them with one final gut-punch in the form of a soulful title track sung by Shreya Ghoshal. The female version of Saiyaara, revealed only in the film’s final scene, has quietly become one of its biggest talking points online.
Shreya Ghoshal’s unexpected 'Saiyaara' song is going viral for all the right reasonsgetty images
Here’s why the song has become an unexpected fan favourite:
1. It wasn’t promoted, and that’s exactly why it hit harder
In an age of pre-release singles and playlist drops, Saiyaara took a different route. The female version of the title track wasn’t part of the film’s initial promotions. Its sudden arrival in the final scene caught audiences off-guard, and somehow, that made it even more impactful.
2. Shreya Ghoshal’s voice adds emotional depth to the ending
There’s a reason Ghoshal remains a go-to voice for cinematic closure. Her rendition here brings calm, clarity, and a quiet kind of power to the final scene. It doesn’t scream for attention; it lingers, stays with you, and makes the ending feel earned.
3. Social media is flooded with fan edits and reels
Since the film’s release, TikTok and Instagram have been buzzing with fan-made tributes using the song. Emotional montage reels, breakup videos, even wedding clips: the song’s found a second life online, far beyond the film’s context.
4. It’s now streaming and everyone wants it on loop
Initially unavailable as a standalone track, the demand for Ghoshal’s version grew so loud that platforms quietly added it. It’s quickly become one of the most streamed parts of the film’s soundtrack, with fans calling it the “musical soul” of Saiyaara.
5. It ties the protagonist’s journey together without saying a word
The film builds up to a hopeful, almost spiritual closure. Instead of over-explaining it with dialogue, Saiyaara lets the song do the talking. Ghoshal’s voice becomes the emotional translator: soft, steady, and deeply moving.
A different kind of ending
Saiyaara might have had all the makings of a big-screen romance: new faces, sweeping visuals, a dramatic arc. But it’s this one unassuming song that’s become its heartbeat.
It’s rare for a track tucked away in the final few minutes to leave such a lasting impact, but Shreya Ghoshal’s voice does what few outros can: it doesn’t just end the story, it heals something quietly in the audience too.
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These are ten quietly brilliant films that find their way into your heart when you least expect it
There are days when the world feels like too much, when the news exhausts you, your phone screen drains you, and even your comfort show feels a little stale. On those days, you don’t need another gritty drama or clever twist ending. Sometimes you just need a goddam hug for your soul. You need warmth. You need to believe, for just two hours, that people are good, life can be beautiful, and even a CGI bear in prison can teach us something about humanity.
These ten films aren’t loud blockbusters or Oscar bait. Some flew under the radar. Some you may have skipped, thinking “not really my thing.” But all of them, in their own quiet and surprising way, are soul food.
Let’s dive into ten stories worth watching when you need a reminder that good still exists.
1.Paddington 2 (2017)
A bear goes to prison, and somehow, you come away feeling lighter. This charming sequel has no business being this heart-warming, but it absolutely is. Paddington lands in prison, and instead of breaking, his unwavering decency and perfect marmalade slowly turn hardened criminals into his biggest fans. It’s a film about decency that never feels preachy, just incredibly sincere. You’ll finish it wishing you were more like a polite bear in a blue coat.
There’s nothing glossy about this story. It’s raw, grounded in real-life pain, and full of tiny humiliations that Will Smith’s character endures for the sake of his son. But underneath it all, there’s this thrum of hope that refuses to die. When things finally shift, when one small victory lands, it feels enormous. Not because it’s dramatic, but because it’s earned with every tear and scrap of dignity.
This isn’t just another coming-of-age flick. It’s messy, real, and brimming with that teenage desperation to make something, anything, out of your life. A boy forms a band to impress a girl, and what starts off as a bluff becomes something magical. There’s delight in the chaos, beauty in the lo-fi music videos, and joy in creating something yours against the gloom.
A maths-heavy NASA drama doesn’t sound like comfort viewing, but this film is pure inspiration. Three phenomenal Black women at NASA battle segregation and sexism with sheer, undeniable brainpower during the space race. The film shows Katherine Johnson demanding her place in the room where history’s made, and Dorothy Vaughan mastering an impossible computer; it's deeply moving to watch these women calmly walk into rooms that were never built for them and take up space anyway.
Yes, the first ten minutes will break you. But stay. Because what follows is a strange and lovely journey about moving forward after loss. Carl Fredricksen is a grumpy old man carrying grief in the shape of a floating house, but by the end, he finds new purpose in a boy, a bird, and an unexpected friendship. It’s not just a story about letting go; it’s about choosing to live again.
A film about the afterlife that manages to feel more alive than most “real world” stories. Coco is drenched in colour, music, and emotion. It’s about legacy, memory, and what it means to be truly remembered. It celebrates family, not the perfect kind, but the messy, complicated kind we all have. And the ending hits with a quiet kind of grace that leaves you feeling full rather than hollow. And that final song to Mamá Coco was pure magic!
Life’s tough when you look different. Auggie is a kid with facial differences just trying to be treated like everyone else. What unfolds is a surprisingly honest look at childhood, bullying, and the power of simple kindness. The film doesn’t sugarcoat the awkwardness of growing up; instead, it leans into it. But by the end, you’re left with this gentle feeling that the world could be better if more people just took a second to see others for who they are.
This New Zealand gem starts as a quirky comedy and quietly becomes something deeper. A rebellious foster kid and his grumpy guardian end up on the run in the wilderness, bickering their way toward a weird, wonderful bond. It’s funny, yes, but it’s also tender, unexpectedly profound, and full of those little moments that sneak up and crack your heart open when you least expect it.
There’s no villain here. No dark twist. Just a chef who loses his job and starts over in a food truck with his kid. What follows is a road trip full of good food, good music, and the slow rebuilding of a broken bond. It’s a sizzling, feel-good feast about reclaiming your passion, the messy joy of creation, and the delight in little shared sandwiches on a sunlit afternoon.
Tom Hanks is a grown man with the soul of a child, and somehow it never gets old. It’s not just about the wish; it’s about rediscovering the pure, uncomplicated glee of jumping on a trampoline, the thrill of a new toy, the magic of play. It reminds us that growing up doesn’t have to mean giving up wonder. It’s funny and silly, but underneath the laughter, there’s a real reminder: joy isn’t childish; it’s essential.
These movies aren't magic spells. They won't erase the news or pay your bills. But what they do is something quieter, maybe more important. They remind you. That stories can save you. That joy matters. That even in a world full of noise and cruelty, you can still find grace in a marmalade sandwich, a piano tune, a paper plane, or a single line of dialogue that says: “You’re not alone.”
They leave a little warmth behind. A little stubborn hope. A feeling that maybe, just maybe, things aren't entirely awful. And sometimes, that’s exactly the kind of escape you need, not from reality, but into the best parts of it. Go watch one. Feel a bit better. You deserve it.