Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
At the 2025 Cannes Film Festival, a quiet but powerful celebration of Indian cinema took place. A newly restored 4K version of Aranyer Din Ratri, Satyajit Ray’s 1970 Bengali film was screened under the Cannes Classics section and received a full standing ovation. Among those present were the film’s lead actors, Sharmila Tagore and Simi Garewal, both of whom played key roles in the original.
Sharmila Tagore, dressed in a green saree, stepped onto the stage after the screening, met with thunderous applause and an emotional crowd. Her daughter, Saba Ali Khan, who attended the event alongside her, captured the moment on video and shared it online with simple pride. Soha Ali Khan, too, posted a heartfelt “That’s my Amma,” sharing the personal joy of seeing her mother honoured on an international platform.
Originally based on Sunil Gangopadhyay’s novel, Aranyer Din Ratri follows four middle-class men from Kolkata who head to the forests of Palamau seeking escape from city life. What begins as a carefree getaway slowly turns into a subtle exploration of class, loneliness, and self-awareness. Sharmila plays Aparna, a composed and observant city woman, while Simi portrays Duli, a tribal girl with a strong presence.
The film was presented by Wes Anderson, a long-time admirer of Satyajit Ray. He introduced the screening and stood alongside the cast and the restoration team. The project was spearheaded by Martin Scorsese’s The Film Foundation through the World Cinema Project, in collaboration with Shivendra Singh Dungarpur’s Film Heritage Foundation, Janus Films, and Criterion Collection, with support from the Golden Globe Foundation.
This return to Cannes marked a full-circle moment for Sharmila Tagore, who had previously walked the red carpet in 2009 as part of the festival jury. Her earlier collaboration with Ray, Devi, had once been in the running for the Palme d’Or.
Fifty-five years since its release, Aranyer Din Ratri has aged like a quiet classic with its themes still relevant. The Cannes tribute was like celebrating Ray’s lasting impact in world cinema, and of the enduring grace of actors like Sharmila Tagore and Simi Garewal who helped bring it to life.
Saif Ali Khan's hospital trip was a mess, from a sleepy attendant to insisting on a stretcher.
He just ignored everyone telling him to use a wheelchair when it was time to leave.
His own mother, Sharmila Tagore, is still annoyed he did not listen to her.
A chilling detail: his son Jeh was nicked by the knife too during the chaos.
Right, so Saif Ali Khan is talking about the knife attack now. He is actually talking about it. He is filling in the blanks from that night at his Bandra home, the one that ended with him in surgery. And he is explaining that moment he left the hospital, no wheelchair, no ambulance, just walking. It was a conscious choice after the knife attack, his way of saying he was still on his feet.
Saif Ali Khan says he wanted to walk out of hospital to show fans he was fine Instagram/saifalikhanpataudiworld
What exactly went down that night?
He saw the man standing over Jeh’s bed, armed. During the struggle, the assailant’s knife even nicked his young son Jeh. The attacker managed to stab Saif six times before fleeing.
Saif Ali Khan opens up about the night he was stabbed and his shocking hospital decisionInstagram/saifalikhanpataudiworld
Why did Saif Ali Khan deny a wheelchair after the attack?
The hospital scene was weirdly placid and almost sleepy especially the emergency area. He knew the second he walked in, he would require a stretcher. But the attendant on duty just offered a wheelchair. He had to argue, “No, I think I need a stretcher.” The guy was not really getting it. In the end, Saif said he had to snap the guy to attention by stating his name and calling it a medical emergency. That is when everything kicked off.
That initial refusal of aid, bizarrely, set the tone. Later, after a week in hospital and surgery, he was again faced with the wheelchair question for his discharge. “It just did not seem to be necessary.” He could move, though in pain. So why would he pretend otherwise?
Here is the thing: everyone had an opinion. Someone said to take an ambulance, and another insisted on the wheelchair. The media was camped outside, curious and waiting. His own instinct cut through the noise. He figured, why feed the panic? Why have his family, his fans, seeing him wheeled out or driven away in an ambulance?
He decided the right message was the simplest one: just walk out. Show them you are upright and okay. It was a picture message, literally.
Of course, the plan backfired a bit online, with some calling the whole thing fake. His mother, Sharmila Tagore, certainly thought he had made a mistake, telling Twinkle Khanna that if he had just listened to her and used the wheelchair, “there would have been no controversy.” But for Saif, the intention was only to reassure.
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