The UK’s most important and prestigious theatre awards, the Olivier Awards, have announced its nominees with Zubin Varla and Pyiyanga Burford bagging nominations for top honours. While Varna has been nominated as Best Actor in a Supporting Role for A Little Life, Burford has been nominated as Best Actress in a Supporting Role for An Enemy of the People.
Here is the full list of nominees for the Olivier Awards 2024:
Noël Coward Award for Best New Entertainment or Comedy Play
Accidental Death of an Anarchist by Dario Fo and Franca Rame – adapted by Tom Basden at the Lyric Hammersmith and Theatre Royal Haymarket
Stephen Sondheim’s Old Friends – music and lyrics by Stephen Sondheim at the Gielgud Theatre
Stranger Things: The First Shadow by Kate Trefry – at the Phoenix Theatre
Vardy V Rooney: The Wagatha Christie Trial – adapted by Liv Hennessy at the Ambassadors Theatre
Best Family Show
Bluey’s Big Play by Joe Brumm – at Southbank Centre’s Royal Festival Hall
Dinosaur World Live by Derek Bond – at Regent’s Park Open Air Theatre
The House With Chicken Legs – book by Sophie Anderson, adapted by Oliver Lansley at Southbank Centre’s Queen Elizabeth Hall
The Smeds and the Smoos – book by Julia Donaldson and Axel Scheffler, adapted by Tall Stories at the Lyric Theatre
Gillian Lynne Award for Best Theatre Choreographer
Fabian Aloise – Sunset Boulevard at the Savoy Theatre
Ellen Kane and Hannes Langolf – Dear England at the National Theatre, Olivier and Prince Edward Theatre
Arlene Phillips with James Cousins – Guys & Dolls at the Bridge Theatre
Mark Smith – The Little Big Things at Soho Place
Susan Stroman – Crazy for You at the Gillian Lynne Theatre
Best Costume Design
Bunny Christie and Deborah Andrews – Guys & Dolls at the Bridge Theatre
Ryan Dawson Laight – La Cage Aux Folles at Regent’s Park Open Air Theatre
Hugh Durrant – Peter Pan at The London Palladium
Marg Horwell – The Picture of Dorian Gray at the Theatre Royal Haymarket
Best Revival
The Effect by Lucy Prebble – at the National Theatre, Lyttelton
Macbeth by William Shakespeare – at the Donmar Warehouse
Shirley Valentine by Willy Russell – at the Duke of York’s Theatre
Vanya by Anton Chekhov – adapted by Simon Stephens at the Duke of York’s Theatre
Best Musical Revival
Groundhog Day – music and lyrics by Tim Minchin, book by Danny Rubin at The Old Vic
Guys & Dolls – music and lyrics by Frank Loesser, book by Jo Swerling and Abe Burrows at the Bridge Theatre
Hadestown – music, lyrics, and book by Anaïs Mitchell at the Lyric Theatre
Sunset Boulevard – music by Andrew Lloyd Webber, lyrics and book by Don Black and Christopher Hampton at the Savoy Theatre
Best Sound Design
Paul Arditti – Stranger Things: The First Shadow at the Phoenix Theatre
Dan Balfour and Tom Gibbins – Dear England at the National Theatre, Olivier and Prince Edward Theatre
Adam Fisher – Sunset Boulevard at the Savoy Theatre
Gareth Fry – Macbeth at the Donmar Warehouse
Outstanding Musical Contribution
Tom Brady for Musical Supervision and Arrangements and Charlie Rosen for Orchestrations – Guys & Dolls at the Bridge Theatre
Matt Brind for Musical Supervision, Arrangements and Orchestrations – Just for One Day at The Old Vic
Steve Sidwell for Orchestrations and Joe Bunker for Musical Direction – Operation Mincemeat at the Fortune Theatre
Alan Williams for Musical Supervision and Musical Direction – Sunset Boulevard at the Savoy Theatre
Best Actor in a Supporting Role
Will Close – Dear England at the National Theatre, Olivier and Prince Edward Theatre
Paul Hilton – An Enemy of the People at the Duke of York’s Theatre
Giles Terera – Clyde’s at the Donmar Warehouse
Luke Thompson – A Little Life at the Harold Pinter Theatre and Savoy Theatre
Zubin Varla – A Little Life at the Harold Pinter Theatre and Savoy Theatre
Best Actress in a Supporting Role
Lorraine Ashbourne – Till the Stars Come Down at the National Theatre, Dorfman
Priyanga Burford – An Enemy of the People at the Duke of York’s Theatre
Haydn Gwynne – When Winston Went to War With the Wireless at the Donmar Warehouse
Gina McKee – Dear England at the National Theatre, Olivier
Tanya Reynolds – A Mirror at the Almeida Theatre and Trafalgar Theatre
Best Set Design
Miriam Buether for Set Design and 59 Productions for Video Design – Stranger Things: The First Shadow at the Phoenix Theatre
Bunny Christie for Set Design – Guys & Dolls at the Bridge Theatre
Es Devlin for Set Design and Ash J. Woodward for Video Design – Dear England at the National Theatre, Olivier and Prince Edward Theatre
Soutra Gilmour for Set Design and Nathan Amzi and Joe Ransom for Video Design – Sunset Boulevard at the Savoy Theatre
Best Lighting Design
Jon Clark – Dear England at the National Theatre, Olivier and Prince Edward Theatre
Jon Clark – Stranger Things: The First Shadow at the Phoenix Theatre
Paule Constable – Guys & Dolls at the Bridge Theatre
Jack Knowles – Sunset Boulevard at the Savoy Theatre
Best Actress in a Supporting Role in a Musical
Grace Hodgett Young – Sunset Boulevard at the Savoy Theatre
Zoë Roberts – Operation Mincemeat at the Fortune Theatre
Amy Trigg – The Little Big Things at Soho Place
Eleanor Worthington-Cox – Next to Normal at the Donmar Warehouse
Best Actor in a Supporting Role in a Musical
Jak Malone – Operation Mincemeat at the Fortune Theatre
Cedric Neal – Guys & Dolls at the Bridge Theatre
David Thaxton – Sunset Boulevard at the Savoy Theatre
Jack Wolfe – Next to Normal at the Donmar Warehouse
Best New Opera Production
Blue by the English National Opera – at the London Coliseum
Innocence by the Royal Opera – at the Royal Opera House
Picture a Day Like This by the Royal Opera – at the Royal Opera House, Linbury Theatre
The Rhinegold by the English National Opera – at the London Coliseum
Outstanding Achievement in Opera
Antonio Pappano for his role as Musical Director of the Royal Opera House
Belarus Free Theatre Company for King Stakh’s Wild Hunt – at the Barbican theatre
Marina Abramović for her concept and design of 7 Deaths of Maria Callas – at the London Coliseum
Best Actor in a Musical
David Cumming – Operation Mincemeat at the Fortune Theatre
Tom Francis – Sunset Boulevard at the Savoy Theatre
Daniel Mays – Guys & Dolls at the Bridge Theatre
Charlie Stemp – Crazy for You at the Gillian Lynne Theatre
Best Actress in a Musical
Natasha Hodgson – Operation Mincemeat at the Fortune Theatre
Caissie Levy – Next to Normal at the Donmar Warehouse
Nicole Scherzinger – Sunset Boulevard at the Savoy Theatre
Marisha Wallace – Guys & Dolls at the Bridge Theatre
Best New Dance Production
Broken Chord by Gregory Maqoma and Thuthuka Sibisi – at Sadler’s Wells
The Rite of Spring by Seeta Patel – at Sadler’s Wells
La Ruta by Gabriela Carrizo – part of Nederlands Dans Theater, NDT 1 at Sadler’s Wells
Time Spell by Michelle Dorrance, Jillian Meyers, and Tiler Peck – part of Turn It Out With Tiler Peck and Friends at Sadler’s Wells
Outstanding Achievement in Dance
Isabela Coracy for her performance in NINA: By Whatever Means – part of Ballet Black: Pioneers at the Barbican Theatre
Jonzi D for his artistic direction of Breakin’ Convention 2023 International festival of hip-hop dance theatre – at Sadler’s Wells
Rhiannon Faith for her community-focused conception of Lay Down Your Burdens – at The Pit at Barbican
Outstanding Achievement in Affiliate Theatre
Blue Mist by Mohamed-Zain Dada – at the Jerwood Theatre Upstairs at the Royal Court Theatre
A Playlist for The Revolution by AJ Yi – at the Bush Theatre
Sleepova by Matilda Feyişayo – at the Bush Theatre
The Swell by Isley Lynn – at the Orange Tree Theatre
The Time Machine: A Comedy by Steven Canny and John Nicholson – at the Park Theatre
Sir Peter Hall Award for Best Director
Stephen Daldry and Justin Martin – Stranger Things: The First Shadow at the Phoenix theatre
Rupert Goold – Dear England at the National Theatre, Olivier and Prince Edward Theatre
Jamie Lloyd – Sunset Boulevard at the Savoy Theatre
Sam Mendes – The Motive and the Cue at the National Theatre, Lyttelton and Noël Coward Theatre
Best Actress
Laura Donnelly – The Hills of California at the Harold Pinter Theatre
Sophie Okonedo – Medea at Soho Place
Sarah Jessica Parker – Plaza Suite at the Savoy Theatre
Sheridan Smith – Shirley Valentine at the Duke of York’s Theatre
Sarah Snook – The Picture of Dorian Gray at the Theatre Royal Haymarket
Best Actor
Joseph Fiennes – Dear England at the National Theatre, Olivier and Prince Edward Theatre
Mark Gatiss – The Motive and the Cue at the National Theatre, Lyttelton and Noël Coward Theatre
James Norton – A Little Life at the Harold Pinter Theatre and Savoy Theatre
Andrew Scott – Vanya at the Duke of York’s Theatre
David Tennant – Macbeth at the Donmar Warehouse
Best New Play
Dear England by James Graham – at the National Theatre, Olivier and Prince Edward Theatre
The Hills of California by Jez Butterworth – at the Harold Pinter Theatre
The Motive and the Cue by Jack Thorne – at the National Theatre, Lyttelton and Noël Coward Theatre
Till the Stars Come Down by Beth Steel – at the National Theatre, Dorfman
Best New Musical
The Little Big Things – music by Nick Butcher, lyrics by Nick Butcher and Tom Ling, book by Joe White at Soho Place
Next to Normal – music by Tom Kitt, book and lyrics by Brian Yorkey at the Donmar Warehouse
Operation Mincemeat – music, lyrics, and book by David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts at the Fortune Theatre
A Strange Loop – music, lyrics, and book by Michael R. Jackson at the Barbican Theatre
The winners will be announced in a ceremony at London’s Royal Albert Hall on 14 April.
When music runs in your veins, it is only a matter of time before the world hears your song. For Gxrnoor, born Gurnoor Anand, music was both a calling and a legacy.
The daughter of acclaimed music director Harry Anand, she grew up surrounded by melody and rhythm, but her sound is entirely her own. Blending sleek pop hooks with the swagger of hip hop, the soul of r’n’b and the spirit of Punjabi beats, Gxrnoor represents a bold new wave of Indian artists unafraid to mix styles and shatter expectations.
From scribbling down Rihanna lyrics as a child to releasing her debut single Relive in 2024, she has been winning hearts with a boss girl energy.
Eastern Eye caught up with the rising music star you will be hearing more about to discuss her songs, inspirations and hopes.
What first connected you to music?
I used to listen to a lot of pop and hip hop as a child – artists like Rihanna, Shakira and Nicki Minaj. Seeing their music videos and performances always intrigued me. They reflected a boss girl energy, and I wanted to be like them someday. I started writing down their lyrics in my notebook, and one day, I thought of writing a song of my own. That is how my journey began. I was only 12 when I wrote my first song and eventually started playing instruments, becoming more inclined towards this path.
How do you reflect on your music journey?
So far, I am grateful. God has been kind. I have received immense love and support in just one year of starting out, and I am eternally thankful for it. There is so much more to come and do – so many things I am yet to achieve. I believe hard work and consistency can get me exactly where I hope to be one day.
What has been your most memorable moment so far?
Seeing people make reels using my songs felt emotional. Watching real people add my songs to their playlists and listen to them daily is a beautiful feeling. Every artist can relate to that. It feels amazing when someone appreciates your craft and connects to it.
Which of your songs is closest to your heart and why?
Relive and Darham. Relive is my debut single, so it will always be closest to my heart. I have achieved a lot and been discovered because of that song. Darham was composed in two minutes – it just flowed out, raw and unfiltered. I love the simplicity and airiness of it. Plus, the word itself is unique. Darham means ‘confused’ in Persian.
Tell us about your next song.
I am working on a summer track with a house feel. It is a great melody – very easy listening. I love its vibe and, hopefully, the audience will too. Fingers crossed! Who are you hoping this song connects with most? It is a light, feel-good song that anyone can relate to. You could play it while driving, chilling at the beach, sitting in the park or just going about your day. It has a good, summery vibe.
What is the music masterplan going forward for your career?
India still has a limited number of female artists. If you look internationally, the music scene is largely dominated by women. My masterplan is to bring that change to India – to inspire more women to step forward and chase their dreams without hesitation. Confidence and belief are key. And if I can make it to the top, they will know they can too.
Who would you love to collaborate with?
Shubh is a great artist. I would love to collaborate with him someday.
What music genres dominate your personal playlist these days?
(Laughs) There is no in-between. It is either extreme hip hop or extreme melody – the best of both worlds.
Who is your music hero?
My father. I have seen him at his peak, and he inspires me to aim that high. He has sold out stadiums and ruled India’s pop music scene in the 1990s and 2000s. I hope I can follow in his footsteps and make him proud.
If you could master something new in music, what would it be?
I would love to master advanced music production. I only know the basics for now, but if I had more time, I would love to make beats just for fun. It is something that really fascinates me.
What inspires you?
Nature inspires me. If you leave me in the hills or by the sea for hours, I will come back with ten compositions. It opens up my creativity. I also love stargazing – just staring at the vastness of the universe. That inspires me too. And I admire other artists and their creativity. We should always support each other in this community.
Why do you love music?
I love music! I breathe music! Imagine how empty the world would be without it. Music heals your soul. It connects you to yourself. You do not need company when you are listening to music. It helps you enjoy life.
Hailey Bieber’s solo Vogue cover was meant to mark a celebratory milestone, her first since becoming a mother. But instead of basking in the spotlight, the moment quickly devolved into digital chaos, thanks to a now-deleted caption posted by her husband, Justin Bieber.
The pop star shared Hailey’s cover image with an unexpected confession: he once told her she’d never make it to Vogue during a past argument. While Justin tried to frame the post as a heartfelt apology and testament to her growth, fans didn’t see it that way. The caption struck many as tone-deaf, with critics accusing him of overshadowing Hailey’s achievement with an unnecessary anecdote that placed the focus back on him.
The post read like an awkward mix of self-awareness and self-centring. While Justin did express regret, admitting he was “clearly wrong” and calling the moment “humbling”, the damage was already done. His words, meant to uplift, were quickly interpreted as a reminder of past disrespect rather than present support.
The backlash was swift. Fans and followers flooded the comments, calling the post inappropriate and poorly timed. Many asked why Justin chose to bring up a private fight during what should have been Hailey’s big moment. Others noted that the caption turned an empowering achievement into an emotional flashback, once again making her success about their marriage and, more specifically, his role in it.
In response to the backlash, Justin deleted the original caption and replaced it with a string of emojis. That move too drew criticism, with some calling it a passive dismissal of valid concerns and others viewing it as a way to quietly dodge accountability.
Though Hailey did not address the post directly, she acknowledged the toll public scrutiny has taken on her in her Vogue interview. She mentioned how online commentary often labels her a liar whenever she attempts to clarify anything, prompting her to adopt a more silent stance, a coping mechanism she credits to Justin, who advised her early on that engaging with trolls is a losing game.
Fans call out Justin Bieber over caption that hijacked Hailey’s Vogue momentGetty Images
While the couple have recently welcomed their first child, Jack Blues, and have publicly spoken about how parenthood has deepened their bond, this incident proves that even joyful milestones come with complications when you’re living life in a digital fishbowl.
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The Stranger Things cast prepares for one last adventure in Hawkins
The countdown to the last season of Stranger Things has officially begun, but fans might be waiting longer than expected to see how it all ends. Though Netflix has confirmed the show will return in 2025, a new rumour suggests the final season could be released in three waves, with the concluding episodes potentially dropping in 2026.
According to an unverified leak circulating on Twitter, Stranger Things 5 could be split into three volumes: one in October 2025, another in November 2025, and a third sometime in 2026. If this is true, the finale might not land until well into next year, stretching the goodbye even further.
— (@)
So far, Netflix hasn’t confirmed this staggered release. More clarity may come on 31 May, when Netflix’s annual Tudum event goes live. The streaming giant is expected to reveal updates on several big titles, including Emily in Paris, Squid Game Season 3, and possibly the official timeline for Stranger Things Season 5.
Here’s what we do know: filming wrapped up in December 2024, and the new season will have eight episodes set in the autumn of 1987, about six months after Season 4. Netflix has already released the episode titles, which include The Crawl, The Turnbow Trap, Escape from Camazotz, and The Rightside Up, all titles that hint at returning themes from earlier seasons.
Stranger Things season 4 poster Wikipedia
The core cast will be back for one last mission in Hawkins, including Millie Bobby Brown, Finn Wolfhard, Sadie Sink, and Gaten Matarazzo. Veteran actress Linda Hamilton is also joining the final chapter, although her role remains under wraps.
Behind the scenes, the mood has been emotional. At the final table read, several cast members reportedly broke down in tears. David Harbour (Hopper) described it as “waves of people crying,” while Millie Bobby Brown shared a heartfelt message on social media, reflecting on her journey from child actor to global star.
Once Season 5 wraps, the Stranger Things universe won’t close entirely. An animated series titled Stranger Things: Tales From ’85 is in the works. Details are scarce, but it promises to explore new corners of the show’s world, whether or not the original cast returns.
For now, fans will have to hold tight as Netflix prepares to bring one of its biggest shows to a dramatic, and possibly drawn-out, conclusion.
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Deepika Padukone was expected to lead Spirit opposite Prabhas before exiting the project
Deepika Padukone is no longer part of Spirit, the high-profile film directed by Sandeep Reddy Vanga and starring Prabhas. The news comes amid reports of rising tensions between the actress and the filmmaker over working terms that didn’t quite align.
Initially, Deepika was expected to headline the film and take home a career-best paycheck of £1.9 million (₹20 crore). Her presence in the project had created early excitement among fans of both the actress and Prabhas. However, things reportedly soured during early discussions.
Industry buzz grows as Deepika walks away from SpiritGetty Images
According to several industry reports, disagreements began when Deepika reportedly requested fixed work hours for an 8-hour workday with approximately 6 hours spent filming. She also wanted a share in the film’s profits, in addition to her fee. Further, there were claims that she was unwilling to deliver her lines in Telugu, which became a sticking point in a multilingual project.
While none of these details have been officially confirmed by Deepika or Vanga, sources close to the film suggest that the director was not on board with the terms and decided to part ways. The production team is now said to be on the lookout for a new lead actress.
Earlier, Deepika had already stepped back from the film due to her pregnancy. The film’s shooting schedule, initially set for late 2024, had to be adjusted. When the filmmaker returned with a revised timeline, she was reportedly back on board. But the situation appears to have shifted again.
This development has sparked chatter on social media, with fans and insiders weighing in. Some question whether the actress was ever keen on doing the film, while others point out that Vanga’s films haven’t offered substantial roles for women. The debate has only intensified in the absence of any official statement from either party.
Deepika Padukone’s Spirit exit fuels debate on demands and director controlGetty Images
Meanwhile, Spirit remains a highly anticipated release, with plans for a global rollout in multiple languages, including Hindi, Telugu, Tamil, and Korean. The film is still in its early stages, and casting updates are expected soon.
For now, what could’ve been a major collaboration has ended before it began, not with a bang, but with a breakdown in expectations.
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Brat was a cultural moment but Charli is already thinking ahead without fear
After the explosive success of Brat, Charli XCX isn’t trying to bottle lightning twice. In fact, she’s more than ready for her next album to sink. Not because she’s lost her touch but because she’s no longer creating music to top charts or break the internet. She’s doing it for herself.
Speaking at Cannes in an interview with Culted, Charli shared that she doesn’t feel the weight of trying to outdo Brat. “When I made Brat, I believed in it, but I didn’t know how people would react,” she said. “It just clicked with the audience. That wasn’t something I planned.” Now, with her next record on the horizon, she’s bracing for it to miss the mark and she’s completely okay with that. “You can’t repeat the same thing twice,” she added, “and honestly, if it flops, I’m fine with it.”
Charli XCX attends the 2025 Kering Women In Motion Awards and Cannes Film Festival Presidential Dinner at the Cannes Film FestivalGetty Images
Released in mid-2024, Brat catapulted Charli into mainstream stardom. From viral TikTok trends to sold-out arena shows, the album became a cultural mood board. That neon green cover wasn’t just aesthetic; it became a statement, one even Kamala Harris welcomed when Charli jokingly dubbed the U.S. presidential candidate “brat-coded.”
The album didn’t just resonate with fans. It grabbed three Grammy wins, including Best Dance/Electronic Album and Best Recording Package. But despite the acclaim, Charli admits she never expected to be on the Grammys’ radar. “Last year, I didn’t think I’d even be in the conversation,” she said.
Charli XCX at the Magnum Crack Into Pleasure party Getty Images
Her older track Party 4 U is also getting a second life, blowing up years after its quiet 2020 release. “It reminds me of lockdown, recording vocals alone, stuck inside. It was a strange, lonely time,” she reflected.
Now, while fans anticipate new music, Charli’s exploring other creative lanes too. She’s stepping into acting, with several films lined up, including an A24 project she helped create, The Moment.
Charli xcx attends the 2025 Met Gala Getty Images
Whether the next album flops or flies, Charli isn’t chasing legacy. She’s just showing up, creating from instinct, and letting go of the scoreboard. That’s what makes her cool and maybe even braver than ever.