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Team Tiger 3 to jet off to Russia for next schedule

Team Tiger 3 to jet off to Russia for next schedule

According to reports, Salman Khan and Katrina Kaif are set to resume production on their much-awaited espionage thriller Tiger 3. Directed by Maneesh Sharma, the film marks the third installment of Yash Raj Films’ successful franchise Tiger. Reportedly, the entire team of Tiger 3 is expected to jet off to Russia this week to film the next schedule.

Sharing more details, a source in the know informs a popular Indian publication, “YRF is chartering everyone, including Salman, Katrina, director Maneesh Sharma, the entire cast and crew, for this intense international leg that will see the team pull off some spectacular shooting schedules! Team Tiger takes off on 18th August, 21. The direction team under Maneesh has prepped for months for this schedule and Aditya Chopra is clear that the shoot needs to happen smoothly.”


The source goes on to add, “Salman and Katrina will land in Russia first and then head to multiple shooting destinations like Turkey and Austria. Aditya Chopra and Maneesh Sharma did not want to compromise on the scale of the film despite the pandemic and they have planned Tiger 3 to be a visually spectacular theatrical experience. Thus, this schedule will add a lot to the film’s visual extravaganza and some never seen before action sequences will be filmed.”

In addition to Salman Khan and Katrina Kaif, Tiger 3 also stars Emraan Hashmi in the lead role. Buzz has it that the Murder (2004) actor, who is presently awaiting the release of his upcoming mystery thriller Chehre, plays the antagonist in the film which marks his maiden collaboration with Yash Raj Films. Though the makers have not announced any date, the film is expected to enter theatres in 2021.

Keep visiting this space over and again for more updates and reveals from the world of entertainment.

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

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  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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