Shabana Azmi, SS Rajamouli among 487 new Academy members
From the Indian film industry, A R Rahman, Amitabh Bachchan, Shah Rukh Khan, Kajol, Suriya, Vidya Balan, Aamir Khan, Salman Khan, Ali Fazal, Aditya Chopra, Guneet Monga, Reema Kagti, Ekta Kapoor, and Shobha Kapoor are already members of the Academy.
Veteran actor Shabana Azmi, RRR director SS Rajamouli, producer Ritesh Sidhwani, and noted cinematographer Ravi Varman are among the new 487 members invited this year by the Academy of Motion Picture Arts and Sciences.
In a statement shared on its website, the Academy on late Tuesday night said the list includes artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.
Membership selection is based on professional qualifications, with an ongoing commitment to representation, inclusion and equity, according to the Los Angeles-based institution.
Azmi, a stalwart in both Indian and international cinema, has been invited to join the Actors branch. The news comes as Azmi completes 50 years in the industry; she made her groundbreaking debut in Shyam Benegal's "Ankur" (1974).
Known for films such as Godmother, Arth, The Reluctant Fundamentalist, In Custody, and most recently Rocky Aur Rani Kii Prem Kahaani, the multiple award-winning actress has starred in over 140 Hindi films and 12 international productions.
Rajamouli, the man behind the epic period spectacle RRR which became the first Indian feature production to win an Academy Award in 2023, has been included in the Director's branch.
Independent filmmaker Rima Das, known for acclaimed and awarded titles such as Tora’s Husband and Village Rockstars, is also joining Rajamouli in the segment.
Renowned producer Sidhwani, who has backed celebrated movies such as Gully Boy and Dil Chahta Hai, will be part of the Producers branch.
Director of photography Varman has been invited to join the Cinematographers branch. His credits include Japan, Ponniyin Selvan: Part Two, Goliyon Ki Raasleela Ram-Leela, and Shankar's upcoming Indian 2.
Rama Rajamouli, RRR costume designer and wife of Rajamouli, has been invited to the Costume Designers branch. Part of the Production and Technology branch is choreographer Prem Rakshith, who created the complex but perfectly synthesised moves in the best original song Oscar winner "Naatu Naatu" from RRR.
Sheetal Sharma, known for her work on movies such as Gangubai Kathiawadi and Kesari, will join Rama Rajamouli in the section.
Documentary filmmaker Hemal Trivedi (Among the Believers, Saving Face) is part of the Documentary branch.
"We are thrilled to welcome this year's class of new members to the Academy. These remarkably talented artists and professionals from around the world have made a significant impact on our filmmaking community," Academy CEO Bill Kramer and Academy President Janet Yang said in a joint statement.
From the Indian film industry, A R Rahman, Amitabh Bachchan, Shah Rukh Khan, Kajol, Suriya, Vidya Balan, Aamir Khan, Salman Khan, Ali Fazal, Aditya Chopra, Guneet Monga, Reema Kagti, Ekta Kapoor, and Shobha Kapoor are already members of the Academy.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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