When Jennie from BLACKPINK hit the Coachella stage on Sunday, fans expected a show-stopping performance. Instead, they were left confused and disappointed. After weeks of hype around her solo album Ruby and her evolution as an artist outside the group, the performance didn't deliver the energy or polish many had hoped for.
Jennie performed at the Outdoor Theatre, stepping out in dazzling outfits and kicking off her set with confidence. Visually, everything was in place; her cowboy-inspired look and later a red leather ensemble were definite crowd-pleasers. But once the music started, the cracks began to show.
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Fans noticed something was off from the first song. Many pointed out that Jennie looked out of breath early on, and her vocals were barely audible. Several attendees and viewers online said she sang only in short bursts, and much of the set relied heavily on backing tracks or minimal vocal effort. “It felt like she gave up halfway through,” one fan posted on Reddit. “She looked tired and unprepared.”
The setlist didn’t help. Filled with slower tracks, it didn’t match the high-energy expectations of a Coachella crowd. One fan put it bluntly: “You can’t do three mellow songs in a row at a festival and expect people to stay hyped.”
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While Jennie’s style is rarely in question, many viewers felt the performance lacked stamina and stage presence. “If singing isn’t the focus, she needs to lean into the dance,” another fan wrote, comparing her set unfavourably to Lisa’s high-energy show earlier in the weekend. But even when Jennie did dance, fans said she looked drained, raising questions about whether she was physically prepared for a solo festival set.
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Some longtime BLACKPINK fans suggested that Jennie thrives better as part of the group, where responsibilities are shared and strengths balanced. Alone on stage, her weaknesses stood out more clearly. “BLACKPINK works because they support each other,” one fan said. “Jennie’s not there yet as a solo headliner.”
It’s clear that the response to her Coachella appearance wasn’t what Jennie or her team had hoped for. Still, fans aren’t giving up on her. Many say they’re rooting for her to improve and come back stronger but next time, with more rehearsal and a set that matches her star power.
Aishwarya Rai Bachchan has once again touched down in France for the Cannes Film Festival, and this time, as always, her daughter Aaradhya is by her side. The duo was seen arriving at Nice Airport, where they were warmly received. A video of their arrival, now circulating widely online, captures Aishwarya chatting warmly with a greeter who hands a gift to Aaradhya before they head off.
Clad in a navy blue trench coat, Aishwarya kept it simple yet elegant. Aaradhya wore an all-black outfit and seemed at ease, exchanging smiles and laughter during the brief encounter at the airport. Despite recent speculation about whether Aishwarya would attend Cannes this year, especially after a video of her dancing with husband Abhishek Bachchan at a wedding in Mumbai, her airport appearance has laid all doubts to rest.
Fans quickly jumped into action online, sharing excitement over her return to Cannes. Comments ranged from “She is back!” to eager anticipation over her upcoming looks. However, not all responses were glowing, with some commenting on her choice of hairstyle.
Aishwarya is expected to walk the Cannes red carpet on 21 and 22 May, marking her 22nd year at the prestigious event. Her first appearance was in 2002 for the premiere of Devdas, where she made headlines arriving in a traditional gold saree, accompanied by Shah Rukh Khan and director Sanjay Leela Bhansali.
As for Aaradhya, her presence at Cannes is no surprise. Aishwarya has often said that her daughter enjoys the experience, not just for the glamour but for the atmosphere and the people she’s grown familiar with over the years. She once shared that Aaradhya understands the significance of the festival and appreciates the world of cinema.
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This year’s Cannes also sees other Indian names on the guest list, including Payal Kapadia on the competition jury, and stars like Janhvi Kapoor, Ishaan Khatter, and Vishal Jethwa promoting their film Homebound. Meanwhile, the restored version of Satyajit Ray’s Aranyer Din Ratri brings legends like Sharmila Tagore and Simi Garewal back to the spotlight.
With Aishwarya back on the red carpet, the countdown to her Cannes look has officially begun.
Taylor Swift’s long-awaited Reputation (Taylor’s Version) finally made its presence known, but not through a press release or streaming platform. Instead, it emerged through the eerie silence of Gilead. The re-recorded version of “Look What You Made Me Do” debuted unexpectedly in the opening scene of the latest episode of The Handmaid’s Tale, catching fans and viewers completely off guard.
The episode begins with Elisabeth Moss’s character, June Osborne, orchestrating a quiet but fierce act of resistance against the regime. As handmaids march through a war-torn street, Swift’s voice cuts through the chaos. The updated track underscores the rebellion, syncing perfectly with the tension and defiance unfolding on screen.
The original 2017 version of the song was a turning point in Swift’s career, born out of public backlash and a media storm. Its reappearance now, in a show about fighting back against oppression, feels deeply personal. Swift’s battle to reclaim her music mirrors the episode’s themes: reclaiming agency, rewriting narratives, and refusing to be silenced.
Moss, also an executive producer of the show, shared how this moment had been years in the making. She revealed she had always wanted to feature a Taylor Swift track but waited for the right moment. “This was it,” she said. “The song, the scene, the story, it all just clicked.” Moss also attended Swift’s Eras Tour last year with castmate Bradley Whitford, making her admiration for the singer no secret.
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For Swifties, this is the clearest sign that Reputation (Taylor’s Version) is on the horizon. While fans have spotted hints in everything from merch updates to symbolic fashion choices, this full-length debut feels like the real beginning of the next chapter.
It also marks the latest move in Swift’s ongoing mission to re-record her early albums and reclaim ownership after the rights to her original masters were sold without her consent. So far, she’s re-released Fearless, Red, Speak Now, and *1989*, with Reputation and her debut album left.
Swift’s music has popped up in recent shows and documentaries, but this moment in The Handmaid’s Tale is her strongest re-entry into the Reputation era. It's less of a promo, more of a declaration. The gloves are off.
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Peppa Pig welcomes baby Evie in a royal-style announcement
After 20 years of being the star of the family, Peppa Pig is no longer the youngest girl in the house. A new face has joined the Pig family: a baby girl named Evie. Born early Tuesday morning at 5:34 AM at the Lindo Wing of St Mary’s Hospital in London (yes, the same one where the royal children were born), Evie marks the first major addition to the family since the show began in 2004.
The news was revealed in true British fashion with a town crier in a video posted on Peppa Pig’s official Instagram. The announcement, styled like a royal birth, sent fans and brands into a frenzy. Mummy Pig is said to have named the baby after her great-aunt, and while the birth was not easy, she shared that she is relieved and happy to have Evie here, safe and healthy.
Peppa’s younger brother George, who has somehow been two years old forever, now has a new sibling to share toys and tantrums with. And while Peppa seems thrilled in the official photos, it is hard not to wonder how she will really feel once the attention shifts away from her.
To mark the occasion and the show’s 20th anniversary, the creators are rolling out a cinema special called Peppa Meets The Baby. Hitting screens on 30 May, the one-hour film will follow Peppa and George as they prepare for Evie’s arrival, featuring 10 new episodes and six new songs. Evie will also become a regular on the main show, adding a new layer to the Pig family’s dynamic.
The show, which started on Channel 5 and Nick Jr. in 2004, has grown into a global phenomenon, airing in over 180 countries and more than 40 languages. In 2019, toy giant Hasbro took over the franchise, promising even more Peppa-centric content.
The buzz around baby Evie has been building for months. Mummy Pig’s pregnancy reveal in February was followed by a gender reveal in April, complete with a media rollout that rivalled any celebrity birth. Parenting tips, maternity photos, and interviews about balancing work and family were part of the package.
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Now, with baby Evie here, it feels like growing up just got real.
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The Harry Potter reboot becomes the most expensive TV show ever
The next time you think of a big-budget show, forget Game of Thrones or The Rings of Power. The new Harry Potter reboot is set to leave them all behind and not just in storytelling, but in cost. With a jaw-dropping budget of over $4.2 billion (₹33,600 crore), this upcoming series is on track to be the most expensive television production ever attempted.
Each of the 42 planned episodes, spread across seven seasons, will reportedly cost more than $100 million (₹837 crore). That’s more than many Marvel movies and nearly double the per-episode spend of Amazon’s The Rings of Power. But where is all that money going?
A massive part of the budget is being poured into something rarely attempted on this scale: a custom-built town. Nicknamed “Potterville,” this mini city is under construction at Warner Bros. Studios in Leavesden and will house life-size recreations of iconic locations like Hogwarts, King’s Cross Station, and Privet Drive. The price tag for this alone? Around £1 billion (₹10,700 crore). The idea is not just about visual realism but a long-term investment in the franchise’s future, with the possibility of spin-offs or other productions set in the same magical universe.
Unlike the original film series, which had to condense the books into blockbuster-length scripts, this version aims to give each book its own season, allowing for a deeper dive into the world J.K. Rowling created. The show is expected to go into the details that never made it to the big screen.
A fresh cast will step into some of the most recognisable roles in pop culture. John Lithgow will take on the role of Albus Dumbledore, joined by Janet McTeer as Professor McGonagall, Paapa Essiedu as Snape, and Nick Frost as Hagrid, among others. The trio of young leads Harry, Hermione, and Ron are yet to be announced.
Set to film on a sprawling 200-acre site, this reboot marks a major moment for HBO and Warner Bros. Whether it lives up to expectations or not, it’s already rewritten the rules of television production. And in the process, it’s raised a question: how much is too much to bring magic back to life?
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Denzel Washington reacts emotionally to receiving a surprise lifetime honour at Cannes
Cannes 2025 took an emotional turn when Denzel Washington was presented with an unexpected Honorary Palme d’Or just before the premiere of Highest 2 Lowest, his latest film with long-time collaborator Spike Lee. The moment came as a surprise not just to audiences, but to Washington himself.
The announcement was made by Cannes festival director Thierry Frémaux after a career-spanning tribute reel played at the Palais. Spike Lee, who has directed Washington in five films, stepped on stage to hand over the award personally. “This is my brother,” Lee said, pulling Washington into a warm embrace. The audience responded with a long-standing ovation.
Spike Lee presents the Honorary Palme d’Or to his longtime collaborator Denzel Washington Twitter/Absoluto Cine
Washington, visibly moved, called the moment “completely unexpected.” “I’m emotional right now,” he told the crowd. “To be back here with Spike, to make another film together, I’m grateful. Truly grateful.”
The film they’re reuniting on, Highest 2 Lowest, is Lee’s take on Akira Kurosawa’s 1963 classic High and Low. Washington plays King David, a music mogul caught in a kidnapping mix-up involving his son and his driver’s child. The cast includes Aubrey Joseph, Elijah Wright, Jeffrey Wright, A$AP Rocky, Ice Spice, and Wendell Pierce. The film is being shown out of competition at Cannes and will release in cinemas on 22 August before streaming on Apple TV+ in September.
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This is only Washington’s second time at Cannes. His first was over three decades ago, in 1993, for Much Ado About Nothing. The Honorary Palme d’Or is rarely given, only 22 recipients since 2002, and even fewer have received it without prior announcement. The last time this happened was in 2022, when Tom Cruise was surprised with the honour for Top Gun: Maverick.
Washington’s film legacy is already packed with milestones: two Oscars, a Tony Award, a Presidential Medal of Freedom, and multiple Oscar nominations including for Malcolm X, Flight, Fences, and The Tragedy of Macbeth. But this Cannes honour adds another rare jewel to his crown.
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The award also landed on a symbolic date: 16 years to the day after Do the Right Thing, Lee’s breakthrough film, made its explosive Cannes debut. Monday night wasn’t just a celebration of Denzel Washington, but a nod to a creative partnership that continues to shape cinema even today.