One of UK's most popular drinks increases the risk of seven types of cancer!
New analysis suggests that young people are now more at risk of developing cancer than ever before.
By Kimberly RodriguesSep 14, 2022
Some common risk factors for cancer include smoking too much, sun exposure and poor diet. But there's also one common cause of cancer that is often forgotten about, and that's the consumption of alcohol.
According to a new study from the University of Reading, all types of alcohol can significantly increase the risk of seven different types of cancer – including mouth, upper throat, laryngeal, oesophageal, breast, liver, and bowel cancer.
Experts are of the opinion that this is because of a harmful chemical called acetaldehyde which is produced by the body when alcohol is processed.
The researchers discovered that acetaldehyde can break and damage DNA within stem cells which are the building blocks of all organs, tissues, blood and the immune system.
Also, a previous report by The University of Texas MD Anderson Cancer Center informs that the ethanol in alcohol breaks down to acetaldehyde, which is a known carcinogen.
This compound damages DNA and stops cells in the body from repairing the damage - allowing cancerous cells to grow.
Additionally, based on a study that looked at the rising use of alcohol in rapidly developing countries such as China, according to a report in WebMD researchers in the UK have confirmed that alcohol is a direct cause of cancer, thereby reinforcing the need to lower the amount of alcohol consumed, as a technique to prevent cancer.
"Limiting alcohol consumption is one of many ways to live a healthier lifestyle that helps reduce cancer risk,” said Paul Pharoah, professor of cancer epidemiology at the University of Cambridge, while commenting on the study.
However, “Some cancers develop due to DNA damage in stem cells,” states professor Ketan Patel, lead author of the current study and head of molecular and cellular medicine at Reading.
He adds, "While some damage occurs by chance, our findings suggest that drinking alcohol can increase the risk of this damage.”
The research, which was part-funded by Cancer Research UK, was carried out on Mice to see how alcohol exposure leads to permanent genetic damage.
Speaking about the same, Cancer Research UK’s expert on cancer prevention, Professor Linda Bauld states, “This thought-provoking research highlights the damage alcohol can do to our cells, costing some people more than just a hangover.
“We know that alcohol contributes to over 12,000 cancer cases in the UK each year, so it’s a good idea to think about cutting down on the amount you drink.”
Researchers also reportedly discovered that some people who drink alcohol have a higher risk of developing cancer than others.
This is because some people don't have the enzyme that is known as aldehyde dehydrogenases, responsible for breaking down and getting rid of harmful acetaldehyde made by the body in response to alcohol.
Prof Patel adds, “Our study highlights that not being able to process alcohol effectively can lead to an even higher risk of alcohol-related DNA damage and therefore certain cancers.
"But it’s important to remember that alcohol clearance and DNA repair systems are not perfect and alcohol can still cause cancer in different ways, even in people whose defense mechanisms are intact.”
Meanwhile, new analysis suggests that young people are now more at risk of developing cancer than ever before. According to experts, the reason for this is the major changes in current diets and lifestyle of the average Western person, over the last several decades.
This includes increased alcohol intake, lack of sleep, consuming lots of highly processed foods, drinking sugary drinks and higher prevalence of smoking.
Besides, a sad reality is that one in every two Brits will develop cancer at some point in their lives, The Sun states.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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