Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Pierce Brosnan, who played 007 in four films, says the next James Bond “has to be a man”.
Dame Helen Mirren agrees, stating Bond “just doesn’t work” as a female character.
Both actors previously criticised the franchise for sexism but now believe a male lead keeps Bond’s identity intact.
Speculation continues over who will replace Daniel Craig, with Aaron Taylor-Johnson and Callum Turner among frontrunners.
The future of James Bond continues to dominate film debates as former 007 star Pierce Brosnan and Oscar-winning actress Dame Helen Mirren both argued that the next incarnation of the spy must remain male. Their comments are a clear shift from earlier years, when Brosnan had suggested it was time to hand the role to a woman.
Speaking to Saga magazine, Brosnan, who fronted the franchise in four films between 1995 and 2002, said he is eager to see “a new man” take on the part after Daniel Craig’s exit in No Time to Die. “Oh, I think it has to be a man,” said the 72-year-old Irish actor. “I’m so excited to see the next man come on the stage and to see a whole new exuberance and life for this character.”
Mirren, his co-star in the upcoming film adaptation of Richard Osman’s The Thursday Murder Club, echoed the view. “I’m such a feminist, but James Bond has to be a guy. You can’t have a woman. It just doesn’t work. James Bond has to be James Bond, otherwise it becomes something else,” said the 80-year-old star.
Pierce Brosnan and Dame Helen Mirren attend the "MobLand" Global PremiereGetty Images
Why Pierce Brosnan changed his mind on a female Bond
Brosnan once championed the idea of a woman stepping into 007’s tuxedo. In a 2019 interview with The Hollywood Reporter, he called it “exhilarating” and urged producers to “put a woman up there.” His reversal comes as Amazon-MGM, which now controls the franchise, prepares to relaunch Bond with director Denis Villeneuve at the helm.
Despite his change of stance, Brosnan insisted his affection for the franchise remains. “I adore the world of James Bond. It’s been very good to me. It’s the gift that keeps giving. And I’m just a member of the audience now, sitting back, saying: ‘Show us what you’re going to do.''
Pierce Brosnan reignite the female Bond debate ahead of franchise rebootGetty Images
Helen Mirren’s feminist take on Bond and sexism in the franchise
Mirren has long spoken about gender in the Bond universe. In earlier interviews, she criticised the “profound sexism” baked into Ian Fleming’s stories and the films that followed. She argued that real-life female spies, from the French Resistance to the British Secret Service, showed remarkable bravery and deserved recognition on screen.
Yet Mirren now maintains that Bond’s cultural identity is inseparable from being male. “So many women have worked in that world. Is it more realistic to show them? Absolutely. But Bond is fantasy, not realism,” she said, stressing that her stance does not weaken her feminist convictions.
Helen Mirren joins Brosnan in backing a male successor for the 007 roleGetty Images
Who will be the next James Bond?
Since Daniel Craig’s departure in 2021, speculation about his successor has been relentless. Aaron Taylor-Johnson, known for Bullet Train is widely regarded as the frontrunner. Masters of the Air actor Callum Turner and Saltburn star Jacob Elordi are also rumoured contenders.
Other names circulating include Henry Cavill, Regé-Jean Page, James Norton, Theo James, and Paul Mescal. While no official casting has been confirmed, producers Barbara Broccoli and Michael G. Wilson have hinted that the announcement will define the franchise for the next decade.
Tom Holland Jacob Elordi and Harris Dickinson top James Bond shortlist as Amazon eyes younger 007 Getty Images
What’s next for the James Bond franchise?
The upcoming film will be scripted by Peaky Blinders creator Steven Knight and directed by Denis Villeneuve. Amazon MGM Studios has promised a “fresh” take on the character while honouring Bond’s six-decade legacy.
Jeff Bezos\u2019 post on next James Bond shakes the internet after Amazon\u2019s takeover of franchise Instagram/007
Whether the producers stick with tradition or surprise audiences with an unexpected choice, Brosnan and Mirren’s comments reinforce the argument that 007’s identity remains rooted in masculinity, at least for now. Until the official reveal, the debate over whether Bond could ever be reimagined as a woman is likely to continue fuelling headlines as much as the spy’s next mission.
Swift’s twelfth studio album, The Life of a Showgirl, released on 3 October 2025
Lead single “The Fate of Ophelia” unveiled alongside a global cinema event
Sabrina Carpenter features on the shimmering title track
Visual campaign drenched in orange, nodding to cabaret history
Photographers Mert and Marcus shot the album’s flamboyant artwork
Taylor Swift’s The Life of a Showgirl is finally here, and it feels less like a simple album drop and more like a deliberately staged spectacle. This new record, landing today, completely abandons the muted tones of The Tortured Poets Department for something far more theatrical. The whole project, conceived during the European tour dates, dives headfirst into the manic energy of performance, using the showgirl motif to ask what it costs to live under stadium lights. It’s a theme echoed in the ambitious, limited-run cinematic event accompanying its release.
Taylor Swift exposes the hidden toll of fame with 'The Life of a Showgirl' and shocking new single Instagram/taylorswift
What is the real story behind The Life of a Showgirl?
Okay, so it’s not actually about being a showgirl in the literal sense. That’s just the metaphor she’s clinging to. Swift has talked about the songs coming to her in bits and pieces between shows last year. Think about it: one night you’re screaming on stage in front of 70,000 people; the next you’re on a silent tour bus staring at a wall.
That whiplash is the album’s core. It’s about the duality, the person versus the persona. The tracklist alone hints at it with songs like Elizabeth Taylor and Father Figure, suggesting she’s playing with icons and archetypes, maybe seeing her own life reflected in theirs.
Right, the sound. This is a hard pivot. Where Poets was often sparse and lyrically dense, this one is loud. It’s pop, but with dramatic, soft-rock layers. Bringing Max Martin and Shellback back into the fold says everything you need to know; she’s going for big hooks and that polished sheen, clearly making a conscious return to a grander production style. “The Fate of Ophelia” kicks the door in with a driving beat and a chorus that feels designed for stadium chant-alongs, like a world away from the muted synthscape of “Fortnight.”
This is key. It’s not another Eras Tour film. From 3 to 5 October, fans are gathering in cinemas worldwide for Taylor Swift: The Official Release Party of a Showgirl. It isn’t a concert film. You get the premiere of the “Fate of Ophelia” video, sure. But also, lyric videos for all the new songs, along with behind-the-scenes footage and audio of Swift talking about the tracks.
It feels like a controlled, immersive unboxing of the album’s world. And then it’s gone. Perhaps, that scarcity is the whole point, making the album release itself a fleeting, must-see event.
You’ve definitely noticed the orange. It’s everywhere. The photoshoots by Mert and Marcus, the promotional materials, even city landmarks got lit up in orange. It’s not an accident; in fact, it’s the entire branding.
Orange is intense, it’s warm, it’s attention-grabbing. It perfectly sells the showgirl aesthetic, think old Vegas, cabaret feathers, the glow of the stage lights vibe. But it’s also a complete departure from the moody blues and grays of Poets. This colour choice seems like the first and loudest signal that this is a new, defiantly un-sad era.
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Priyanka Chopra shuts down global tag and doubles down on Indian actor pride
She shot down the 'global actor' tag with a definitive, almost weary, clarity.
Her first major jewellery purchase was a self-funded diamond from an early film pay cheque.
She's deep in the trenches of her pirate film The Bluff and the Citadel sequel.
The Bulgari partnership works because it, unlike many, shouts out Indian craftsmanship.
Despite the Hollywood slate, the SS Rajamouli film in India is absolutely confirmed.
Look, Priyanka Chopra is done explaining herself. On a quick stop in Mumbai, sandwiched between Hollywood schedules and a glittering Bulgari event, someone dared to ask the question again. You know the one. Global or Indian? Her answer wasn't just sharp; it was a sigh of finality. For an Indian actor in Hollywood, the constant need to define her identity is just noise. And she's done listening to it.
Priyanka Chopra shuts down global tag and doubles down on Indian actor pride Instagram/bvlgari
What’s her deal with Bulgari?
This isn’t some random cheque for her. You can tell it actually means something. She gets a real kick from how Bulgari gives India its due, shouting out the craftsmanship and the gemstones. Then she hit us with a classic story. Her first serious jewellery buy was a two-carat diamond, funded entirely by the signing amount from one of her earliest films. Her mum called it her "becoming a woman" moment. Try finding that level of meaning in a standard brand partnership.
This is where she doesn’t mess about. When the whole "global actor" thing came up, her answer was a verbal mic drop. "I’m Indian, and I’m an actor. That makes me an Indian actor," she stated. No fluff, no diplomatic answers. She talked about loving her job and following the work, but the core of it all never budges. It’s a refusal to have her identity rewritten by a map.
Priyanka Chopra embraces Indian actor title while juggling Hollywood and SS Rajamouli projectsGetty Images
So what’s next for Priyanka Chopra?
The woman isn't resting. She's fresh off a boat, literally, having wrapped The Bluff, this pirate flick with the Russo Brothers. "Exceptional" is the word she uses, and with her, that's not just PR talk. Then, no rest, she's straight back into the messy, big world of Citadel for another season. Oh, and the globetrotting SS Rajamouli’s film? It’s confirmed. She's in. So yeah, she's operating on a different plane of existence altogether.
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Strictly Come Dancing brings back Cynthia Erivo to guide celebrities in Wicked-inspired Movie Week performances
Erivo returns to the BBC dance show in a new role.
She will advise contestants during Movie Week.
The professional dancers are doing a Wicked performance.
She previously served as a guest judge.
The move ties in with her new film release.
Strictly Come Dancing has called in Cynthia Erivo for special duties. The award-winning performer will act as a guest mentor when the show holds its Movie Week. This marks a fresh job for Erivo on the programme after she previously served as a judge. She is expected to guide the celebrities through their big screen themed routines.
Strictly Come Dancing brings back Cynthia Erivo to guide celebrities in Wicked-inspired Movie Week performances Getty Images
What does a guest mentor do?
This is a new position created for the series. Erivo will visit the couples during their practice sessions. She will give them tips on how to sell a performance. Her job is to help them look more like film stars on the dance floor. When the live show happens, she will also join the judging panel to watch the results.
Cynthia Erivo takes over mentoring on Strictly Come Dancing to boost celebrities for high-stakes Movie Week Getty Images
Why choose Cynthia Erivo?
She knows her way around the Strictly ballroom. Producers brought her in to cover for judges before. People still talk about how she spoke to Rose Ayling-Ellis using sign language. That moment showed she understands how to connect with performers. She also has a new Wicked film in cinemas right now, which makes the timing work well.
Yes, the professional dancers have prepared something special. They will perform to As Long As You're Mine from the musical. Erivo sings that song in the movie version. The number will likely feature costumes and sets from the production. It should serve as a major moment during the broadcast.
The Movie Week episode airs this Saturday evening on BBC One. The competition is starting to get serious now. Some couples are already struggling to impress the judges. Having Erivo there might give someone the boost they need to avoid elimination this weekend.
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Alia Bhatt reveals the real reason she said yes to Ranbir Kapoor and it will surprise you
Alia describes her bond with Ranbir as a natural, best-friend dynamic from the start.
She admits they love trolling each other more than anyone else.
The actress reveals becoming parents to Raha has fundamentally changed their relationship.
She predicts Ranbir will be an intensely overprotective father as Raha grows up.
Their intimate home wedding was chosen because they are self-confessed homebodies.
Let's be honest, everyone wanted to know what finally convinced Alia Bhatt to marry Ranbir Kapoor and she just spelled it out. During a recent talk show appearance, she didn't bother with vague, poetic answers. She got straight to the point and the answer had nothing to do with a grand fairytale. It was far more basic than that, and honestly, it makes complete sense.
Alia Bhatt reveals the real reason she said yes to Ranbir Kapoor and it will surprise you Getty Images
What is Alia and Ranbir's relationship really like?
Alia basically said what she and Ranbir have is far more real. "Ranbir and I have a natural friendship," she said. That's the bedrock of it all. "I married him because he is wonderful to me and also as a human being." And then she mentioned the trolling. "One hundred per cent the person I love trolling the most is him and the person he loves trolling the most is me."
Alia Bhatt shares rare insights about her marriage to Ranbir KapoorGetty Images
Why did Alia Bhatt and Ranbir Kapoor have a home wedding?
Everyone expected a massive Bollywood wedding for them, at a palace somewhere. But they did the complete opposite. Alia explained their thought process behind the decision. "We are homebodies, very socially awkward. We just wanted the closest people in our lives with us. I did not want to be attending to people at our wedding." They considered other venues, but ultimately decided to keep it personal. "We said we'll go on holiday to those places instead."
Parenthood has deepened Alia and Ranbir’s connectionGetty Images
How has becoming parents changed them?
The arrival of their daughter, Raha, has fundamentally shifted their dynamic. Alia stated plainly that things are totally different now. Where they were a couple before, they have solidified into a proper unit. It’s a deeper, more entrenched kind of partnership. And looking ahead, Alia can already foresee the comedy. She joked that she can easily imagine a future where Ranbir, the doting dad, is literally kicking out any boy who dares to come to their house to see Raha. The overprotective father role seems to be his next big performance.
Lahore-based alt-jazz band fuses South Asian classical, jazz, and hip-hop.
Sarangi virtuoso Zohaib brings centuries-old tradition into modern grooves.
UK debut at Union Chapel won over South Asian diaspora audiences.
Barbican show promises richer textures, extended improvisation, and cinematic moments.
Collaboration with legends like Ustad Noor Bakhsh bridges generations and heritage.
Let's get one thing straight: you can't pin Jaubi's sound down. It's a mash-up, sure: Hindustani classical rhythms, the freefall of jazz, hip-hop's grounding beat. But for them, it's never about genre. It's all gut feeling. Speaking exclusively to Eastern Eye ahead of their Barbican show on 3 October, the Lahore-based band opened up about their philosophy, their roots, and why improvisation feels like a conversation, not a performance.
Why “whatever” is more than a name, it’s their musical philosophy
It all starts with the name: Jaubi. It's Urdu for "whatever." Or "whoever."
"It's a philosophy," they say. "It means that when we sit down to create, we're not thinking, this has to be jazz, or this needs to sound like traditional South Asian classical music. We're just expressing what feels true in that moment." In an industry that feeds on neat boxes, that's not just a name; it's a rebellion.
This philosophy manifests in a sound that connects cosmic dots. It's the yearning of John Coltrane crashing into the beat science of J Dilla and the narrative flow of Nas. At its heart is the soulful cry of the sarangi, played by Zohaib, a seventh-generation carrier of that rare lineage.
So how do you honour centuries of tradition while plugging it into a modern context?
"We're conscious of honouring the tradition," they explain. The goal isn't forced modernisation. "The goal isn't to modernise the sarangi, but to create a dialogue between past and present, showing it can exist alongside a bassline or drum loop without losing its soul. In that way, the tradition is protected by being kept alive and relevant, not locked away."
Jaubi brings centuries-old sarangi to modern beats
The intimate, human centre of Nafs at Peace
This dialogue is captured perfectly on their album Nafs at Peace. The album cover, a photo of Ali Riaz Baqar's mother praying, is its intimate, human centre. The title track sonically maps an inner journey. "It begins sparse and unsettled—loose rhythms, open spaces, almost like a mind in turmoil... By the end, everything locks together in harmony. It's not triumphant, but a calm and quiet resolution."
This raw, honest sound wasn't lab-grown. Their seminal session with UK jazz figure Tenderlonious and pianist Marek Pędziwiatr was a one-day, improvised gamble.
Jaubi: the band proving South Asian music can break every rule
"We weren't sure how these worlds would meet: Marek's piano, Tenderlonious' sax, our tabla, guitar, and sarangi." The initial anxiety was palpable. But then, the first notes. A response. An instinctive conversation began. "About halfway through the day, we hit a deep groove, a moment where everyone locked in and that's when we knew it was working. From there, the sessions flowed effortlessly."
For Jaubi, the path of a song is never pre-destined. "The melody always leads for us and everything else builds around it," they say of their writing process. "When I write, I usually start with a melodic idea... From there, the vibe naturally takes shape. We never force it into a category but we just follow where the melody wants to go."
Lahore’s sound goes global with Jaubi’s improvisation
Finding a sense of pride in heritage
This 'whatever' philosophy is resonating powerfully far from home. Nobody knew how their UK debut at Union Chapel would go over. But the reaction? It cracked the place open. "The response was overwhelming, particularly from the South Asian diaspora. Many people came up after the show saying it felt like hearing the sounds of their childhood reimagined in a new way." One conversation crystallised their mission: "Someone who said they'd never seen the sarangi on a stage like that before. They felt proud and emotional, like their heritage was being celebrated rather than just preserved."
Now, they're preparing for the Barbican. "We are expanding the live setup with richer textures, more percussion, deeper bass, and space for extended improvisation. It will feel bigger and more immersive, almost cinematic at times." The moment they want to etch into memory? "If there is one moment I hope people carry with them, it is A Sound Heart. When we play it live, there is a point where everything aligns, and you can feel the whole room breathing with the music."
Sharing the bill with legends like Ustad Noor Bakhsh and Amrit Kaur is a lesson in itself. "Playing alongside them feels like being part of a living tradition… What we take away most is their sense of presence. They do not rush, they let the music breathe. It reminds us to listen closely and to focus on expression rather than complexity."
Jaubi: redefining South Asian music, one note at a time
Looking to the future
This entire journey is rooted in Lahore, a city they describe as "alive with sound right now," pointing to a vibrant underground scene and artists like Maanu, Natasha Noorani, and the Mekaal Hasan Band.
Looking ahead, the legacy they want, true to their name is about opening doors. "In the next decade, we hope Jaubi's legacy is about possibility." It always comes back to doors left unlocked. A way for traditions to breathe new air, for jazz maps to include Lahore, and for some kid somewhere to think, "I can do that too."
Their final word on it? "We want younger musicians to feel free to experiment, whether they pick up a centuries-old instrument or make beats on a laptop. If our journey inspires even a few people to take risks and create something honest, then we have done our job."
Catch them on 3 October at the Barbican. Listen for the point where it all clicks into place. It's the sound of "whatever" finding its perfect, unforgettable voice.