Speculation is growing that Irish actor Patrick Gibson may be involved in the next phase of the James Bond franchise, following the release of the trailer for IO Interactive’s upcoming video game, 007 First Light. The cinematic trailer, which debuted on Wednesday during Sony’s State of Play presentation, showcased a younger version of the iconic British spy, and fans were quick to point out the character’s resemblance to Gibson.
The game introduces a 26-year-old Bond in a third-person action-adventure format, set to release in 2026 across PlayStation 5, Xbox Series X/S, PC, and Nintendo Switch 2. Within hours of the trailer’s release, social media was abuzz with fans speculating that Gibson is either portraying or voicing the new digital version of Bond.
Despite his growing profile, he has not previously worked on video game voice acting projectsYouTube/ IO Interactive
One user on Reddit wrote, “I clocked it THE SECOND I saw the dirty smirk of his,” while another commented: “Watching the trailer and knew the face looked familiar. After about a minute or so I screamed ‘DEXTER.’” The 30-year-old actor is currently best known for his portrayal of a young Dexter Morgan in the prequel series Dexter: Original Sin.
Although IO Interactive has yet to officially confirm the identity of the voice or performance actor behind the digital Bond, the character’s facial features and expressions have drawn comparisons to Gibson. According to PC Gamer, the game’s version of Bond features a “smirky” demeanour, similar to Gibson’s previous roles.
Gibson’s filmography includes appearances in Shadow and Bone, The OA, and The Tudors. Despite his growing profile, he has not previously worked on video game voice acting projects. Notably, his Wikipedia page was reportedly edited shortly after the trailer’s release to claim he had been cast in the game, further fuelling the speculation.
007 First Light: A new take on Bond
IO Interactive’s upcoming game represents a departure from previous depictions of James Bond. In 007 First Light, players will take control of a Bond who is not yet the polished secret agent with a licence to kill. Instead, he is described as “a young, resourceful, and sometimes reckless new recruit” who has just joined MI6 after a privileged but aimless upbringing.
The game begins with Bond as an air crewman in the Royal Navy, prior to earning his 00 status. IO Interactive CEO Hakan Abrak said the aim was to show Bond “before the tuxedos and the martinis,” as he steps into the dangerous world of espionage.
In the trailer, the character M describes Bond as “a bullet without a target,” hinting at a raw, unshaped version of the spy who will evolve into the 007 known to audiences. The game will reportedly combine narrative-driven cutscenes with third-person gameplay, including shooting and melee combat.
Debate over modern Bond and visual choices
Some fans and commentators have questioned the modern direction of the game. PC Gamer remarked that the new Bond, presumably born around the year 2000, has a distinctly contemporary appearance, joking that he looks like someone who “vapes or has opinions about Ethereum”.
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Nonetheless, the studio is expected to share more details at the IOI Showcase on Friday, 7 June at 2 am BST. This presentation is set to feature gameplay footage and may confirm the cast involved in the project.
Bond casting speculation continues
The speculation around Patrick Gibson’s involvement in 007 First Light comes amid ongoing rumours regarding the next actor to play James Bond in the film franchise. Theo James has recently emerged as the frontrunner, with bookmakers BetMGM listing the 40-year-old White Lotus star as the 6/4 favourite to succeed Daniel Craig, whose final appearance as Bond was in 2021’s No Time to Die.
- YouTubeYouTube/ IO Interactive
James, who also appeared in The Gentlemen, is now considered a leading contender among fans and industry insiders for the iconic role.
Meanwhile, 007 First Light marks IO Interactive’s first Bond game since acquiring the licence, and it is expected to be the first in a trilogy developed in collaboration with Amazon MGM Studios.
BAFTA and BIFA-nominated indie Sister Midnight is now available to stream on major digital platforms, including Altitude.film, Apple TV, Amazon, Sky Store, and Curzon Home Cinema.
Director Karan Kandhari’s first feature arrives with plenty of praise and a striking lead performance by Radhika Apte, whom critics say delivers “an endlessly expressive marvel.” Set in the humid, buzzing heart of Mumbai, the film follows a newly married couple trying and often failing to fit into each other’s worlds within the cramped confines of a one-room home.
Apte plays Uma, a new bride forced into a life she didn’t choose, navigating nosy neighbours, a heat-soaked home, and a clueless husband she barely knows. With little support and mounting frustration, she begins drifting into the unpredictable world of Mumbai’s nights, where street dogs, shadows, and music accompany her search for identity and escape.
Kandhari doesn’t stick to the rules. The film unfolds like a fever dream, part dark comedy, part urban myth. It’s messy, but purposefully so. The chaos mirrors Uma’s journey. The paper-thin walls of her shack aren’t the only things breaking down; so is her idea of who she’s supposed to be.
With a soundtrack as unpredictable as the protagonist, Sister Midnight swings between classic rock, old blues, and raw punk, featuring legends like Howlin’ Wolf, Motörhead, and The Stooges, along with original music by Interpol’s Paul Banks.
Radhika Apte’s raw, magnetic energy grounds the chaos
While the film is full of jagged energy and eccentric moments, Apte’s performance ties it all together. She doesn’t just play Uma, she unravels her, one twitch, glare, and outburst at a time. Critics have called her work here “electrifying” and “oddly poignant.” The film clocks in at 110 minutes and carries a 15 certificate for its edgy themes.
But Sister Midnight is far from just gritty; it’s a rare mix of heart and havoc, offering a glimpse into one woman’s unravelling, with the city of Mumbai acting as both witness and accomplice.
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KK’s Tadap Tadap turns 26 as Bhansali’s Hum Dil De Chuke Sanam completes 26 iconic years
It’s been 26 years since Hum Dil De Chuke Sanam hit the big screen, but Sanjay Leela Bhansali’s rich, emotional tale of love and longing still lingers in the hearts of movie lovers. Starring Salman Khan, Aishwarya Rai, and Ajay Devgn, this film was a cultural moment. Here are five things you may not know about this now-iconic musical drama.
1. KK’s Bollywood debut began with heartbreak
Before he became one of the most beloved voices of the 2000s, singer KK got his big Bollywood break with the heart-wrenching song Tadap Tadap. The track, composed by Ismail Darbar and written by Mehboob, captured the raw ache of lost love, and KK’s soul-stirring vocals made it unforgettable. Few know that Hum Dil De Chuke Sanam was his first major entry into Hindi cinema, thanks to Bhansali's knack for spotting rare talent.
Aishwarya Rai and Salman Khan in a still from Bhansali’s unforgettable love storyInstagram/bhansaliproductions
2. Tadap Tadap still strikes a nerve with heartbroken souls
Even decades later, Tadap Tadap remains a go-to song for anyone nursing heartbreak. Its haunting melody and painful lyrics have earned it a permanent place on every “breakup playlist.” It’s not just a song, it’s a punch to the gut, and Gen X especially holds it close, often revisiting it during nostalgic or emotional moments.
Aishwarya Rai’s performance brought grace and heartbreak in equal measureInstagram/bhansaliproductions
3. It was only Bhansali’s second film
Most directors take a while to find their signature style. Not Sanjay Leela Bhansali. After Khamoshi: The Musical, Hum Dil De Chuke Sanam was only his second directorial project, but it cemented his place as a filmmaker known for blending grand visuals with emotional depth. The film’s cultural textures, sweeping sets, and deep emotions became a Bhansali trademark.
Salman Khan’s raw vulnerability added soul to Bhansali’s tale of longing and lossInstagram/bhansaliproductions
4. It echoed the storytelling of Indian film legends
Many critics at the time drew parallels between Bhansali and classic directors like Guru Dutt, Raj Kapoor, and K. Asif. Like them, Bhansali crafted scenes with intense emotional weight, often using music, silence, and visual flair to convey what words couldn’t.
Ajay Devgn delivered quiet intensity in Bhansali’s emotionally charged love triangleInstagram/bhansaliproductions
5. The music album was a blockbuster on its own
Beyond Tadap Tadap, the film’s soundtrack was packed with gems. From the playful Aankhon Ki Gustakhiyaan to the devotional Albela Sajan, the album was a complete package. Ismail Darbar’s score, paired with poetic lyrics and powerful vocals, played a major role in the film’s emotional impact.
Bhansali’s next film is already making waves
Two and a half decades later, Bhansali remains a force in Indian cinema. His upcoming film Love and War, starring Ranbir Kapoor, Alia Bhatt, and Vicky Kaushal, is already one of the most anticipated releases. And while Hum Dil De Chuke Sanam remains a fan favourite, expectations are sky-high for his next chapter.
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SS Rajamouli recreates Varanasi at Ramoji Film City for a key action sequence in SSMB29
SS Rajamouli isn’t holding back with SSMB29, his latest big-screen spectacle starring Mahesh Babu, Priyanka Chopra Jonas, and Prithviraj Sukumaran. The filmmaker, known for his visual scale and attention to detail, has recreated the holy city of Varanasi in Hyderabad’s Ramoji Film City instead of shooting on location. The reason? The chaotic logistics of filming in the spiritual capital of India.
The set, rumoured to cost £4.8 million (₹50 crore), is a massive replica built specifically for a key sequence in the film. Leaked photos from the set have already gone viral online, giving fans a glimpse of the scale Rajamouli is aiming for. Mahesh Babu will be filming an action sequence here, with VFX work enhancing the visuals. In true Rajamouli style, international graphics studios, some of the best from Hollywood, have been roped in to bring the visuals to life.
SS Rajamouli builds Varanasi set in Hyderabad for SSMB29 shootGetty Images
Kenya schedule to kick off in July with action-packed jungle scenes
After wrapping up earlier schedules in Odisha and Andhra Pradesh, the SSMB29 team is now gearing up for its first international leg in Kenya. Originally planned for March, the schedule was delayed due to extreme heat in the region. Now rescheduled for July, the shoot will take place in some of East Africa’s most scenic locations, including Kenya’s Masai Mara, Tsavo, and Amboseli national parks.
This phase will see Mahesh Babu and Priyanka Chopra Jonas dive into adrenaline-heavy sequences set deep in the African wilderness. The story reportedly involves Mahesh’s character searching for a rare herbal remedy, adding a mythical twist to the film.
Mahesh Babu, Priyanka Chopra Jonas and Prithviraj Sukumaran joins SSMB29Getty Images
For Priyanka, this film will mark her major comeback to Indian cinema after a six-year gap since The Sky Is Pink (2019). Her return in a Rajamouli project has fans across continents eager to see her back on the big screen.
A global vision with roots in mythology
While the team hasn’t confirmed the plot officially, reports suggest that the film is inspired by Ramayana-esque themes, with Mahesh Babu’s character on a spiritual and physical quest. The combination of Indian mythology, jungle survival, and stunning visual effects makes SSMB29 one of the most awaited Indian films currently in production.
Jason Isaacs has revealed that every cast member of The White Lotus Season 3, regardless of experience or fame, earned the same salary: £32,000 (₹33,60,000) per episode. That totals around £256,000 (₹2,68,80,000) for the full eight-episode run. While that figure might seem significant, Isaacs called it “a very low price” for a hit HBO show, but said he had no complaints.
“We would’ve paid to be in it,” Isaacs said in an interview, adding, “We probably would’ve given a body part.”
Jason Isaacs opens up about financial regrets and career lowsGetty Images
Equal pay, no ego
The show’s ensemble approach meant that veterans like Isaacs and Parker Posey received the same as newer faces such as Patrick Schwarzenegger and Sam Nivola. Asked if it bothered him to be paid the same as his younger co-stars, Isaacs shrugged it off: “I never work for money. I’ve done alright. People assume I have piles of cash, but I’ve basically matched my spending to my income and spent everything over the years.”
The pay structure, introduced from Season 1, was meant to ensure fairness and avoid ego clashes. “Everyone is treated the same,” said producer David Bernad in an earlier interview, explaining how the alphabetical billing and equal salaries were key to creating a drama-free, committed cast.
The White Lotus cast shares the screen and the paycheck equallyGetty Images
Isaacs admitted that while the rate was lower than typical network or streaming pay outs, the prestige of working on The White Lotus and with creator Mike White made it worthwhile.
Cautionary tales and career lows
Isaacs also took the opportunity to share hard-earned lessons with his younger co-stars, urging them not to get emotionally attached to the final product. “You don’t control how it’s received. That’s Mike’s job,” he said. Reflecting on his own past, he pointed to Peter Pan (2003), where he played Captain Hook, a big-budget project that tanked commercially and nearly derailed his career.
“It was the lowest I’ve ever felt professionally. I thought I’d never work again,” he confessed. Isaacs said it was his partner Emma Hewitt who helped him through that dark phase, crediting her support over their decades-long relationship.
Jason Isaacs says Emma Hewitt helped him through his dark phase in lifeGetty Images
The White Lotus Season 3 is now streaming on Max, and while the actors may not have earned big bucks, the series continues to score big on screen, with critics and fans alike.
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Scarlett Johansson kisses Jonathan Bailey and dazzles in couture at Jurassic World Rebirth premiere
Scarlett Johansson returned to the spotlight in a dazzling pink gown at the world premiere of Jurassic World Rebirth, held at the Odeon Luxe Leicester Square in London. The event wasn’t just a celebration of the film’s release but also a major red carpet moment for the 39-year-old actress, who has been out of the public eye in recent months.
Wearing a custom Vivienne Westwood corset gown with sequins, Johansson lit up the green carpet with elegance and glamour. Her blush-toned dress featured a sculpted silhouette and soft draping that recalled golden-age Hollywood style, minus the fuss. The styling, handled by her long-time collaborator Kate Young, kept things minimal yet classy, letting the dress do all the talking.
Scarlett Johansson stuns in Vivienne Westwood gown at Jurassic World Rebirth London premiereGetty Images
All eyes on Scarlett, not the dinosaurs
Johansson’s outfit was a standout, softly shimmering, vintage-inspired, and unmistakably hers. The gown’s romantic structure paired beautifully with her classic Hollywood waves, styled by Renato Campora, and glowy makeup by Hung Vanngo, featuring soft pink tones and bold brows.
The green carpet itself mirrored the film’s jungle setting, with faux foliage and warning signs nodding to the franchise’s roots. Yet despite the dramatic décor and loud dinosaur displays, all attention shifted to Johansson’s presence and her surprise red carpet moment with co-star Jonathan Bailey.
Scarlett and Jonathan Bailey share a friendly kiss that gets fans buzzing on social mediaGetty Images
Fans went into a frenzy after the actress greeted Bailey with a quick, friendly kiss on the lips, sparking a flood of reactions online. The moment, caught on video, added a spark to an already buzzworthy evening. Bailey, dressed in a relaxed 1990s-inspired look with a cap and sunglasses, looked just as thrilled to reunite with his co-star.
A major comeback with a mega-franchise
Jurassic World Rebirth is Johansson’s first big-budget outing since stepping away from Marvel. She plays Zora Bennett, a covert operative sent on a high-stakes mission involving dinosaur DNA. She stars alongside Jonathan Bailey, Mahershala Ali, and Rupert Friend in this next chapter of the billion-pound (₹10,000 crore) franchise, directed by Gareth Edwards.
With the film expected to open strong, tracking at around £95 million (₹1,000 crore) globally, it’s a big summer bet for Universal. And for Scarlett Johansson, star power has never been in question, no theme costume required. Just a killer dress, a bold kiss, and a dash of old-school charm.