Ed Sheeran’s recent visit to India wasn’t just another celebrity tour and we know it. From hopping on local buses to sipping chai with Arijit Singh, the British singer-songwriter immersed himself fully in the Indian experience. But the highlight? A tattoo in Punjabi on his leg that reads “Neelam,” meaning sapphire, a tribute to his upcoming album of the same name.
This tattoo isn’t just body art; it’s Ed’s personal stamp of affection for India and a nod to his album Sapphire, which features Indian influences, including lyrics in Hindi and Punjabi. Posting a close-up of the tattoo on Instagram, Ed captioned it, “Permanent ink so you know the love is real.” And clearly, the connection is, his comment section was flooded with fans jokingly declaring him an honorary Indian.
His India diary was packed with genuine, unfiltered moments: riding an auto-rickshaw in Telangana, sharing music and laughs with Arijit Singh on a barge, and even visiting the Baahubali movie set in Hyderabad, something he called a surreal experience, having watched the film in theatres back home. One photo showed him on Baahubali’s iconic throne, looking like a tourist on a dream trip.
Ed also met Shah Rukh Khan, and the two shared a playful clip lip-syncing to Sapphire. The bond with Bollywood didn’t stop there. His upcoming album Play, which he says was completed during his stay in Goa, reflects this joy and openness. The track “Old Phone” already gives fans a peek into the album’s sound, mixing tabla, sitar, and personal storytelling. “I just wanted to create joy and explore cultures,” Ed wrote on Instagram, revealing how deeply the trip inspired him.
Screengrab of the tattoo Instagram/teddysphotos
From concerts in six Indian cities to spontaneous moments on scooters and buses, Ed Sheeran’s visit was a creative reset and proof that he isn’t just visiting India anymore. He’s letting it into his art, his stories, and now, his skin.
The world premiere of Deep Cover lit up the inaugural SXSW London Screen Festival on Wednesday night, with stars Bryce Dallas Howard, Orlando Bloom and Nick Mohammed attending a post-screening Q&A that revealed how their off-screen camaraderie and improvisational skills helped shape the film’s comic energy.
The crime caper, directed by Stath Lets Flats creator Tom Kingsley, was screened as the festival’s Centrepiece Headliner and will be available to stream on Prime Video from 12 June.
A story years in the making
The project began over a decade ago, when producers Colin Trevorrow and Derek Connolly came across a real-life story involving New York police using actors as decoys in criminal investigations. The idea evolved into a feature film script written by the British duo Ben Ashenden and Alexander Owen, adapting Trevorrow and Connolly’s original concept and relocating the story to London.
Deep Cover follows three improv performers who are enlisted by an undercover police officer to pose as hardened criminals and infiltrate London’s underworld. With comedy and action colliding in unexpected ways, the film balances high stakes with humour.
Action-comedy with an indie heart
Director Kingsley explained that while the film began as a straightforward comedy, the involvement of bigger stars gave the team the resources to explore more ambitious action sequences.
“I think maybe it started more as a comedy. Straight up,” Kingsley said. “As we went on, bigger and bigger stars joined us, and that meant we could aim higher.”
- YouTubeYouTube/ Primevideo
The film was produced independently in London under Trevorrow’s Metronome Film Co. banner. The producers emphasised that creating a film like Deep Cover without major studio backing was a challenge, particularly in today’s economic climate.
“It’s not easy. We’re at a time when getting films financed is harder and harder,” Trevorrow noted. He credited Amazon’s partnership and the dedication of the British crew with bringing the production to life on a competitive budget.
Real locations, real stakes
One of the defining aspects of Deep Cover is its use of real London locations. From Shoreditch to Barking, the film avoids glossy studio sets in favour of gritty, authentic settings.
“We wanted the movie to feel real. I think the comedy is funnier when you really believe in the stakes,” said Kingsley. “We needed London to look a little dangerous, not too picture postcard.”
He revealed that some night shoots required extra security, especially in industrial zones. “We shot in areas that needed some caution – but that’s what gave it a grounded feel.”
Strong chemistry on and off screen
The cast’s chemistry was clear both on screen and during the Q&A. Howard, Bloom and Mohammed all spoke about how much they enjoyed working together and how much that dynamic influenced the film’s tone.
“We all just genuinely get along,” said Howard. “We’re all at similar stages in life. We’ve got kids, so we connect over that.”
Bloom, better known for dramatic and action roles, said the project allowed him to explore a new side of acting. “I’m not known for comedy,” he admitted. “But the writing and direction really supported me in finding the humour through the character’s seriousness.”
For Mohammed, the shift was in the other direction. Best known for his work in Ted Lasso, he found the action element to be a new experience. “Overwhelming,” he said. “I’m a huge fan of action films and blockbuster hits. So working with Hollywood-level stars on this was surreal.”
Improv rooted in structure
Although Deep Cover is about improvisers, the film itself relied heavily on a carefully structured script. Kingsley noted that while improvisation did happen during filming, most of it was trimmed for pacing.
“It’s a really tightly worked out script,” he said. “It goes a mile a minute, and we had to stick to the rhythm.”
Howard praised the collaborative process, saying, “We were never treated like puppets. It was very organic. The improv was more about getting into the scene rather than driving it.”
Bringing comedy back to the big screen
Producer Colin Trevorrow reflected on the rarity of seeing comedy in cinemas, especially as more films are made for streaming platforms.
“We live in a day and age where we rarely get to see comedy in a packed theatre full of people laughing – something I loved as a kid,” he said. “This film is going to be on Amazon, and we’re grateful for that, but tonight was something special.”
Deep Cover also features British acting veterans Paddy Considine, Ian McShane and Sean Bean in supporting roles.
As it heads to its Prime Video release, Deep Cover offers audiences a blend of improvisational comedy, undercover drama and London grit, all anchored by a cast with genuine chemistry and comedic timing.
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Thug Life brings together two giants of Indian cinema, director Mani Ratnam and actor Kamal Haasan, for the first time since their 1987 classic Nayakan. Hopes were understandably sky-high, especially following Ratnam’s recent success with the Ponniyin Selvan films. Unfortunately, the film struggles to match the weight of its own ambition.
A promising start with technical brilliance
The film opens with style. A gritty voiceover by Haasan sets the tone, followed by a black-and-white flashback in Old Delhi that is visually stunning and thematically rich. Ravi K Chandran’s cinematography and A. Sreekar Prasad’s editing stand out, creating a slick first act filled with betrayal, tension, and dramatic flair.
Kamal Haasan and silambarasan steal the show
Haasan delivers a strong performance as Rangaraya Sakthivel, a gangster who faces repeated brushes with death. His layered portrayal is matched by Silambarasan TR’s intense screen presence. Their performances are the film’s biggest strength, bringing emotional weight to an otherwise uneven narrative.
Supporting cast is underserved by thin writing
While the supporting cast includes notable names like Trisha Krishnan, Joju George, and Nasser, most characters are underdeveloped. Rajshri Deshpande’s brief but memorable appearance proves what could have been achieved with better character depth.
Second half slips into confusion
After the interval, the film loses direction. Key plot twists involving mistaken identities and romantic missteps feel unnecessary and slow the narrative. What begins as a gangster epic shifts into melodrama, undermining the gritty tone set earlier.
Stylised action, but lacking real stakes
The action sequences are well-shot and dramatic, but Sakthivel’s repeated survival through avalanches, explosions, and gunfire makes him feel more like a superhero than a vulnerable gangster. This hurts the film’s credibility and emotional impact.
A film that looks good but lacks heart
Despite its visual richness, Thug Life doesn’t pack the emotional punch expected from a Ratnam film. It touches on loyalty, revenge and power, but without the depth or payoff to leave a lasting impression.
Final verdict
- YouTubeYouTube/ Saregama Tamil
Thug Life is a beautifully crafted but uneven gangster tale. Kamal Haasan and Silambarasan shine, but weak storytelling and a faltering second half stop it from becoming a classic. It’s stylish but lacks the substance fans hoped for.
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The jacket tribute, blending personal sentiment with fashion
Actor Janhvi Kapoor recently paid tribute to her late mother, the legendary Sridevi, by wearing a custom denim jacket inspired by the 1990 Telugu cult classic Jagadeka Veerudu Athiloka Sundari. Janhvi took to Instagram to share the look and express her admiration for the film and her mother’s performance, calling the experience deeply emotional and nostalgic.
In her post, Janhvi described the jacket and film as something she is “obsessed” with. She revealed she had watched the re-released version of the film a few days prior and was reminded of the cinematic magic that brought it to life. “Mumma is like an angel fairy princess and so funny and so cute,” Janhvi wrote, remembering Sridevi’s ethereal screen presence.
She also praised co-star Chiranjeevi Konidela, director K. Raghavendra Rao, and the late Amrish Puri, among others, highlighting the film’s humour, visuals, and overall impact. “The revival of this new print couldn’t have been executed by more able hands and is a gift to cinema lovers today,” she added, noting that it “felt like a visual spectacle that would give our contemporary films a run for their money.”
Jagadeka Veerudu Athiloka Sundari was recently re-released in cinemas, giving fans and the next generation of film lovers an opportunity to experience the classic once again on the big screen. The film, known for its fantastical elements and musical score, holds a special place in Indian cinema history and in Janhvi’s personal memories.
Sridevi, who passed away in 2018, was regarded as one of Indian cinema’s most celebrated actresses. The film remains one of her most iconic roles, and Janhvi’s tribute reflects the emotional bond the actor continues to share with her mother’s legacy.
On the professional front, Janhvi Kapoor is currently enjoying a successful run. She was recently seen in Devara: Part 1 alongside Jr NTR. Her upcoming projects include Param Sundari with Sidharth Malhotra, Homebound featuring Ishaan Khatter and Vishal Jethwa, Sunny Sanskari Ki Tulsi Kumari opposite Varun Dhawan, and Peddi alongside Ram Charan.
The jacket tribute, blending personal sentiment with fashion, has resonated with fans online, reinforcing Janhvi’s connection to her roots and her mother’s iconic cinematic journey.
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Beyoncé rose to fame in the 1990s with Destiny’s Child
Beyoncé is set to return to London as part of her Cowboy Carter tour, performing six dates at the Tottenham Hotspur Stadium. The 43-year-old superstar will kick off her London shows on Thursday, with further performances scheduled for 7, 10, 12, 14, and 16 June.
The tour, supporting her eighth studio album Cowboy Carter, began in April in Inglewood, California, and follows her 2023 Renaissance World Tour, which also included five nights at the same London venue. Most recently, she performed five shows in East Rutherford, New Jersey, before heading to the UK.
Beyoncé’s current tour setlist features a mix of her classic hits such as Love On Top, If I Were A Boy, and Single Ladies (Put A Ring On It), alongside new tracks from Cowboy Carter. These include Texas Hold ’Em, 16 Carriages, and II Most Wanted, marking a move into country music. She has also included covers of Blackbird by The Beatles and Dolly Parton’s Jolene.
There has been no support act on the tour so far, and doors for the London shows are expected to open at 5pm.
Following her UK performances, Beyoncé will continue the European leg of her tour with three shows in Paris at the Stade De France, before returning to the US for the final dates.
The Cowboy Carter tour follows a significant Grammy win for the artist earlier this year. At the 67th Grammy Awards in February, Beyoncé secured her first Album of the Year award for Cowboy Carter. She also took home Best Country Album and Best Country Duo/Group Performance for II Most Wanted, a collaboration with Miley Cyrus.
Her win marked a breakthrough, having previously missed out on the top album honour with I Am... Sasha Fierce (2008), Beyoncé (2013), Lemonade (2016), and Renaissance (2022). During her acceptance speech, she dedicated the award to Linda Martell, the first Black woman to perform at the Grand Ole Opry, who features on the album.
With a total of 35 Grammy Awards, Beyoncé remains the most decorated artist in the history of the ceremony. In March, King Charles III described her as “exceptional” during an episode of his radio programme The King’s Music Room.
Beyoncé rose to fame in the 1990s with Destiny’s Child and has since achieved six UK number one singles and five UK number one albums. She married rapper Jay-Z in 2008, and the couple have three children: Blue Ivy, Rumi, and Sir.
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The couple were last photographed together on 16 May in Malibu
Actor Dakota Johnson and Coldplay frontman Chris Martin have reportedly ended their on-and-off relationship, which began in 2017. According to multiple sources quoted by People, the split "feels final this time", although representatives for both Johnson and Martin have not commented publicly.
The couple were last photographed together on 16 May in Malibu, just two weeks before reports of the breakup emerged. Earlier in the year, they were seen holding hands in India, where Martin was on tour with his band.
Their relationship, while largely private, had seen periods of speculation and reconciliation over the years. Engagement rumours first surfaced in 2020, and in March 2024, a source claimed the couple had actually been engaged for “years” but were “in no rush to get married”.
In August 2024, when rumours of a breakup circulated, a representative for Johnson denied the claims, stating they were “happily together”. At the time, another source said, “Sure, they’ve had issues and taken breaks in the past, but things are great now. They both love their careers and are balancing things the best they can.”
In June 2024, another insider noted that while their relationship had its “ups and downs”, they were “definitely back on” at the time. Johnson, 35, had also previously spoken about her close bond with Martin’s children from his marriage to Gwyneth Paltrow, daughter Apple, now 21, and son Moses, 19, saying she loved them “like my life depends on it”.
The Fifty Shades of Grey star also expressed admiration for Martin’s performances, telling Bustle, “I love watching him. I could watch him every day. I feel like I’m watching my most favourite being do his most favourite thing.”
Johnson is currently promoting her upcoming romantic comedy Materialists, in which she stars alongside Chris Evans and Pedro Pascal. The film is set to release in cinemas on 13 June.
In a recent interview with the Los Angeles Times, published on 4 June, she reflected on societal views around relationships, questioning traditional ideas about marriage and divorce. “Why do people have to get married at a certain age or only once? Why? It doesn’t matter,” she said.
Neither Johnson nor Martin has publicly confirmed the breakup.
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