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Dev Patel: I get 'flak' for allegedly taking roles from 'real' Indian actors

BAFTA winning actor Dev Patel has revealed he is tired of being criticised for "stealing" roles from "real" Indian actors.

The 28-year-old actor, who was born in London to parents from Gujarat, India, said he is trying to understand himself better by connecting to his heritage.


"I get flak sometimes because people will say, 'Why aren't they giving these roles to a real Indian?' I wonder, What does that even mean? The only way I can converse with my grandparents is in Gujarati. Does that make me real enough? Or am I only allowed to witness the moments of prejudice and racism going through airports? Is that the only bit that I'm allowed of the culture?

"The truth is I'm trying to understand myself better and my heritage, to figure things out, in the movie choices I make. That's been the greatest thing for me in going to India repeatedly," Patel told San Francisco Chronicle.

The Lion star previously confessed he "reconnected" with his Indian roots when he starred in the Oscar-winning Slumdog Millionaire. In 2016, he later said that he could never really fit in as the locals "could smell the foreigner on me".

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5 mythological picks now streaming in the UK — must-watch

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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