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Depression like any other illness and treatable: Deepika Padukone

Actor Deepika Padukone on Monday (20) said people must understand depression and anxiety are like any other illness and can be treated and her own experience has encouraged her to work for this cause.

"My love and hate relationship with this has taught me a lot and I want to tell everyone suffering from this that you are not alone," she said while recalling her own struggle with depression and mental illness.


"One trillion dollars is the estimated impact of depression and mental illness on the world economy," she said while receiving the annual Crystal Award in Davos on the first evening of the World Economic Forum (WEF) Annual Meeting 2020.

"In the time it has taken me to accept this award, the world has lost one more person to suicide," she said.

"Depression is a common yet serious illness. It is important to understand that anxiety and depression is like any other illness and treatable. It was experience with this illness that encouraged me to set up Live Love Laugh," she said while talking about the foundation she has set up for this cause.

Padukone was given the award for her leadership in raising mental health awareness -- which she did by going public with her own experience with anxiety and depression.

Motivated by her own experience, she set up her foundation to provide awareness programs in schools in India, funding for free psychiatric treatment, medical education programs, public awareness campaigns and more.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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