At the 67th National Film Awards event held on Monday in New Delhi, Vice President of India M Venkaiah Naidu honoured Tamil Superstar Rajinikanth with 51th Dadasaheb Phalke Award. The event is organised by the Directorate of Film Festivals, which comes under the Ministry of Information and Broadcasting.
Rajinikanth, whose acting career spans four decades, was conferred with the most prestigious award in the field of cinema in India. Apart from Tamil, the superstar has done several notable films in Hindi, Telugu, Kannada, and Malayalam.
Priyadarshan’s Malayalam war epic Marakkar: Lion of the Arabian Sea won Best Feature Film. Starring Malayalam superstar Mohanlal, the film is yet to release in theatres. Its release has faced several setbacks due to the ongoing Covid-19 pandemic. Bollywood actor Manoj Bajpayee and Tamil actor Dhanush won Best Actor award for Bhonsle (2021) and Asuran (2021) respectively. Kangana Ranaut won Best Actress award for two of her films: Panga (2020) and Manikarnika: The Queen of Jhansi (2019).
Here is the complete list of all the winners:
Feature Film Awards
Best Feature Film:Marakkar: Lion of the Arabian Sea (Malayalam)
Best Actor: Manoj Bajpayee for Bhonsle (Hindi), and Dhanush for Asuran (Tamil)
Best Actress: Kangana Ranaut for Panga (Hindi) and Manikarnika: The Queen of Jhansi (Hindi)
Best Supporting Actress: Pallavi Joshi for The Tashkent Files (Hindi)
Best Supporting Actor: Vijay Sethupathi for Super Deluxe (Tamil)
Best Director: Sanjay Puran Singh Chauhan for Bahattar Hoorain (Hindi)
Best Debut Film of a Director: Mathukutty Xavier for Helen (Malayalam)
Best Child Artist: Naga Vishal for KD (Tamil)
Best Action Direction:Avane Srimannarayana (Kannada), Vikram Mor
Best Choreography:Maharishi (Telugu), Raju Sundaram
Best Special Effects:Marakkar: Lion of the Arabian Sea (Malayalam), Siddharth Priyadarshan
Special Jury Award:Oththa Seruppu Size 7 (Tamil), Radhakrishnan Parthiban
Best Lyrics: Prabha Varma for Kolaambi (Malayalam)
Best Music Direction: D. Imman for Viswasam (Tamil)
Best Background Music: Prabuddha Banerjee for Jyeshthoputro (Bengali)
Best Make-up Artist: Ranjith for Helen (Malayalam)
Best Costumes: Sujith Sudhakaran and V. Sai for Marakkar: Lion of the Arabian Sea (Malayalam)
Best Production Design: Anandi Gopal (Marathi), Sunil Nigwekar and Nilesh Wagh
Best Audiography (Location Sound Recordist): Iewduh (Khasi), Debajit Gayan
Best Audiography (Re-recordist of final mixed track): Oththa Seruppu Size 7 (Tamil), Resul Pookutty
Best Screenplay (Original): Jyeshthoputro (Bengali), Kaushik Ganguly
Best Screenplay (Adapted): Gumnaami (Bengali), Srijit Mukherji
Best Screenplay (Dialogue Writer): The Tashkent Files (Hindi), Vivek Ranjan Agnihotri
Best Cinematography: Jallikattu (Malayalam), Gireesh Gangadharan
Best Editing: Jersey (Telugu), Navin Nooli
Best Children’s Film: Kastoori (Hindi)
Best Film on Environment Conservation: Water Burial (Monpa)
Best Film on Social Issues: Anandi Gopal (Marathi)
Best Film on National Integration: Tajmahal (Marathi)
Best Popular Film Providing Wholesome Entertainment: Maharishi (Telugu)
Best Female Playback Singer: Savani Ravindra for Bardo (Marathi)
Best Male Playback Singer: B Praak for Kesari (Hindi)
Best Films In Each Language
Best Hindi Film: Chhichhore
Best Telugu Film: Jersey
Best Malayalam Film: Kalla Nottam
Best Tamil Film: Asuran
Best Paniya Film: Kenjira
Best Mishing Film: Anu Ruwad
Best Khasi Film: Iewduh
Best Chattisgarhi Film: Bhulan the Maze
Best Haryanvi Film: Chhoriyan Chhoron Se Kam Nahi Hoti
Best Tulu Film: Pingara
Best Punjabi Film: Rab Da Radio 2
Best Odia Film: Kalira Atita and Sala Budhar Badla (shared)
Best Manipuri Film: Eigi Kona
Best Marathi Film: Bardo
Best Konkani Film: Kaajro
Best Kannada Film: Akshi
Best Bengali Film: Gumnaami
Best Assamese Film: Ronuwa - Who Never Surrender
Special Mentions: Biriyani (Malayalam), Jonaki Porua (Assamese), Lata Bhagwan Kare (Marathi) and Picasso (Marathi)
Non-Feature Film Awards
Best Voice-over/ Narration: Sir David Attenborough forWild Karnataka (English)
Best Music Direction: Bishakhjyoti for Kranti Darshi Guruji - Ahead of Times (Hindi)
Best Editing: Arjun Gourisaria for Shut Up Sona (Hindi/ English)
Best Audiography: Radha (Musical), Allwin Rego and Sanjay Maurya
Best On-Location Sound Recordist: Rahas (Hindi), Saptarshi Sarkar
Best Cinematography: Savita Singh for Sonsi (Hindi)
Best Direction: Sudhanshu Saria for Knock Knock Knock (English/ Bengali)
Best Film on Family Values: Oru Paathira Swapnam Pole (Malayalam)
Best Short Fiction Film: Custody (Hindi/ English)
Special Jury Award: Small Scale Societies (English)
Best Animation Film: Radha (Musical)
Best Investigative Film: Jakkal (Marathi)
Best Exploration Film: Wild Karnataka (English)
Best Educational Film: Apples and Oranges (English)
Best Film on Social Issues: Holy Rights (Hindi) and Ladli (Hindi)
Best Environment Film: The Stork Saviours (Hindi)
Best Promotional Film: The Shower (Hindi)
Best Arts and Culture Film: Shrikshetra-Ru-Sahijata (Odia)
Best Biographical Film: Elephants Do Remember (English)
Best Ethnographic Film: Charan-Atva The Essence of Being a Nomad (Gujarati)
Best Debut Non-Feature Film of a Director: Raj Pritam More for Khisa (Marathi)
Best Non-Feature Film: An Engineered Dream (Hindi)
Other Awards
Most Film Friendly State: Sikkim
Best Book on Cinema: A Gandhian Affair: India’s Curious Portrayal of Love in Cinema, by Sanjay Suri
(Special mentions: Cinema Paharana Manus by Ashok Rane and Kannada Cinema: Jagathika Cinema Vikasa-Prerane Prabhava written by PR Ramadasa Naidu)
Best Film Critic: Sohini Chattopadhyay
A scene from The Thursday Murder Club, where four retirees turn amateur detectives in a quiet British village shaken by a real murderInstagram/NetflixUK
Stills from Andaz Apna Apna
Stills from Andaz Apna Apna
Vinay Kumar Sinha
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.