Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Imagine sitting in a packed theatre, watching your favourite Indian movie unfold—when suddenly, a familiar face from Hollywood or a European blockbuster appears on screen. It’s a surreal moment, right? More like a fusion of worlds you never expected to collide.
Over the years, Indian cinema has welcomed international actors in ways that feel organic, exciting, and sometimes even ground-breaking. They’ve played ruthless villains, kind-hearted allies, and complex characters who stay with us long after the credits roll. With blockbusters like L2: Empuraan on the horizon, the line between Indian and global cinema is blurring faster than ever. The much-anticipated sequel to Lucifer has already created a buzz with the announcement of British actor Jerome Flynn, best known for Game of Thrones, joining the cast. His presence signals a grander international vision for Malayalam cinema, and if rumours about Rick Yune’s involvement turn out to be true, we might be in for a truly global spectacle.
But Flynn is just the latest in a growing list of international actors who have made their mark on Indian films. Let’s take a look at some of the most memorable ones.
1. Ray Stevenson – RRR (2022)
Irish actor Ray Stevenson made a strong and lasting impression in Indian cinema with his role as the ruthless Governor Scott Buxton in RRR. As the film’s main antagonist, he brought a commanding presence to the screen, making the character’s cruelty feel all too real. His performance added weight to the story, making the stakes feel higher and the heroism more powerful. Stevenson’s role in RRR was a strong example of how Indian films are embracing international talent in meaningful authentic ways. His passing in May 2023 was a heart-breaking loss, but his portrayal in RRR remains unforgettable, a true reminder of his incredible screen presence.
Ray Stevenson’s fierce presence in RRR made the villainy unforgettable—his legacy lives onwww.easterneye.biz
2. Jerome Flynn – L2: Empuraan (Upcoming)
The British actor, best known for his role in Game of Thrones, is gearing up for his Malayalam cinema debut in L2: Empuraan, the highly anticipated sequel to Lucifer, directed by Prithviraj Sukumaran. With a reputation for playing sharp-witted and rugged characters, his addition to the Mohanlal-starrer suggests a film with an even grander, global scope. If that wasn’t exciting enough, speculation about Rick Yune’s involvement has only fuelled the buzz.
Jerome Flynn joins L2: Empuraan, bringing global intrigue to the Mohanlal-starrerInstagram/empuraanmovie
3. James Cosmo – Jagame Thandhiram (2021)
Another Game of Thrones veteran, James Cosmo, famous for playing Jeor Mormont, took on the role of a London-based gangster in Jagame Thandhiram. Director Karthik Subbaraj had initially dreamt of casting Hollywood icons like Robert De Niro or Al Pacino, but Cosmo brought his own gravitas, elevating the film’s international appeal.
James Cosmo as a powerful London gangster in Jagame ThandhiramGetty Images
4. Mike Tyson – Liger (2022)
The boxing legend’s Bollywood-Tollywood crossover in Liger was hyped as a ground-breaking moment. Though the film didn’t live up to expectations, Tyson’s cameo as a formidable fighter facing off against Vijay Deverakonda remains a wild and unforgettable pop culture moment in Indian cinema.
Mike Tyson’s power-packed cameo in LigerInstagram/miketyson
5. Toby Stephens – Mangal Pandey: The Rising (2005)
British actor Toby Stephens, known for his roles in Die Another Day and Black Sails, played Captain William Gordon in this period drama opposite Aamir Khan. His portrayal of the conflicted British officer added depth to the retelling of India’s first war of independence.
Toby Stephens as the conflicted Captain Gordon in Mangal PandeyGetty Images
6. Rachel Shelley – Lagaan (2001)
Before Game of Thrones and the OTT revolution, Lagaan put Indian cinema on the global map, earning an Oscar nomination. British actress Rachel Shelley played Elizabeth Russell, a kind-hearted Englishwoman who helps Aamir Khan’s character master cricket—a performance that still resonates with fans of Indian cinema.
Rachel Shelley as the kind-hearted Elizabeth Russell in LagaanGetty Images
7. Erika Kaar – Shivaay (2016)
Polish actress Erika Kaar starred alongside Ajay Devgn in Shivaay, a high-octane action thriller. Her role as a foreign national caught in a web of crime in India showcased the industry’s growing inclination toward international talent to add authenticity to global narratives.
Erika Kaar starred alongside Ajay Devgn in the action thriller ShivaayGetty Images
8. Mish Boyko – Queen (2014)
Kangana Ranaut’s Queen was all about self-discovery, and along the way, she met Mish Boyko’s fun-loving Russian character, Oleksander. The British actor brought charm and humour, making him a fan favourite in this beloved film about embracing life beyond cultural boundaries.
Mish Boyko won hearts as the fun-loving Oleksander in Queen
Mish Boyko won hearts as the fun-loving Oleksander in QueenGetty Images
The future of global collaboration in Indian cinema
With Indian films becoming more internationally recognised and accessible through streaming platforms, collaborations with Hollywood and global cinema are set to rise. Whether it’s through major stars lending their charisma to Indian films or new faces making surprising debuts, the future of cross-cultural storytelling is more exciting than ever.
But who’s next? Maybe we’ll see Gary Oldman in a Malayalam crime thriller or Charlize Theron in a Tamil action spectacle. At this point, nothing feels too far-fetched.
One thing’s for sure—the era of Indian cinema being a local phenomenon is long gone. The world isn’t just watching anymore. They want in!
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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