There’s something electric about a dusty VHS tape snapping to life, red letters flickering across the screen, and suddenly you’re back in a world where hair was high, shoulder pads were epic, and danger lurked behind every bleacher. Netflix’s Fear Street: Prom Queen drags you kicking and screaming back to 1988. No gentle nostalgia trip; this is a sweaty, synth-pumping, blood-spattered plunge into the raw, ridiculous heart of 80s slasher flicks. Here are five fierce reasons why this movie gets that sticky, glorious 80s horror feeling just right:
The film is set in the late 80s and looks the part in every frame. The costume design features authentic prom dresses with big taffeta skirts, sky-high hair, and retro make-up. School halls are lit with fluorescent tones and neon accents, styled to resemble a real 1980s high school prom.
Even the cinematography mimics old horror films, with grainy textures and lighting that nods to films like Nightmare on Elm Street or The Slumber Party Massacre. The poster design also mimics 80s VHS covers, with bold colours and dramatic taglines.
Authentic 80s prom fashion takes centre stage in the film Instagram/netflix
2. It leans hard into classic slasher tropes
The film sticks to a clear slasher structure:
• A "Final Girl" who’s smart, isolated, and underestimated, very much in the tradition of Laurie Strode or Nancy Thompson. • A killer with a signature look, stalking teens one by one. • A countdown of victims with their own motives and secrets, picked off in creative ways. • A whodunnit element where anyone could be behind the mask, adding tension till the end.
The characters themselves are pulled from the 80s playbook with mean girls, clueless adults, and jocks with egos bigger than their brains. It’s a mix of clichés that slasher fans know and expect and that’s the point.
Prom night takes a dark turn in this 80s horror revivalInstagram/netflix
3. The kills use practical effects, not CGI
Instead of over-the-top digital blood, this movie goes back to basics. The deaths are done with practical, on-set effects, including:
• A buzzsaw to the face • A paper cutter decapitation • A slow electrocution using a circuit breaker
These kinds of kills are a direct tribute to the "creative death scenes" seen in 80s horror like The Burning and Prom Night. They’re messy, physical, and shocking and audiences have loved this choice for its old-school realism vibe.
Retro fashion and deadly secrets collide at the promInstagram/netflix
4. The killer design is a throwback
The masked figure wears a plain, featureless mask and a red rain poncho, a look that feels fresh but still has the charm of older horror villains.
• It’s visually simple, like Michael Myers or the killer in I Know What You Did Last Summer. • The killer’s motive is also rooted in classic themes like jealousy, popularity, and revenge, not complex psychological backstories.
This also makes it less of a modern thriller and more of a slasher in the purest sense, where the mask isn’t just for fear but is also a symbol of mystery.
A tense moment from Netflix’s Fear Street Prom QueenInstagram/netflix
5. The soundtrack nails the era
Here it isn’t just a background playlist, it is key to the film’s tone.
• Songs like “Gloria” by Laura Branigan, “Hungry Like the Wolf” by Duran Duran, and Tiffany’s “I Think We’re Alone Now” are used in key prom scenes, not just tossed in for nostalgia. • They all reflect how 80s slashers used popular tracks to contrast normal teen life with sudden violence, like in Night of the Demons and Sleepaway Camp.
The original score, heavy on synth and eerie keys, feels like something John Carpenter could have composed in 1985.
A night of celebration turns into a fight for survival in this retro slasherInstagram/netflix
More throwback than reboot
Prom Queen may not reinvent horror, but it doesn’t try to. Instead, it brings back everything that worked in 80s slashers like the high school drama, campy dialogue, stylish kills, and a soundtrack that sounds like teen angst.
Netflix even backed it up with a real-world promo: a mock 1988 prom experience in L.A., complete with a haunted gym and actors in costume. It’s clear the goal wasn’t to modernise the genre, but to honour it and invite new viewers into the madness.
If you miss horror when it was messy, loud, and gloriously fake-bloody, this one’s clearly worth a watch.
While much of Bollywood still chases longer hours and larger deals, Saif Ali Khan is thinking about something far simpler: getting home in time to tuck his kids in.
At a recent media event in Dubai, the actor opened up about what success means to him today. It’s not about box office numbers or prestige projects. It’s about showing up for the small moments at home, especially with his young sons, Taimur and Jeh. “Coming back to find them asleep, that’s not what I want,” he admitted. “If I can catch even thirty minutes with them at the end of the day, that’s worth more than a full day on set.”
Saif highlights the importance of being present for children and parentsInstagram/kareenakapoorkhan
His words come just as Deepika Padukone reportedly exited Spirit, Sandeep Reddy Vanga’s upcoming thriller, allegedly over demands such as shorter shifts and a hefty fee. Deepika, who recently welcomed her first child, is said to have requested an eight-hour cap on her workday, profit-sharing, and dialogue flexibility, none of which went down well with the makers. She was later replaced by Animal star Triptii Dimri.
Though some industry voices labelled Deepika’s conditions “unreasonable,” others are starting to echo her call for change. Saif isn’t alone. Ajay Devgn recently said that any fair filmmaker should be okay with an eight-hour day, especially for working mothers.
Saif Ali Khan slams Bollywood’s long hours says coming home before kids sleep is real successGetty Images
In Saif’s case, it’s not just about parenting. It’s also about being present for his mother, veteran actor Sharmila Tagore. “I’m at that age where I need to call both my mum and my kids,” he said, adding that he doesn’t work during his children’s school breaks. “That time is sacred.”
He also pointed out that it’s the everyday things like cooking together, eating meals as a family that hold a home together. “Work will always be there,” he said. “But those moments with your kids, once they’re gone, they’re gone.”
Saif Ali Khan attend the debut of the book 'The Perils of Being Moderately Famous' written by his sister along with his familyGetty Images
As the industry continues to debate what counts as ‘professional’, voices like Saif’s are shifting the focus from hustle to home. Up next, he’s filming Race 4 and prepping for a biopic with Rahul Dholakia, but he’s made it clear: if it’s between a big scene and a family dinner, the latter wins.
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Radiohead’s Thom Yorke condemns Netanyahu and Hamas in statement on Gaza war
Radiohead frontman Thom Yorke has spoken out about the war in Gaza for the first time, criticising both Israeli Prime Minister Benjamin Netanyahu and Hamas. In a detailed Instagram post published on Friday, Yorke also addressed the emotional toll of being pressured to comment on the conflict, which he said had impacted his mental health.
Yorke, known for keeping a low profile on political issues, said he had remained silent until now out of respect for victims of the ongoing war. However, he acknowledged that his lack of public comment had led some to interpret his silence as complicity.
“For those who need to know… let me fill in the blanks,” he wrote, explaining his previous reluctance to speak out. He described how he had struggled after an incident at a Radiohead concert in Melbourne last year, where he was heckled by a pro-Palestinian audience member urging him to condemn “the Israeli genocide in Gaza”.
“I remained in shock that my supposed silence was somehow being taken as complicity,” Yorke said. “That silence… has allowed other opportunistic groups to use intimidation and defamation to fill in the blanks, and I regret giving them this chance.”
In his statement, Yorke condemned both sides of the conflict. He referred to Netanyahu and his government as “a crew of extremists”, stating: “This ultranationalist administration has hidden itself behind a terrified and grieving people… to further their ultranationalist agenda with terrible consequences.”
Yorke has previously criticised Netanyahu. In 2017, when Radiohead performed in Tel Aviv despite calls to cancel the show from pro-Palestinian advocates, Yorke defended the band’s decision but also spoke out against the Israeli government.
Turning to Hamas, Yorke criticised the group’s actions on 7 October 2023, when it launched an unprecedented attack on Israel that killed around 1,200 people and led to over 200 hostages being taken. He questioned why more hostages have not been released and said, “Hamas chooses to hide behind the suffering of its people in an equally cynical fashion for their own purposes.”
He also criticised the tone of some Free Palestine demonstrations, writing: “The unquestioning Free Palestine refrain… does not answer the simple question of why the hostages have still not all been returned. For what possible reason?”
The statement comes amid a wider debate in the arts community over the role of artists in political discourse. Yorke’s bandmate Johnny Greenwood, who is married to an Israeli and collaborates with Israeli musician Dudu Tassa, has faced calls to boycott Israel. Greenwood and Tassa recently cancelled UK concerts due to safety concerns following backlash over their association with Israel. In a joint statement, the duo rejected “censorship” and said artists should not be punished for their government’s actions.
Yorke acknowledged that his statement might not satisfy everyone. “I am sure that to this point, what I’ve written here will in no way satisfy those who choose to target myself or those I work with,” he said.
Reaction to the post was divided. While some fans welcomed the clarity, others criticised the perceived neutrality of his stance. One commenter called it “the most centrist thing I’ve read, and that’s not a compliment.”
Yorke’s statement reflects the increasing pressure on high-profile artists to take definitive positions on global issues, particularly the Israel-Gaza conflict. His remarks highlight the tension between public expectations and personal conscience, as well as the difficulties artists face navigating complex political landscapes.
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Gervais delivers a cheeky speech filled with sarcasm and dark humour
Ricky Gervais now has his own star on the Hollywood Walk of Fame, but it wouldn’t be a Ricky moment without a few jabs that made the room a bit tense. Known for pushing buttons with his jokes, the 63-year-old comedian didn’t hold back during his acceptance speech, which mixed dry humour with some edgy digs.
Looking around at the star-studded pavement, he jokingly pointed out some controversial names, including Michael Jackson, Bill Cosby, and Fatty Arbuckle, all of whom have faced serious allegations. Gervais, with a smirk, seemed to be making a comment on how celebrity and scandal often go hand in hand, especially in a place like Hollywood.
Ricky Gervais stands beside his newly unveiled Hollywood Walk of Fame starGetty Images
But beneath the usual sarcasm, Gervais did show a bit of sincerity. He said the honour left him “humbled” and credited his success to “luck, persistence, and going against the grain.” True to form, he also joked about his casual outfit, saying he wasn’t trying to be edgy, he just didn’t own a suit that fit.
The comedian’s place on the Walk marks him as the 2,813th inductee, joining names from Bob Marley to Stevie Wonder. His long career includes hits like The Office, Derek, and After Life, and he’s picked up multiple Emmys, BAFTAs, and Golden Globes along the way, the latter of which he’s hosted in infamous fashion.
Ricky Gervais adds his name to Hollywood Boulevard with a signature smirkGetty Images
Controversy has never been far behind him. His Netflix special Armageddon drew backlash even before release, with thousands signing a petition over jokes targeting terminally ill children. But Gervais brushed it off, saying people were reacting to headlines, not the actual performance. “They’re hecklers,” he said in an interview, dismissing the outrage as manufactured.
He’s defended his comedy by insisting it’s never personal and is just ideas explored through humour. “People often confuse the topic of a joke with its target,” he explained. His work, including darker series like After Life, often circles around deeper themes like death, grief, and morality, all wrapped in wit.
Fans gather to celebrate the star unveiling in classic Gervais fashionGetty Images
Whether you find him sharp or just plain insensitive, Ricky Gervais doesn’t plan to change his approach. He believes comedy should provoke, even if it ruffles feathers. And now, with a star on Hollywood Boulevard, he’s left a permanent mark, both on the pavement and the industry.
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Taylor Swift celebrates full control over the music that launched her career
After years of fighting for control over her early music, Taylor Swift has bought back the master recordings of her first six albums. The deal marks the end of a bitter chapter in her career and gives her full ownership of every song she’s released since her teenage debut.
It all started in 2019 when Swift’s old label, Big Machine, sold her original recordings to music executive Scooter Braun. At the time, Swift called it her “worst-case scenario,” saying she wasn’t even given the chance to buy them herself. Instead, she was offered a deal where she’d “earn” back one old album for every new one she made. She declined. Braun later sold the masters to Shamrock Capital for around £222 million (₹1,848 crore), and Swift decided to take matters into her own hands.
Over the last few years, Swift has been rerecording her old albums and releasing them as Taylor’s Version, including Fearless, Red, Speak Now, and *1989*. These new versions allowed her to regain control and reduce the value of the originals owned by others.
Now, Swift has confirmed that she has officially bought her masters along with the rights to music videos, album artwork, concert films, and even unreleased songs from Shamrock. The price hasn’t been disclosed, but reports suggesting up to £800 million (₹6,656 crore) were exaggerated.
This move brings an end to a nearly two-decade-long struggle. She called it a dream she thought would never come true. In a note to fans, she thanked them for supporting her through it all and helping her get back what she lost.
Taylor’s Eras Tour spotlighted her catalogue as she reclaimed her legacyGetty Images
Of the original six albums, only Reputation and her self-titled debut are yet to be rereleased. Swift admitted she hasn’t finished rerecording Reputation, describing it as deeply tied to a difficult period in her life. Still, she hinted that both albums might see the light again, not out of necessity anymore, but as a celebration.
Swift’s Eras Tour, her biggest to date, presented her entire catalogue and has made over £1.6 billion (₹13,312 crore) globally. Along the way, she’s inspired newer artists to demand better deals, ones that let them own their own music from the start.
Now, at last, so does she.
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Mona Singh gears up in uniform for her first cop role in Kohrra season 2
Netflix’s acclaimed crime drama Kohrra is returning for a second season, and its newest addition is none other than Mona Singh. Known for her wide-ranging roles across genres, Singh’s casting adds a fresh layer of intrigue to the moody, atmospheric series.
This will also be her first time playing a cop, a welcome shift from her recent comedic role in the horror flick Munjya. The teaser shows her in uniform, sharing the screen with Barun Sobti, and already hints at a character with grit and complexity. It’s a role that seems tailor-made for her brand of grounded intensity.
Mona Singh continues to break boundaries with every new role she takes on
Singh’s recent choices have consistently veered into darker, more layered territory. From her performance in Kaala Paani to her memorable role in Made in Heaven 2, she’s leaned into characters that demand emotional range. Kohrra, with its slow-burn storytelling and rural noir setting, offers fertile ground for another such performance.
Adding Singh to the mix is also a clever narrative choice. The first season of Kohrra stood out for its quiet, restrained depiction of masculinity and justice. Introducing a strong female law enforcement officer could open up new dynamics and push the story into interesting moral grey zones.
Mona Singh shines as one of the most dependable actors in Indian entertainmentGetty Images
This isn’t just a comeback to long-form content for Singh but also shows her ability to adapt and elevate. If her past thrillers are anything to go by, her entry into the Kohrra universe is likely to amplify both the emotional and suspenseful stakes of the show.
The release date for Kohrra season 2 hasn’t been announced yet, but Singh’s casting certainly ensures that there’s already something to look forward to.
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