MORE British Asians are studying art and design courses at university, but business degrees are still top of the class, figures show.
The number of students of south Asian origin doing creative courses reached 6,480 in 2017-18 compared to 6,300 in 2016-17 and 5,975 the previous year.
Those opting for business and administrative studies rose to 33,940 in 2017-18 from 32,560 in the previous 12 months, while the number of students opting to do subjects related to medicine were also up at 32,750 last year from 31,705 in 2016-17, data from the Higher Education Statistics Agency showed.
But while the figure for those studying veterinary science and agriculture remains low, the rise in other non-traditional subjects has been welcomed.
Sophie Leach, deputy general secretary at The National Society for Education in Art and Design, told Eastern Eye: “We believe the increase in British Asians studying for creative, arts and design qualifications reflects the demonstrable growth in the creative, media,
digital and technology industries.
“These industries are increasingly perceived as – and are – viable professional career routes,” Leach added. “The sector has more to do and must work hard to improve on a diverse talent pool. It is this diversity that brings both talent and creativity and will enable the UK’s creative industries to continue to thrive.”
Some prominent Asians in the arts are dancer and choreographer Akram Khan, actress and author Meera Syal, music producer Naughty Boy and sculptor Sir Anish Kapoor.
Am Golhar, founder of Abstract PR, said when she attended Central Saint Martin’s college in London 15 years ago, she was one of only two British-Asian women studying for a creative arts degree.
She told Eastern Eye: “I am grateful to see change occur for our next generation and
to see more acceptance and support from the British-Asian community.
“I feel this is partially because there had been such a stigma [against the arts] for generations ... and that being a doctor, accountant, lawyer or something non creative would provide you with a huge salary and acceptance of the community.
“But as time has passed, there is an acceptance and openness from individuals and families to see that the creative industry is, in fact, a safe place where you can be successful. I feel social media has played a huge role [in this].
“There are more British-Asian individuals being celebrated, showcasing their successes and journeys as well as more British Asians being seen in the media.”
However, business degrees remain the most popular among students of south Asian origin. It marks a shift, with many entrepreneurs in the 1970s leaving school early without any qualifications, such as former Dragons’ Den investor James Caan, to launch their own firms.
Professor Sunitha Narendran said Roehampton Business School at the University of Roehampton in London, where she works, has seen an increase in the proportion of British-Asian students enrolling in courses in recent years.
She said: “A large majority of British-Asian students at Roehampton Business School are also commuter students, often living in the parental home. In my conversations with them, a recurrent theme is about finding a ‘respectable job’.
“The nature of the influence of family is acknowledged via references to the norms, values and expectations of their ‘culture’, alongside close and enduring relationships with their families.”
Professor Narendran added that students often want to begin their career on a graduate training programme in a major private sector organisation seen as offering better pay,
benefits and prospects.
“For some students, pursuing business studies also presents opportunities for self-employment or working in the family business if there was an option to do so.
“For British Asians, a good vocational education such as business studies is associated with many benefits – it is aligned with respect for parents who work hard to give them the opportunity to succeed, and also provides increased financial independence,” she added.
“Research that looks at university choices made by students from BAME backgrounds finds subjective interpretations of family aspirations and interests play a strong guiding role in choices made.”
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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