Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
April babies are a different breed: bold, unstoppable, and blessed with that special spark that makes the world sit up and take notice. And if there’s one woman who embodies that fiery Taurus tenacity (even if she’s an Aries cusp queen, born on the 28th), it’s Samantha Ruth Prabhu.
She’s a full-blown hurricane of grit, grace, and girl power, rewriting the rulebook on success while making it look effortless. From battling an autoimmune disorder with the ferocity of a warrior to smashing stereotypes on-screen, she’s the kind of woman who doesn’t just break ceilings, she demolishes them with a wink and a mic drop.
So, what makes her the ultimate girl boss we all secretly (or not-so-secretly) want to be? This isn’t an average celebrity fluff piece. This is a love letter to a woman who’s out there doing the damn thing and making us believe we can too!
1. She turned pain into power: Battling Myositis like a warrior Diagnosed with myositis, an autoimmune disease, Samantha faced intense challenges while filming Citadel: Honey Bunny. Despite “crippling spasms” and fatigue, she delivered a stellar performance, even completing a gruelling fight scene with 35 takes. She turned agony into art, showing us that real strength isn’t about never falling but about getting up every damn time.
From strength to style, Samantha continues to set the bar highInstagram/samantharuthprabhuoffl
2. From an actress to advocate: Launching Pratyusha Support In 2014, Samantha founded Pratyusha Support, a non-profit providing medical aid to underprivileged women and children. The organisation has facilitated over 150 critical surgeries and continues to make a significant impact. She’s still at it, because for her, success isn’t just about fame, it’s about lifting others up while you climb.
Samantha Ruth Prabhu: A trailblazer, unstoppable and unapologetically fierceInstagram/samantharuthprabhuoffl
3. Breaking stereotypes: Dominating OTT platforms Samantha’s role as Raji, a rebel operative in The Family Man 2, showed us all her versatility, breaking the mould of traditional female roles in Indian cinema. Her performance earned her the Filmfare OTT Award for Best Actress in a Drama Series, adding to her accolades. Because when you’re that good, awards are just confetti on your victory lap, right?
Samantha Ruth Prabhu: Breaking barriers with elegance and an unbreakable spiritInstagram/samantharuthprabhuoffl
4. Fashion forward: A style icon on and off the red carpet Whether it’s a glamorous red-carpet event or a casual outing, Samantha’s fashion choices are always on point. Be it rocking a high-fashion look on the red carpet or keeping it casual yet chic, Samantha continues to raise the bar for style. When you own your look like she does, you’re not just wearing clothes, you’re making a statement.
Samantha Ruth Prabhu: A shining example of strength, beauty, and endless determinationInstagram/samantharuthprabhuoffl
5. Empowering voices: Producing MTV Hustle Namma Pettai Venturing into production, Samantha launched MTV Hustle Namma Pettai, a Tamil-language rap and hip-hop reality show aiming to spotlight emerging talent and promote diverse voices in the music industry. By spotlighting raw, unfiltered Tamil rap talent, she gave voices to the unheard. Because true bosses don’t just chase success; they create opportunities for others to shine too.
Samantha Ruth Prabhu: A powerhouse who turns adversity into triumphInstagram/samantharuthprabhuoffl
So, here’s the thing, Samantha Ruth Prabhu isn’t inspiring because she’s perfect. She’s inspiring because she’s real. She’s got scars, she’s got struggles, and she’s got a fire that refuses to dim. Whether she’s fighting her own body, fighting for others, or just fighting on-screen, she does it with a smirk that says, "Try me."
So, here’s to the woman who reminds us that being a boss isn’t about having it all together, it’s about having the guts to keep going when it all falls apart.
Happy Birthday, Samantha! Keep slaying. The rest of us are just trying to keep up.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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