Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
The Met Gala may be fashion’s biggest night, but controversy always finds its way onto the red carpet. This year was no different. From bold political statements sewn into lingerie to grand piano backpacks and a wave of pantless outfits, the 2025 Met Gala saw celebs pushing boundaries—and sometimes too far. Whether these looks were fashion-forward or just plain eyebrow-raising, one thing’s for sure: they got people talking.
1. Halle Berry’s see-through gown turned heads and raised eyebrows
Halle Berry isn’t new to bold red carpet fashion, but her nearly-nude LaQuan Smith gown left very little to the imagination. At 58, the actress confidently rocked a sheer black dress with striped panels and no underwear. While fans applauded her confidence, others felt the look teetered too close to a wardrobe malfunction and missed the mark on elegance.
Halle Berry stuns in a sheer black gown that divided the internetGetty Images
2. Lisa’s Louis Vuitton bodysuit sparked a storm
K-pop star and White Lotus actress Lisa made her Met Gala debut in a lingerie-style Louis Vuitton bodysuit embroidered with women’s faces. But things went south fast when social media users noticed one image strongly resembled civil rights icon Rosa Parks positioned on the underwear. What was likely meant to be empowering quickly turned into one of the night’s most talked-about fashion fails, with many calling it tone-deaf and disrespectful.
Lisa’s bodysuit drew backlash after fans spotted a controversial detailGetty Images
3. Kim Kardashian's futuristic Balenciaga look
Kim K has had her share of Met Gala hits and misses, and this year’s sculptural Balenciaga look fell somewhere in between. The silver gown itself was futuristic and structured, but the face-covering chrome mask stole all the attention for good or bad. While some called it a clever commentary on fame and anonymity, others just found it strange and impersonal.
Kim Kardashian hides behind a chrome mask in her futuristic Balenciaga look Getty Images
4. Amelia Gray Hamlin’s pantless red Valentino look stirred debate
Amelia Gray Hamlin embraced the pantless trend in a bold red Valentino ensemble that blended high fashion with high risk. Her look featured a daring bodysuit and dramatic accessories, but opinions were split. While some praised the fearless fashion choice, others felt it leaned more risqué than refined and questioned how well it fit the theme.
Amelia Gray goes bold with a no pants red Valentino ensembleGetty Images
5. André 3000’s baby grand piano backpack left everyone confused
Leave it to André 3000 to make a statement no one saw coming. The rapper walked the carpet with a literal baby grand piano strapped to his back and a rubbish bag as a purse. Some praised the creativity and tie-in to his latest EP, while others wondered if the Met Gala had become a performance art showcase. Gimmick or genius? The jury’s still out.
André 3000 arrives with a baby grand piano on his back and a rubbish bagGetty Images
The pantless trend
The no-pants trend dominated, with celebrities like Lisa, Hailey Bieber, Sabrina Carpenter, and Amelia Gray Hamlin opting for bodysuits, blazers, and visible underwear. Some celebrated it as modern and daring, while others saw it as a fashion cop-out that distracted from the “tailored Black style” theme.
No pants plenty of opinions the bold red carpet trend that stole the spotlight and sparked debateGetty Images
Final thoughts?
At the Met Gala, fashion risks are expected, but when they veer into uncomfortable, off-theme, or downright confusing territory, they spark global conversation. These looks prove that controversy on the red carpet can be just as headline-making as elegance. Whether you loved them, hated them, or still don’t know what to think, they all made sure the 2025 Met Gala won’t be forgotten any time soon.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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