Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
The Instagram profiles of Pakistani celebrities like Fawad Khan, Atif Aslam, and Rahat Fateh Ali Khan are no longer accessible in India. This development comes just weeks before Fawad’s planned Bollywood return with Abir Gulaal and follows a series of social media restrictions tied to the worsening India–Pakistan relationship.
When Indian fans try to view the artists' Instagram pages, they’re met with a message: "Account not available in India. This is because we complied with a legal request to restrict this content." No official clarification has come from either the Indian government or Meta, but the timing is significant. The move comes days after a terror attack in Jammu and Kashmir’s Pahalgam region killed 26 people, most of them tourists. It was one of the deadliest attacks since the 2008 Mumbai carnage.
Atif Aslam’s Instagram, known for Bollywood hits like ‘Tere Sang Yaara,’ now inaccessible to Indian fansInstagram Screengrab
Fawad isn’t the only one affected. Singers Atif Aslam and Rahat Fateh Ali Khan, both hugely popular in India for their Bollywood chartbusters, have also had their accounts blocked. These restrictions extend to other familiar faces like Mahira Khan, Ali Zafar, Hania Aamir, Imran Abbas, and Sajal Aly, who had earlier crossed over into Bollywood projects. Their accounts too are no longer viewable in India.
Interestingly, a few Pakistani accounts remain untouched for now. Fans can still access the profiles of actors like Mawra Hocane, Adnan Siddiqui, Meesha Shafi, and singers like Qurat-ul-Ain Balouch and Shafqat Amanat Ali.
Fawad Khan’s Instagram displays ‘Account not available in India’ Instagram Screengrab
This digital blackout follows an earlier government crackdown on Pakistani content. A few days ago, India banned 16 Pakistani YouTube channels, including major networks like Dawn News and Geo News, accusing them of circulating false narratives and divisive content. Even former cricketer Shoaib Akhtar’s channel was removed from Indian YouTube listings.
The ripple effect has hit the entertainment world. Fawad Khan’s comeback film Abir Gulaal, co-starring Vaani Kapoor, was due to release in May. But sources say the release won’t happen in India amid rising calls to block the film entirely. Ironically, the film has reportedly been banned in Pakistan as well.
Rahat Fateh Ali Khan’s iconic Sufi music vanishes from Indian Instagram feeds post-restrictionInstagram Screengrab
As political tensions grow, cultural connections continue to suffer, especially for fans on both sides who once bonded over shared music and cinema.
Mukerji parts ways with YRF’s Dhoom 4 after reported creative disagreements.
Decision said to be amicable, with Aditya Chopra and Ranbir Kapoor supportive.
Director shifts focus to Brahmastra: Part Two – Dev, expected to begin filming in 2026.
Filmmaker steps away from YRF’s action franchise
Filmmaker Ayan Mukerji has stepped away from Yash Raj Films’ (YRF) highly anticipated action project Dhoom 4, reportedly due to creative differences. According to Bollywood Hungama, Mukerji’s vision for the film did not align with the studio’s direction, prompting him to withdraw from the project.
Mukerji, who was in discussions to direct the next instalment of the hit franchise—expected to star Ranbir Kapoor—was said to have limited control over the script, which was reportedly written by Shridhar Raghavan. The director, best known for Yeh Jawaani Hai Deewani and Brahmastra, was keen on shaping the film creatively rather than simply executing an existing plan.
A source quoted in the report said, “Ayan didn’t have much say in the screenplay and didn’t want to embark on another journey of just execution.”
Amicable parting after discussions with Aditya Chopra
Before stepping away, Mukerji is believed to have held several discussions with YRF head Aditya Chopra and actor Ranbir Kapoor. Both reportedly supported his decision, with insiders describing the split as “completely amicable.”
The director’s departure does not mark the end of Dhoom 4, as YRF plans to continue with the project under a new director. The studio may also reconsider casting options, despite earlier reports that Ranbir Kapoor had set aside dates for the film.
Focus returns to the Brahmastra universe
Following his exit from Dhoom 4, Mukerji has shifted attention back to his passion project—the Brahmastra series. The filmmaker is currently developing Brahmastra: Part Two – Dev, the sequel to the 2022 fantasy epic.
The film, initially expected to begin production earlier, is now likely to go on floors in 2026. Sources suggest Mukerji intends to expand the Astraverse with more depth in storytelling, combining elements of mythology, drama, and spectacle.
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