Channel 4 reality show criticised for recreating refugee journeys
Titled Go Back to Where You Came From, the part-documentary, part-reality TV show by Channel 4 follows the group of six, who hold strong views both for and against immigration.
A poster of the show
By Eastern EyeFeb 13, 2025
BRITAIN’S newest reality TV show has been slammed as “insensitive”, “voyeuristic” and even “nauseating” for recreating with six Britons the often fatal journeys made by thousands of refugees to the UK.
Titled Go Back to Where You Came From, the part-documentary, part-reality TV show by Channel 4 follows the group of six, who hold strong views both for and against immigration.
They are divided into two teams, with one dropped into one war-ravaged Raqqa in Syria and the other sent to Mogadishu in Somalia.
Over four episodes which launched last Monday (3), they “experience some of the most perilous parts of the refugee journeys” according to Channel 4 – although they travel largely in armoured vehicles.
The outspoken views of some participants, as well as the show’s format, have been criticised by viewers, charities and some media.
Amnesty International UK called it “deeply disappointing” and “sensational”.
Participant and chef Dave Marshall, 35, opens the series standing on the cliffs of Dover, calling for immigrants crossing the Channel to be “blown up”.
Moments later, political commentator Chloe Dobbs, 24, says that unless immigration is reined in, “Britain will be a hellhole full of people wearing burqas”.
In the first episode, the six are taken to markets where they meet families, play football with kids and accompany them as they search through litter for scraps.
At one point, when they visit a bombed-out family home in Raqqa, Marshall and two others are invited to stay the night.
“Very kind of you for offering your house to us,” replied Marshall, the irony perhaps lost on him. “The series explores the varied and sometimes polarised opinions in our society in a fresh way,” a series spokesperson said.
In upcoming episodes, both groups undertake “challenges”, including a boat crossing and trekking through a Libyan desert. There is no winner of the series, though. Dobbs defended it as a “really fun show that lots of people will tune into”. “More so than just some bog-standard, boring documentary,” she said.
Go Back to Where You Came From is based on a popular Australian series which first ran in the early 2010s.
At around that time, politicians in Australia were campaigning to “stop the boats” of irregular migrants reaching the country. A decade later, the same catchphrase has been seized upon by politicians opposing asylum seekers crossing the Channel to reach Britain.
Some viewers praised Channel 4 for giving a rare primetime spot to the hot-button immigration debate, with British charity Refugee Council “welcoming” the show’s premise.
“Television shows have huge potential to highlight the human stories behind the headlines,” Refugee Council CEO Enver Solomon said.
In one heavily criticised “challenge”, the group get into a dinghy in a simulation of the often fatal Channel crossings.
For Dobbs, who has previously said small boats were made out to be “fun” by some refugees, getting into a flimsy vessel in the middle of the night was a turning point. “It was that moment for me that it really hit me. Gosh, people must be really desperate to get on these boats,” she acknowledged.
However, clips of the simulation sparked outrage across the Channel, with French politician Xavier Bertrand calling for the “nauseating” show to be cancelled. “Hundreds of people have died in the Channel in recent years. This situation is a humanitarian tragedy, not the subject of a game,” Bertrand said on X.
The number of asylum seekers arriving in Britain on small boats after crossing the Channel rose to more than 36,800 in 2024, according to official data.
It was also the deadliest year for migrant crossings, with at least 76 deaths recorded.
According to Dobbs, the show wanted to do something “different”. “Rather than just talking to a migrant about what the boat crossing they did was like, wouldn’t it be even better to simulate it and feel all those emotions for yourself?” (AFP)
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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