THE DJs will be taking over this party season in a big way. One of the rising British stars to look out for is DJ Mixa Lucks, who will be spinning the hottest tunes at Bombay Funkadelic’s 2020 NYE Naach party at Cinnamon Kitchen and Anise Bar in London on December 31.
Real name Harjeet Singh Madan, he grew up in Bicester and is in demand nationwide for being able to mix up tunes from different genres.
Eastern Eye caught up with hot right now DJ Mixa Lucks to find out more.
What first connected you to DJing?
I was lucky enough to have close family members – LL Cool Singh, Dholi x and Phatboy Singh – already embedded in the industry. When watching them, I wanted to get involved. So, on my 14th birthday, my dad bought my brother and I a pair of Soundlab turntables. This enabled me to develop my own style by practising every day in the garage.
Tell us about the kind of DJ sets you do?
As a Punjabi, I love my bhangra and Bollywood music. However, I love the urban style of music and mixing it up with all genres
What is the secret of a great DJ set?
My secret is to not always blend the music, but to switch it and throw the crowd by surprise.
What has been your most memorable gig?
It was in Club Rouge, London, in the early 2000s, alongside Dr Psycho. The whole night was on vinyl, and the crowd was amazing. It was a feeling that would never leave you.
Do you have any go-to tunes that never fail?
I have never had a bank of tunes, but if I were to pick the ultimate club banger, it would be Fatman Scoop’s Be Faithful. It’s worked since the early days on vinyl up until the last gig I was DJing at.
What music do you listen to when not working?
I love all kinds of music. If the song has a good production and a great medley, I’ll listen to it. I tend to go through phases; one week it might be garage, the next grime and even a little bit of school cheese.
Can you share a memorable Djing story?
My DJing journey started when I was 15. My brother and I started a DJ crew, Desi Cuts, which later evolved into Eminent DJs. Since then, I have many stories which have been memorable. But the most memorable was when we joined Ray Panthaki to support him on a short movie Life Sentence. The film won Best UK Short at the East End Film Festival.
How do you stay on top of all the music?
The key to staying on top of the music collection is listening to radio stations and researching the charts for each genre. The earlier days were a lot easier – HMV for English and Metro Music on Southall Broadway for bhangra and Bollywood
Why do you love being a DJ?
It is in my blood. The energy you get when the crowd is having a good time and enjoying your style of mixing – it gives you a buzz that you can’t buy.
Visit www.bombayfunkadelic.com and to find out more about DJ Mixa Lucks, visit Facebook, Instagram and Snapchat: @mixalucks
K-pop idol Ju Haknyeon has officially left THE BOYZ following explosive allegations connecting him to a former Japanese adult film actress and an ongoing police investigation. While the singer denied involvement in any criminal activity, the controversy has triggered widespread media attention, emotional fallout among fans, and public apologies from the rest of the group.
Scandal breaks: Photos, police reports, and a contract termination
The storm began when images of Ju Haknyeon alongside ex-AV actress Kirara Asuka at a lounge in Tokyo began circulating online. What initially seemed like a private gathering on 30 May quickly spiralled into a scandal, with Korean media suggesting deeper implications beyond a casual meetup. Shortly after, on 18 June, his agency ONE HUNDRED confirmed the end of his contract, citing a "loss of trust."
Within 24 hours, matters escalated. A citizen filed a formal complaint at Gangnam Police Station accusing Ju of violating South Korea’s prostitution law, specifically Article 4, which pertains to arranging sexual services. The report hinted at potential ties with others in the entertainment industry, demanding a broader investigation. In response, the agency’s CEO Cha Ga Won issued a statement accepting responsibility, admitting the company lacked oversight, and apologised to fans.
Ju, in turn, posted a handwritten message denying all allegations. He acknowledged attending a private drinking session on 30 May but stated, “I have never engaged in prostitution or any illegal activity.” Despite the denial, the damage to his image was irreversible, leading to his removal from the group and all related activities.
THE BOYZ react: Apologies pour in from remaining members
In the aftermath, THE BOYZ members addressed their fandom, THE B, with heartfelt letters. Eric, Kevin, Juyeon, Sunwoo, Younghoon, Q, and others expressed deep remorse, shared personal struggles, and vowed to rebuild trust. They admitted the scandal had weighed heavily on them, with some describing emotional turmoil and fear of losing their fans.
The letters weren’t about defending Ju but about reassuring their audience that they remain committed. Each member promised to reflect, grow stronger, and uphold the group’s values. The group now continues as a 10-member act.
THE BOYZ attend 2022 The Fact Music AwardsGetty Images
Online reactions remain divided, with some fans supporting the group’s decision, while others question the harsh scrutiny idols face, especially over personal relationships. But one thing is clear: THE BOYZ is now in damage control mode, striving to move forward while keeping their fandom close.
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Randhir Kapoor had strongly opposed Karisma’s marriage to businessman Sunjay Kapur
In the wake of businessman Sunjay Kapur’s sudden death on 12 June 2025, attention has turned to Karisma Kapoor’s personal life and her past marriage. The former couple, who tied the knot in 2003, split in 2014 and finalised their divorce in 2016 after a long legal battle. Their marriage had been fraught with tension, and Karisma’s father, veteran actor Randhir Kapoor, had openly voiced his disapproval of the union.
‘She doesn’t need to remarry, she’s content being a mother’
Following their split, Karisma’s name was occasionally linked with businessman Sandeep Toshniwal, though neither ever confirmed a relationship. In a 2017 interview, Randhir Kapoor was asked whether Karisma planned to marry again. He replied that she was happy, settled, and completely devoted to her children, Samaira and Kiaan.
Randhir Kapoor once said Karisma is happy and well-settled as a single motherGetty Images
“I think Lolo is very well settled and happy. I have never discussed marriage with her, but if she ever wants to marry again, she will always have my blessings. That said, I don’t think she wants to. She’s a happy mother and there’s no step in that direction,” Randhir had said. He added that Karisma is an “excellent mother” and that her love for her children seemed to fulfil her completely.
Despite growing speculation at the time about a new chapter in Karisma’s life, Randhir’s words reflected a family that supported her decision to live life on her own terms.
Randhir Kapoor once said Karisma Kapoor may never remarry after divorceGetty Images
‘I never wanted her to marry Sunjay’
Back in 2016, during the divorce proceedings, Randhir had spoken about how he never approved of Karisma’s marriage to Sunjay. “Sunjay is a third-class man. We are Kapoors. We don’t need anyone’s money. He never cared for Karisma. He lived with another woman while giving her nonsense,” Randhir had said.
He added that everyone in Delhi knew Sunjay’s reputation, and he didn’t want to say more. Post-divorce, Karisma won custody of her children. Reports stated that Sunjay paid ₹70 crore (£6.6 million) in alimony and set aside ₹14 crore (£1.3 million) in bonds for the children’s future.
Though Sunjay later married Priya Sachdev, Karisma has remained single. She returned to the screen with selective work but kept her personal life private. Through it all, she’s maintained grace, and, as her father once said, she continues to live life the way she chooses.
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Nagarjuna reveals Sekhar Kammula told him to unlearn stardom for Kuberaa
Veteran actor Nagarjuna Akkineni is shedding his star persona to play a middle-class man with emotional complexity in Kubera. But that didn’t come easy. In a candid moment from the set, director Sekhar Kammula told him bluntly: “I don’t want to see confidence in your eyes.” That line stuck with him. “It reminded me I had to strip back everything I’ve built up over the years and just be the character,” Nagarjuna recalls.
In Kubera, releasing 20 June, Nagarjuna plays Deepak, a character wedged between a beggar played by Dhanush and a billionaire played by Jim Sarbh. The film is set across three social classes, something the actor believes will strike an emotional chord. “We’re not playing to the gallery. We’re becoming the people in the story,” he says.
This is Nagarjuna’s first outing with director Sekhar Kammula, known for his socially rooted storytelling. Despite being long-time admirers of each other’s work, they had never collaborated, partly because Sekhar didn’t see big stars fitting into his universe. But Nagarjuna believed otherwise. “Stars can bring people to the theatre. The story will keep them there,” he says.
He praised Sekhar’s craft, particularly how his songs arrive unexpectedly but feel completely natural. “His stories uplift, challenge, and entertain. Love Story did it with caste and gender. Kubera does it with class.” The actor also shares how Jim Sarbh stunned the crew by delivering pitch-perfect Telugu lines despite not knowing the language. “He was the most hardworking among us,” Nagarjuna says.
Playing the bad guy with no regrets
While Kubera sees him as a restrained, empathetic man, Coolie flips that completely. Directed by Lokesh Kanagaraj, the film casts him opposite Rajinikanth as a suave, remorseless antagonist. “He’s a double alpha, no redemption, no soft edges,” Nagarjuna says. “He believes he owns the world. It was liberating to play someone so unapologetically bad.”
As he approaches his 100th film, Nagarjuna reflects on staying relevant across four decades. The key, he says, is to evolve with the audience, especially younger viewers. “You can’t preach. You have to adapt or step aside.” And despite the rise of OTT and shrinking theatre windows, he remains confident: “A good film still belongs in a cinema. The experience is unmatched.”
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Danny Boyle returns with 28 Years Later as critics praise Ralph Fiennes and Jodie Comer in gripping infected sequel
It’s been over two decades since 28 Days Later redefined zombie horror, and now director Danny Boyle and writer Alex Garland have returned with 28 Years Later, a sequel that critics describe as strange, thrilling and unlike anything else in the genre right now. Reviews across the board agree on one thing: this isn’t a typical follow-up. Instead of repeating past glories, 28 Years Later throws viewers into a mutated Britain trapped in isolation, where the infected are evolving, and survival feels like medieval warfare.
A bold, chaotic mix of horror, politics and family drama
Critics highlight how the film combines multiple genres like apocalyptic horror, folk survivalism and emotional family storylines. Many reviewers noted that Boyle’s visual direction still feels urgent and stylish, especially in the intense chase scenes through forests filled with new mutated variants: the sluggish “Slow-Lows” and terrifying Alpha berserkers.
Alfie Williams, who plays 12-year-old Spike, has been widely praised for anchoring the story. His journey across the infected mainland with his dying mother Isla is described as the film’s emotional spine. Comer’s performance drew strong acclaim, with some critics saying she gives the film its most grounded moments.
There’s also a consensus that Garland’s script tries to pack in big ideas, touching on Brexit, COVID-era isolationism, and climate dread, but doesn’t always manage to develop them fully. Still, the ambition is appreciated.
Ralph Fiennes delivers the film’s most memorable turn
While the film’s first half is loaded with action, the tone shifts completely when Ralph Fiennes appears as the enigmatic Dr. Kerson. Critics across the board say he steals the film, playing a soft-spoken, possibly unhinged survivor living in a bone temple. His eerie calm and philosophical monologues sparked comparisons to Apocalypse Now’s Colonel Kurtz.
The general verdict? 28 Years Later is uneven but never boring. It is an ambitious return that doesn’t shy away from chaos. And with part two, The Bone Temple, already in the works, reviewers agree: this wild new trilogy is just getting started.
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Radhika Apte stars in BAFTA-nominated Sister Midnight, now available to stream online
BAFTA and BIFA-nominated indie Sister Midnight is now available to stream on major digital platforms, including Altitude.film, Apple TV, Amazon, Sky Store, and Curzon Home Cinema.
Director Karan Kandhari’s first feature arrives with plenty of praise and a striking lead performance by Radhika Apte, whom critics say delivers “an endlessly expressive marvel.” Set in the humid, buzzing heart of Mumbai, the film follows a newly married couple trying and often failing to fit into each other’s worlds within the cramped confines of a one-room home.
Apte plays Uma, a new bride forced into a life she didn’t choose, navigating nosy neighbours, a heat-soaked home, and a clueless husband she barely knows. With little support and mounting frustration, she begins drifting into the unpredictable world of Mumbai’s nights, where street dogs, shadows, and music accompany her search for identity and escape.
Kandhari doesn’t stick to the rules. The film unfolds like a fever dream, part dark comedy, part urban myth. It’s messy, but purposefully so. The chaos mirrors Uma’s journey. The paper-thin walls of her shack aren’t the only things breaking down; so is her idea of who she’s supposed to be.
With a soundtrack as unpredictable as the protagonist, Sister Midnight swings between classic rock, old blues, and raw punk, featuring legends like Howlin’ Wolf, Motörhead, and The Stooges, along with original music by Interpol’s Paul Banks.
Radhika Apte’s raw, magnetic energy grounds the chaos
While the film is full of jagged energy and eccentric moments, Apte’s performance ties it all together. She doesn’t just play Uma, she unravels her, one twitch, glare, and outburst at a time. Critics have called her work here “electrifying” and “oddly poignant.” The film clocks in at 110 minutes and carries a 15 certificate for its edgy themes.
But Sister Midnight is far from just gritty; it’s a rare mix of heart and havoc, offering a glimpse into one woman’s unravelling, with the city of Mumbai acting as both witness and accomplice.