Beyonce wins Album of the Year as Lamar takes five Grammys
Kendrick Lamar dominated the night with five wins, including Record and Song of the Year for Not Like Us. The event, held at Crypto.com Arena, was also a tribute to Los Angeles, which has faced severe wildfires.
Lamar won all five categories he was nominated in, including Record and Song of the Year. (Photo: Getty Images)
BEYONCE won the Grammy for Album of the Year on Sunday for Cowboy Carter, making her the most nominated and most awarded artist in the show’s history. The win also makes her the first Black woman to take the top prize this century.
Kendrick Lamar dominated the night with five wins, including Record and Song of the Year for Not Like Us. The event, held at Crypto.com Arena, was also a tribute to Los Angeles, which has faced severe wildfires.
Chappell Roan, Charli XCX, Doechii, and Sabrina Carpenter were among the night's big winners. Taylor Swift and Billie Eilish did not win any awards.
Beyonce, accepting her award, said, “I just feel very full and very honoured.” She dedicated the win to Linda Martell, a pioneering Black country musician featured on the album. “I hope we just keep pushing forward, opening doors,” she added.
She won three Grammys in total, including Best Country Album and a collaboration with Miley Cyrus. “I really was not expecting this,” she said, adding, “Sometimes genre is a code word to keep us in our place as artists.”
‘Visions’ by Norah Jones won the Grammy award for Best Traditional Pop Vocal Album.
Pakistani-American singer and composer Arooj Aftab's Night Reign missed out on the Grammy award for Best Alternative Jazz Album to No More Water: The Gospel of James Baldwin by Meshell Ndegeocello.
Lamar and Roan lead the night
Lamar won all five categories he was nominated in, including Record and Song of the Year. His diss track Not Like Us became a major hit and a West Coast rap anthem.
“Nothing more powerful than rap music,” Lamar said while accepting Song of the Year. “We are the culture.”
Chappell Roan won Best New Artist, capping a breakthrough year. In her speech, she spoke about the struggles of being dropped by a label and called for better support for artists. “Record labels need to treat their artists as valuable employees,” she said.
Doechii won Best Rap Album, becoming only the third woman to do so. “Anything is possible,” she said in her speech, addressing Black women and girls. “Don’t allow anybody to project any stereotypes on you.”
Sabrina Carpenter won Best Pop Vocal Album and performed her hits Espresso and Please Please Please. Shakira won Best Latin Pop Album before delivering a performance, and Charli XCX took home three awards, including Best Dance/Electronic Album.
Tribute to Los Angeles
The ceremony included tributes to Los Angeles, with host Trevor Noah announcing that at least $7 million was raised for wildfire relief.
Firefighters presented Beyonce with her award, while students affected by the fires performed We Are The World with Stevie Wonder in tribute to Quincy Jones.
The show opened with a performance of I Love LA by a group including Sheryl Crow and John Legend, while Billie Eilish performed Birds of a Feather wearing an LA Dodgers cap.
“I love you, LA,” Eilish said to cheers.
Key winners:
Album of the Year: Cowboy Carter - Beyonce
Record of the Year: Not Like Us - Kendrick Lamar
Song of the Year: Not Like Us - Kendrick Lamar
Best New Artist: Chappell Roan
Best Rap Album: Alligator Bites Never Heal - Doechii
Best Country Album: Cowboy Carter - Beyonce
Best Pop Vocal Album: Short n' Sweet - Sabrina Carpenter
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.