V&A exhibition celebrates Mughal art and architecture’s timeless legacy
Rare manuscripts and masterpieces highlight Indian rulers' patronage of fine art
A
carpet displayed at the V&A; artefacts crafted from
mother of pearl, rock crystal, jade, and precious metals;
a model of Mumtaz Mahal’s cenotaph; bejewelled
daggers and a spoon; a painting of Akbar handing the
imperial crown to Shah Jahan in Jahangir’s presence;
another painting from the same era; Susan Stronge;
and a portrait of Shah Jahan holding an emerald by
Muhammad ‘Abed, with borders by Harif
By Amit RoyNov 16, 2024
OF COURSE, we Asians know all there is to know about Mughal history from two impeccable sources.
One is K Asif’s classic 1960 movie, Mughal-e-Azam, which stars Prithviraj Kapoor as the emperor Akbar, who forbids his son, Salim (Dilip Kumar) from pursuing his doomed love affair with a dancing girl, Anarkali (Madhubala).
And then those of us who are scholars of Mughal history have relied on the 2008 film, Jodhaa Akbar, in which the young Akbar romances a Rajput princess, Jodhaa Bai of Amber. They were played by Hrithik Roshan and Aishwarya Rai, respectively.
And so we are well prepared for our trip to the V&A to see The Great Mughals: Art, Architecture and Opulence. It’s so exquisite that I bought both the catalogue and the poster. The exhibition has been curated by Susan Stronge, senior curator in the V&A’s Asian department. One of the world’s leading experts on Mughal art, this is her swansong before she retires.
“This is the first exhibition to reveal the internationalist art and culture of the Mughal court,” she said. “Hindustani artists, Iranian masters and even a few Europeans came together in the imperial workshops to create a new, hybrid art. We are pleased to display some of their greatest creations, many of which have never been exhibited before.”
Somewhere in the exhibition are the words of the Sufi poet and scholar, Amir Khushrow (1253-1325): “If there is Paradise on earth, it is this, it is this, it is this.”
If there is an artistic paradise in London, then this exhibition at the V&A is it. It also proves that the Mughals, their art, culture and civilisation have always been an integral part of India.
The exhibition has an evocative video of the magical Taj Mahal in Agra, along with marble work from the mausoleum. I have been there a few times, seen it at dawn, at noon and at night and especially remember the trip with Princess Diana (the poor girl called it a “healing experience”).
The decoration of the Taj Mahal introduced a style that profoundly influenced all the arts of Shah Jahan’s reign. Blossoming plants and flowers were carved in stone, woven and embroidered on textiles, painted in the borders of albums and enamelled in gold on objects made for the court. These stylised blossoms evoke an ideal world in which they would live forever, untouched by decay, disease, famine or poverty. They proclaim the empire as a garden of paradise under the emperor’s just rule. And it was this which made Khushrow utter his famous words.
The exhibition showcases more than 200 objects across three sections spanning the reigns of Emperors Akbar (1556- 1605), Jahangir (1605-1627) and Shah Jahan (1628-1658) and celebrates the craftsmanship and creativity of their court workshops.
Rarely shown paintings and illustrated manuscripts not seen for a generation are displayed alongside delicate textiles, brilliantly coloured carpets and fine objects made of mother of pearl, rock crystal, jade and precious metals, the V&A points out.
The Mughal dynasty was founded in 1526 by Babur, a Timurid prince and ruler from Central Asia. At its peak, it was one of the wealthiest and most progressive empires in the world, and extended from Kabul in present-day Afghanistan, to the borders of the Deccan sultanates in the south, and from Gujarat in the west to present-day Bangladesh in the east.
Susan Stronge
The golden age of Mughal art lasted from about 1580 to 1650 and spanned the reigns of the three emperors. The imperial workshops employed Hindu and Muslim artists and craftsmen from across the newly conquered territories. Persian was the cultural language of the multilingual empire, which attracted skilled Iranian painters, calligraphers, architects and many others to the wealthy, cosmopolitan court. This exhibition traces the creation and evolution of a distinctively Mughal art. From jewelled vessels to richly coloured velvets and the art of the book to architecture, it examines the many techniques and conventions that were constantly absorbed and reimagined.
As children growing up in India, we were taught that Akbar was, as PG Wodehouse would put it, a thoroughly good egg (despite not allowing Salim to marry the girl he loved in Mughal-eAzam). He was 14 when he suddenly became emperor. He proved to be one of the greatest rulers in Indian history.
Akbar constantly encouraged innovation and c r e a t i v i t y . Workshops supplied his court with luxury products made by craftsmen from across the empire and from Iran. From the 1580s, they started to absorb elements of European art brought by Jesuit missionaries who came to Akbar’s court from the Portuguese territory of Goa. All of these different traditions were combined to create a vibrant new art.
For the Iranian festival of Nowruz (New Year), the court was decorated with luxurious textiles and carpets. Akbar championed new crafts and established court workshops, including goldsmiths and the House of Books. Precious objects made in these workshops are on display, including two rarely seen folios from the colourfully illustrated volumes of the Hamza-Nama, or Book of Hamza, commissioned by the emperor in the 1570s.
Jahangir continued his father’s legacy of artistic patronage. Jade from Khotan on the Silk Route was made into exquisite vessels for the emperor. The technique of enamelling, probably learned from Europeans, became one of the great Mughal arts. The dazzling appearance of the court inspired Sir Thomas Roe, England’s first ambassador to the Mughal emperor, to write to Prince Charles (later King Charles I) that Jahangir’s empire was “the treasury of the world”.
Under Jahangir, when the court, the royal household, servants and officials transferred from one major city to another, they were invariably accompanied by artists and craftsmen.
Shah Jahan became emperor after his father died in 1627. His coronation began a reign renowned for its sumptuous artistic production and its unified style. The vast wealth accumulated in the imperial treasuries allowed the ruler to follow his passion for architecture and to commission extravagant jewelled artefacts.
This unprecedented harmony in Mughal art was inspired by the Taj Mahal. Shah Jahan’s wife Arjumand Banu Begum, entitled “Mumtaz Mahal”, died giving birth to their 14th child. Within days, the grief-stricken emperor began planning a grand mausoleum for her in Agra, set within a large formal garden. The flowering plants, carved on its walls and inlaid in jewel-like colours on her white marble cenotaph, influenced artistic production at all levels.
Across the empire, artisans in specialist workshops replaced traditional patterns with blossoms in the new court style. Floral motifs were carved on emeralds, enamelled on gold vessels and weapons, and painted on the borders of album pages.
The Great Mughals: Art, Architecture and Opulence runs at the V&A until May 5, 2025.
Minouche Shafik named chief economic adviser to Keir Starmer.
Darren Jones moves into Downing Street role; James Murray replaces him.
Wider reshuffle includes changes in Starmer’s private office and communications.
Appointment comes ahead of a budget expected to include further tax rises.
Prime minister Keir Starmer has named Minouche Shafik, a former deputy governor of the Bank of England, as his chief economic adviser. The appointment comes as he looks to strengthen his team ahead of what is expected to be a difficult end to the year.
Shafik’s arrival, along with the decision to bring Darren Jones, deputy to chancellor Rachel Reeves, into his Downing Street office, signals Starmer’s focus on economic advice before a budget later this year that is likely to include further tax rises.
Jones will be succeeded by Labour lawmaker James Murray, who previously held a junior post in the finance ministry, Starmer’s office said in a statement.
Wider changes in Downing Street
Starmer has also reshuffled his Downing Street operations, replacing his principal private secretary and naming a new director of communications.
After more than a year in power, Starmer’s government has faced criticism from within Labour for struggling to explain difficult policy decisions and highlight its achievements. Labour’s poll ratings have dropped in recent months.
The changes could strengthen the economic advice available to Starmer before Reeves presents a budget with limited scope, as she remains committed to her fiscal rules aimed at balancing day-to-day spending with tax revenues by 2029.
"I think the creation of a role for Darren Jones is a good move," one Labour lawmaker said.
"He’s clearly got an eye for the details but understands the politics too."
Shafik to bring ‘additional expertise’
Shafik served as deputy governor for markets and banking at the Bank of England between August 2014 and February 2017, leaving early to become vice chancellor of the London School of Economics.
In 2023, she was appointed president of Columbia University in New York but resigned after little more than a year following criticism over the university’s handling of student protests related to Israel’s war in Gaza.
Earlier in her career, Shafik was the top civil servant in Britain’s foreign aid ministry and later deputy managing director at the International Monetary Fund. At the IMF, she oversaw work in Europe and the Middle East during the euro zone debt crisis and the Arab Spring.
"This role and the additional expertise will support the government to go further and faster in driving economic growth and raising living standards for all," Starmer’s office said.
Shafik’s background
Shafik, who is also a non-partisan member of the House of Lords, was born in Egypt and grew up in the southern United States before earning a doctorate in economics at the University of Oxford.
In a 2021 book, she argued for policies that included income floors with work incentives, pensions linked to life expectancy, and early childhood interventions to equalise opportunity.
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The new Harry Potter series stars Arabella Stanton, Dominic McLaughlin and Alastair Stout
A London street has been turned into Privet Drive for the new Harry Potter series
Locals in Upminster say they were not told filming was for the HBO remake
Some residents fear being “bombarded with wizards” while others are thrilled
Cast includes Arabella Stanton, Dominic McLaughlin and Alastair Stout
A quiet street in east London has been transformed into Privet Drive for the new Harry Potter series, but locals are unhappy they were not properly informed about the filming. Springfield Gardens in Upminster, chosen to double as the boy wizard’s childhood home, has left neighbours divided, with some welcoming the attention while others worry they will be “bombarded with wizards.” The HBO production, part of a major reboot, has already brought cameras, drones and fans to the area.
The new Harry Potter series stars Arabella Stanton, Dominic McLaughlin and Alastair Stout Instagram/harrypotterhbonotofficial
Why is Harry Potter filming in London’s Upminster?
The new Harry Potter series, commissioned by HBO, is reimagining J.K. Rowling’s story for television. Springfield Gardens, a 1930s Tudor-style street in Upminster, was selected to represent Privet Drive, where Harry spent his early years with the Dursleys.
Filming began in June, with drone shots and cameras set up across the residential area. While residents received letters about filming, many say they were not told it was for Harry Potter, which has fuelled frustration given the global scale of the franchise.
What have residents said about the Harry Potter filming?
Local mother Katie, 42, said she was shocked to discover her home featured on Harry Potter fan pages without her consent. “We just saw some cameras outside, they never said what it was for. We are going to get bombarded with wizards,” she told the Telegraph.
Her husband Wayne added that he only realised their house was being used after work colleagues showed him press coverage. “Some guys from my work were like ‘look, they have picked the new Harry Potter house’ and it was my home. At no point did they say it was Harry Potter, so it was a bit of a shock,” he said.
Some neighbours, however, welcomed the project. Sue Baldwin, 63, a self-confessed superfan, said: “I am Harry Potter mad. We love to go to Disneyland to see all the Harry Potter stuff. My grandkids love the films so when I called my daughter to tell her, she thought it was amazing.”
The Harry Potter reboot becomes the most expensive TV show ever Amazon
Who stars in the new Harry Potter series?
The television reboot has introduced a new cast to play the beloved trio. Arabella Stanton takes on the role of Hermione Granger, Dominic McLaughlin will play Harry Potter, and Alastair Stout has been cast as Ron Weasley.
British actor Nick Frost has also been spotted during filming, transformed into Hagrid. The production is expected to run for several years, with each season covering one book from the seven-part saga.
How are residents preparing for Harry Potter fans?
Since the news broke, fans have already started visiting Springfield Gardens to take photos outside the houses. Some residents have joked about selling Harry Potter merchandise, while others worry about safety and privacy as crowds grow.
One father living on the street said: “We have already had people outside after dark when we have two young kids, which is very strange. I think it is a mixed bag, some people are excited, and some are concerned.”
Farhan Akhtar says Jee Le Zaraa has been delayed but not shelved
Significant work including music and location scouting already completed
Director cannot confirm if Alia Bhatt, Priyanka Chopra and Katrina Kaif remain attached
Project first announced in 2021 as a female-led road trip film
Filmmaker-actor Farhan Akhtar has clarified that his highly anticipated film Jee Le Zaraa has not been shelved. Speaking about the much-discussed project, Akhtar said the film is simply “on the back burner” due to scheduling conflicts. The clarification comes after years of speculation that the all-female road trip film, originally announced with Priyanka Chopra, Katrina Kaif and Alia Bhatt, might have been abandoned.
Farhan Akhtar confirms Jee Le Zaraa is not shelved but cast uncertain Instagram/priyankachopra
Is Jee Le Zaraa cancelled?
During an interview, Akhtar addressed whether the film had been dropped altogether. He said:
“I would hate to say that it’s shelved. What I will say is that it’s put on a back burner. It is a film that will happen. I don’t know when it will be. But it’s too delicious a script.”
He added that extensive pre-production work, including location scouting and music recording, had already been completed, confirming that the creative groundwork for the film is in place.
When asked about the previously announced cast, Akhtar admitted that he could no longer comment. “I can’t comment on the cast on that anymore,” he said, hinting that the lineup featuring Chopra, Kaif and Bhatt may not be final. The uncertainty around casting has been one of the biggest reasons behind the prolonged delay.
Industry reports previously suggested that the global work commitments of Chopra and the packed schedules of Kaif and Bhatt created significant challenges in aligning dates for the shoot.
The delay has been attributed primarily to calendar clashes. In an earlier interview, Akhtar explained that conflicting schedules were the main hurdle, especially after the Hollywood actors’ strike disrupted Chopra’s availability. “We just have issues with dates,” he said, adding that the film seems to have “a destiny of its own.”
Since then, speculation has grown over whether the trio of stars originally attached will still be part of the project, but Akhtar’s recent remarks confirm that while the cast may be uncertain, the film itself remains in motion.
Fans await clarity on whether Priyanka Chopra, Alia Bhatt and Katrina Kaif will reunite on screen in Jee Le ZaraaGetty Images
What is Jee Le Zaraa about?
Jee Le Zaraa was announced in 2021 to mark the 20th anniversary of Akhtar’s debut film Dil Chahta Hai. It was promoted as a female-led road trip drama, echoing the friendship themes of Zindagi Na Milegi Dobara. The script has been co-written by Akhtar, Zoya Akhtar and Reema Kagti, with production under Excel Entertainment and Tiger Baby Films.
When it was first revealed, Chopra described the film as “a celebration of sisterhood and friendship,” sharing that the idea emerged from her desire to create a Hindi film headlined by three women. The initial announcement, featuring Chopra, Kaif and Bhatt together, created huge excitement among fans.
While Jee Le Zaraa remains on hold, Akhtar is currently focusing on Don 3, which will star Ranveer Singh. The film is expected to begin production once Singh completes his current projects.
Akhtar is also preparing for the release of 120 Bahadur, a war drama in which he plays Major Shaitan Singh Bhati, who led Indian troops at the Battle of Rezang La in 1962. The film is slated for release on 21 November.
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Before their formal meeting, Putin offered Modi a ride in his Aurus limousine.
INDIAN prime minister Narendra Modi met Russian president Vladimir Putin and Chinese president Xi Jinping on the sidelines of the Shanghai Cooperation Organisation (SCO) summit in Tianjin, China.
Modi pressed for ending the Ukraine conflict at the earliest, reaffirmed India’s long-standing ties with Russia, and discussed trade and border issues with Xi.
Modi, in his address, called the Pahalgam terror attack “an assault on India’s conscience” and “an open challenge to every nation that believes in humanity.” He said combating terrorism is a “duty towards humanity.” The SCO declaration echoed this, with leaders strongly condemning the attack and stressing the need for united global efforts against terrorism.
“The member states strongly condemned the terrorist attack in Pahalgam on April 22,” it said.
“They (member states) expressed their deepest sympathy and condolences to the families of the dead and the wounded. They further stated that perpetrators, organisers and sponsors of such attacks must be brought to justice,” the declaration said.
2. Modi–Xi meeting on trade and border issues
Modi and Xi agreed to expand trade and investment ties to stabilise global commerce and deepen cooperation to address common challenges.
Modi thanked Xi, the Chinese government and the people of China for the successful organisation of the summit, his first visit to the country in seven years.
Modi said an atmosphere of "peace and stability" has been created on their disputed Himalayan border, the site of a prolonged military standoff after deadly troop clashes in 2020, which froze most areas of cooperation between the nuclear-armed strategic rivals.
3. Modi–Putin meeting on Ukraine and bilateral cooperation
Modi told Putin, “The call of humanity is to end the conflict as soon as possible and find ways to bring permanent peace to the region.”
He welcomed peace initiatives and emphasised a durable settlement. Putin, addressing Modi as “Dear Mr Prime Minister, dear friend,” said Russia and India had maintained “friendly and trusting” ties for decades.
The leaders discussed cooperation in trade, fertilisers, space, energy, security and culture, reaffirming the “Special and Privileged Strategic Partnership.”
4. Modi–Putin private conversation in limousine
Before their formal meeting, Putin offered Modi a ride in his Aurus limousine.
The two leaders held a one-to-one conversation for nearly an hour inside the car.
Modi later shared a photograph on social media, writing, “Conversations with him are always insightful.”
Modi said India is waiting to receive Putin later this year. The Russian president is scheduled to travel to India in December for summit talks.
5. Xi’s call for SCO development bank
Xi Jinping said the SCO’s “international influence and appeal are increasing day by day.”
He urged members to accelerate creation of a development bank and announced initiatives including scholarships, PhD programmes, livelihood projects and AI cooperation centres.
He also proposed closer cooperation in energy, infrastructure, digital economy, science and green industries.
6. Condemnation of Gaza strikes
The SCO members also criticised the military strikes by Israel in Gaza, noting that they have caused civilian casualties and created a humanitarian crisis in the region.
The SCO also condemned terror strikes in Pakistan’s Balochistan province, including those in Khuzdar and on the Jaffer Express.
(With inputs from agencies)
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Afghan volunteers and Taliban security personnel carry an earthquake victim evacuated by a military helicopter from the Nurgal district of Kunar province onn September 1, 2025.
A MAJOR rescue operation was underway in Afghanistan on Monday after a powerful earthquake and several aftershocks destroyed homes in a remote mountainous region, killing more than 800 people, according to Taliban authorities.
The quake struck just before midnight and was felt as far as Kabul and in Pakistan’s capital, Islamabad.
The US Geological Survey (USGS) said more than 1.2 million people likely experienced strong or very strong shaking.
Heavy toll in Kunar province
Near the epicentre in eastern Afghanistan, about 800 people were killed and 2,500 injured in Kunar province alone, Taliban government spokesman Zabihullah Mujahid said.
In neighbouring Nangarhar province, another 12 people died and 255 were injured, he added.
"Numerous houses were destroyed," interior ministry spokesman Abdul Mateen Qani told AFP.
Many Afghans live in mud-brick homes that are highly vulnerable to collapse.
Remote villages cut off
Some villages in Kunar province remain inaccessible due to blocked roads, the UN migration agency said in a statement to AFP.
The Taliban authorities and the United Nations mobilised rescue efforts in the worst-hit areas. The defence ministry said 40 flights had been carried out so far.
A member of Kunar’s agricultural department in Nurgal district said locals had rushed to clear blocked roads to reach cut-off villages, but the areas worst affected were remote with limited telecoms access.
"There is a lot of fear and tension... Children and women were screaming. We had never experienced anything like this in our lives," Ijaz Ulhaq Yaad told AFP.
He added that many people in the quake-hit villages were among the more than four million Afghans who have returned from Iran and Pakistan in recent years.
"They wanted to build their homes here."
Quake details
According to the USGS, the earthquake struck at a shallow depth of eight kilometres and was located 27 kilometres from Jalalabad in Nangarhar province.
Both Nangarhar and Kunar provinces border Pakistan. The nearby Torkham crossing has seen repeated waves of Afghan returnees, often with no jobs or shelter.
International response
UN Secretary-General Antonio Guterres expressed condolences, joining the Taliban government and several nations in offering sympathy.
"I stand in full solidarity with the people of Afghanistan after the devastating earthquake that hit the country earlier today," he said.
Aftershocks and frequent quakes
At least five aftershocks followed the initial quake, the strongest a magnitude 5.2 just after 4:00 am (2330 GMT Sunday).
Afghanistan experiences frequent earthquakes, particularly in the Hindu Kush mountain range where the Eurasian and Indian tectonic plates meet.
Nangarhar province was also hit by flooding between Friday night and Saturday, which killed five people and destroyed crops and property, provincial officials said.
In October 2023, a 6.3-magnitude earthquake struck western Herat province, killing more than 1,500 people and damaging or destroying more than 63,000 homes.
In June 2022, a 5.9-magnitude quake hit eastern Paktika province, killing more than 1,000 people and leaving tens of thousands homeless.
Ongoing crises
Afghanistan, already facing humanitarian challenges after decades of war, has limited capacity to respond to disasters. Since the Taliban’s return, foreign aid has been sharply reduced, further straining resources.