Superman Teaser Trailer: David Corenswet's performance looks promising as Man Of Steel
Superman is expected to hit the screens on July 11, 2025

A scene from the teaser trailer of Superman
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Saif Ali Khan, Jaideep Ahlawat, and the ensemble cast shine in the poster of Jewel Thief: The Heist
Netflix released a new poster for Jewel Thief: The Heist Begins, and it’s already got fans talking. The image shows Saif Ali Khan with a sharp, focused gaze, his eye cleverly framed by the silhouette of a diamond, hinting at the high-stakes heist at the heart of the film.
Slated for release on April 25, the movie follows a skilled thief hired by a crime boss to steal the legendary African Red Sun diamond. But as expected, things don’t go as planned. The teaser, dropped earlier this year, showed us a tense partnership between Saif and Jaideep Ahlawat, with twists, betrayals, and plenty of action in store.
Directed by Kookie Gulati and Robbie Grewal, the film also stars Kunal Kapoor and Nikita Dutta. The production house, Marflix Pictures, headed by Pathaan director Siddharth Anand, calls it a gripping, globe-trotting thriller designed to keep audiences hooked.
Fans have been quick to react to the poster, with some calling it a "masterpiece in one frame," while others joked that "the jewel is safest with Saif." The actor himself has spoken about the excitement of reuniting with Anand and sharing the screen with Ahlawat, in a mixed genre of style, suspense, and surprises.
With its slick visuals and a plot packed with deception, Jewel Thief is shaping up to be one of the most anticipated releases of the year. Will Saif’s character pull off the ultimate heist, or will the game outsmart him?
We’ll find out soon!
Kanye West opens up about fatherhood and his custody battle with Kim Kardashian in a controversial new interview
In a recent sit-down with DJ Akademiks, Kanye West dropped several bombshells about his past marriage to Kim Kardashian, fatherhood, and their ongoing custody battle. The rapper, known for his unfiltered remarks, didn’t hold back in expressing deep regrets and making startling claims about their relationship.
West admitted that just two months into dating Kardashian, he no longer wanted children with her. “That was my mistake,” he said. “I didn’t see this future with her, but things didn’t go how I planned.” Despite this, the ex-couple went on to have four kids: North, Saint, Chicago, and Psalm.
- YouTubeyoutu.be
Their divorce has been messy, and West now claims he has little control over his children’s lives. He specifically called out Kardashian for trademarking their kids’ names without his full approval. “I don’t have equal say in their careers or public image,” he said. “These are my children too, but I’m treated like I don’t matter.”
Things got uglier when West released a song featuring their daughter North and Sean “Diddy” Combs against Kardashian’s wishes. She allegedly tried blocking the track, leading to a heated text exchange between them. West accused her of overstepping, while Kardashian argued she was protecting their daughter.
Kim, Kanye, North and Saint West out in NYC Twitter/KimKFan
“She thinks she has all the power,” West said, visibly frustrated. “But I won’t let her shut me out of my kids’ lives.” He even threatened legal action, declaring, “If she keeps this up, neither of us will walk away clean.”
West’s interview outfit, a hooded black ensemble resembling KKK attire, sparked backlash, but he seemed unbothered. Instead, he doubled down on his grievances, framing the custody battle as a deeper cultural issue. “A white family controls the narrative around my Black children,” he claimed. “That’s not right.”
Despite the bitterness, Kardashian has previously said she wants “good vibes” between them for the kids’ sake. But with West’s latest revelations and legal threats, peace seems unlikely anytime soon.
One thing is clear: this feud is far from over, and their four children sadly remain caught in the middle.
Prithviraj Sukumaran and Mohanlal at a press meet for L2: Empuraan
Few films manage to be both a record-breaking success and a lightning rod for controversy at the same time. But L2: Empuraan, the much-hyped sequel to Lucifer, has done exactly that. The Prithviraj Sukumaran directorial, starring Mohanlal, has not only rewritten and shattered box office history but also sparked a nationwide debate on censorship, political narratives, and artistic freedom.
On one hand, it’s the fastest Malayalam film to gross £5.1 million (₹50 crore) in Kerala, the first Malayalam film to cross £10.2 million (₹100 crore) overseas, and a £20.4 million (₹200 crore) club entrant within just five days. On the other hand, it has been accused of pushing a political agenda, leading to 2m 8s, 24 last-minute cuts, a legal battle, and a full-blown culture war.
It stirred a wide range of opinions, with members of the right wing even accusing director Prithviraj Sukumaran of having connections to terrorist groups without any substantiated evidence. These unfounded accusations have unfortunately even extended to his wife, Supriya Menon, a respected journalist and producer, suggesting dubious affiliations without merit.
So, how did this explosive mix come about?
The political flashpoint: What sparked the controversy?
The controversy surrounding L2: Empuraan began after its first-day shows, due to scenes that many believed referenced the 2002 Gujarat riots. The film’s narrative was seen as focusing on the retaliation by Hindu mobs while failing to depict the Godhra train burning incident that triggered the violence. This led to the RSS-backed magazine Organiser calling out the film, first targeting Mohanlal, then shifting focus to director Prithviraj Sukumaran.
Union Minister Suresh Gopi dismissed the entire controversy as a “business stunt” to hype up the film, but the backlash was real. The film’s portrayal of the National Investigation Agency as corrupt, its depiction of central investigative agencies, and a reference to the Ministry of Defence further fuelled the fire. Today, a BJP leader from Thrissur has filed a petition in the Kerala High Court, demanding an immediate ban on the film to prevent communal unrest.
Adding another layer of intrigue, producers Antony Perumbavoor and Gokulam Gopalan are already under the Enforcement Directorate’s (ED) scanner for alleged foreign funding violations. The petitioner accused the film of deliberately undermining the ED’s credibility.
Amid these tumultuous claims, the Kerala High Court has addressed the petition seeking to ban the film, ruling that the movie will continue its screenings as scheduled. The court’s decision, especially during such a crucial time, highlights the importance of artistic freedom and brings to light the broader need to protect creative expression from unwarranted censorship.24 cuts and a “voluntary” re-edit: The censorship debate
With pressure mounting, L2: Empuraan underwent a “voluntary” re-edit of 2 minutes and 8 seconds, initially reported to include 17 cuts but later increased to a total of 24.
Antony Perumbavoor in an interaction with the media today, clarified that these changes were a collective decision and not due to political pressure. However, the timing of the edits, coming only after the Organiser article and BJP backlash, certainly suggests otherwise.
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Mohanlal’s apology and Prithviraj’s mute reshare vs. Murali Gopi’s silence
As the heat intensified, Mohanlal took the safest route, a carefully worded apology. The superstar expressed regret over the film hurting sentiments, emphasising that it was never intentional. Director Prithviraj, with just a reshare of the apology, remained defiant. While the writer Murali Gopi wasn’t openly combative, his silence and refusal to issue a similar statement spoke volumes.
He took it a step further, throwing in a cryptic Eid wishes post on Facebook. Was this a way of calling out censorship without directly challenging it? Or was he simply done with the politics of it all?
Mohanlal's apology after the controversy Facebook Screengrab/Mohanlal
Box office juggernaut: Controversy didn’t stop the money flow
Despite the political firestorm, L2: Empuraan has smashed every possible record:
In fact, instead of trimming and destroying the film, the controversy may have actually fuelled ticket sales. With Empuraan becoming a talking point across India, even those who might not have been interested in a Malayalam political - action thriller lined up at theatres just to see what all the fuss was about.
The bigger picture: A dangerous precedent for Indian cinema?
At its core, the L2: Empuraan saga isn’t just about one film. It’s about who controls narratives in Indian cinema. The RSS and BJP’s pressure on the film raises serious questions about censorship. If even a box office behemoth with an industry legend like Mohanlal has to bow to edits, what does this mean for smaller, independent filmmakers?
Even more concerning is the legal attack on the producers, with allegations of foreign funding and anti-government agendas. Are we now entering an era where films that challenge certain narratives will not just face cuts but also legal repercussions?
Final thoughts: A film that defined the year or even the decade
Love it or hate it, L2: Empuraan has redefined the landscape of Malayalam cinema. It has proven that regional films can go global, both in earnings and impact. But it has also exposed the thin line between artistic freedom and political scrutiny.
For now, the re-edited version is expected to hit theatres tomorrow, continuing its historic run. However, the battle over cinema’s right to tell controversial stories is far from over. And if the past few weeks have shown us anything, it’s that L2: Empuraan has set a new benchmark and become a statement in its own right.
Atwell explained that Cruise’s advice helped her focus on identifying the sources of her anxiety
Hayley Atwell has opened up about the helpful advice Tom Cruise gave her on how to cope with social anxiety, a topic that resonates with many, including those working in the intense world of Hollywood. Atwell, known for her role as Peggy Carter in Marvel films and for starring alongside Cruise in Mission: Impossible – Dead Reckoning (2023), revealed how Cruise's wisdom has helped her deal with nervousness in large social gatherings, something she’s not immune to despite her prominent career.
As Atwell prepares to reprise her role in what is expected to be the last chapter of the Mission: Impossible series, The Final Reckoning, due for release in May, her reflections on social anxiety offer an insightful perspective on how even the most successful stars experience self-doubt. She recently discussed this on the Reign with Josh Smith podcast, explaining how she often battles the feelings that come with being in a room full of people.
Atwell acknowledged that social anxiety is common, especially in the present day, when personal insecurities can often be exacerbated by the pressures of social media and public perception. She candidly shared how, in such situations, she tends to overthink and withdraw, constantly questioning whether she seems awkward or out of place.
This is where Tom Cruise’s advice came into play, something that has stuck with Atwell since their time working together on Mission: Impossible – Dead Reckoning. According to Atwell, Cruise gave her a pep talk about reframing her experience. Rather than retreating inward and allowing the anxiety to take over, Cruise encouraged her to focus on the external. “Try doing the opposite. Try to look out, look around the room, and go, ‘Where is it? Where is the thing that I have attached to my insecurity?’”
Atwell explained that Cruise’s advice helped her focus on identifying the source of her insecurity, whether it’s a particular person or an uncomfortable memory. Instead of retreating into herself, Cruise suggested confronting the anxiety head-on by acknowledging it and giving it a name. “Where does it live outside of me and, if I look at it for long enough, the anxiety then can have a name,” Atwell recalled. This method, according to Atwell, helps in transforming the overwhelming feeling of anxiety into something more manageable and actionable.
She revealed that once she could name the anxiety, whether it was jealousy, loneliness, or insecurity, the feeling would dissipate, allowing her to address it. This shift in perspective has proven to be an invaluable tool in her personal and professional life, especially in the high-pressure world of Hollywood.
In addition to this profound advice, Atwell shared that working with Cruise on set has been an enriching experience. She described him as “very kind, very professional,” and admitted to being in awe of his presence when she first started working alongside him. “When I started, I was very aware of the rarefied air around him and how there is no one like him,” Atwell said. “He is a one-man studio.” She went on to praise how Cruise fosters an environment where others can thrive. “Tom really likes people to thrive on set,” she added, emphasizing the positive atmosphere that encourages creativity without fear of failure.
As the release of Mission: Impossible – The Final Reckoning draws near, Atwell discussed the prospect of the franchise coming to an end. Despite the film’s title, Atwell mused, “I mean, look, they called it The Final Reckoning,” but was quick to acknowledge the possibility that the Mission: Impossible saga could continue. “On the other hand, ‘Tom Cruise’ and ‘final’ are oxymorons, so I wouldn’t be surprised if he goes, ‘Wait, maybe…’” With Cruise’s relentless drive and love for action-packed filmmaking, it’s hard to believe Mission: Impossible could ever fully come to a close.
Whether or not The Final Reckoning is indeed the end of the Mission: Impossible saga, Atwell’s reflections on working with Tom Cruise offer a glimpse into what makes him not only an exceptional actor but also a mentor to those around him. His influence extends beyond the big screen, with his thoughtful advice about confronting personal insecurities resonating with Atwell and many others in the industry.
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As Mission: Impossible – The Final Reckoning gears up for its release on 21 May, fans are eagerly awaiting the conclusion of the action-packed franchise, one that has captured audiences for over two decades. Whether this is truly the final mission or not, there’s no doubt that Cruise’s legacy in the world of action films, and his impact on his colleagues, will endure.
Hollywood is about to take us on a journey like never before through the lives of ‘The Beatles,’ one member at a time! Director Sam Mendes, known for films like 1917 and Skyfall, has revealed the actors who’ll step into the shoes of John, Paul, George, and Ringo in four separate biopics, all hitting theatres in April 2028.
Harris Dickinson will play John Lennon, Paul Mescal takes on Paul McCartney, Barry Keoghan becomes Ringo Starr, and Joseph Quinn transforms into George Harrison. The announcement came at CinemaCon in Las Vegas, where Mendes and the cast surprised the crowd. Instead of cramming the band’s epic story into one movie or stretching it into a series, Mendes chose a different approach: four interconnected films, each diving deep into a different Beatle’s life.
“This isn’t just one story—it’s four,” Mendes said. “The Beatles didn’t just make music, they changed everything. And to really understand them, we need to see them from every angle.” He called them “the greatest band of all time,” a legacy that still connects and continues today.
The project has full backing from Paul McCartney, Ringo Starr, and the families of John Lennon and George Harrison, marking the first time Apple Corps has allowed a scripted film full access to their life stories and music.
Casting rumours had been swirling for months. Last year, Ridley Scott (who directed Mescal in Gladiator II) accidentally let slip that Mescal was playing McCartney. Mescal later admitted it would be “a dream come true.” Ringo himself hinted at Keoghan’s role, joking, “I believe he’s taking drum lessons—hopefully not too many!”
The films will cover the band’s rise from Liverpool clubs in 1960 to their 1970 breakup, exploring their music, fame, and personal struggles. Previous Beatles films, like A Hard Day’s Night and Let It Be, focused on specific moments, but this will be the first time their full stories are told in a major cinematic event.
With Dickinson, Mescal, Keoghan, and Quinn leading the way, Mendes plans to bring a fresh, intimate look at the men behind the music. As he put it: “There’s still so much left to discover and we’re going to show it like never before.”