Fifty years ago, dictator Idi Amin announced his intention to expel Uganda's thriving community of British South Asians. They were given 90 days to leave, or be rounded up in concentration camps.
More than 27,000 ethnic Indian and Pakistani holders of UK passports made their way to Britain, which reluctantly took in its former colonial subjects.
Many of them came to the English Midlands city of Leicester, and many arrived penniless after Idi Amin expropriated their wealth in a purported drive to give "Uganda back to ethnic Ugandans".
Overcoming English racism and weather, the refugees rebuilt their lives from scratch, as chronicled in a new exhibition marking the anniversary of Idi Amin's incendiary decree of August 4, 1972.
"Nobody used to assist us, everybody was against us," retiree Madhukamar Madhani told AFP on a visit to the exhibition at Leicester Museum.
"But through sheer hard work, a lot of people have put a lot into the community," he said, noting the prosperity on display in the city's "Golden Mile" -- a stretch of road rich in Asian-owned businesses.
Exhibition curator Nisha Popat pointed to parallels today in Britain's generosity, or lack of, towards refugees.
"We are in a world where there are a lot of conflicts and there are refugees," she said.
The intention was about "showing the impact of refugees, but what they went through, and the impact they can have on a place".
The family of British Home Secretary Priti Patel, responsible for refugee policy now, were Gujarati Indians from Uganda who fled to Britain in the 1960s when anti-Asian prejudice was already rife.
'Triumph over adversity'
To much controversy, Patel is trying to push a policy today that would send asylum-seekers entering Britain illegally onto Uganda's southern neighbour Rwanda, for processing and permanent settlement.
The government says it is acting to stop a deadly trade in migrants crossing the Channel from France, and points to its welcome for holders of a type of British passport from Hong Kong, and to refugees from the war in Ukraine.
In 1972, the then Conservative government dragged its feet initially, seeking to send some of the Ugandan Asians to other countries before agreeing to honour their passport rights.
They largely succeeded in their new lives, rebuilding the small businesses and shops that were the mainstay of their middle-class prosperity in Uganda.
They fared better than Idi Amin, who was overthrown in a 1979 coup and went on to die in exile in Saudi Arabia, in 2003.
His eight-year reign of terror chronicled to powerful effect in the 2006 film "The Last King of Scotland", resulted in the deaths of an estimated 300,000 people.
Idi Amin was "really very bad with the Asian people", agreed Bhikhulal Pragji Chohan, another retiree in Leicester.
"We all, Asian people, all like to do our jobs, and everything they left there, and (they) come here without anything," he said.
As well as the exhibition, Leicester's Curve Theatre is staging three plays to mark the anniversary.
"The story of the Ugandan South Asian exodus to Leicester is one that begins with trauma and upheaval for so many," Curve chief executive Chris Stafford said.
"Fifty years on, it is undoubtedly a story of resilience and triumph over adversity."
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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