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Shah Rukh Khan’s Red Chillies at 20: How the studio changed Bollywood’s visual scale

Red Chillies VFX now plays a key role in raising industry-wide standards

Shah Rukh Khan

Shah Rukh Khan co-founded Red Chillies Entertainment in 2002 with Gauri Khan

Getty Images/ X-RedChilliesEnt

Highlights

  • Red Chillies Entertainment marks 20 years since its founding in 2002
  • VFX division launched in 2006 to bring global-standard post-production to India
  • Studio behind a mix of commercial hits and technically ambitious films
  • Red Chillies VFX now plays a key role in raising industry-wide standards

From production house to tech-driven studio

Shah Rukh Khan co-founded Red Chillies Entertainment in 2002 with Gauri Khan, building on the earlier Dreamz Unlimited. While it began as a film production banner, the company soon expanded its scope, launching Red Chillies VFX in 2006.

Khan’s aim was to create a space where Indian films could match global technical standards. He has often emphasised the need for precision and realism, setting a brief that even the most fantastical visuals should appear photoreal on screen.


Films that defined its evolution

The studio’s journey can be traced through a mix of commercial successes and VFX-led projects. Early films like Main Hoon Na and Paheli established the banner, while Om Shanti Om combined scale with stylised visuals.

A major turning point came with Ra.One, a large-scale superhero film that employed global VFX collaboration and won awards for its technical work. Later projects such as Fan pushed boundaries by creating a younger on-screen version of Khan, while Zero used visual effects extensively to portray a dwarf character throughout the film.

Alongside these, box-office successes like Chennai Express and Jawan reinforced the company’s commercial reach, showing its ability to balance spectacle with mass appeal.

Setting new standards for Indian cinema

Over two decades, Red Chillies VFX has become a significant force in the industry, contributing to a wide range of films beyond its own productions. Its work has helped shift VFX from a supporting tool to a central element in storytelling, particularly in big-budget cinema.

The studio’s in-house research and development, along with its ability to execute complex visual work domestically, has reduced reliance on international outsourcing and strengthened India’s position in the global VFX landscape.

Expanding beyond the big screen

Beyond theatrical releases, Red Chillies Entertainment has diversified into streaming, backing projects such as Bard of Blood, Betaal, Darlings and Class of '83. The company also spans colour grading, distribution, and sports through its stake in the Kolkata Knight Riders.

As it completes 20 years, Red Chillies stands not just as a production house, but as a company that has steadily reshaped how Indian cinema approaches technology, scale and storytelling.

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Yash says Ravana in Ramayana must connect with Western viewers as film eyes global audience

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Instagram/thenameisyash/YouTube

Yash says Ravana in Ramayana must connect with Western viewers as film eyes global audience

Highlights

  • Yash says he humanised Ravana to help global audiences relate to the character.
  • Asura designs in the first glimpse drew criticism for looking too Western-inspired.
  • Producer Namit Malhotra compares the film's tone to Lord of the Rings and Gladiator.
Yash, who plays the demon king Ravana in Nitesh Tiwari's Ramayana, says his portrayal was shaped by one clear goal: making the character relatable beyond Indian audiences.
Speaking at CinemaCon in Las Vegas this week, where the film was presented alongside major Hollywood releases, the actor said he worked to strip away the purely mythological reading of the role.

"I have tried to internalise the whole essence of Ravana and tried to make him as human as possible at times," Yash told Reuters.

"It is important for people to relate to him, and since we have global ambitions, we need to make it familiar to a Western audience as well."

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