Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
The 2025 Met Gala spotlighted couples who understood precision, balance, and presence. With “Superfine: Tailoring Black Style” as the theme, the red carpet became a study in structure, detail, and coordination. These duos didn’t rely on gimmicks or overly matched outfits. Instead, they brought sharp silhouettes, intentional contrasts, and a sense of partnership that translated through cut, fabric, and stance.
Here are the couples who got it exactly right.
1. Nick Jonas & Priyanka Chopra: Print perfect
Polka dots aren’t easy to pull off on a red carpet, but Priyanka made it look effortless in a structured Balmain suit paired with a wide-brim hat. Nick followed suit (literally) in a cream and black ensemble by Bianca Saunders, creating a couple’s look that was sharp, fresh, and delightfully unafraid of pattern play.
Nick Jonas and Priyanka Chopra serve up sleek contrast with polka dots and cream tonesGetty Images
2. Colman & Raúl Domingo: Royalty in motion
Co-chair Colman Domingo commanded attention in a Valentino royal-blue cape that nodded to fashion titan André Leon Talley. Meanwhile, Raúl Domingo matched the drama in a purple sequinned suit tied together with an oversized bow. Together, they looked like couture nobility who came to remind the world what regal tailoring really looks like.
Colman and Raúl Domingo bring royal drama in bold tailoring and rich colourGetty Images
3. Gabrielle Union & Dwyane Wade: Monochrome majesty
This couple never misses and this year, they outdid themselves. Gabrielle Union’s strapless black Prada gown, with a sweeping white floral train, was pure red-carpet poetry. Beside her, Dwyane Wade elevated the classic white tuxedo with black lapels and a jewel-toned vest that sparkled under the flashes. A living yin-yang symbol. No gimmicks, just flawless execution.
Gabrielle Union and Dwyane Wade redefine couple style with crisp monochrome magicGetty Images
4. Dua Lipa & Callum Turner: Retro meets romance
Engaged and effortlessly in sync, Dua Lipa and Callum Turner channelled old-Hollywood-meets-modern-edge. Dua’s feather-trimmed Chanel mini, sheer gloves and stunning presence contrasted beautifully with Callum’s sleek monochrome tux. The outfit coordination was subtle, but their chemistry? Off the charts.
Dua Lipa and Callum Turner blend vintage flair with modern edge effortlesslyGetty Images
5. Pharrell Williams & Helen Lasichanh: Minimalism, max impact
Pharrell and Helen proved once again they’re in a league of their own. In matching Louis Vuitton looks, Pharrell rocked a pearl-detailed pinstripe blazer while Helen brought quiet drama in a leather bodysuit and sheer monogrammed tights. Their palette stayed neutral and their energy was anything but fire.
Pharrell Williams and Helen Lasichanh keep it cool in coordinated Louis Vuitton neutralsGetty Images
6. Alicia Keys & Swizz Beatz: Pinstripes in style
Bold and brilliant, Alicia’s red-and-black off-shoulder cape suit was a symphony of Harlem Renaissance glam. Swizz Beatz mirrored her flair in a matching maroon pinstripe suit. More like the fashion equivalent of a power duet that hits every note.
Alicia Keys and Swizz Beatz turn heads in bold stripes and Harlem-inspired swaggerGetty Images
7. Simone Biles & Jonathan Owens: Metallic meets menswear
Simone Biles turned up in a cobalt mini with a crisp collar detail that nodded to menswear tailoring, while Jonathan Owens brought old-school swagger in an all-white suit topped with a fur cape. Together, they gave us a classic, polished take on coordinated contrasts.
Simone Biles and Jonathan Owens light up the carpet with metallic shine and sharp suitsGetty Images
8. Spike Lee & Tonya Lewis Lee: The coolest kind of contrast
Spike Lee kept things grounded in a relaxed black suit and a Knicks cap, staying true to his signature style. Tonya Lewis Lee, however, brought the wow factor in a structured purple suit-dress with a sky-high slit. Their vibe was all effortlessly cool with a lot of confidence.
Spike Lee and Tonya Lewis Lee mix relaxed cool with powerful purple tailoring Getty Images
9. Usher & Jenn Goicoechea: Black-tie, black twist
In a twist on traditional black-tie, Usher stepped out in a tuxedo draped with a scarf, while Jenn’s floral-accented blazer added a softer, romantic layer to her tailored look. Their symmetry in tones and textures was subtle, sleek, and sophisticated.
Usher and Jenn Goicoechea balance romance and structure with timeless charmGetty Images
10. Debbie Allen & Norm Nixon: Time-tested and timeless
Debbie Allen brought a blast of colourful energy in a metallic-red gown and wide-brim hat, while husband Norm Nixon balanced the tone in a pristine white suit. Over four decades into their love story, these two showed everyone how it’s done with flair, love, and style.
Debbie Allen and Norm Nixon prove timeless love always dresses wellGetty Images
Final stitch
At the 2025 Met Gala, the best-dressed weren’t just well-tailored, they were also in sync. These couples moved beyond matching looks or clever nods to the theme and showed what it means to meet style halfway and still stand out. Some played it loud, others quiet, but all of them proved one thing: real fashion chemistry doesn’t need to shout, it just needs to align.
Director marks 50 years of Jaws with new exhibition in Los Angeles
Reveals how shooting at sea left crew seasick and production over budget
Says he feared being fired during delays caused by malfunctioning mechanical sharks
Jaws went on to earn £192 million (₹2,301 crore as of 12 Sep 2025) and redefine the summer blockbuster
As the 50th anniversary of Jaws is celebrated, director Steven Spielberg has reflected on the chaotic making of the thriller, describing how the troubled shoot pushed him to the brink of thinking his career was finished. Speaking at the Academy Museum of Motion Pictures in Los Angeles, where a new exhibition is opening to mark the milestone, Spielberg said the filming of the mechanical shark epic left him convinced he would “never get hired again”.
Steven Spielberg revisits the turbulent shoot of Jaws five decades later Getty Images
Why did Steven Spielberg think his career was over during Jaws?
Spielberg, just 26 at the time, chose to film on location off Martha's Vineyard rather than in controlled water tanks. It was a decision that spiralled into months of production delays and escalating costs. “My hubris was thinking we could take a Hollywood crew 12 miles out to sea and make a movie with a mechanical shark,” he told journalists.
The ambitious plan quickly unravelled. Unpredictable tides and passing regattas repeatedly ruined takes, while crew members succumbed to seasickness. “I’ve never seen so much vomit in my life,” Spielberg joked. As schedules slipped and budgets soared, he feared the studio would shut down the film and end his career.
Steven Spielberg's Clapperboard from Jaws Getty Images
What challenges plagued the Jaws production at sea?
The centrepiece of the film, three full-sized animatronic sharks nicknamed “Bruce," proved the biggest obstacle. Built using pneumatic and hydraulic systems, they had never been tested in salt water before arriving at Martha’s Vineyard. Once submerged, salt corroded their mechanisms, pipes clogged, and controls frequently failed.
Because post-production tools in 1974 were limited, even minor background distractions became major setbacks. Boats from real regattas would drift into the background, forcing the crew to halt filming and wait for hours for clear ocean shots.
Steven Spielberg reflects on ‘Jaws’ at 50 as he recalls the chaos that made him fear being firedGetty Images
How did the crew keep the film alive despite setbacks?
Despite the relentless technical failures, Spielberg refused repeated offers to halt production entirely. Crucially, his team stood by him. Sound director John Carter once fell overboard while holding his recorder, and editor Verna Fields worked tirelessly to salvage suspense from the limited usable footage. Composer John Williams’s now-iconic two-note theme also played a vital role in heightening the tension where shark visuals were lacking.
What is featured in the new Jaws 50th anniversary exhibition?
The new exhibition at the Academy Museum is the first in its history dedicated to a single film. It showcases original storyboards, surviving shark models, and behind-the-scenes artefacts that illustrate the ingenuity and strain behind the production. Curator Jenny He said the display highlights how artistic problem-solving turned logistical disaster into cinematic history.
The film went on to earn £192m (₹2,301 crore as of 12 Sep 2025) at the US box office and became the first American “summer blockbuster,” launching Spielberg’s career as one of Hollywood’s most influential directors.
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Margot Robbie’s thong and Dakota Johnson’s sheer Gucci prove naked dressing is ruling 2025 red carpets
Margot Robbie revealed a bedazzled thong beneath a sheer Armani Privé gown at a London premiere.
Dakota Johnson attended Kering’s Caring for Women gala in New York in a floral-embroidered sheer Gucci dress.
The two separate outings in different cities fuelled the naked dressing conversation across red carpets.
The trend of sheer, lingerie-inspired couture continues to dominate major events in 2025.
Margot Robbie bares her butt in one high-profile moment while Dakota Johnson made headlines for a separate sheer Gucci look, but the two were not at the same event. Robbie returned to the red carpet in London wearing a sheer Armani Privé couture gown that exposed a bedazzled thong, while Johnson attended Kering’s Caring for Women gala in New York in a see-through Gucci dress embroidered with floral motifs. Together, the appearances proved how naked dressing like sheer fabrics and lingerie silhouettes is shaping this year’s red carpet conversations across different cities.
Margot Robbie’s thong and Dakota Johnson’s sheer Gucci prove naked dressing is ruling 2025 red carpets Getty Images
What happened at the London premiere?
Robbie wore an Armani Privé gown with a sheer base and ornate beadwork for the London premiere of her new film. The gown’s design revealed a sparkling thong when she turned, a detail that drew immediate attention on the carpet. Her styling was pared back; a sleek updo and bronzed makeup allowing the couture piece to be the focal point of the appearance.
Margot Robbie attends the European Premiere of "A Big Bold Beautiful Journey" at Odeon Luxe LeicesterGetty Images
What did Dakota Johnson wear at Kering’s Caring for Women gala in New York?
Dakota Johnson arrived at the Kering-hosted Caring for Women gala in a sheer Gucci gown embroidered with floral details that revealed a matching bra and underwear set beneath. Styled to balance transparency with tailoring, Johnson’s look followed her ongoing collaboration with Gucci, maintaining her reputation for daring red carpet choices.
Dakota Johnson attends the Kering Foundation's Fourth Annual Caring for Women Dinner at The Pool Getty Images
Were Margot Robbie and Dakota Johnson at the same event?
No, the two stars were photographed in separate cities. Robbie’s naked dressing moment occurred on the London red carpet for her film premiere, while Johnson’s sheer Gucci look was on show at the charity gala in New York. Both looks emerged within a similar timeframe and together highlighted how sheer dressing is appearing simultaneously on international red carpets.
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Why is naked dressing dominating red carpets in 2025?
Sheer fabrics, strategically placed embellishments and lingerie-inspired silhouettes have become ubiquitous at major events this year. Designers from Gucci to Mugler and Valentino continue to reinterpret transparency through couture techniques, making the trend both a design challenge and a red carpet focal point. For public figures, these looks offer a way to make a fashion statement while tapping into ongoing conversations about personal expression and couture craftsmanship.
Both Robbie’s Armani Privé gown and Johnson’s Gucci creation are clear examples of how the trend is being used differently: Robbie’s moment was a revealing, head-turning red carpet stunt connected to a film premiere, while Johnson’s was a polished, fashion-house statement at a high-profile charity event and together they emphasise why naked dressing remains one of 2025’s most talked-about fashion movements.
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A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room
Newly restored 4K version to debut at the festival on 16 October
Part of BFI National Archive’s ambitious Black and South Asian Workshop remasters project
Explores 1980s London housing crisis and South Asian migrant experience
Marks a cultural milestone for Retake Film and Video Collective, Britain’s first all-Asian film collective
The long-overlooked 1987 drama Hotel London is set for a fresh spotlight as its 4K remaster world premieres at the upcoming BFI London Film Festival. Spearheaded by the BFI National Archive, the restoration forms part of a major project honouring the groundbreaking Black and South Asian Workshop movement, which redefined British screen culture in the 1980s. The film, directed by Ahmed Alauddin Jamal, vividly portrays the harsh realities of London’s housing crisis while centring the South Asian immigrant experience.
A still from Hotel London showing the Bangladeshi family navigating life in a temporary hotel room www.easterneye.biz
What is the BFI National Archive Black and South Asian Workshop remasters project?
The BFI National Archive has launched an extensive initiative to digitally restore and preserve key works from the Black and South Asian Workshop era, which flourished in the 1980s and 1990s. These collectives, including Retake Film and Video Collective, Sankofa Film and Video Collective, Black Audio Film Collective, Ceddo Film and Video Workshop and Birmingham Film and Video Workshop, used drama, documentary and experimental forms to tell urgent stories about race, class and identity in Britain.
The workshops grew out of the 1982 ACTT Declaration and early backing from Channel 4, creating space for marginalised voices to make and distribute films collaboratively. So far, 14 titles have entered the BFI’s restoration pipeline, with Hotel London being the second to premiere at the festival, following the 4K revival of The Passion of Remembrance in 2022.
Hotel London was originally made in 1987 during the International Year of the Homeless. It follows a Bangladeshi family placed in temporary bed and breakfast accommodation by local authorities, exploring how they navigate bureaucratic neglect, racism and the emotional toll of housing insecurity.
Combining fictional storytelling with video activism, the film depicts the makeshift hotel as a microcosm of 1980s London, showing interactions between diverse communities in precarious situations. Actor Jonathan Pryce appears as an Irish rough sleeper drifting through the city, while dancer Alpana Sengupta and actor Aftab Sachak round out the ensemble cast. The production was shot inside an actual bed and breakfast after extensive research with homeless residents.
‘Hotel London’ 4K remaster premieres at BFI London Film Festival spotlighting Black and South Asian Workshop legacy
Why is Hotel London’s restoration significant?
The 4K remaster of Hotel London is a major step in reclaiming and preserving Britain’s Black and South Asian film heritage. The original 16mm negatives were scanned and restored by Silver Salt Restoration, with sound remastered by the BFI National Archive. This revival not only protects the film’s legacy but also reintroduces contemporary audiences to the ethos of the Retake collective, which was Britain’s first all-Asian film group. Retake championed democratic collaboration, training emerging filmmakers and challenging the invisibility of South Asians on British screens. Their efforts earned them the Arthur Young BFI Award for Independent Film and Television in 1988.
‘Hotel London’ resurfaces in 4K after decades to confront Britain’s housing injustice and lost South Asian screen history
How did the Black and South Asian Workshops change British film?
The Workshops emerged amid 1980s social unrest, when media representation of Black and Asian communities was minimal and often stereotypical. Their issue-driven films disrupted this narrative, inspiring a generation of creatives including John Akomfrah, Maureen Blackwood, Isaac Julien, Menelik Shabazz and D. Elmina Davis.
By offering paid training roles, access to equipment and editorial control, the Workshops opened doors for diverse talent to tell authentic stories. Their influence continues to shape British screen culture, making the BFI’s remastering effort both a cultural and archival milestone.
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Tamannaah Bhatia opens up about her unique mental trick to tackle sexism in Indian cinema
Tamannaah Bhatia reveals her unique mental trick to handle sexism in the film industry
The Baahubali star opens up on her two-decade journey across South Indian and Bollywood films
She now headlines Amazon Prime Video’s Do You Wanna Partner opposite Diana Penty
Bhatia stresses that women must bring ideas forward rather than worry about pleasing others
Tamannaah Bhatia has shared an unusual but powerful way of dealing with sexism in the entertainment industry. Speaking about her rise in South Indian and Bollywood films, the Baahubali actor said she would often use a mental trick, imagining men in sarees or glamorous outfits, whenever someone tried to undermine her. This candid revelation about navigating gender bias comes as she fronts Amazon Prime Video’s new series Do You Wanna Partner, co-starring Diana Penty.
Tamannaah Bhatia opens up about her unique mental trick to tackle sexism in Indian cinema Getty Images
What did Tamannaah Bhatia say about her mental trick?
In her conversation with The Hollywood Reporter India, Bhatia recalled how early in her career she would encounter situations where men tried to make her feel insignificant.
“Whenever a man tried to make me feel like he had the final say in things and I had nothing to contribute, I’d always imagined him in a saree or a really glamorous outfit,” she said. “And then I’d think he’d look really bad in it. That’s when I realised what I can do, he can’t. So, they will need me.”
The actor explained that this quirky strategy gave her confidence to continue making bold choices on screen. She credited this self-belief with sustaining her through 85 films and maintaining her position as one of the highest-paid actors in Indian cinema.
Tamannaah Bhatia says imagining men in sarees gave her courage to thrive in a male-dominated industryGetty Images
How does Tamannaah Bhatia view her career after Baahubali ?
Bhatia’s career is often divided into two phases: before and after Baahubali. The blockbuster’s global success in 2015 gave her a visibility that few female actors in South Indian cinema had enjoyed before. “Nobody gives you work because you’re a nice person,” she noted, stressing that success comes only when performers bring concrete ideas and value to the table.
She emphasised that actors who speak up and contribute to scripts or scenes are often remembered more than those who stay quiet. For her, the turning point was recognising that assertiveness and creativity win respect in the long run.
Tamannaah Bhatia reflects on her journey across Bollywood and South Indian cinema after Baahubali successGetty Images
What is Do You Wanna Partner about?
In her latest outing on Amazon Prime Video, Bhatia plays Shikha Roy Chowdhury, a marketing professional who loses her job and decides to rebuild her career with the help of her best friend, played by Diana Penty. Together, the two women take on the alcohol-beverage industry, traditionally dominated by men, in a story that mirrors Bhatia’s own journey of breaking stereotypes.
The series talks about female entrepreneurship and friendship, with Bhatia’s character proving that resilience and wit can challenge established power structures.
Tamannaah Bhatia stars in Amazon Prime Video’s new series Do You Wanna Partner alongside Diana PentyGetty Images
Why does Tamannaah Bhatia’s story matter today?
Bhatia’s honesty about handling sexism offers a refreshing perspective in an industry where women are often sidelined. By openly sharing her unusual coping mechanism, she has in fact sparked discussion about how female actors build inner strength to thrive in challenging environments.
Tamannaah Bhatia stresses the importance of women voicing their ideas in an industry that often sidelines themGetty Images
Her latest project arrives at a time when representation and gender equality are under the spotlight in Indian cinema as well as on global streaming platforms. As one of the few actors to successfully straddle multiple film industries and now digital space, Bhatia continues to carve a path that reflects both resilience and reinvention.
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Rick and Morty face their most dangerous hunt yet in Oni Press finale
Oni Press announces Rick and Morty: The End six-part miniseries starting 3 December 2025
The comic marks a dramatic conclusion after more than 100 issues of the hit franchise
Writer Daniel Kibblesmith and artist Jarrett Williams lead the final saga following Rick and Morty vs. the Universe
Rick Sanchez becomes the multiverse’s most wanted as Morty and Space Beth hunt him down
Adult Swim’s cult animated hit Rick and Morty is set to close a major chapter with Oni Press confirming the launch of Rick and Morty: The End this December. The new comic book miniseries will spin directly out of Rick and Morty vs. the Universe and promises a high-stakes finale unlike anything the duo has faced before. Fans searching for details on Rick and Morty The End will now have confirmation that this marks the start of a six-issue showdown.
Rick and Morty face their most dangerous hunt yet in Oni Press finale Instagram/rickandmorty
What is Rick and Morty The End about?
According to Oni Press, Rick and Morty: The End throws Rick Sanchez into his most desperate battle yet. Wanted across every reality, Rick’s bounty has attracted governments, militaries, pirates, mobsters, bounty hunters, and even circus clowns.
The only ones with a real chance of catching him are Morty and Space Beth, but they’re not on the same side. The story sets up a deadly family clash where Morty and Beth must decide whether Rick comes back alive.
The six-part series reunites the creative team from Rick and Morty vs. the Universe. Writer Daniel Kibblesmith, known for Marvel’s Loki, and artist Jarrett Williams, who worked on Speed Force, will continue steering the franchise towards its explosive finale. Oni Press confirmed the first issue launches on 3 December 2025, featuring covers by Dave Bardin, Troy Little, Tom Fowler, and others.
How does it connect to Rick and Morty vs. the Universe ?
The storyline spins directly out of the events of Rick and Morty vs. the Universe, Oni Press’s crossover saga that concluded in October. That series followed Rick and Morty as they battled every universe they had ever crossed, leaving Rick with few allies and no escape routes. The End picks up after that chaos, positioning the finale as a natural continuation of the franchise’s long-running comic arc.
The teaser sparked debate when Oni Press first hinted at “The End.” While Rick and Morty: The End signals the conclusion of Oni Press’s decade-long run of tie-in comics, the animated series on Adult Swim is continuing. The Emmy-winning show, featuring voices from Ian Cardoni, Harry Belden, Sarah Chalke, Chris Parnell, and Spencer Grammer, remains a central part of Warner Bros. Discovery’s programming. For fans, this comic miniseries is the definitive closing act for Oni Press’s part of the multiverse.