The concept of mass congregational prayers has undergone a major transformation in the last few days as the UK went into semi-lockdown amid the coronavirus pandemic, which has claimed 71 lives in the country.
The official UK government advice is for everyone, with or without any symptoms of the deadly virus, to avoid all non-essential social contact and travel, with the elderly and pregnant women among the high-risk category required to go into complete lockdown.
This clampdown on gatherings has not only meant an impact on people's work and social life but also their prayer regimes as religious services have been specifically included in the government's restrictions.
"We include religious groups in our advice about social contact. We have seen from elsewhere in the world how sometimes it is through religious gatherings that the virus can spread, so, with the deepest regret and the heaviest of heart, we include faith groups and gatherings of faith within the advice," said UK health secretary Matt Hancock.
Many of the temples and gurdwaras across the UK have started putting virtual worship options in place, including one of the UK''s largest temples – the Shri Swaminarayan Mandir at Neasden in north London – screening its evening aarti for people to follow online via live web stream.
Many of them have been also been offering free mobile food service to those in need, as well as delivery services for the elderly and vulnerable.
"It is important to keep faith during times of challenge. A good initiative by the Neasden Temple," said Ruchi Ghanashyam, the Indian High Commissioner to the UK, in reference to the web-streamed aarti.
"Hope our diaspora community organisations find ways to reach out to our elderly and vulnerable to assist them, especially by creative use of technology," she said.
The Muslim Council of Britain (MCB) issued its guidance for British Muslim communities across the UK to suspend all congregational activities and tried to reassure the community over its obligation for Friday prayers.
"Many Muslim scholars, consulted through groups such as the British Board of Scholars and Imams, as well as a number of institutions and international bodies, believe that the individual obligation to perform Friday prayers in mosque congregations be temporarily lifted," the MCB said.
"We all have a public duty to protect one another from harm, and it is evident the most effective way to do this now is to avoid social contact as much as possible. This includes all walks of life, whether social, work or the mosque," MCB Secretary General Harun Khan added.
The Church of England has also issued similar advice and suspended all services to try and stem the spread of the outbreak.
"Our life is going to be less characterised by attendance at church on Sunday, and more characterised by the prayer and service we offer each day. We may not be able to pray with people in the ways that we are used to, but we can certainly pray for people," the Archbishops of Canterbury and York said in a combined statement.
Several diaspora groups and charities have also launched new initiatives, including volunteering group Sewa Day introducing a "Help Your Neighbour" campaign for people to help out their vulnerable neighbours during the lockdown scenario.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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