Manette Baillie, a resident of Benhall Green in Suffolk, served in the Women’s Royal Naval Service during World War II.
By EasternEyeAug 26, 2024
A 102-year-old military veteran has become Britain’s oldest skydiver after jumping out of a plane over Beccles, Suffolk, to mark her birthday and raise funds for charity.
Manette Baillie, a resident of Benhall Green in Suffolk, served in the Women’s Royal Naval Service during World War II. She decided to take on the challenge of skydiving to support three charities close to her heart: East Anglian Air Ambulance, the Motor Neurone Disease Association, and the Benhall and Sternfield Ex-servicemen’s and Village Club.
She has already raised over £10,000 of her £30,000 target, reported The Guardian.
Before the jump, Baillie said, "You must always look for something new. I was once married to a paratrooper but have never done [a skydive] myself."
Supported by a large crowd, including her local community, Baillie made the jump and broke the record previously held by Verdun Hayes, who jumped at the age of 101 in 2017. After landing, she told Sky News, "When the door opened I thought, there is nothing more I can do or say. Just jump."
Baillie was inspired to skydive after learning about an 85-year-old man who had done a parachute jump and wanted to do another immediately. She said, "If an 85-year-old man can do it, so can I."
Prince William, who had previously volunteered with the East Anglian Air Ambulance, sent Baillie a letter of support before her jump. In his message, he noted her previous achievement of racing a Ferrari at 130mph at Silverstone for her 100th birthday.
Baillie told the Telegraph that the letter came as a “complete surprise”.
Baillie, who credits her long and fulfilling life to staying active and involved in her community, said, “Keep busy, be interested in everything, be kind to those around you and let them be kind to you. And don’t forget to party.”
She told BBC Radio 4: “I really don’t do fear, it’s no good.”
Her jump was celebrated by the East Anglian Air Ambulance, who presented her with flowers upon landing. Baillie has a personal connection to the charity, as an air ambulance saved her son’s life in 1969.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.