Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
A prominent rights group in Indian-administered Kashmir on Tuesday (25) described a communications blackout imposed by India following its scrapping of the disputed region’s semi-autonomy last year “collective punishment” and urged the international community to question New Delhi over what it called “digital apartheid.”
In a report, the Jammu-Kashmir Coalition of Civil Society described “harms, costs and consequences of the digital siege in Jammu-Kashmir from August 2019,” when New Delhi stripped the region of its statehood and the semi-autonomy that gave its natives special rights in land ownership and jobs.
The move, which set off widespread anger, was accompanied by a security clampdown and communications blackout in the region that left hundreds of thousands jobless, impaired the already feeble healthcare system and paused the school and college education of millions.
“The multi-faceted and targeted denial of digital rights is a systemic form of discrimination, digital repression and collective punishment of the region’s residents, particularly in light of India’s long history of political repression and atrocities,” said the report, titled “Kashmir’s Internet Siege.”
Several officials, including the region’s home secretary, Shaleen Kabra, who issues internet regulatory orders, did not respond to requests for comment.
Indian officials have said the internet ban was aimed at heading off anti-India protests and attacks by rebels who have fought for decades for the region’s independence or unification with Pakistan, which administers another portion of Kashmir. Both countries claim the landlocked Himalayan region in its entirety.
Officials have also argued that such security measures were necessary to better integrate the region with India, foster greater economic development and stop threats from “anti-national elements” and Pakistan.
Many Kashmiris, however, view the move as the beginning of settler colonialism aimed at engineering a demographic change in India’s only Muslim-majority region, a development that could increase the possibility of heightened conflict.
Although some of the communications restrictions have been removed and the internet has been restored over fixed lines, mobile internet speeds in most of the region remain painfully slow.
Digital rights activists have consistently denounced the internet restrictions and some have called them “ far worse censorship than anywhere in the world.” The report said India leads the world in ordering internet shutdowns and Kashmir “accounts for more than two-thirds of shutdowns ordered in the country.”
The conflict in Kashmir has existed since the late 1940s, when India and Pakistan won independence from the British empire and began fighting over their rival claims to the territory. The two rivals have fought two wars over Kashmir.
The Jammu-Kashmir Coalition of Civil Society said its report was based on field work, government documents, court files and media reports. It describes the consequences of the longest ever lockdown in the region’s turbulent history and its severe impact on livelihoods, education, health and media freedoms.
It said the digital siege led to “chilling effects of online surveillance, profiling and criminal sanctions, with police complaints registered" against some working journalists and over 200 social media users.
Some business in the region resumed following the partial lifting of the clampdown earlier this year. However, Indian authorities enforced another harsh lockdown in March to combat the coronavirus pandemic.
The Kashmir Chamber of Commerce and Industries pegged the economic losses in the region at $5.3 billion and job losses at half a million since August last year.
During the service blackouts, critically ill patients couldn’t access government healthcare or seek insurance reimbursements online, students couldn’t apply for fellowships or scholarships and distraught families couldn’t connect to relatives outside the region. Local tech companies had to close or relocate to other areas of India.
“While the Government of India may have succeeded in gagging the voices of people of Jammu and Kashmir with its longstanding communication blockade,” the report said, “it should not prevent the international community from speaking and calling out the Government of India for suppressing the fundamental rights of people.”
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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