Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Bollywood filmmaker Karan Johar has announced the launch of Ibrahim Ali Khan, son of Saif Ali Khan and Amrita Singh, reigniting conversations around nepotism in the industry. Ibrahim is set to make his acting debut in Dharma Productions' Sarzameen, directed by Kayoze Irani.
Karan took to Instagram to share the news, posting images of Ibrahim and recalling his long-standing bond with the Khan family. He reminisced about meeting Amrita Singh when he was 12 and praised her presence on screen, adding that her warmth and grace extend to her children. Similarly, he recalled his first meeting with Saif Ali Khan, describing him as charismatic and effortless—qualities he sees in Ibrahim as well.
Having known the family for 40 years, Karan emphasised their deep-rooted connection to cinema, stating that "films are in their blood and genes." While many in the industry congratulated Ibrahim on his debut, social media erupted with mixed reactions. Some users celebrated his entry into Bollywood, while others criticised the industry's pattern of favouring star kids over outsiders. Comments like “Nepotism at its peak” and “Another launch, another debate” flooded online discussions.
Adding to the attention, some users humorously compared Karan Johar’s obsession with legacy and lineage to Salazar Slytherin from Harry Potter, pointing out how he repeatedly emphasises family connections in his casting choices. Others questioned whether talent or just background determines success in Bollywood.
Ibrahim has previously worked as an assistant director on Rocky Aur Rani Kii Proem Kahani, gaining experience behind the camera before stepping into the spotlight. His debut in Sarzameen is highly anticipated, with reports suggesting veteran actress Kajol will also play a significant role in the film.
Following Karan’s announcement, Ibrahim’s sister, actress Sara Ali Khan, also expressed her excitement. She reposted Karan’s Instagram post on her story with the message, “Welcome to movies.”
The announcement also comes just weeks after Ibrahim’s father, Saif Ali Khan, was attacked during an attempted robbery at his residence. Despite the ongoing nepotism debate, Ibrahim's entry into Bollywood is set, and all eyes will be on how he carves his own path in the industry.
A 19th-century painting in Wiesbaden sees a massive visitor surge.
Fans spotted a direct link to the opening shot of The Fate of Ophelia.
Museum staff were completely caught off guard by the 'Swiftie' invasion.
They are now planning special tours to capitalise on the unexpected fame.
The question on everyone's mind: did Taylor Swift visit this place herself?
It is not every day a quiet German museum gets caught in a pop culture hurricane. But that is exactly what has happened at Museum Wiesbaden, where a painting of Shakespeare’s Ophelia has become a pilgrimage site. The reason? Taylor Swift’s latest music video for The Fate of Ophelia kicks off with a scene that looks ripped straight from their gallery wall. Suddenly, they have queues of fans where usually there is just quiet contemplation.
The Ophelia painting that Swifties say inspired The Fate of Ophelia becomes an overnight sensation Instagram/taylorswift
How did this Ophelia painting become so popular?
To be honest, it was simply hanging there. Friedrich Heyser’s work from about 1900. It is lovely, sure, but it was not a headline act. Then the video drops. And you see it immediately in the pose, the white dress, and the water lilies. It is practically a direct copy or, let us say, an homage. Fans on social media connected the dots in hours. Now the museum cannot believe its luck. Visitor numbers went from a few dozen admirers to hundreds, just over one weekend. Mostly young women, taking selfies. A whole new crowd for a century-old painting.
What has the museum said about the surprise attention?
They are thrilled, but a bit stunned. A spokesperson said it was a "shock" and they are having an "absolute Ophelia run." Can you blame them? One minute you are managing a classical collection, the next you are at the centre of a global fan phenomenon. They tried to reach Swift’s team, but they had no luck there. But they have leaned into it completely. Now they are organising a special "Ophelia reception" with guided tours. Smart move, right? It is a perfect storm of high art and pop star power, and they are riding the wave.
The big question: did Taylor Swift actually visit?
This is the real mystery, is not it? How did this specific painting, in this specific German museum, end up as the template for a mega-budget video? The staff are wondering the same thing. She was in Germany for the Eras tour last July. Did she slip in, incognito? Did a location scout send a photo? The museum thinks they would have noticed if Taylor Swift was wandering their halls. Who knows? It is the sort of stuff that feeds fan speculation for years. Whatever the facts, the painting's life has been irreversibly altered.
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