WHETHER it is doing his own stunts, tackling taboo topics, taking on challenging roles or working harder than any other A-list star, Akshay Kumar has always pushed himself beyond the limits.
He has done that again with his latest film Pad Man, which will perhaps be the most original commercial Hindi film release of the year. Inspired by a real life story, Pad Man sees him take on the role of Arunachalam Muruganantham, who went to the ends of the earth to provide an affordable sanitary pad for his wife to make her life better, even though the pursuit cost him his marriage.
It’s a role that maybe no other A-list star would have taken on, and one Akshay hopes will make a real difference.
Eastern Eye caught up with the actor to discuss Pad Man, the issues it covers, women empowerment, hard work, being fearless and more...
What was your first reaction when you received the subject of Pad Man?
I was incredibly intrigued by his story, which I think is the first reaction for the majority of people who hear about this film. This was because of the strong subject line, the issues and taboos relating to menstrual hygiene and the shocking data I was exposed to, which just appalled me. I mean, can you believe that this is not just a problem in our country; one in 10 girls in the UK live in period poverty, only 12 per cent of women in India wear sanitary pads, and over 20 per cent girls drop out of school due to their periods?
I think that will come as a surprise to most people...
It saddens me to learn that our wives, daughters, mothers and sisters have lived in shame all these centuries because of such an important biological occurrence. They’ve been made to feel inferior and ostracised from families and societies. It’s even cost some their lives. These issues are close to my heart, because after all my years even I’m only just becoming educated enough about many crisis’ countries suffer with everyday. I myself am ashamed how little I knew.
Really?
I wish I had known since childhood. It would have made me an even more understanding son, brother and husband if I had known or been able to share with the women in my home the menstrual difficulties they face. But because it’s kept so quiet through pressures of society and backward-thinking, it’s never a topic of discussion.
You’ve done different subjects in recent years, but did you think this was too out-of-the-box even for you?
There comes a time in one’s life when substance begins to matter more. I have established myself enough as an actor to now be able to venture into things that can benefit, as well as entertain people. When a man of fame or calibre comes out humbly, loud and respectfully proud to address a social issue of this magnitude, I can only hope people accept the bold move and embrace it with the same encouragement I have.
I think they will…
I can’t force people to see things the way they ‘should’ be seen, but through the power of entertainment I believe people will discover for themselves by watching this film that this is something to be approached, not tossed aside and stamped on with the shameful label of ‘too taboo.’ We need to start a conversation on menstruation and not be afraid to discuss the issues that have impacted women and girls worldwide for centuries. If many men were to cherish their wives’ lives the way I do in the film, they too will do anything to make every day of the month better for them! In Pad Man I show just how much I’m prepared to do to make my wife’s life a better one.
Were you aware of the story Pad Man is based on?
I was aware of Arunachalam Muruganantham’s story before I decided to make this film. I was perhaps somewhat naïve to the struggles women in our country face in terms of menstruation. I have lived with women all my life, yet I have learnt more making this film than I’ve ever known even after being surrounded by women in my own family.
How closely did you interact with the gentleman the movie is based on before shooting?
Quite a bit! Arunachalam is an amazing person and meeting him was an enlightening experience. He took it upon himself to tackle the problems of menstrual hygiene that women across India are faced with. I learnt a lot from him, although it wasn’t always so easy. At first he was quite reluctant to speak to me, and later clarified that it was because he doesn’t like talking to men because they aren’t usually the most understanding! I loved his phrase: ‘Woman strong will make country strong!’ which makes it into the film.
What was the biggest challenge you faced as an actor during this film?
I’m not sure if there were challenges in the traditional sense. The subject matter isn’t challenging, it’s natural. But what I did find a challenge was thinking about how I was going to convince others, particularly men, that it is not taboo. We all need to address menstruation and sanitary pads to improve the lives of women. To be honest, the only way I thought we could really breakdown the taboos and sensitise people to have even a conversation about periods was to begin the conversation ourselves on one of the biggest mediums possible, cinema! And of course, whenever taking on a role, there’s always a challenge to do justice to it.
What is your favourite moment in Pad Man?
It has to be the monologue I deliver during the climax of the film on foreign shores. It typifies everything we are trying to communicate to the world with the film. I just hope the message reverberates loud and clear.
What is R Balki like as a director?
Balki Sir has written and directed Pad Man. He is a story-telling mastermind in his own right. He knows how to make people feel and how to bring a subject to the forefront without making it feel preachy and turn it into a movement. He creates such an incredible bond between an actor and the character, which stays with you for days on end. That’s why I feel his films evoke such a sentiment amongst the audience as they truly feel they are immersed in the story themselves.
What was it like working on a movie where your wife Twinkle Khanna is the producer?
I wasn’t even her first choice for the role! In all seriousness, working with Tina made me even more determined to deliver my best because it was her project. This film has been her passion from the start and she is totally involved in everything. This is a journey we are taking together for the first time. I am proud that it is a film on a topic that will have an impact on many women’s lives and hopefully our society.
Who are you hoping most connects to this film?
We are very keen for everyone in the whole family to see it, but particularly hoping it connects with men as they can help create the change we need. So please bring along your uncles, fathers, husbands, sons, brothers and boy mates. One of my favourite parts of this film has been to open my social media account and see that it is the men talking about pads. That is what I wanted. That’s why Pad Man is a drama; it makes more of an impact than a documentary!
Are you hoping to open up a long-term debate with the movie?
Absolutely! If you change nothing, how will anything change? I hope Pad Man is a conversation starter to help break taboos and tackle stigma. We need to educate and create awareness, reaching the places where it is needed, to help encourage people to speak openly about these topics.
How much do you believe in women’s rights?
I am a strong believer in women’s rights and ensuring all girls and women live an empowered life to reach their full potential. I have said in the past that a society that can’t respect its women can hardly be called a human society. Yet right around the world we see women excluded from everyday life, just because they are on their period. It’s time to end the taboo. It is time to treat menstrual hygiene with a mature attitude and ensure every girl and woman on this planet has menstrual dignity. It is a basic necessity for women to have free access to sanitary pads. It’s their right.
How much of a role do men have to play to get women their rights?
They have a very important role to play as that is where the change also needs to come. It is shocking to see the suffering that women go through when they are on their periods, and men must play their part to end the taboo. One victory for Pad Man so far is that men have started discussing periods, positively and negatively; whatever it is, it’s got us men talking.
You have been on a remarkable run at the box office in recent years; has that put added pressure on you ahead of the release?
Not really. This film is about raising awareness of the issues facing women. Earning money is secondary. The aim is to get the film’s message out to as many people and places where it is needed.
You have always come across as fearless; where does that fighting instinct come from?
There was a time I had nothing; no fame, career or money. All I had was my parent’s blessings. And let’s not forget the run I had at the box office a good few years ago either! I have learnt to persist, live an honest life, and to remember that come what may I have my biggest anchors in life; my wife, children, mother and sister. That instinct to always press ahead comes from their belief and faith in me.
I love your versatility as an actor, but what do you most enjoy about the craft and your own performances?
This has definitely been one of my most exciting periods in my career. I’m really enjoying my work and how it’s been received lately. Mass masala will always be a favourite in our country, but times are changing and so are people’s tastes in films, life, ethics and equality. Everything has to be a conscious decision, timed and planned. just like my comedy sketches. I didn’t suddenly wake up one day and say I want to be more serious about my career. The timing was right in my life and my desire to make a change in the substance of my films; the want to give my audiences more than a laugh and a giggle. It really is an exciting time to experiment with what we can produce as an industry with India’s best interests at heart.
What is the secret of keeping such a high standard for so long?
Good health gives me the stamina to go on. A peaceful mind gives me the conscience to make the right decisions, and my wonderful wife and family give me the backbone to keep me strong.
What is the key advice you would give a young actor?
The same as any job: be disciplined, be punctual, work with passion and respect your producer’s time and money. They are the ones that keep you employed.
How do you keep going on days when you are feeling emotionally and physically tired?
Everyone has good and bad days, the kind where you don’t want to leave your bed. But you literally just have to plough through as I have. So many people depend on me to turn up to set on time. We’re all cogs in a wheel and have an important role to play.
You inspire a lot of people, but today who or what inspires you most?
Yes it’s clichéd, but my wife and children with their insights and tenacity. Then the stories of real superheroes such as Arunachalam just make you wonder and smile that we have such a bigger role to play in life and our life hasn’t really started.
Why should we go watch Pad Man?
Pad Man has it all! A love story, emotions and drama, but above all, it has sincerity. Pad Man deals in ending every single taboo around menstruation globally to ensure everyone can live a life of dignity. We have started that conversation but need our audiences to take this forward.
Mark your calendars: 31 May isn’t just another Saturday. It’s Netflix’s blockbuster bonanza, Tudum 2025, arriving with a bang. And although the actual event hasn’t streamed yet, the internet is already simmering with spicy leaks, juicy first looks, and cryptic clues.
From long-awaited finales to fresh faces in familiar worlds, here’s everything Netflix is bringing to the table. No spoilers, just pure hype.
1. Stranger Things 5 : The Hawkins finale that might emotionally destroy you
The Upside Down is gearing up for its final roar. The fifth and final season of Stranger Things drops in November, and whispers are already circulating that someone major might not make it out alive. The Duffer Brothers are teasing heartbreak, chaos, and a full-circle moment that could break Netflix’s servers all over again.
2. Wednesday season 2: Forget cute, it’s going full gothic beast mode
Wednesday Addams is back but meaner, moodier, and battling even weirder creatures at Nevermore Academy. Premiering 6 August, Season 2 leans heavily into horror, supernatural folklore, and gloriously dysfunctional friendships. Jenna Ortega has hinted at darker twists… and possibly a new love interest?
Thought Season 1 was brutal? Wait until Gi-hun goes head-to-head with the Front Man. Squid Game Season 3, launching 27 June, is being framed as a revenge saga soaked in betrayal and moral rot. No games. Just war.
4. Wake Up Dead Man: Benoit Blanc is back, and the vibes are off
Rian Johnson’s third Knives Out mystery returns with Daniel Craig, but this time, the mood? Less whodunnit, more existential chaos. Featuring a stellar cast including Glenn Close, Josh Brolin, and Mila Kunis, this late 2025 release might be the weirdest Blanc case yet.
5. Frankenstein: del Toro’s creature feature might haunt your sleep
Guillermo del Toro isn’t pulling punches. His upcoming Frankenstein, starring Oscar Isaac and Jacob Elordi, promises shadow-drenched horror, poetic violence, and zero romanticism. Think less “tragic monster” and more “run, and don’t look back.” Arriving November 2025.
Adam Sandler is dusting off the clubs. Thirty years on, Happy Gilmore 2 lands in July 2025 with Shooter McGavin returning to stir trouble. Expect golf, grudges, and Sandler’s signature cocktail of stupidity and sincerity.
7. One Piece season 2: Meet Chopper (yes, the reindeer doctor is real)
The Straw Hat crew is expanding. Season 2 of the live-action One Piece introduces fan favourites Tony Tony Chopper and Dr Kureha. With filming wrapped and post-production underway, fans are bracing for adorable talking reindeers and inevitable heartbreak.
The most introverted Bridgerton finally gets his turn. Though Season 4 won’t arrive until 2026, Tudum is expected to tease Benedict’s love arc with Sophie Beckett. Will it be scandalous? Naturally. Will there be waistcoats and whispered secrets? Absolutely.
The Pogues are calling it quits but not before one last sun-drenched, danger-packed ride. The fifth and final season of Outer Banks promises utter chaos and, just maybe, a little closure.
10. Emily in Paris 5: Emily does Rome (but leaves drama in Paris)
Emily’s off to Rome with a new bob and, inevitably, more bad decisions. Season 5 follows Lily Collins navigating Italian flair, post-breakup messiness, and what might be her best wardrobe yet. Camille is out, Alfie is in and filming is already underway.
Tudum 2025 feels less like a streaming event and more like Netflix flexing every muscle it has. It’s goodbyes (Stranger Things, Outer Banks), glow-ups (Wednesday, Emily in Paris), and glorious chaos (Squid Game, Wake Up Dead Man). Cancel your plans, grab the snacks, and prepare to be bombarded because if this is what we know before the event, just imagine what Netflix is saving for showtime.
Tudum goes live on 31 May 2025. See you on the other side.
The National Theatre’s annual Connections Festival will return this June, celebrating its 30th anniversary with a week-long programme of youth theatre performances from across the UK.
Running from 24 to 28 June, the festival will also mark the reopening of the Dorfman Theatre, which has been closed since November 2024 for government-funded refurbishment works.
Over the past three months, more than 5,000 young people from over 270 schools and youth theatre groups have performed in venues across 33 professional stages nationwide. From this wide participation, ten theatre groups have been selected to perform at the National Theatre in London.
Each group will stage one of ten newly commissioned plays, offering young performers the opportunity to explore contemporary themes including identity, climate change, and community.
The selected groups and their plays are:
Fresh Air by Vickie Donoghue – Central Foundation Boys’ School, London
Ravers by Rikki Beadle-Blair – HOME Young Company, Manchester
Mia and the Fish by Satinder Chohan – Abbey Grange Academy, Leeds
The Company of Trees by Jane Bodie – Hamilton District Youth Theatre, Lanarkshire
Their Name is Joy by May Sumbwanyambe – Nottingham Girls Academy Theatre Company
Saba’s Swim by Danusia Samal – Central Youth Theatre, Wolverhampton
Normalised by Amanda Verlaque – Brassneck Youth, Belfast
No Regrets by Gary McNair – Glasgow Acting Academy
Brain Play by Chloë Lawrence-Taylor and Paul Sirett – Chatham and Clarendon Grammar School, Ramsgate
YOU 2.0 by Alys Metcalf – Everyman Youth Theatre, Cardiff
Young participants have also been involved in backstage roles, including lighting, costume design, directing and composing, helping to realise their productions from start to finish.
Indhu Rubasingham, Director and Co-Chief Executive of the National Theatre, said: “I am really pleased to welcome ten youth groups from all corners of the UK to the NT for this landmark anniversary festival of Connections. Everyone should have the opportunity to experience the power of theatre-making.”
Since launching, the festival has engaged over 125,000 young people, with former participants including actors Keira Knightley, David Oyelowo, Rose Ayling-Ellis, and Callum Scott Howells.
Each year, ten new plays are commissioned for Connections, contributing to a growing archive of over 235 scripts written specifically for young performers.
Tickets are available for £5 per show, or £8 for two performances in one evening. All shows will feature captioning for accessibility.
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The initiative will empower more women to speak openly about their health
A new community-led initiative has been launched in the UK to provide culturally sensitive support for South Asian women navigating midlife and menopause.
The Sattva Collective, founded by certified Midlife and Menopause Coach Kiran Singh, officially launched on 14 May 2025 as a registered Community Interest Company (CIC). It is the first initiative in the UK focused specifically on the experiences of South Asian women during what Singh describes as a “deeply personal and often stigmatised” phase of life.
“South Asian women are navigating physical, emotional, and identity shifts in silence – often without the language, space, or support to talk about it,” Singh said. “The Sattva Collective is here to change that. We are reclaiming midlife as a powerful, transformative time – and doing it together.”
The name 'Sattva' is drawn from Sanskrit, referring to clarity, balance, and inner peace – values reflected in the collective’s approach.
The organisation will offer a range of services throughout the year, including:
Monthly community meet-ups in local cafés
Educational workshops on hormone health, mental well-being, and cultural stigma
An annual flagship Midlife Summit launching in January 2026
Public awareness campaigns and digital resources
One-to-one and group coaching sessions
Singh, who is of Indian heritage, aims to address the gaps in both mainstream and cultural conversations around menopause. According to her, many South Asian women face barriers to accessing support due to stigma, lack of awareness, and limited representation in public discourse.
The Sattva Collective is now preparing to roll out its 2025 programme and is actively seeking funding, sponsorship, and community partners to expand its reach and resources.
Describing midlife as “not a crisis, but a calling,” Singh hopes the initiative will empower more women to speak openly about their health and experiences, while building a supportive community.
Further details about upcoming events and resources will be made available through the collective’s official channels in the coming weeks.
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R&B singer Chris Brown arrested in Manchester over alleged bottle attack on music producer Abe Diaw
R&B star Chris Brown was taken into custody early Thursday morning in Manchester, England, over an alleged assault at a London nightclub in 2023. Police arrested the 36-year-old singer at The Lowry Hotel shortly after 2 a.m., charging him with causing grievous bodily harm to music producer Abe Diaw.
The incident dates back to 19 February 2023, when Brown reportedly attacked Diaw at Tape nightclub in Mayfair, central London. According to Diaw’s lawsuit filed last October, Brown struck him multiple times on the head with a bottle of Don Julio 1942 tequila. The assault allegedly continued with Brown stomping and kicking Diaw, leaving him unconscious for about 30 seconds and requiring hospitalisation for head wounds and torn ligaments in his leg.
Chris Brown taken into custody ahead of UK tour following 2023 nightclub assault allegationsGetty Images
Diaw claims Brown’s attack was unprovoked and caused lasting physical and emotional damage. Beyond the physical injuries, Diaw also accuses Brown of spreading false rumours to harm his reputation and business relationships. The producer has filed a civil lawsuit seeking £12 million (₹126 crore) in damages.
The Metropolitan Police confirmed the arrest and said detectives from the Central West Area Basic Command Unit are handling the case. Brown remains in police custody as the investigation proceeds.
This latest arrest adds to Brown’s long history of legal troubles linked to violent behaviour. He pleaded guilty to felony assault in 2009 after physically attacking then-girlfriend Rihanna. In 2017, a restraining order was placed on him by ex-partner Karrueche Tran amid allegations of aggressive conduct over financial disputes.
R&B singer Chris Brown appears in court for a probation violation hearing in Los Angeles Court in 2014Getty Images
Brown arrived in Manchester on a private jet just the day before his arrest, possibly preparing for his upcoming UK tour dates scheduled for June. The tour, called Breezy Bowl XX, is meant to mark 20 years of his music career and includes shows in Manchester, Cardiff, London, Birmingham, Glasgow, and Dublin. However, the ongoing police investigation raises questions about whether those dates will go ahead as planned.
Despite his troubled past, Brown remains a major figure in the music world, known for selling out large venues and generating millions in revenue. But with new serious allegations now in play, the future of his career hangs in the balance as legal proceedings move forward.
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Tavistock Road between William Prance Road and Manadon Roundabout
A three-vehicle collision on Tavistock Road in Plymouth led to significant traffic disruption on Thursday, May 15.
The crash occurred at around 11:00 BST and prompted an immediate response from Devon and Cornwall Police, the fire service, and paramedics. Emergency services attended the scene to manage the incident and assess those involved.
According to a witness, it appeared that one vehicle had collided with the rear of another. Photographs from the scene showed emergency crews present amid long queues of traffic.
The collision resulted in the closure of all southbound lanes on Tavistock Road between William Prance Road and Manadon Roundabout, causing substantial delays for motorists. The roads and traffic monitoring service Inrix reported the incident at 11:27 BST, confirming slow traffic and lane closures in the affected area.
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Police stated that investigations into the cause of the crash are ongoing. The road remained closed for several hours to allow emergency services to clear the scene safely.
By 14:30 BST, Tavistock Road was reopened to traffic. No further details have been released regarding any injuries sustained or the circumstances leading up to the crash.
Drivers were advised to follow local traffic updates and seek alternative routes during the closure.