Diljit Dosanjh tops global Asian celebrity list for 2024
Punjabi singing sensation dethrones 2023 winner Shah Rukh Khan and beats off tough global competition to be named number one South Asian star of the year.
The Punjabi superstar ranked ahead of international talents from global cinema, television, the music industry, arts, literature, and social media.
DILJIT DOSANJH rounded off the greatest ever year for a Punjabi celebrity by topping the Top 50 Asian Celebrities In The World list for 2024. The singer and actor dethroned last year’s winner Shah Rukh Khan, along with strong celebrity competition from around the world, in this year’s edition of the popular list, published annually by UK-based Eastern Eye newspaper.
The Punjabi superstar ranked ahead of international talents from global cinema, television, the music industry, arts, literature, and social media. His dream year included the biggest ever global live tour undertaken by an Indian, stunning acting success, cool collaborations, and path-breaking moments.
Eastern Eye entertainment editor Asjad Nazir, who puts together the list, explained why the 40-year-old phenomenon made such a big impact in 2024. “The singing superstar delivered the most successful world tour undertaken by any South Asian celebrity in history with his blockbuster Dil-Luminati show. His history-making performance on The Tonight Show Starring Jimmy Fallon broke new ground for Indian music. He delivered hit songs, which included solo singles, top tracks for films and international collaborations. In between all the musical magic, the multi-talented star showed off his impressive acting ability in films and proudly promoted his Punjabi culture. Everybody was talking about him in what turned out to be a dream year.”
Diljit found success with next to no media interviews and remained humble throughout his game-changing year. He kept with that by not commenting on topping this year’s list. Sentiments he has expressed at the beginning of each concert, with "Panjabi aagaye hai” (the Punjabis have arrived), sum up his rise. He has also previously stated, “I was born in Punjab, it'll always be a part of me until I die. Someone said that I don't stay there anymore, but I take Punjab with me wherever I go.
The Top 50 list celebrating Asian stars who shone the brightest in 2024 is based on brilliant work, positive impact, breaking boundaries, shattering glass ceilings, fan attention, and being inspiring in some way. There was also a big public input, with readers and social media users nominating their favourites.
Half-Indian pop superstar Charli XCX came in second, narrowly missing out on the top spot, for an incredible year that included sold-out live performances, seven Grammy nominations, and her now iconic Brat album, which spawned a huge global movement.
Charli XCXCharli XCX
Third-placed Allu Arjun smashed box office records with the year’s most successful Indian film Pushpa 2: The Rule and significantly changed the cinema landscape in his country. Fourth-placed Dev Patel confirmed himself as a Hollywood power player by remarkably writing, directing, producing, and starring in the hit movie Monkey Man, along with signing more major projects.
Allu Arjun Allu Arjun
Fifth-placed Priyanka Chopra Jonas remained the most famous Indian celebrity in the world, as she balanced high-profile projects that ranged from movies to starting work on season two of the mega-budget series Citadel.
Sixth place Vijay starred in the year’s most successful Tamil movie and started a political party with the sole aim of making a positive difference.
Seventh-placed Arijit Singh had a stunning year that included overtaking international pop icon Taylor Swift as the most followed artist on Spotify.
Arijit SinghArijit Singh
Australian actress Geraldine Viswanathan, in eighth place, has established herself as arguably the number one actress of South Asian origin in Hollywood and signed major projects like the upcoming Marvel superhero movie Thunderbolts.
The highest-placed Pakistani is actress Hania Aamir (9), who delivered a strong performance in the globally successful drama serial Kabhi Main Kabhi Tum, raised awareness about mental health, and signed more major projects.
Hania AamirHania Aamir
British actress Simone Ashley, at number 10, continued making a global impact with projects that ranged from the hit serial Bridgerton to landing big movies.
The oldest star in the list is once again 82-year-old Amitabh Bachchan (26). The youngest is 17-year-old actress Nitanshi Goel (42), who played the lead role in India’s official Oscar entry Laapataa Ladies and said: “Being the youngest on this prestigious list is truly humbling. 2024 has been a transformative year for me, especially with the love and appreciation my character Phool and Laapataa Ladies has received. Phool’s story of resilience and self-discovery touched my heart, and it’s amazing to see how it resonated with audiences across the globe. I’m incredibly grateful for the love and hope to continue inspiring young dreamers like myself.”
The highest-placed Indian television star is Rupali Ganguly (16). The highest-placed comedian is in-demand star Romesh Ranganathan (19), and the only author to make the list is British writer Onjali Q. Rauf (49). The only artist in the list is Jasleen Kaur (40), who won the prestigious Turner Prize.
The only social media star in the list is Viraj Ghelani (44), who headlined the year’s biggest Gujarati movie Jhamkudi and did path-breaking stand-up comedy internationally in the language.
Creative talent from diverse fields and different languages crossing new frontiers with impactful work showed that 2024 was very much defined by breaking boundaries. “The exciting global South Asian talent from four different continents were shattering glass ceilings, breaking records, and constantly creating something new, from taking music, movies, and even comedy into new arenas, to creating movements that inspired others to follow. These rule-breakers are inspiring a new generation to do things differently and show that anything really is possible,” said Asjad Nazir.
Others in the 2024 list include Fahadh Faasil (12), Rajkummar Rao (15), Vijay Sethupathi (17), Shreya Ghoshal (18), Zayn Malik (21), Shazad Latif (24), Karan Aujla (29), Arooj Aftab (33), Kani Kusruti (35), Himesh Patel (38), Sumbul Touqeer (43), and Vir Das (45). The full list is published in Eastern Eye newspaper on 13 December.
Lauren Sánchez didn’t need a red carpet to mark her pre-wedding celebration, just a close circle of friends and the charm of Paris. Days before tying the knot with Jeff Bezos, the former TV anchor turned aviation entrepreneur spent a laid-back but lavish weekend in the French capital with a dozen women she calls her pillars of strength.
The guest list was anything but ordinary. Kim Kardashian, Kris Jenner, Katy Perry, Eva Longoria, and a few other familiar faces from business, entertainment, and media joined Sánchez for what looked like a celebration of sisterhood rather than a spectacle. Over the course of two days, the group dined at chic spots like Lafayette’s and cruised through the city on a private boat, all while keeping things relatively low-key by celebrity standards.
From clinking espresso martinis to dancing to Earth, Wind & Fire, the vibe was expensive, chill, and relaxed. The celebration wrapped with a surprise vanilla meringue cake and laughter under the Paris sky.
Sánchez shared heartfelt moments on Instagram, calling her friends “the women who’ve lifted me up and shaped my heart.” The photos, mostly in black and white, showed candid rooftop laughs and cosy robe moments, far from the polished party shots one might expect.
Inside Lauren Sánchez’s Paris bachelorette Instagram/laurenwsanchez
Her outfit choices, too, while expensive, leaned into romantic minimalism. A short white Oscar de la Renta dress with 3D florals and a vintage pink Chanel bag added soft glamour to the weekend.
Heartfelt moments and low-key glam defined Sánchez’s pre-wedding celebration in Paris Instagram/laurenwsanchez
Sánchez and Bezos, who went public in 2019, got engaged in 2023 on board his yacht Koru, where he proposed with a rare 20-carat pink diamond worth approximately £15 million (₹160 crore). Their wedding is expected in June on the coast of Venice, Italy, although they’ve been tight-lipped about the specifics. Italian officials have already reassured locals that the ceremony will not disrupt the city.
A candid moment with Sánchez and her closest friendsInstagram/laurenwsanchez
Beyond the headlines and designer outfits, Sánchez’s celebration in Paris was about a woman pausing to honour the relationships that helped her grow, before stepping into a new chapter as Mrs. Bezos.
Ever walked into a cinema, popcorn in hand, all hyped for a big new Hindi release – only to realise, halfway through, that you have seen the exact same story before, just in another language? That weird sense of déjà vu has become all too familiar for Bollywood audiences in recent years, with one remake after another. Many are based on South Indian hits.
From Vikram Vedha to Shehzada, Bholaa to Selfiee, Bollywood seems to be treating South Indian blockbusters like a catalogue to borrow from. But here is the problem – most of them did not work. Not just with critics, but at the box office too. Which raises the obvious question: if the originals were such big hits, why can’t the Hindi versions strike gold?
The numbers do not lie Let us look at the figures.
The Tamil film Vikram Vedha (2017) was made on a budget of £103,695 (₹11 million) and earned £5.66 million (₹600 million). It had strong writing, originality, and standout performances. The 2022 Hindi remake starring Hrithik Roshan and Saif Ali Khan, despite slick production, was a costly misfire.
Bholaa, a remake of Kaithi, leaned too heavily on visual effects and forgot the raw, gritty storytelling that made the original shine. Made for £8.8 million (₹1 billion), it only grossed £9.7 million (₹1.1 billion) worldwide. Compare that with Kaithi, made for £2.2 million (₹250 million), which earned over £9.3 million (₹1.05 billion) – without big stars or CGI. This pattern keeps repeating itself.
Selfiee, based on Malayalam hit Driving Licence, flopped. Shehzada tried to replicate the success of Ala Vaikunthapurramuloo and failed miserably. Sarfira, based on Soorarai Pottru, came and went without impact. Even Baby John (a version of Theri) and Deva (inspired by Mumbai Police) could not turn strong originals into Hindi box office hits.
Ajay Devgn in Bholaa
Star power is not enough These numbers paint a clear picture: the remakes are not connecting. But what about star power? Salman Khan, Akshay Kumar, Shahid Kapoor, Hrithik Roshan, Kartik Aaryan – surely such big names should guarantee success? Unfortunately, it is not that simple anymore.
Audiences are smarter now. Thanks to streaming platforms, dubbed versions and social media buzz, many have already seen the originals – or at least know the storyline. So when the Hindi version arrives, it often feels stale.
Hrithik Roshan in Vikram Vedha
What is missing from the remakes? Successful films rely on many elements – chemistry between the leads, emotional tone, pacing – things you cannot script or transplant.
Take Vinnaithaandi Varuvaayaa. The chemistry between Silambarasan TR and Trisha felt electric, rooted in the film’s deeply emotional story of unrequited love. The Hindi remake Ekk Deewana Tha, with Prateik Babbar and Amy Jackson, lacked that connection.
Okkadu had raw energy, with Mahesh Babu anchoring the emotional weight. Ghilli, its Tamil counterpart, had similar intensity with Vijay’s charismatic presence and high-octane action. But the Hindi version Tevar lacked the same punch and raw emotion.
Similarly, Theri worked because of Vijay’s stardom, Atlee’s direction, and its emotionally driven story. Baby John has not captured that same feeling.
Mahesh Babu in Okkadu
Audiences want originality Here is the real kicker – audiences are not rejecting South Indian cinema. In fact, they are embracing it. Baahubali 2, the Pushpa and KGF franchises, RRR, Kantara – all became massive pan-India hits. The appetite for regional content is real.
What people are rejecting is lazy filmmaking – the idea that simply changing the language, inflating the budget, and casting a big Bollywood name is enough.
What works today is originality. Films like 12th Fail and Article 15 resonated because they told new stories. Even blockbusters like Pathaan and Jawan succeeded by playing to their own strengths – not copying someone else’s.
RRR
A call for change So what should Bollywood do? The answer is simple: focus on originality.
Stop leaning on South Indian remakes. Start backing fresh, innovative stories that speak to today’s diverse audience. The success of South Indian films lies in their ability to connect emotionally, to create real characters and tell untold stories. Bollywood needs to find that magic again.
In the end, remakes may seem like a safe bet – but they are not always the solution. Why settle for déjà vu when you can create something unforgettable?
The audience has evolved. Maybe now, it is time the industry asked itself: has it?X: @GeorgeViews
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Ananya Panday gets candid about body shaming on Lilly Singh’s podcast
Ananya Panday is no stranger to the spotlight, but she’s also tired of being stuck under a microscope. In a recent chat with Lilly Singh on her podcast Shame Less, the actor spoke honestly about the constant criticism of her body and the double standards women face in the film industry.
Ananya recalled the early days of her career when, at 18, she was mocked for being too thin. Terms like “chicken legs” and “matchstick” were thrown at her regularly. “They said I had no boobs, no butt, like a flat-screen,” she shared. Fast forward a few years, and as her body naturally changed, new rumours popped up, but this time accusing her of undergoing cosmetic surgery. “Now they say I’ve had my butt done. You can never win,” she said.
What hits harder for Ananya is that this scrutiny often comes from other women. “The harshest comments I get are from women. I rarely see this happening to male actors,” she said, pointing out the gender gap in how public figures are judged.
But Ananya doesn’t shy away from taking responsibility either. She admitted that Bollywood films, including some of her own, have pushed unrealistic beauty ideals. “We’ve shown women waking up with perfect hair and makeup. That’s not real life. I’ve been part of that narrative, and I’m trying to be more aware of it now,” she said. Off camera, she tries to keep things real, reminding her followers that what they see on screen isn’t always the truth.
This honesty is, in fact, a shift in Ananya’s journey, from someone who once felt pressured to fit in, to an actor willing to question the norms she’s grown up with. Her recent work also reflects that change. From light-hearted romances to more grounded roles like her turn as a lawyer in Kesari: Chapter 2, Ananya is clearly making deliberate choices.
Women in the public eye are constantly judged, but it’s time to break that cycle. “If I talk about it, maybe one other girl will feel less alone,” she said. That, perhaps, is the quiet power behind her loudest statement yet.
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Angelina Jolie stuns in a strapless nude gown on the Cannes 2025 red carpet
After a long break from the Cannes spotlight, Angelina Jolie stepped back onto the red carpet, quietly commanding attention without theatrics. It’s been nearly 14 years since she last appeared at the French film festival, but her recent appearance shows she never really left the scene, she just chose when to re-enter it.
At the premiere of Ari Aster’s Eddington during the 78th Cannes Film Festival, Jolie arrived in a strapless white and silver gown designed by Brunello Cucinelli, a label she often turns to for its classy, minimalist elegance. The look was elevated with diamond accessories from Chopard, adding just enough sparkle without overwhelming her understated style.
Jolie keeps it classic in Brunello Cucinelli with Chopard diamonds for Eddington premiereGetty Images
The nude-toned dress was detailed with subtle embroidery and featured a structured A-line silhouette. Its fitted bustier, square neckline, and flowing hem were all about clean lines and classic femininity: nothing flashy, just well-crafted. Her choice of accessories followed the same theme: a pear-shaped diamond pendant, teardrop earrings, and a striking ring.
Her hair was styled in soft waves, parted to the side, and her makeup was balanced with wine-toned nails, muted smoky eyes, a soft pink lip, and feathered brows that framed her face.
The actress makes a graceful return to Cannes after 14 years awayGetty Images
Jolie took on the role of Trophée Chopard godmother this year, an honour that involves presenting an award to two emerging talents in cinema: Marie Colomb and Finn Bennett. The award celebrates the future of film, and Jolie’s presence felt fitting. Over the years, stars like Julia Roberts, Cate Blanchett, and Charlize Theron have taken on this role, and Jolie now joins that distinguished list.
For the Trophée Chopard dinner, Jolie wore a simple one-sleeved gown with a slit, paired with ankle-strap heels and silver earrings. She kept her makeup light and her hair down, opting for ease over excess.
Angelina Jolie interacting with fans Getty Images
Though she’s been away from the Cannes red carpet, Jolie hasn’t been out of sight. Her recent film Maria, based on opera legend Maria Callas, kept her on the awards circuit earlier this year. She also made headlines as a producer of the Broadway musical The Outsiders, which went on to win big at the 2024 Tony Awards.
Jolie keeps her style effortless for Cannes 2025Getty Images
Angelina Jolie’s Cannes appearance was a glorious comeback. But more than that, it was a quiet reminder of who she is: a woman of style, substance, and selective presence.
The buzz around King, Shah Rukh Khan’s upcoming action-thriller, just got bigger. Rani Mukerji is officially part of the film, stepping in for a role that’s brief but deeply important. Shooting begins on 20 May in Mumbai, with an international schedule to follow.
King is being helmed by Siddharth Anand, the director behind Pathaan and War. This film will not only mark SRK’s return to a high-action role, where he plays an assassin, but also introduces his daughter, Suhana Khan, to the big screen. The cast includes Deepika Padukone, Abhishek Bachchan, Anil Kapoor, Jackie Shroff, Arshad Warsi, Jaideep Ahlawat, and Abhay Verma, making it one of the biggest star-studded projects in recent memory.
The iconic duo returns to the screen after more than a decadeGetty Images
Rani Mukerji joins the cast in a special cameo as Suhana Khan’s mother. While she’s expected to shoot for just five days, her role is far from minor. Insiders say her character is central to the story’s emotional arc and serves as a turning point in the larger action narrative.
This is also Rani and Shah Rukh’s reunion after more than a decade. The two have a long list of hits together, from the iconic Kuch Kuch Hota Hai to Kabhi Khushi Kabhie Gham, and their on-screen chemistry is considered the gold standard. Their scenes in King are expected to tap into that nostalgia while adding a fresh layer to the story.
Sources say it didn’t take long for Rani to say yes. The part, though short, left a strong impression on her. “She heard the story and agreed instantly. It’s a powerful role that holds the emotional thread of the film,” one source shared.
Rani Mukerji will join Shah Rukh Khan for the much-awaited KingGetty Images
Interestingly, earlier buzz suggested that Deepika Padukone might play Suhana’s mother in the film, but the final decision went to Rani. This change seems to have added an extra edge to the film’s casting.
Currently in pre-production, King is aiming for a release sometime between October and December 2026. With a cast this strong and a fresh mix of family, action, and suspense, the film is shaping up to be a major event not just for Shah Rukh fans, but for Bollywood itself.