David Blaine spotlights India’s ancient magic in the Disney Plus series 'Do not attempt'
From fireproof fakirs to street illusionists, Blaine’s India episode reveals the country’s forgotten legacy of extreme stunts and mind-over-body feats.
David Blaine watches an Indian fire performer in Do Not Attempt
Most people are perhaps not aware of the profound effect India has had on the world of magic.
American extreme magician David Blaine has drawn attention to India’s remarkable legacy in this field with his stunning new series Do Not Attempt, available on National Geographic Channel and streaming site Disney Plus.
The six-part series sees him travel around the world to different destinations, including East Asia, Brazil and the Arctic Circle. But it is episode three in India that is the most compelling and eye-catching.
Blaine points out that while other countries have conjurers who perform sleight of hand, India has, for centuries, been home to real extreme physical feats, inspiring him to attempt his own challenges that have captivated audiences worldwide. He reveals how he learned a lot from the Indian book Swami Mantra, which illustrates how to perform unbelievable feats of endurance, and how he applied these techniques to his act.
And the magician kisses a king cobra
In the captivating India episode, Blaine meets a rickshaw driver with a mind-blowing fire act, where he sets himself ablaze without any protective gels, using just water and incredible skill. There is also a Punjabi man with phenomenal physical strength and a remarkable individual who repeatedly jumps into a huge pile of broken glass and smashes bottles on his own head.
Blaine also encounters Indian holy men who perform extreme feats, ranging from headstands with their faces completely buried in sand to piercing themselves with sharp metal objects. Some parts are difficult to watch, but they reveal the rich history of superhumans who have existed in India for centuries. There is one particularly shocking moment when a holy man passes a sword through his own neck – even the seasoned magician, watching in astonishment, could not explain how it was done.
Away from the more severe acts, Blaine also highlights India’s street magicians, who keep the tradition of illusion alive. From rope tricks to coin illusions, the roots of many modern magic tricks lie deep within India’s centuries-old street performances.
After watching this episode, you may feel squeamish at times but will walk away with a greater appreciation of India’s rich legacy and the profound impact it has had on the world. The next time you see a magician perform a physical stunt, the root of it likely lies in India.
Beyond India, the series showcases other fascinating locations where Blaine explores the limits of human endurance and illusion. Each episode of Do Not Attempt reinforces Blaine’s philosophy that magic is not just about deception, but about the astonishing capabilities of the human body and mind.
Blaine learns from those he meets and attempts to master some of their feats, including kissing a deadly poisonous king cobra. But it is the India episode that stands out in particular, because it highlights a side of magic rarely seen on mainstream platforms – one that is raw, spiritual and deeply embedded in history.
With Do Not Attempt, Blaine ultimately reminds us that the origins of many modern stunts go far beyond contemporary showmanship. For centuries, Indian fakirs, yogis and street magicians have defied expectations, using the body’s resilience and the mind’s strength to create jaw-dropping spectacles.
David Blaine’s stunning series is a fitting tribute to that tradition, ensuring that these incredible feats receive the global recognition they deserve.
Ed Sheeran’s latest single, Sapphire, is out now, and it marks a new chapter in his musical journey. With the Indian rhythms, rich storytelling, and unexpected star power, Sapphire is a big cross-cultural leap for the British singer-songwriter.
A musical journey through India with Arijit and SRK in the spotlight
Bringing together the soulful voice of Arijit Singh, choreography by Bollywood icon Farah Khan, and a surprise appearance by Shah Rukh Khan, the song celebrates global connection. Recorded during Sheeran’s visit to India earlier this year, Sapphire captures the spirit of collaboration and joy. From a sitar-laced melody to Arijit's vocals, the track has the feel of a summer anthem rooted in shared sounds and stories.
Shah Rukh Khan makes a special appearance in the Sapphire music video
The music video, directed by Liam Pethick, traces Sheeran’s journey across India, starting on a rooftop at sunrise and winding through beaches, bustling markets, and backlot film sets. There is even a stop at A.R. Rahman’s music school, where he jams with young musicians. One standout moment was a studio session with Arijit and a bike ride around his hometown.
In his own words, Ed says, " Sapphire was the first track that really gave me direction for the album. I finished it in Goa with some amazing Indian musicians. Getting Arijit on board was the missing puzzle piece. We even recorded a Punjabi version that drops soon; it’s one of my favourites on the record."
Ed Sheeran and Arijit Singh in India
New album Play coming this September and live shows sell out instantly
Sapphire is part of Sheeran’s upcoming album Play, releasing on 12 September 2025. After closing the Mathematics era, this album sees him experimenting with sounds from India and Iran.
In other exciting news, Sheeran’s homecoming gigs in Ipswich, his first UK headline shows since 2023, sold out immediately. Taking place at Portman Road Stadium in July, the three-night run will feature guests like Tori Kelly, James Blunt, and Busted. A portion of ticket sales will go to The Live Trust, a new fund aimed at supporting grassroots music professionals.
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Badshah reacts to backlash over controversial Dua Lipa comment
Rapper Badshah found himself in hot water after a social media post about global pop sensation Dua Lipa. What started as a simple tweet, her name with a heart emoji, quickly spiralled into chaos when a fan asked if they were collaborating. Badshah's response? "I'd rather make babies with her bro."
Badshah's viral response to the comment under his tweet Twitter Screengrab
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Honey Singh joins the fray with a sarcastic jab
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Badshah had previously expressed a desire to end their feud, but Singh's latest comment suggests the tension isn't fading anytime soon. Meanwhile, the rapper continues to make headlines, whether for his dramatic weight loss, rumoured romance with Tara Sutaria, or this latest controversy. One thing's clear: Badshah knows how to stay in the spotlight, but not always for the right reasons.
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During an interview on Nikhil Kamath’s podcast People by WTF, Sarandos said he may have chosen a more “populist” route if he could go back, admitting the series was perhaps too novel for the Indian market at the time. The comments didn’t sit well with Kashyap, who fired back on social media, calling Sarandos “the definition of dumb” and sarcastically suggesting the platform should’ve launched with traditional “saas-bahu” content instead.
Kashyap takes aim at Netflix’s shift to mass-market content
Kashyap’s reference wasn’t just casual; it came at a time when Netflix India has partnered with Balaji Telefilms, led by Ektaa Kapoor, best known for her highly successful daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi. The filmmaker’s post read: “He should have started with Saas Bahu… he would have done well. Which he is doing now. I always knew tech guys are dumb when it comes to storytelling, but @tedsarandos is the definition of dumb is what I didn’t know.”
The post sparked debate online, with even singer-actor Lisa Mishra chiming in to support Kashyap, saying that everything on OTT today is “derivative… specifically of Sacred Games.”
Kapoor, without naming Kashyap, responded via Instagram by accusing unnamed artists of being classist. She defended soap operas, claiming they gave a voice to Indian women and were even studied by international researchers. Her post ended with a call for inclusivity and “graciousness.”
Ekta Kapoor's story Instagram screengrab/ektakapoor
A clash of content ideologies in India’s OTT landscape
Sacred Games, co-directed by Kashyap and Vikramaditya Motwane and starring Saif Ali Khan and Nawazuddin Siddiqui, was a landmark moment for Indian streaming content. Though it didn’t continue past two seasons, it opened doors for darker, more experimental storytelling in Indian OTT.
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Ted Sarandos talks about Sacred Games for Netflix IndiaGetty Images
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A long-rumoured connection comes into focus
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Fans react as Billie and Nat’s long-rumoured romance takes centre stageGetty Images
In past interviews, Wolff described their connection as one of shared understanding, particularly around living with Tourette syndrome, a condition both have spoken about. “It’s rare to find people you don’t have to explain yourself to,” Wolff once shared, adding that he and Eilish could just “be” around each other.
Keeping it private until now
Eilish has openly said she regrets how much she’s shared about her personal life in the past. In an interview, she stated she wanted to keep her dating life and sexuality out of the spotlight going forward.
A kiss in Italy sparks fresh buzz around Billie Eilish’s love lifeGetty Images
“I wish no one knew anything about my dating life,” she said. “And I’m never talking about who I’m dating ever again.”
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From Seoul to Broadway: A story born in two languages
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Darren Criss, known to many as a Glee star, played Oliver and took home his first Tony for the role. His co-star Helen J Shen portrayed Claire, the other robot. Together, they brought the emotional weight to a futuristic love story that’s more human than it sounds.
While the robots explore feelings in a near-future Seoul, the show managed to preserve distinct Korean elements like Jeju Island and the traditional plant pot hwabun on the Broadway stage, something fans celebrated online.
A cultural shift, decades in the making
With this win, South Korea joins the rare club of nations with major victories across all four major American entertainment awards, including the Oscars, Emmys, Grammys, and now Tonys. From Parasite to Squid Game, and now Maybe Happy Ending, Korean creators are no longer breaking into the global scene, they’re leading it.
The success also validates years of quiet work in South Korea’s theatre scene. Original musicals like Marie Curie and The Great Gatsby have made appearances in the West End and on Broadway, but Maybe Happy Ending marks the first time a Korean musical has truly swept the Tonys.
As one critic noted, more than awards, it’s about shifting global perspectives. Korean musicals are no longer export hopefuls. They’re now centre stage.