Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
At the 2025 BRIT Awards, Charli XCX made headlines not just for scooping up a handful of awards, but also for her daring fashion choice. The pop star arrived at the event in a sheer black dress by designer Dilara Findikoglu, which left very little to the imagination. While Charli took home major honours like Album of the Year and Artist of the Year, her outfit sparked conversations and debate among viewers.
Over 800 complaints reportedly landed at Britain's communications regulator Ofcom after the awards aired, many focusing on Charli’s see-through look and a raunchy performance by fellow artist Sabrina Carpenter. ITV, which broadcasted the event, was said to be less than pleased with Charli’s appearance, particularly when it came to what they referred to as “nipple complaints.”
We’re in the free the nipple era”—Charli XCX makes a statement on stage after sparking controversy with her outfitGetty Images
But Charli wasn’t fazed. When she got on stage to accept the Artist of the Year award, she addressed the controversy head-on. “I heard ITV were complaining about my nipples,” she said casually, adding, “Aren’t we living in the free-the-nipple era?” Her comment drew applause from the audience. “Thanks for being on my side,” she added with a grin.
Styled by Chris Shoran, Charli’s outfit was from Dilara Findikoglu’s autumn/winter 2025 line and paired with classic Louboutin heels. She was unapologetic about her look, embracing both the attention and criticism with equal ease.
Sabrina Carpenter opens the 2025 BRIT Awards with a steamy performance of “Espresso” that stirred plenty of reactionsGetty Images
Sabrina Carpenter, who opened the show with a steamy set before the 9 p.m. watershed, received similar backlash. Her reaction? She joked about it on social media, posting photos with the caption, “I now know what watershed is!!!!”
For both artists, the complaints seemed to roll off their backs. Charli, in particular, used her acceptance speeches to thank her team, give a shoutout to her fiancé George Daniel of The 1975, and shared words of encouragement to artists who feel like outsiders.
“I now know what watershed is!”—Sabrina Carpenter jokes after her headline-making BRIT Awards performance.Getty Images
Winning big at the BRITs, Charli summed up her night by telling the crowd, “Keep partying.” And that’s exactly what she seemed ready to do.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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