Women In Arts festival: 'Being a musician is all about performing live'
By ASJAD NAZIR Mar 10, 2022
SOME of the best musical talents are on the live circuit, and a perfect example is a double bill at The Nutshell in Winchester next Friday (18), as part of the Women In Arts festival organised by Jay Visvadeva of Sama Arts Network.
Sparsh Bajpai will deliver a jazz and classical soprano-led performance, while singer-songwriter Saachi Sen will perform indie material rooted in contemporary music.
Eastern Eye spoke to the rising music stars to find out more about them ahead of their joint concert.
SPARSH BAJPAI
What first connected you to music?
My primal connection to music makes me feel and not feel at the same time. If I’m going through something where I want to shut my brain to intrusive thoughts, it helps with it too.
I’m glad my mother introduced music to me as she played all her old cassettes around the house. She also enrolled me for lessons early on. I started with Hindustani classical music before shifting to European classical music. My teacher, Situ Singh Beuhler, guided me so much in my early years and because of her, I really started valuing music, and how much it meant to me.
What drew you to jazz and classical music?
I love the freedom of jazz and discipline of classical music. I love what both bring me, and that’s drama. I love drama so much – characters and emotions bleeding into music on stage.
I love the atmosphere jazz creates when I perform with other musicians – there is something so timeless about it.
With classical music, I love diving into characterisations of different pieces and arias. It makes me feel liberated and I love the instant reaction from an audience when I suddenly turn from a jilted lover to a destructive force. It’s so exhilarating.
Sparsh Bajpai (Photo credit: Simon Richardson)
Which do you enjoy singing most?
Anything that allows me to engage in emotions that are a little too much for our real lives. Singing is like escapism, enabling me to let it out – fear, laughter, love, anger and hurt. That is why I don’t like to box myself up too much. Sometimes I want the drama that comes with classical music, sometimes I want to sit down and sing to a guitar. Other times I want to create a jazz bar atmosphere or pay homage to musicals that shaped Broadway. Though perhaps a part of me loves classical music the most.
What does performing live mean to you?
For me, live performances are incomplete without an audience, which has been quite a melancholic sentiment for the past two years. Performing to an empty hall always felt like a rehearsal. I love that a live performance isn’t simply like a lecture where a group of students maybe are there out of obligation. An audience has come to be entertained. Even if they don’t know of you, it really doesn’t matter when you do your job well. And good entertainers make for an immersive experience. Performances are for the artist and audience. Both have got to feed off each other.
How does being part of Women In The Arts festival feel?
Incredible. I love being introduced to amazing artists. The festival is just a combination of phenomenal artists coming together to spread the love for their art. I’m really grateful for the opportunity. I hope to work with the festival and artists again in the future. There’s so much to learn from each other.
What inspires you?
Real-life incidents and stories of others inspire me. I am fascinated by the complexities of human emotions, and like to delve into the raw nature of it all, like experiencing a certain type of loss or something else; and for that, I need to take inspiration from other people’s stories.
In terms of what inspires me to continue working in the arts, there are good days and bad. Sometimes I want to stop immediately and get a desk job. But most days, I want to continue in it for the rest of my life.
Finally, why do you love music?
Because it’s beautiful. It’s so vast and should be kept alive. I am doing my part while having a fulfilling experience of growth and enrichment. I’ve barely met anyone who actively dislikes music.
Music is also like a memory journal and can transport you back to those simpler times. That is why nostalgia is such a selling point in popular media. And music is at its core.
SAACHI SEN
Saachi Sen (Photo credit: Simon Richardson)
How do you feel being part of Women In The Arts festival?
I’m very proud to be a part of this beautiful festival, alongside such accomplished, incredible female acts of every discipline. It’s an honour to be presenting my own songwriting and my experiences as a woman in the arts.
What can we expect from your performance?
I love sharing my music with audiences like it’s a conversation. My songwriting is often situational and pulls people in for a story, which lends itself to vocals with a lot of dynamic contrast, which I support with acoustic guitar or piano, and as of recently, my own produced tracks.
How do you feel being on stage?
It’s wonderful being able to connect with listeners live. People often ask if I get nervous, but I find that any nerves you might feel before a performance always turn into pure exhilaration once you’re on and in the zone. For me, being on stage and performing is what being a musician is all about.
What music do you most enjoy performing and do you have a favourite song?
I draw influences from a lot of different artists and genres, including pop, alternative/indie and jazz. I’ve had comparisons with Sara Bareilles, Taylor Swift and Laura Nyro, which were all hugely flattering. I could never choose just one favourite song, but a frontrunner would be Under Pressure by Queen. I’ve listened to it so much that I could start singing it on exactly the right note (and I don’t have perfect pitch, to my eternal sorrow).
Who do you hope to connect with through your music?
I would want to reach out to anyone who’s had the experiences I’ve had and tell them that they aren’t alone – often it is women and girls, and people of colour like me. If my songs can open the eyes of those who haven’t experienced that themselves, that’s even better.
Who would you love to collaborate with?
I’m a long-time fan of Maisie Peters, her recording and writing style. Collaborating with an artist like her would be the dream.
What kind of music dominates your playlist?
They say variety is the spice of life, so that’s the approach I take with listening to music. I make a point to check out artists in the awards scene, which is how I found Alt J (Mercury Prize), Stormzy (Brits), Sigrid (BBC Sound of the Year) and more. I also regularly go back to my 1980s playlist and relisten to artists including Dire Straits, Bruce Springsteen, and Fleetwood Mac, who also feature in my record collection.
Finally, why should we come to the performance?
I’m looking forward to bringing some brand-new work and new skills to this performance. For example, I’ve started focusing on production, and this will be my first chance to showcase it. I love performing, and that joy shares itself around the room with everyone who comes to watch, so I hope you’ll come to experience me sharing my songs in the most immersive, powerful way I can.
Visit www.thenutshellwinchester.com and www.sama.co.uk
London’s Anil Agarwal Riverside Studios lit up on 21 May with the UK premiere of Tanvi The Great, the latest directorial effort from veteran actor Anupam Kher. After earning applause at its world premiere in Cannes earlier this year, the film made its London debut with a red carpet packed with stars and supporters from across the film, media, and business communities.
The screening was followed by a Q&A session led by Kher himself, giving audiences a glimpse into the emotional and creative journey behind the film. Among those in attendance were cast members Boman Irani, Pallavi Joshi, Karan Tacker, and newcomer Shubhangi Dutt, who plays the title role. Also present were well-known personalities like Gurinder Chadha, Adeel Akhtar, and M. Venkaiah Naidu, along with the studio’s patron Anil Agarwal.
Tanvi The Great follows the story of Tanvi Raina, a young autistic girl with a fierce dream to honour her late father by reaching the Siachen Glacier, the world’s highest battlefield. Despite societal doubts and institutional rejection, Tanvi trains under a retired army officer and sets off on an unlikely path, powered by her own stubborn hope and inner strength.
The film refuses to treat Tanvi’s neurodivergence as a limitation. Instead, it frames her difference as a force of nature, quiet but unshakeable. At a time when representation of neurodiverse characters remains sparse in mainstream Indian cinema, this film stands out by refusing to flatten or dramatise Tanvi’s journey for sympathy.
Anupam Kher leads London premiere of 'Tanvi The Great' featuring Shubhangi Dutt and Boman Iranigetty images
“This story isn’t about what Tanvi lacks. It’s about what she holds inside her: grit, purpose, and fire,” said Anupam Kher during the post-screening session.
For Shubhangi Dutt, portraying Tanvi wasn’t just a debut. It was a deep dive into a character who defies conventional labels. “She’s not waiting for permission to dream,” Dutt shared. “She simply goes for it.”
'Tanvi The Great' opens in London with Shubhangi Dutt and a story of couragegetty images
The film’s message clearly resonated with the audience in London. As Anil Agarwal put it, “This isn’t just a film, it’s a mirror to society, showing us how often we underestimate those who quietly keep showing up and trying.”
Tanvi The Great, produced by Anupam Kher Studio and featuring a powerhouse cast that includes Jackie Shroff, Iain Glen, and Arvind Swamy, will hit cinemas on 18 July 2025.
Shakira gave fans in Montréal a moment to remember during her Las Mujeres Ya No Lloran world tour. While performing her iconic hit Whenever, Wherever at the Bell Centre, the pop star lost her footing and slipped, landing hard onstage. It happened just as she began the song, and for a brief second, the crowd held its breath.
But without missing a beat, the 48-year-old artist picked herself up and continued as though nothing had happened. The moment was caught on video by fans and quickly spread online. What stood out wasn’t the fall but her quick recovery. Fans flooded social media with praise, applauding her for staying calm and professional. Some called her “a true performer,” while others admired how she shared the fall on Instagram herself, turning an awkward moment into something relatable.
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The Montréal fall wasn’t the only bump on this tour. Earlier this year, Shakira had to cancel her Lima, Peru show after being hospitalised for abdominal pain. She posted a heartfelt message apologising to her fans, saying she’d looked forward to that night and was disappointed not to be able to perform.
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There were more disruptions along the way. Two concerts in Santiago, Chile, were cancelled because of technical problems with the stage setup. In May, a health advisory was issued after a person diagnosed with measles attended her MetLife Stadium show in New Jersey. Though Shakira didn’t address the alert publicly, the situation caused concern among fans.
Despite these challenges, Shakira’s tour has been a massive success. Since kicking off in February in Brazil, she’s performed alongside stars like Maluma, Carlos Vives, and Wyclef Jean. The tour has brought in over £56 million (₹588 crore) from just 11 reported shows and topped Billboard’s Top Tours chart more than once.
Despite setbacks Shakira’s tour remains one of the highest-grossing this yearGetty Images
This tour also marks a comeback of sorts. It’s her first full-length album and tour since her breakup with Gerard Piqué in 2022. And through it all: health issues, schedule changes, even a fall, Shakira keeps showing up, proving that no stage stumble can shake her.
Her final show is set for June in San Francisco. Until then, she’s keeping her balance and her sense of humour intact.
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The AMAs, back after a two-year break, had already promised a punch with its revived format and new award categories. But it was Lopez, as host and opener, who turned the volume all the way up. Dressed in a glittering bodysuit and sporting sleek blonde hair, she glided across the stage through a tightly choreographed six-minute medley that covered tracks by Kendrick Lamar, Billie Eilish, Doechii, Bad Bunny, and more. However, during Teddy Swims’ Lose Control and Tinashe’s Nasty, Lopez kissed three dancers in quick succession, a move that instantly flooded social media.
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Lopez’s glittering bodysuit and bold moves set the tone for the nightGetty Images
Adding another layer to the narrative, Lopez had revealed just days earlier that she injured her nose during rehearsals and needed stitches. Despite that, she showed up ready to deliver one of the flashiest performances of the night. Her routine had iconic pop moments, drawing comparisons to Madonna’s 2003 VMA kiss with Britney Spears and Christina Aguilera.
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Their love story began in the studio. Lutes co-wrote a few tracks on Demi’s album, including Substance and City of Angels, and the two started out as friends before things turned romantic months later. The connection deepened quickly. Lovato has often spoken about how supported and grounded she feels in the relationship.
Demi Lovato and Jordan Lutes share a sweet moment togetherInstagram/ddlovato
In December 2023, Lutes proposed with a custom diamond ring. While they took their time enjoying the engagement, the wedding planning stayed calm and pressure-free. “We weren’t in a rush,” Lutes had said in an interview last year. “We just wanted to enjoy being together and not stress about the wedding.”
For the big day, Lovato chose a custom Vivienne Westwood gown in pearl-white silk with a corset-style bodice, elegant and true to her style. She later changed into a second Westwood piece for the reception: a sleek column dress adorned with draped pearls. The couple held a rehearsal dinner the day before, where Lovato wore a different bridal look in a more relaxed setting.
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Cyrus, now 32, explained that she’s had this condition for years, even before her lifestyle choices could have made it worse. “Yeah, drinking, smoking, and partying didn’t help,” she admitted. “But that wasn’t the cause. My voice has always sounded like this. It’s just how my body is built.”
Miley Cyrus says performing with her vocal condition feels like running a marathon with weightsGetty Images
The singer said she has a large polyp on her vocal cords that contributes to her distinctive tone. “It’s a big part of who I am,” she said. “But performing with it is hard. It’s like running a marathon with weights on your ankles.” Talking can be tough, too. Cyrus said her mother can immediately tell when her voice is worn out just from a phone call.
Despite the discomfort, Cyrus is not considering surgery. The reason? She’s afraid it might change her voice permanently. “I’m not willing to take that chance,” she said. “Waking up and not sounding like myself? That’s a real risk I’m not okay with.”
Reinke’s oedema is uncommon and mostly affects women who smoke or use their voice a lot over the years. While there are treatment options like surgery or laser therapy, Cyrus has chosen to manage it without medical intervention, a decision rooted in protecting her identity as an artist.
Miley Cyrus’s raw honesty gives fans new insight into why she rarely toursGetty Images
Touring, however, remains complicated. Fans have often asked why she doesn’t tour more, and now they have their answer. Singing live with her condition is exhausting, and since she refuses to lip-sync, she needs to be extra cautious. “I plan tours all the time,” she said, “but they have to be doable for me physically, emotionally, financially. Otherwise, it doesn’t make sense.”
Cyrus also touched on how performing constantly, under pressure, impacts her personally. “When every interaction becomes about performance and being watched, it chips away at your humanity. And without that connection, I can’t write songs—and songwriting is my priority.”
Miley Cyrus admits she won’t risk surgery out of fear it could change her voice foreverGetty Images
Her upcoming visual album Something Beautiful drops on 30 May, and it sounds like it might be the closest fans get to a full tour for now.
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