How Tanmay Bhat became India’s richest YouTuber with a £56 million fortune and why it’s not just from making videos
From comedy roasts to start-up investments, Tanmay Bhat’s rise to becoming India’s richest YouTuber shows how smart pivots, timing, and hustle can build an empire beyond views.
How Tanmay Bhat turned sketches and streams into a £56 million empire
Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Started out writing TV scripts before co-founding All India Bakchod (AIB).
Turned AIB’s viral fame into a full-fledged content business.
Rebuilt solo after AIB’s collapse with vlogs, streams, and new formats.
Earns through brand deals, memberships, live streams, and start-up investments.
Now seen as India’s richest YouTuber with an estimated £55.7 million (₹665 crore) net worth.
So, Tanmay Bhat is supposedly worth £55.7 million (₹665 crore). Let that number sit for a second. It’s ridiculous enough that he made a joke about it: “Bhai itne paise hote toh main YouTube membership nahi bech raha hota.” Fair point. If you had that kind of money, would you still be hustling on memberships?
But here’s the thing: the exact figure doesn’t tell the story. The story is about watching a company you helped build go up in flames and, instead of folding, using the wreckage to build something different and bigger. That’s the part that’s interesting. That’s the part worth picking apart.
How Tanmay Bhat turned sketches and streams into a £56 million empire Instagram/tanmaybhat
In a nutshell, the Tanmay Bhat playbook:
He didn’t just make sketches; he built a proper comedy business with AIB.
When AIB crashed, he rewired himself, this time solo, raw, and more personal.
He never relied on one paycheque: big brand deals (CRED), ads, live streams, merch, paid content, and start-up investments.
He turned his struggles into a bridge to his audience. That honesty is currency.
Inside Tanmay Bhat’s £56 million career — more than just viral videos Instagram/tanmaybhat
How did he actually start?
Before the roasting, before the Knockout, he wrote for MTV’s Wassup and for Disney. He learned structure, timing, and how to make TV screens listen. Then, in 2012, he teamed up with Gursimran Khamba, Rohan Joshi, and Ashish Shakya to build All India Bakchod. It wasn’t a side hustle. AIB was a production, a brand, a generator of viral sketches and sharp satire that young people latched on to.
The 2015 AIB Knockout with Ranveer Singh and Arjun Kapoor changed the rules. Suddenly digital comedy was a thing you could build a business around. AIB started selling branded sketches and producing campaigns, operating like a content agency. That was Tanmay’s first, big lesson: humour could be productised. Attention was a commodity, and it could be traded.
What broke it and how he turned the collapse into a pivot
2018 arrived, and the #MeToo storm did what storms do. AIB imploded. Tanmay stepped away. For a lot of people, that’s curtains. For him, it became the pivot point.
He didn’t vanish. He went quiet, he spoke about depression, he took the hit, and then he came back, not with a business plan, but with a channel. By 2019, he was posting under his own name: loose vlogs, reaction videos, gaming streams, and interviews. The polish and script were gone. What replaced it was rawness and proximity. People noticed. Some came back. Some stayed.
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Where the money actually comes from (and why it’s not just YouTube ads)
A lot of readers imagine a YouTuber lives off ad cheques. That’s a small part of this. His real edge is stitching together many income threads:
Brand work : big campaigns where he’s often the creative force not just the face. CRED is a headline example.
Live streams and memberships : marathon streams, Super Chats, fans buying in, a direct line from viewer to pocket.
Podcasts, shows, and paid streams : Netflix bits, his own educational and opinion series, different formats, different sponsors.
Merch and events : occasional drops and live shows that pull in sponsors.
Angel investing : this is the quiet multiplier. Equity in start-ups can outgrow a year’s ad revenue, if the bets land right.
That mix is the engine. Tiny checks from many places add up. And equity changes the math entirely.
How does he stay believable and why does the audience stick?
It’s simple: he’s not polished in the glossy influencer way. He talks openly about clinical depression, flops, and bad nights. He says the stupid things, he jokes about the reports saying he’s worth crores while he’s still selling memberships. That honesty, almost messy and not curated, builds trust. In the attention economy, trust is the rarest currency.
The takeaway and it’s not about the headline number
Forget the £55.7 million (₹665 crore) headline for a minute. The useful thing here is a pattern: talent + product sense + diversification + honesty = longevity. He moved from comedian-in-a-group to solo entertainer, to brand strategist, to investor. He learned to sell virality, secure stakes, and make income flow from multiple taps.
From comedy to cash: How Tanmay Bhat amassed £56 million beyond the screenInstagram/tanmaybhat
This is not a blueprint that guarantees crores for everyone. It’s a map that shows the choices that bend the game: make work that’s worth buying, build products around attention, take some bets off-screen, and don’t hide the mess. Tanmay’s story is full of sharp turns and bad nights, but also stubbornness. He lost a lot, publicly, and then built again. That’s the part worth paying attention to and perhaps more than any net worth headline.
Kantara showcases the ancient ritual of Bhoota Kola
Panjurli and Guliga Daiva inspire the film’s central narrative
The movie blends folklore, mythology, and cinematic spectacle for global audiences
A local myth on the global stage
Bhoota Kola of Kalurti X/Ranvijay Singh
Kantara: Chapter 1, written, directed, and starring Rishab Shetty, is more than a regional blockbuster; it is a cinematic celebration of Tulu Nadu’s spiritual heritage. At its core, the film explores the legends of Panjurli Daiva, the protective boar spirit, and Guliga Daiva, the enforcer of justice. These deities have long been central to the coastal Karnataka communities, and Kantara brings their stories to life for audiences worldwide.
Kola is more than a ritual, it's a bridge btwn the spiritual & earthly realmsX/ Prajwal Bhat
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The art and ritual behind Kantara
The film draws heavily on Bhoota Kola, a centuries-old ritual dance and divination practice. Performed in villages across Karnataka and parts of North Kerala, Bhoota Kola is both a spiritual and performative experience. Rituals span hours, featuring elaborate costumes, intense drumming, and the ceremonial mudi (headgear), which symbolises the deity entering the performer. Traditionally, participants consume madhyam (toddy) to suppress personal consciousness, allowing the deity to manifest fully.
PanjurliX/ Prajwal Bhat
Kantara’s cinematography and art direction capture this intensity, translating a centuries-old folk ritual into a visually arresting and authentic cinematic experience.
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Panjurli and Guliga: Gods of protection and justice
Panjurli Daiva embodies nature, fertility, and the protection of communities and crops. The boar spirit’s vibrant performances, rhythmic drumming, and elaborate headdresses make the rituals both mesmerizing and spiritually potent.
PanjurliX/ Ranvijay Singh
Guliga Daiva, on the other hand, represents order and justice. Shrines dedicated to Guliga are simple yet powerful, often consisting of a single stone under a sacred tree. In Kantara, Guliga’s presence adds tension and stakes, reflecting the balance between protection and discipline in traditional Tulu Nadu communities.
Cinema as a cultural bridge
Kantara not only entertains but also educatesX/ Ranvijay Singh
Kantara has achieved global recognition, grossing over £28 million worldwide in its opening weekend. Its success demonstrates that regional myths, when presented with care and cinematic flair, can resonate across cultures. The film immerses viewers in a world where folklore, ritual, and everyday life intersect, showing that ancient stories still hold relevance today.
By combining mythology, folklore, and epic storytelling, Kantara not only entertains but also educates, preserving cultural heritage and introducing global audiences to Tulu Nadu’s living spiritual traditions.
The lasting impact
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Kantara proves that cinema can be a bridge between ancient art forms and modern storytelling. The rituals of Bhoota Kola and the legends of Panjurli and Guliga are more than local folklore; they are a window into a community’s identity, faith, and history. By bringing these myths to the big screen, Rishab Shetty has ensured that these stories, and the culture they represent, will reach audiences far beyond Karnataka.
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Taylor Swift breaks UK sales record with 'The Life of a Showgirl' as she says marriage isn’t a reason to stop working
Swift’s new album secures the UK’s biggest opening week of 2025 with 304,000 copies sold.
US sales hit 2.7 million on release day, second only to Adele’s 25.
Vinyl collectors snap up 1.2 million copies; eight variants released.
Concert film tops box office with £34 million (₹404.76 crore) in ticket sales.
The album, created during the Eras Tour, captures her romance and music industry tales.
Taylor Swift is back at the top. The Life of a Showgirl flew off the shelves in the UK, selling 304,000 copies in just a week. Across the pond, 2.7 million fans grabbed it on day one in the US, proving again she’s still in a league of her own. The album, written on the road during her Eras Tour, also gives fans a glimpse into her romance with Travis Kelce and the messy side of the music business.
Taylor Swift breaks UK sales record with 'The Life of a Showgirl' as she says marriage isn’t a reason to stop working Instagram/taylorswift
How big is Taylor Swift’s UK success
Three days in, and The Life of a Showgirl has already overtaken the first-week sales of Swift’s last two albums combined. Ed Sheeran’s Divide (2017) sold 672,000 in its début week, but Swift’s speed is still impressive in an era when album sales are generally shrinking. Only Sam Fender’s People Watching crossed 100,000 this year in the UK.
Vinyl fans went wild. Swift released eight collectible versions of Showgirl, selling 1.2 million copies in the US alone. Her previous vinyl record was 859,000 for The Tortured Poets Department in 2024, so this is a jump. Even in a shrinking market, collectors clearly aren’t holding back.
The film screenings weren't just about watching, since fans saw new music videos, sneaked behind the scenes of the album, and caught Swift talking about the songs herself. For the 'Swifties,' it felt like being at a live show without leaving the cinema. The 89-minute The Official Release Party of a Showgirl brought in £34 million (₹404.76 crore) at the box office across North America and international screens.
Critics are split. Variety called the album “contagiously joyful,” while the Financial Times said it “lacked sparkle.” Swift, however, laughed off rumours this could be her last album, telling BBC Radio 2: “It’s not why people get married, so that they can quit their job.”
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David Beckham preparing for his first major fashion line
Looks like DB Ventures Ltd has just filed paperwork to trademark a new clothing brand on both sides of the Atlantic.
The proposed logo is a set of seven lines, a number that's always meant the world to Beckham.
This is his big solo push into clothing, moving into the same space as his wife Victoria's successful label.
The UK rights are already locked in, giving him ten years of protection against fakes.
It's the latest piece of his growing business portfolio, which has been landing some hefty deals lately.
Looks like David Beckham is making moves into his own fashion line, following the path his wife Victoria carved out years ago. Paperwork filed by the football icon's company reveals plans for a new label, and the proposed logo points straight to a family passion. It’s a clear sign he’s seriously expanding his brand beyond the pitch.
David Beckham preparing for his first major fashion line Getty Images
What is the story behind David Beckham's new brand?
Right, the full picture isn't out yet, but the legal bits are getting sorted. Through his holding firm, DB Ventures Ltd, Beckham has filed trade mark applications both in the UK and over in the States. The filings protect a specific logo: a set of seven vertical lines, with the last one kicking off at a slight angle.
Now, the number seven is, obviously, the big story here. That number seven? It's everywhere with him. His famous shirt at Manchester United, of course. Then he goes and makes it Harper’s middle name, and let's not forget the tattoo. When she was born, the sevens just stacked up, her weight, the time she arrived, all of it. Seems like a David Beckham thing.
Trademarked seven-line logo reflects Beckham’s iconic number and daughter HarperGetty Images
What will the David Beckham fashion brand sell?
The paperwork gives us a decent look at the potential product range. In the UK, it’s all pretty broad, covering clothing, footwear, and headgear and the application has already been given the green light. But the US filing gets more specific, listing everything from tops and bottoms to dresses, jumpsuits, and even swimwear and undergarments. That one is still pending, last anyone checked. It’s a full wardrobe play, by the looks of it.
Beckham steps into fashion following Victoria’s successful brandGetty Images
How does this fit into the wider Beckham business empire?
Let's not act like Beckham is some newcomer to this game. He stopped playing football ages ago and has been assembling a proper business machine since then. His company, DB Ventures, continues to pull in millions through partnerships with giants like Boss and Stella Artois. So, a fashion line feels like a natural, if bold, next step. It places him right alongside his wife Victoria, whose own label hit a massive £112.7m in sales last year. Talk about a power couple.
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Johar credited Apoorva Mehta for Dharma’s disciplined financial management
Karan Johar sold 50% of Dharma Productions to billionaire Adar Poonawalla in a deal worth £100 million.
Creative decisions will now be weighed against profitability.
Johar credits coo Apoorva Mehta for steering the company’s business operations.
A strategic partnership for growth
Filmmaker Karan Johar spoke about selling 50% of Dharma Productions to businessman Adar Poonawalla, a move aimed at expanding the studio’s creative and commercial reach. The deal, valued at ₹1,000 crore (around £100 million), was executed through Poonawalla’s serene productions. Johar retains the remaining 50% stake, while Apoorva Mehta continues as executive chairman and ceo.
Speaking to Komal Nahta on his YouTube series Game Changers, Johar said: “I had many dreams that weren’t fulfilled due to funding constraints. I was very clear that I was okay selling 50% of equity because I wanted to expand and leave legacies within the company.”
The role of friendship and trust
Johar revealed that his personal connection with Poonawalla and his wife, Natasha, influenced the partnership. “Adar picked up the phone one day and said he was interested. I initially told him this isn’t your business, but he also wanted to expand,” he said.
He emphasised that the deal did not compromise his creative control: “We haven’t lost any creative freedom. There are checks and balances because having a partner makes you more accountable. Aadar is compassionate and sharp in business. We lean on him for advice when exploring bigger deals.”
Business oversight and profitability
Johar credited Apoorva Mehta for Dharma’s disciplined financial management. “Apoorva is the most correct human. Our accounts are perfect down to the last rupee. He runs Dharma like a well-oiled machine. Without him, I would have fallen apart. I am creative, not business-minded, and he has been the backbone,” Johar said.
For the first time, Johar said, he is making creative decisions with profitability in mind. “Before this, there was no accountability. Now, Apoorva keeps me on my toes. He says, ‘not profitable, don’t do it,’ which sometimes feels upsetting, but growth comes from profit. I want to remain artistic, but I also need to be commercial.”
He cited his film Homebound, critically acclaimed worldwide, as an example of projects he might now reconsider: “I can’t say if I’ll make such films in the future. I will feel upset, but this deal is about growth.”
From boutique studio to expanding enterprise
Johar stressed that dharma was already profitable before the deal. “It’s not like our company was in jeopardy. We were a zero-debt, boutique studio. We did this deal to unlock growth potential that would have otherwise been limited,” he said.
With the new partnership, Dharma has launched a distribution arm, and discussions are ongoing to expand the music division. Johar said the move allows the studio to pursue larger-scale projects while balancing commercial and artistic goals.
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Skinner praises professional partner Amy Dowden for her support
Former Apprentice star Thomas Skinner exits after first dance-off
Judges save former England rugby captain Chris Robshaw
Skinner praises professional partner Amy Dowden for her support
Dowden reflects on her return after breast cancer and previous injury
Dance-off decides first exit
The first results of Strictly Come Dancing 2025 saw two couples face the dance-off on Sunday night. Thomas Skinner, 34, was the first celebrity eliminated after the judges voted to save former England rugby captain Chris Robshaw.
Both couples reprised their Saturday routines: Skinner and his partner Amy Dowden performed a salsa to Bonkers by Dizzee Rascal and Armand van Helden, while Robshaw and his partner Nadiya Bychkova performed a Viennese waltz to Die With a Smile by Lady Gaga and Bruno Mars.
Skinner pays tribute to Dowden
Reflecting on his time on the show, Skinner thanked Dowden, saying: "Thank you, Amy. Sorry that we haven’t done too well, because you’re a different class."
He admitted he had never danced before and described the experience as fun despite the early exit: "I’ve never danced before and my stay was short, but Amy’s amazing. It’s been great fun and I’ve enjoyed it. I can’t really dance that well but I’ve had fun."
Dowden returns to the floor
Amy Dowden, who returned to Strictly following a breast cancer diagnosis and an injury that forced her to pull out midway through 2024, praised Skinner for his enthusiasm and positivity: "I’ve got to know the real Tom, and he is adorable. We’ve laughed so much and he looked after me."
She added that winning the glitterball would have been "amazing" but said: "Happiness, health and being alive is more important than anything."
Performance and scores
During the live show, Skinner lifted Dowden several times, prompting judge Craig Revel Horwood to joke that the routine resembled a weightlifting contest. They scored 13 points, placing them at the bottom of this week’s leaderboard. Combined with the public vote, this led to their appearance in the first dance-off.
Skinner’s career beyond strictly
Skinner first appeared on The Apprentice in 2019 and has since featured on 8 Out of 10 Cats, The Wheel, Michael McIntyre’s Big Show, Good Morning Britain, Faking It, and Celebrity MasterChef. He is also a social media creator, runs several businesses including a gym, and appears regularly on TalkSport Radio.
The remaining 14 couples will perform in next week’s Movie Week. With Strictly 2025 underway, fans can expect more celebrity surprises and show-stopping routines as the competition progresses.