The Hindi film industry is still a "little ageist" with few roles for women of a certain age like there are in Hollywood for Meryl Streep, Judi Dench, or Maggie Smith but things are changing, albeit slowly, says veteran actor Sharmila Tagore.
Streaming space could be a game changer, says the 78-year-old who returns to films after 2010's Break Ke Baad with family drama Gulmohar.
"We are still slightly ageist, especially with women because powerful roles go to the men. Like special scripts are being written for Mr. Amitabh Bachchan, Anupam Kher, but not for Waheeda (Rehman) ji and not for many other aging lady actors," Tagore told PTI.
“Cinema reflects society so the economics of the film matter. Of course, you have to bring in the audience. What comes first chicken or the egg... That's the kind of decision that the captains of the industry have to make. But, things are definitely changing. There are wonderful, more mature actors,” she said.
Hindi cinema is not where Hollywood is in terms of offering roles to older women. "There are wonderful, more mature actors, Neena (Gupta) for instance, she is a magnificent actor. There are many others... OTT is full of wonderful performers. It will take time but it will change.
Discussing the lack of strong roles for actors of her age, the Hindi film veteran, who started her career in cinema with Satyajit Ray's "The World of Apu" in 1959, cited the examples of Meryl Streep, Judi Dench, and Maggie Smith.
"It will happen here," Tagore said confidently.
The potential for female actors to portray a strong and independent woman onscreen has increased over time, and Tagore is delighted to see this change.
"It was more hand wringing, more ‘beta beta’ earlier," she said.
“…‘Piku’ (Deepika Padukone’s film, in which Amitabh Bachchan featured as her father) was the one where a woman is looking after the father, which is unheard of, would not be accepted, like how can she look after? What her 'aukaat' (status) was, what is her earning power? But it is possible and people accepted that. There are little nuggets of change because there are a lot of working women in the top position of the company,” she added.
The actor spoke of her desire to learn new things from the younger generation.
"I am at the end of... not life yet but working life. It is very nice to work with young people from crew to cast, it is a different energy, it is a nice experience,” she said.
Tagore, known for her roles in Ray's "The World of Apu", "Devi" and Hindi movie hits such as "Kashmir Ki Kali", "Aradhana", "Amar Prem" and "Chupke Chupke", is eager to learn new things in life, even a foreign language.
“I am learning so many new (things)…I had no idea what OG was, now I know, OG is original. You need to be curious and learn, like if it is the lingo of young people, you have to learn that.
"Inaaya (her granddaughter) is teaching me new words. She is playing chess and learning Spanish, I don’t want to compete with her but I don’t want to be left out. I want to learn a little bit of Spanish,” she added.
Tagore said she is thrilled to be playing a a progressive woman in “Gulmohar”, directed by Rahul V Chittella and also starring Manoj Bajpayee.
The National Award-winning actor plays Kusum, the matriarch of the Batra family. Actor Manoj Bajpayee will be seen as her onscreen son Arun in the movie.
"‘Gulmohar’ is showing a woman of a certain age being independent, being her own person. That is why I am very happy about the character that I am playing, it is very progressive,” she said.
The actor said she instantly fell in love with the script of "Gulmohar", a story with many layers despite being a simple family drama.
The movie revolves around the multi-generation Batra family, who are all set to move out of their family home after 34 years. This moving out triggers a re-discovery of the bonds that have held them together as a family.
“It was a four-day story. It was about a family that lived together but now they are about to scatter, each going their own way, each having anxiety about leaving and yet looking forward to another new chapter in their life. There were many layers to this story, it was not just in a linear way. It is an ordinary story, it is very relatable, it is happening in every house,” Tagore said.
The movie is written by Arpita Mukherjee and Chittella, who also serves as a director. He has previously made the short movie “Azaad”.
“Gulmohar”, which also features Amol Palekar, “Life of Pi” fame Suraj Sharma, Simran Rishi Bagga, and Kaveri Seth, is produced by Star Studios in association with Chalkboard Entertainment and Autonomous Works.
It will be released on Disney+ Hotstar on March 3.
Ask Tagore if she will appear more in films now, she said, she doesn’t believe in making plans. After the release of “Gulmohar” she will get along with her life as usual.
“There are lots of things that I have to do which have nothing to do with films, some are un-fun things. So my calendar always remains full, 24 hours is a short time for all the things that I want to do. If a film comes along, I will see.
"Also, time is slipping by and I want to do many things. There is a whole world outside of films. Like this film happened organically, if it happens like that, I won’t say no but if it doesn’t happen it is also fine,” she said.
Isn’t she missing acting?
“I don’t miss anything. I live in the moment,” Tagore added.
Spain leads a growing boycott movement, with Ireland, the Netherlands and Slovenia also refusing to participate if Israel competes.
The European Broadcasting Union (EBU) is in crisis talks, extending its decision deadline to December 2025.
The situation draws direct comparisons to Russia’s exclusion in 2022, creating a precedent the EBU must now navigate.
The core dilemma pits Eurovision’s non-political ideals against the stark reality of a humanitarian crisis.
The Eurovision Song Contest, that glitter-drenched annual spectacle of pop and unity, is staring into the abyss. The escalating call for a Eurovision boycott over Israel's participation, against the backdrop of the ongoing Gaza conflict, has put the organisers into their most severe political crisis yet. This isn't just about another song entry but a fundamental clash between the contest's cherished apolitical fantasy and the inescapable geopolitics of the real world, threatening to tear the competition apart from within.
Spain announces withdrawal from Eurovision over Israel participation amid growing boycott movement Instagram/eurovision
What is causing the Eurovision 2025–2026 crisis?
The main trigger is Israel’s ongoing military campaign in Gaza. Casualty figures reported by the Hamas-run Gaza Health Ministry exceed 64,000 Palestinians by September 2025, drawing international scrutiny. Several European countries argue that Israel’s presence in a major cultural event like Eurovision would appear to normalise the humanitarian crisis. On the other hand, Israel insists participation is purely cultural and unrelated to politics.
What countries are boycotting Eurovision over Israel?
So, which nations are taking this stance? The movement gained its most significant momentum with Spain's announcement. Its public broadcaster, RTVE, issued a decisive statement, confirming an overwhelming vote to withdraw. The organisation cited Israel's military actions in Gaza and stated it could not, in good conscience, "look the other way." This move is particularly consequential as Spain is one of the "Big Five" major financial contributors to the contest.
They were swiftly followed by Ireland’s RTÉ, which deemed participation "unconscionable" given the situation in Gaza. Public broadcasters in the Netherlands and Slovenia subsequently aligned with similar positions. Iceland's broadcaster has also indicated it is considering its position, formally "reserving the right" to withdraw. This is not a peripheral protest but a movement emerging from within the contest's core European membership, raising questions about which other countries may follow.
How is the EBU handling the Eurovision boycott calls?
The European Broadcasting Union faces an immense challenge. Its standard operating procedure of promoting unity through music appears insufficient for this geopolitical dilemma. The gravity of the situation can be seen in its unprecedented decision to delay the standard deadline for participation confirmations to mid-December 2025. This extension is dedicated to extensive consultation with all member unions in an effort to find a viable resolution that preserves the contest's integrity.
Concurrently, the EBU has been forced to publicly deny reports from Israeli media outlets suggesting it had advised Israel to withdraw voluntarily to avoid a "humiliating elimination," calling these claims false.
Is this Eurovision situation similar to Russia's exclusion?
This comparison forms the crux of the debate for many. The 2022 exclusion of Russia following its invasion of Ukraine established a clear precedent; the EBU justified its decision by stating Russia's participation would "bring the competition into disrepute."
Boycott advocates now argue that the same standard must be applied consistently, questioning why Israel's actions in Gaza do not merit an identical response. The EBU will likely attempt to differentiate the cases based on nuanced legalities of membership and the operational independence of the respective national broadcasters. However, in the court of public and political opinion, the perception of a double standard is a significant threat to the EBU's credibility.
What are the arguments for and against the boycott?
Proponents of the boycott base their position on principles of human rights and conscience. They stress the extensive civilian casualty figures reported by authorities in Gaza, alongside assessments from UN agencies, to argue that Israel’s inclusion on a cultural platform constitutes a form of normalisation of the ongoing conflict.
Conversely, opponents of a boycott contend that cultural events must remain separate from political disputes. They caution that excluding a nation’s artists could veer into prejudice and stress that the Israeli broadcaster, Kan, operates with editorial independence, unlike the state-controlled media of Russia. There is no clear, unambiguous resolution that will satisfy all parties.
What happens if Israel is allowed to compete in Eurovision 2026?
Should the EBU permit Israel's participation, an immediate and consequential withdrawal of several key members is all but certain. The loss of Spain, a major funder, would represent a serious financial and credibility blow. The subsequent absence of Ireland, the Netherlands, Slovenia, and potentially others would noticeably diminish the contest's scale and diversity.
Furthermore, the event itself would likely become a focal point for large-scale protests, potentially disrupting the broadcast and overshadowing the musical competition, further alienating segments of its global audience.
What happens if Israel is excluded from Eurovision?
An exclusion would trigger a different but equally severe crisis for the EBU. It would face vehement accusations of hypocrisy and double standards, particularly from Israel and its allies. The move could prompt legal challenges and potentially lead to Israel's permanent withdrawal from the union.
It would also establish a new and far-reaching precedent for excluding countries involved in international conflicts, fundamentally transforming Eurovision from an inclusive cultural space into an institution that makes overt political judgements.
The future is decidedly uncertain. The EBU is confronted with a dilemma where any decision carries significant negative consequences. The upcoming General Assembly in December is going to be a tense and potentially historic meeting. While some have speculated about a compromise, such as Israel participating under a neutral banner, the EBU has denied pursuing this option.
The underlying truth is that Eurovision has always been intertwined with politics, from historical participation under authoritarian regimes to contemporary voting blocs. The current crisis has simply stripped away the glittering façade, forcing a direct confrontation with this reality. The contest's future will depend on navigating a path that may not exist, balancing its ideals against an increasingly polarised world.
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Malayalam star Unni Mukundan to play Narendra Modi in ‘Maa Vande’ tracing PM’s roots and mother’s legacy
Malayalam star Unni Mukundan announced as lead in Narendra Modi biopic titled Maa Vande.
The film will focus on the Prime Minister's early life and bond with his mother.
A pan-India release is planned for 2026 with a major technical crew attached.
Mukundan is currently riding high on the success of his brutal action film Marco.
Malayalam cinema actor Unni Mukundan is stepping into the biggest role of his career. He has been officially cast as Prime Minister Narendra Modi in the upcoming biographical film Maa Vande. The project, announced on the PM's 75th birthday, promises a fresh look at Modi's formative years. Instead of another political portrait, the filmmakers are zeroing in on his personal journey and the profound influence of his mother.
Malayalam star Unni Mukundan to play Narendra Modi in ‘Maa Vande’ tracing PM’s roots and mother’s legacy Instagram/iamunnimukundan
Who is Unni Mukundan and why was he cast?
If you're not deep into Malayalam films, that name might not ring a bell. But down south, he is a proper lead star. He has been working for over a decade, starting off with smaller roles, having a hit with Mallu Singh, and then breaking through with last year’s Malikappuram.
And then Marco happened, a violent film that crossed the £1.2 million (₹100 crore) mark. The actor can portray devotion and then deliver a brutal action scene. Perhaps that versatility is what the filmmakers wanted. Adding to that, he actually grew up in Ahmedabad. He mentioned in a post that he knew Modi as his "Chief Minister" back then. That personal connection is probably a massive factor.
What will the Narendra Modi biopic Maa Vande be about?
The official line is that it traces his journey from childhood to becoming the leader of the nation. But the tagline gives the real focus: "The Anthem of a Mother." So, this is not going to be a policy-by-policy rundown. It is about his relationship with his late mother, Heeraben Modi.
That is the fresh angle, the human story behind the politician. How that relationship shaped him is the emotional hook. It connects with people on a different level. The filmmakers are planning a 2026 release, and it is set to be pan-India, in multiple languages including English.
The crew list is stacked. It is being directed by Kranthi Kumar C.H. and produced by Veer Reddy M. under Silver Cast Creations. The technical team is impressive: KK Senthil Kumar is on camera, the cinematographer of Baahubali. The music is by Ravi Basrur, editing by Sreekar Prasad, and production design by Sabu Cyril. It is clear that this is not a low-effort cash-in. The A-team from Telugu and Malayalam industries has been brought together to mount this project properly. Serious resources are being invested to ensure it looks and sounds huge.
No. Vivek Oberoi played him in a 2019 film directed by Omung Kumar, which was also called PM Narendra Modi. That film focused more on his political rise. Maa Vande seems to be carving its own niche by going back to the start, focusing on his personal roots. It will be interesting to see how they differentiate it. For Mukundan, it is a massive opportunity. After the physicality of Marco, this role is about capturing Modi’s essence, voice, and posture. It is the biggest challenge of his life, no question.
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Malaika Arora reveals judgement made her stronger and shaped her boldness
The star revealed she was constantly judged for her career and clothing choices.
Malaika said she felt free when she stopped explaining herself to others.
She now sees confidence as moving forward with grace despite self-doubt.
The actor and model insists the only narrative that matters is her own.
Malaika Arora has defiantly addressed the lifetime of criticism she has faced for her personal and professional choices. The actor and model, known for her impeccable fitness and fashion sense, said being labelled “too bold” is something she now wears as a crown. In a new interview, she opened up about her journey to unshakeable self-acceptance and shutting out the noise.
Malaika Arora reveals judgement made her stronger and shaped her boldness Getty Images
What has Malaika Arora said about the criticism she faces?
It seems there is very little Malaika has not been judged for. She laid it all out in a chat with The Hindustan Times, stating, “I was judged for my career, my clothes, my relationships, you name it.” That constant scrutiny from the public and media would be enough to make anyone second-guess themselves.
But her approach changed completely when she decided to stop engaging with it. She called the moment she quit explaining herself the moment she truly felt liberated. Her philosophy is pretty straightforward now: “The only narrative that matters is the one you write for yourself.” It is a powerful shift from being defined to doing the defining.
Malaika Arora owns every label from bold to outspoken and calls them her strength Getty Images
How does Malaika Arora respond to being called 'too much'?
Honestly, she has turned it into a strength. Those very criticisms have become a part of her identity, and she owns them completely. “I have been called too bold, too outspoken, too everything. And honestly? I wear it like a crown now,” she stated.
She even has a sharp, modern clapback for her detractors: “If I am ‘too much’ for someone, they are probably not enough for me.” This mindset is not just for show. It feeds into everything she does, from her fashion collaborations to her fitness brand. She has never followed a template, believing real confidence is when you “stop performing for the world and start living for yourself.”
Malaika Arora insists the only story that matters is the one she writes herself Getty Images
Does Malaika Arora ever experience self-doubt?
Absolutely. It is a reminder that confidence is not about being bulletproof. She is human, after all. Malaika was candid about the fact that self-doubt “never really disappears,” admitting there are days she questions herself just like anyone else. The key difference now is how she handles those moments. Instead of meting out self-criticism, she practises kindness. For her, confidence is not the absence of doubt but the ability to “move forward with grace despite it.”
This nuanced take is a far cry from the perfect, curated images we often see, making her stance all the more relatable to her fans who navigate their own insecurities.
Malaika Arora says she stopped explaining herself and found true freedomGetty Images
What is the core of Malaika Arora's confident mindset?
It all boils down to ownership. Her recent work as the face of a beauty campaign titled Own It felt less like a job and more like telling her own life story. She has had to fight labels and expectations her entire career. This is not about arrogance; it is about a quiet certainty in her own choices.
Whether it is balancing motherhood with her career or navigating public relationships, she trusts her gut. Her message is clear: stop letting outside opinions write your story. The greatest freedom comes from writing it yourself, unapologetically and on your own terms.
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Paul Rudd and Jack Black gear up for jungle chaos in the new Anaconda
First look images reveal the meta comedy take on the 1997 creature feature.
The film sees the duo as fans trying to shoot their own version of the original film.
Director Tom Gormican applies his The Unbearable Weight of Massive Talent formula.
The cast, including Thandiwe Newton and Steve Zahn, promises chaotic fun.
It is slated for a Christmas Day release, aiming for a box office strike.
The first photos from the wildly unexpected Anaconda remake have finally surfaced. This is not your typical Hollywood rehash, mind you. Jack Black and Paul Rudd are leading a brilliantly meta charge, playing superfans whose dream project goes horrifyingly wrong. The new images tease the comedic chaos planned for the big screen this Christmas.
Paul Rudd and Jack Black gear up for jungle chaos in the new Anaconda People/Courtesy of Sony Pictures
What is the new Anaconda movie actually about?
Right, so the plot is almost more interesting than the original film's premise. Black and Rudd play lifelong mates, Doug and Griff, who are utterly obsessed with the 1997 J.Lo and Ice Cube B-movie classic. They hit a midlife crisis and decide, you know what, let's actually do it. Let's go to the Amazon and remake Anaconda ourselves. The synopsis says their chaotic movie set gets turned upside down when a real, genuine giant anaconda decides to crash the party. So the film they're desperate to make might literally end them.
One name: Tom Gormican. He is the director behind The Unbearable Weight of Massive Talent, that brilliantly unhinged Nicolas Cage meta flick. He is bringing that exact same self aware, comedic energy here. Rudd himself said the script's clever meta angles appealed to him directly because he was a fan of The Unbearable Weight of Massive Talent. This is not some dour, serious reboot. It is like a knowing wink to the audience, a celebration of a so bad it's good film, all wrapped up in a proper action comedy. That angle is everything right now.
Sounds like an absolute riot, honestly. The chemistry between Black and Rudd is the main engine. Black said point blank that working with Rudd was the "main reason" he took the job, calling him "f---ing hilarious" and a "sweet pea". Rudd shared the same feelings, thrilled to finally work with Black properly for months. Even Steve Zahn, who is also in the mix, admitted to messing up takes because he could not stop laughing at them. When the cast is having that much fun, it usually bleeds through onto the screen.
Mark your calendars for a seriously unconventional Christmas Day. 25 December is the planned release date. Releasing a film about a giant killer snake on Christmas itself is a bizarre choice, you have to admit. It is going up against some family friendly stuff, but maybe that is the point, offering an alternative for those tired of the same formulaic content. Whether it becomes a festive box office gift or gets squeezed out remains to be seen, but one thing is for sure: it will be a talking point!
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Raj Kundra names Bipasha Basu and Neha Dhupia in £5.6m Bollywood fraud probe
Raj Kundra questioned in India for five hours over alleged £5.6m (₹60 crore) fraud
He claimed money was paid as fees to Bollywood stars Bipasha Basu and Neha Dhupia
Investigators traced nearly £2.3m (₹25 crore) in direct transfers to actresses and Balaji Entertainment
Shilpa Shetty also under scrutiny as financial probe widens
Businessman Raj Kundra, husband of Bollywood actor Shilpa Shetty, has been questioned for nearly five hours by financial crime investigators in India in connection with an alleged £5.6 million (₹60 crore) fraud. During interrogation, Kundra reportedly said part of the disputed money was paid as professional fees to Bollywood actresses Bipasha Basu and Neha Dhupia. Authorities are now examining whether these transactions were legitimate or part of a larger scheme.
Raj Kundra names Bipasha Basu and Neha Dhupia in £5.6m Bollywood fraud probe Getty Images
Why has Raj Kundra been questioned?
The case began after Indian businessman Deepak Kothari, director of Lotus Capital Financial Services Ltd, filed a complaint alleging he had been cheated out of £5.6m (₹60 crore) between 2015 and 2023. Following this, police in Mumbai registered a case against Kundra, Shetty, and another associate in August this year.
Kundra appeared before investigators this week and was extensively questioned. Officials described him as evasive on several points, leading them to plan further rounds of questioning. He was also asked to provide video material from a project called Best Deal, which he claimed had already been submitted to another police department.
Raj Kundra grilled over £5.6m fraud, links Bipasha Basu and Neha Dhupia to paymentsGetty Images
What did Kundra say about the money trail?
According to officials, Kundra admitted that some of the disputed funds were paid as fees to Bipasha Basu and Neha Dhupia. He also confirmed transactions linked to Shilpa Shetty and the production company Balaji Entertainment.
Investigators have tracked nearly £2.3m (₹25 crore) in direct transfers to these accounts. They are now assessing whether these were legitimate professional payments or part of a fraudulent operation. Officials also noted suspicious fund movements during India’s 2016 demonetisation, when the country’s financial system was under severe strain.
Bollywood fraud case: Raj Kundra under scrutiny as Bipasha Basu and Neha Dhupia payments emergeGetty Images
What role do the actresses play in the probe?
Financial records show that accounts connected to Shilpa Shetty, Bipasha Basu, and Neha Dhupia received transfers from the company under investigation. Kundra insists these were legitimate payments for work, but investigators said his answers were incomplete.
Neither Bipasha Basu nor Neha Dhupia have commented publicly on the case. Authorities have not alleged wrongdoing on their part, but their names remain part of the money trail being examined.
Raj Kundra tells police £5.6m fraud funds went to Bipasha Basu and Neha DhupiaGetty Images
What happens next in the investigation?
Indian financial crime authorities have said the investigation is ongoing and that more individuals may be summoned in the coming days. They are also expected to re-examine video material linked to Kundra’s company to determine whether it was used as a front to move money.
In an official statement, Mumbai Police said: “Investigations are going on against actress Shilpa Shetty and her husband Raj Kundra in an alleged fraud case of £5.6m (₹60 crore). A summon was issued to Raj Kundra, and he appeared before police for questioning.”
With financial records under fresh scrutiny, the case has become one of the most high-profile fraud investigations involving Bollywood figures in recent years.