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Priyanka Chopra Jonas shares first look from The Matrix Resurrections

Priyanka Chopra Jonas shares first look from The Matrix Resurrections

Actor Priyanka Chopra Jonas, who was last seen in The White Tiger alongside Rajkummar Rao (2021), will feature in a never-seen-before avatar in her eagerly-awaited Hollywood film The Matrix Resurrections.    

The Matrix Resurrections is the fourth chapter in the popular sci-fi franchise which comes 18 years after the release of the sequels The Matrix Reloaded (2003) and The Matrix Revolutions (2003), and 22 years after its launch with The Matrix (1999).


The upcoming film is written and helmed by Lana Wachowski, who along with her sister Lilly Wachowski directed the previous three titles. Wachowski has also produced the film with Grant Hill and James McTeigue. Hollywood star Keanu Reeves plays the lead role of Neo in the Warner Bros Pictures’ venture.

Priyanka, who was missing from the first poster of the film but made an intriguing appearance in the trailer, unveiled her character look on Instagram. “And she's here. Re-enter #TheMatrix 12.22.21,” she wrote alongside the poster which features her dressed in a printed jacket teamed up with loose pants and knee-high boots and her hair tied in braided short buns.

Details of her character in the film are still under wraps.

The Matrix Resurrections also stars Carrie-Anne Moss, Yahya Abdul-Mateen II, Jessica Henwick and Neil Patrick Harris.

The film is slated to be released worldwide theatrically and on HBO Max on December 22, 2021.

Keep visiting this space over and again for more updates and reveals from the world of entertainment.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

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How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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