Skip to content
Search

Latest Stories

Submit Guest Post

New 'escape room' experience hits London theatre

by LAUREN CODLING

AN IMMERSIVE “escape room” experience aiming to question power and privilege will be staged at London’s Royal Court Theatre this month.


Entirely audience led, Dismantle This Room is an hour-long experience which will see individuals collaborate to “interrogate the established power structures in theatre”. They will be required to partake in a series of interactive tasks, including puzzle solving.

From there, there are numerous possibilities for audiences to choose within the experience.

They can select different narratives, ranging from staging a violent revolution or being able to go undercover. No two performances will be the same.

Previously shown at the Bush Theatre, director Milli Bhatia said the most common reaction was that audiences always finished the experience wanting to discuss it.

“We often had groups that felt they still wanted to have a conversation about it, so they’d have a pint afterwards,” the London-based director told Eastern Eye.

“Overwhelmingly, it makes people think deeply, which is what we wanted to happen – it is about debate and that is what we hoped to give audiences from this.”

The production, which is a collaboration with writer Nina Segal and producer Ingrid Martin, came about when the trio questioned themes of power and privilege in the arts industry.

They understood they had been given some power by being able to create and share a performance in a prestigious London theatre, so wanted to use the opportunity responsibly.

Ultimately, the creatives wanted audiences to consider the questions they had about the power structures within theatre. To make it immersive ensured that audiences could fully involve themselves and explore the issue.

“We wanted to interrogate form in a different way – we didn’t want to make a play that served the thing we wanted to explore,” she said.

“We sometimes allow audiences to feel too comfortable, but we really wanted to put them in the centre.”

The decisions start as soon as audiences engage with Dismantle – they are invited to pay whichever price they feel is suitable for their own individual level of privilege.

This was significant to the creators as they hoped it would support the discussions that partaking audience members would have. “We do hope that we will see a diversity of people who engage with it,” she said.

The 26-year-old has been working as a trainee director at Royal Court since early 2018. She described the experience as “extraordinary”, but Bhatia is also aware there are more platforms required for Asian voices.

People are writing and creating work, but they do not have the space to share it. “I want to see people in positions of power giving south Asian writers more platforms because there are some really amazing artists coming through – such as Zia Ahmed and Rabiah Hussain,” the director, whose previous credits include Hijabi Monologues, said. “I want to see artists like them take up more space.”

Bhatia began her career when she joined the National Youth Theatre in 2009. Starting out as a performer, she cites the company as being paramount to her teenage years. It encouraged her to interrogate the world at a deeper level. “Theatre has always done that for me,” she said.

Dismantle This Room is on at the Royal Court from Saturday (6) until April 27.

Add EasternEye As Your Trusted Source
preferred source on google news

More For You

James Gunn could lose his job at DC Studios within months: 8 reasons why

James Gunn attends the premiere of "Supergirl" on June 22, 2026 in New York City.

Getty Images

James Gunn could lose his job at DC Studios within months: 8 reasons why

Highlights:

  • Reports suggest James Gunn's position at DC Studios could be decided within months, following Supergirl's disappointing 2026 box office performance.
  • It's not the first time his job has been on the line. He was fired outright from Marvel in 2018, then rehired within a year after a fan campaign.
  • Along the way, he's picked fights over Superman's politics, a squirrel, a swear word, and a Deadline casting report, dividing fans on whether he's a bold creative voice or a liability the studio can't keep excusing.
The question DC fans are actually arguing about right now isn't whether James Gunn has had controversies. It's whether this one, the one about his own job, is the controversy that finally sticks. Reports suggest his future at DC Studios could be decided within months, after Supergirl underperformed at the box office this year, turning a co-CEO who built his reputation on creative confidence into someone whose own leadership is now the story.
It's not the first time Gunn's career has hinged on a single moment. Here's the full run of controversies that got him here, and why this one feels different.

1. The 2018 firing that cost him Guardians of the Galaxy Vol. 3

Old tweets from 2008 to 2011, joking about topics including pedophilia and rape, resurfaced after being dug up by conservative commentators. Disney moved fast: studio chairman Alan Horn called the posts "indefensible" and severed the company's relationship with Gunn within a day of the story breaking, pulling him off Guardians of the Galaxy Vol. 3 entirely.

2. Gunn's apology, and the political angle nobody expected

Gunn responded almost immediately, calling the old jokes "totally failed and unfortunate efforts to be provocative" and saying he'd regretted them for years. The story took an unexpected political turn when Donald Trump Jr. amplified the resurfaced tweets on social media, given Gunn's history as a vocal Trump critic, adding a partisan layer to what had started as an entertainment industry story.

3. The reinstatement that split fans down the middle

Less than a year later, Disney reversed course and rehired Gunn to write and direct Guardians of the Galaxy Vol. 3 after cast members and fans campaigned on his behalf. It remains one of the rare instances of a major studio publicly reversing a firing of this scale, and it didn't land as a clean redemption story for everyone watching.

4. Superman's political messaging, and Dean Cain's pushback

When Gunn's 2025 Superman swapped the character's old "truth, justice, and the American way" tagline for "truth, justice, and a better tomorrow", and framed Superman explicitly as an immigrant story, it drew public criticism from Dean Cain, who played the character in the 1990s series Lois & Clark. Cain accused the film of being reshaped to fit contemporary politics. Some fans called it a faithful return to the character's original 1938 immigrant roots. Others called it exactly the kind of change Cain warned about. Both camps have been arguing about it since, and neither has come close to convincing the other.

James Gunn attends the Los Angeles premiere of "Superman" at the TCL Chinese Theatre in Hollywood, California, on July 7, 2025. Getty Images

5. The squirrel Warner Bros. almost cut

Not every Gunn controversy is serious. During Superman's edit, a scene of the hero saving a squirrel mid-battle reportedly caused genuine internal arguments, with some test audiences questioning why it was there at all. Gunn insisted on keeping it in. It's a small story, but it's a useful reminder that plenty of what gets called "controversial" in entertainment coverage is really just a creative disagreement that leaked.

6. The line Guy Gardner almost didn't get to say

A tighter internal fight nearly cut one of Superman's biggest laugh lines, when Nathan Fillion's Guy Gardner was originally written with a much cruder insult aimed at Superman than what made the final cut. Gunn has since confirmed the joke was toned down specifically because of how the studio felt about the original wording, a small but telling look at how much gets negotiated behind a single line of dialogue.

7. The Deadline feud that showed a different side of Gunn

When Deadline reported that four actors had tested for a key role in his Superman sequel, Man of Tomorrow, Gunn didn't just deny it quietly. He went public and called the report inaccurate, dismissing it as "shoddy" reporting and disputing the details point by point. Supporters saw a boss defending his production from bad information. Critics saw an executive who's a little too comfortable picking public fights with the press covering his own studio.

8. Supergirl's box office, and the question fans can't agree on

This is the one that actually threatens the job. Following Supergirl's disappointing box office performance in 2026, reports suggested Gunn's future at DC Studios could be decided within months, with his own creative choices under scrutiny as the person who positioned himself as the studio's guarantor of quality. Superman performed well enough in 2025 to buy him goodwill; Supergirl spent a good chunk of it.

Craig Gillespie, Peter Safran, Milly Alcock and James Gunn attend the SUPERGIRL World Premiere on June 22, 2026 in New York City. Photo by Dimitrios Kambouris/Getty Images for Warner Bros. Pictures

Keep ReadingShow less