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Lata Mangeshkar returns home after staying in the hospital for 28 days

A few weeks ago, Lata Mangeshkar was admitted to the hospital. There were a lot of reports that we read about her health. While some reports stated that she is serious, her family members gave updates on her health stating that she is getting better.

Now, finally, the legendary singer is back home and has tweeted about it to inform her fans. She tweeted, “Namaskaar, For the past 28 days, I was at Breach Candy hospital.. I was diagnosed with pneumonia. The doctors preferred that I extend my stay in hospital and go home when completely healthy. Today, I am back home with the blessings of Mai and Baba I have my deepest gratitude to all my well wishers all over. Your prayers and good wishes have worked and I humbly bow down to each one of you. My doctors at Breach Candy have been my guardian angels and I stand in eternal gratitude to each one of them. The nursing staff has been exceptional. Your endless love and blessings are precious. Thank you, again!”


In another tweet, she mentioned the names of doctors who treated her. She wrote, “Namaskaar, A special thank you, again to the team of doctors who treated me with utmost care and love. Dr. Pratit Samdani, Dr. Ashwin Mehta, Dr. Zareer Udwadia, Dr Nishit Shah, Dr. Janardan Nimbolkar and Dr. Rajeev Sharma.”

Well, Dilip Kumar took to Twitter to share that he is very happy that his ‘choti behen’, Lata is back home. He tweeted, “Overjoyed to hear the good news that My ‘choti behen’ Lata, is feeling much better and is at her home now. Please take good care of yourself @mangeshkarlata.”

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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