Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Kim Kardashian’s corset selfie sparks concerns over ‘unrealistic’ beauty standards
Fans ask “Can you breathe?” after seeing her extreme waistline in latest photos
SKIMS under fire for promoting a new thong some call “an eyepatch”
Social media erupts with debate on body expectations and inclusivity
Kim Kardashian has stirred up fresh controversy after sharing a photo showing off her tiny waist in a revealing black corset bodysuit, triggering widespread criticism online. The 44-year-old reality star and entrepreneur was called out by fans for promoting what many see as damaging and unrealistic beauty ideals.
In the Instagram post, Kim posed in front of a mirror wearing a high-fashion bodysuit with mesh detailing and matching suspenders. With her hair tied up and minimal makeup, she captioned the post simply: “Mugler Magic.” While some followers praised the aesthetic, others were quick to express concern over her body proportions, especially her dramatically cinched waist.
Fans question Kim Kardashian’s visibly altered figure in new selfieInstagram/kimkardashian
Why are fans upset over Kim Kardashian’s latest waist-revealing photo?
The focal point of the backlash is Kim’s exaggerated hourglass figure, which some commenters said looked digitally altered or the result of extreme body modification.
One user wrote, “That waist is terrifying, can you even breathe?” while another added, “This is not just unrealistic, it’s unhealthy.” Several users referenced past instances where Kim’s waistline sparked similar debates, such as when she wore Marilyn Monroe’s dress to the Met Gala or a metallic silver gown that led fans to joke about how many ribs she might have had removed.
Although Kim has previously addressed rumours about cosmetic surgery and waist training, the latest round of backlash reflects a growing fatigue among fans who feel she continues to set harmful beauty standards, especially for young women.
Kardashian’s latest post sparks backlash over harmful beauty idealsInstagram/kimkardashian
What happened with the new SKIMS thong launch?
Just hours before the corset photo went viral, Kardashian was already facing online criticism for a different reason, her brand SKIMS.
The company released a new micro-thong as part of its “Fits Everybody” line, featuring a sheer design with a small, embroidered rose on the front. The piece, which barely covered the model’s body, was immediately ridiculed across social platforms.
“Who exactly is this supposed to fit?” one Reddit user asked, while another sarcastically dubbed it the “SKIMS Eyepatch.” Multiple commenters questioned the practicality of the design and the inclusive claim that the product “fits everybody.”
This isn’t the first time SKIMS has been accused of pushing extreme or exclusionary designs. Critics argue that the brand often fails to accommodate a true range of body types, despite its marketing suggesting otherwise.
Kim’s ‘Mugler Magic’ look triggers fresh wave of body image discussionsInstagram/kimkardashian
Are Kim Kardashian’s posts contributing to unhealthy beauty ideals?
The backlash touches on a broader concern frequently raised in discussions about celebrity influence: the pressure to achieve body shapes that may not be natural or attainable for most people. Kim Kardashian, with over 300 million Instagram followers, is one of the most visible beauty influencers in the world, and her aesthetic choices have long had ripple effects in fashion and cosmetic industries.
Many health professionals and activists have criticised the use of photo editing, waist trainers, and body-altering shapewear promoted by celebrities, saying it fuels body dysmorphia and lowers self-esteem, especially among teens and young adults.
Kim Kardashian criticised for ‘unreal’ body standardsInstagram/kimkardashian
How is the public responding to Kim Kardashian’s recent controversies?
While Kim still commands a loyal fanbase who see her as a fashion-forward icon, the growing chorus of dissent suggests a shift in how audiences are reacting to curated celebrity images.
A mix of concern and satire has filled comment sections, with users increasingly calling for greater responsibility from high-profile figures when it comes to body representation. As one commenter summed it up: “It’s 2025, we should be past this by now.”
Whether Kim or her team respond to the criticism remains to be seen, but it’s clear the conversation about beauty standards and body positivity is far from over.
Emma Roberts and Julia Roberts reunited publicly at a Jacquemus and Veuve Clicquot event in New York.
The family duo were seen in matching black ensembles with strikingly similar red hair.
Their last joint red carpet was over a decade ago in Los Angeles.
Fans praised the rare sighting after Vogue shared the moment on Instagram.
Emma Roberts made headlines after joining her aunt Julia Roberts for a rare red carpet appearance in New York, with the family pair spotted together at a Simon Porte Jacquemus and Veuve Clicquot fashion event. The video of the actresses instantly caught attention, as the stars of Pretty Woman and American Horror Story surprised fans with their stylish reunion at New York Fashion Week.
Emma Roberts and Julia Roberts share laughs on the New York red carpet during Fashion Week Instagram Sreengrab/voguemagazine
Why was Emma Roberts with Julia Roberts in New York?
The Roberts family reunion unfolded on 9 September, when Julia and Emma were captured greeting each other warmly before posing for photographers at the Jacquemus and Veuve Clicquot celebration in Central Park. The event celebrated the launch of a public immersive experience created by the French fashion designer and champagne brand.
Julia wore a sharp tailored black suit with a crisp white shirt, while Emma opted for a floor-length black gown featuring a mesh panel detail. Their flame-red hair, almost identical in shade, became a talking point online, with fans calling them “twins” in the comments under Vogue’s video.
When was the last time Emma and Julia Roberts appeared together?
Although both actresses are regulars on the red carpet, they rarely attend events side by side. Their last major outing together was in 2012 at the Los Angeles premiere of Jesus Henry Christ, a film Julia co-produced. Before that, the pair appeared at the 2010 premiere of Valentine’s Day, in which they both featured on screen.
The New York Fashion Week sighting was therefore significant for fans who have long admired their bond. Many took to social media to celebrate the reunion, with one comment reading: “LOVE seeing you both together!!! #auntiegoals.”
Julia Roberts arrives actress Emma Roberts at the "Valentine's Day" Los Angeles PremiereGetty Images
What have Emma Roberts and Julia Roberts said about their bond?
Emma has previously spoken about Julia’s impact on her career and outlook. In a June 2024 interview on the Table for Two podcast, she reflected on witnessing her aunt’s global fame up close.
“I saw very up close what that really looks like with my aunt Julia,” Emma explained. “It’s fun and it’s great, but there is a part of it that’s really scary.”
Julia herself has been supportive of her niece’s career, with the two often talking about family ties despite years of distance in the Roberts household. Emma is the only daughter of Julia’s brother, actor Eric Roberts, and Kelly Cunningham.
What are Julia Roberts and Emma Roberts working on now?
Julia Roberts’s most recent project, After The Hunt, premiered at the 82nd Venice Film Festival in August 2025, earning applause from audiences. She continues to be a leading figure in Hollywood, decades after her breakthrough in Pretty Woman.
Julia Roberts arrives at Hotel Excelsior during the 82nd Venice International Film FestivalGetty Images
Emma Roberts, meanwhile, has been balancing acting with producing. She stars in and executive produces the Hulu thriller series Tell Me Lies, which is currently filming its third season. The actress has promised fans “a lot of twists and turns” in the upcoming instalment, hinting at possible new cast members.
Emma Roberts attends the Jacquemus Menswear Spring/Summer 2026 show as part of Paris Fashion WeeGetty Images
With both women maintaining busy careers, their rare joint red carpet at New York Fashion Week just reminded fans of the enduring strength of their family bond.
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Shwetha Menon calls for fixed working hours in cinema
AMMA president Shwetha Menon calls for structured work shifts for women in cinema
She recalled working in four films during her pregnancy with director support
Deepika Padukone earlier demanded 8-hour workdays after becoming a mother
The debate on shift rules continues to divide actors and filmmakers
Actor Shwetha Menon, the first woman president of the Association of Malayalam Movie Artistes (AMMA), has added her voice to the growing call for fixed working hours in the film industry. Speaking at the India Today South Conclave 2025, she echoed Deepika Padukone’s earlier demand for eight-hour workdays, stressing that clear schedules are essential for working mothers balancing careers and family.
Shwetha Menon calls for fixed working hours in cinema Instagram/sudheesh_muthukad_and shwetha_menon
Why is Shwetha Menon calling for fixed working hours?
Shwetha Menon used her own journey to underline the need for change. She revealed that she worked on four films while pregnant and only managed because she communicated openly with directors about avoiding early morning shoots.
“I told my directors I wasn’t comfortable with early mornings, and they understood,” she said. For Menon, dialogue between filmmakers and artistes is key, but she acknowledged that many women hesitate to raise concerns out of fear of losing work.
During her time as AMMA’s first female vice president, she urged women to speak up about their struggles, but most remained silent. “Everyone is worried about their careers,” she noted. “But slowly, we will bring these issues to light.”
Shwetha Menon moves Kerala High Court to quash FIR over ‘obscene scenes’ in films Instagram/shwetha_menon
What did Deepika Padukone say about 8-hour shifts?
The debate first caught public attention when Deepika Padukone, who recently welcomed her daughter Dua with Ranveer Singh, demanded eight-hour shifts to accommodate her role as a new mother. Reports suggested her exit from the upcoming film Spirit was partly due to disagreements with director Sandeep Reddy Vanga, who refused to agree to limited working hours.
Deepika has long been vocal about the need for work-life balance. Reflecting on her battle with depression years earlier, she explained how overwork takes a toll on mental health. “If you don’t replenish and rest, you cannot put energy back into your work,” she said. She also stressed that better quality output comes from well-rested crews, not endless shooting marathons.
Deepika Padukone makes a stunning runway comeback, opening Sabyasachi’s 25th anniversary show in signature elegance Deepika Padukone makes a stunning runway comeback, opening Sabyasachi’s 25th anniversary show in signature elegance
Do all actors support fixed shifts in film shoots?
Not everyone agrees with the idea of regulated workdays in cinema. Actor Adivi Sesh argued that filmmaking cannot be compared to corporate jobs and often requires 12–18 hour schedules. “Acting is not a 9-to-5 job,” he said, pointing out that budgets and time constraints often dictate shoot lengths.
Ali Fazal, who has also produced films, echoed a similar view, noting that each project demands different hours depending on genre, VFX, or action sequences. “You can’t put a template on creativity,” he explained, adding that shift rules must be mutually decided between creators, technicians and actors rather than imposed.
The contrasting views actually highlight a growing conversation in Indian cinema about workplace reforms. For decades, long shooting hours have been the norm, often at the cost of performers’ health and family life. With high-profile voices like Deepika Padukone and Shwetha Menon pushing for structured shifts, the issue is gaining prominence.
Shwetha Menon’s election as AMMA’s first woman president has further spotlighted the topic. She has promised to advocate for better systems of communication and support for women in Malayalam cinema. Her call resonates with Padukone’s, suggesting a possible shift towards more family-friendly and humane working conditions in an industry where women have traditionally been expected to adjust without complaint.
Meanwhile, Deepika continues to balance motherhood with her career. She was last seen in Singham Again and is currently filming King alongside Shah Rukh Khan, with discussions ongoing about future projects. Shwetha, on the other hand, has been celebrated for breaking barriers in South Indian cinema, both on screen and now as a leader in industry reform.
The debate over fixed hours is far from settled. While some argue that cinema thrives on flexibility, others believe that structured shifts could bring long-overdue respect for artistes’ personal lives. With both Deepika Padukone and Shwetha Menon making the demand, the conversation around work-life balance in Indian cinema may finally be entering the mainstream.
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Rana Daggubati is backing award-winning indie films through his Spirit Media banner
Rana Daggubati shifts from blockbuster Baahubali stardom to backing acclaimed indie films.
His Spirit Media to release Sabar Bonda, winner of Sundance 2025 Grand Jury Prize.
Earlier release All We Imagine As Light ran in cinemas for seven weeks.
Daggubati reveals why India needs consistent infrastructure for alternative cinema.
Rana Daggubati, best known globally for his role in the Baahubali franchise, is now building a reputation in a very different space: indie film distribution. The actor has taken a bold leap from spectacle-driven cinema to backing critically acclaimed titles like Payal Kapadia’s All We Imagine As Light and the Sundance 2025 winner Sabar Bonda. With his Spirit Media banner, Daggubati says he wants to create a consistent pipeline for alternative cinema in India, where such films rarely get the screen space they deserve.
Rana Daggubati is backing award-winning indie films through his Spirit Media banner Getty Images
Why is Rana Daggubati focusing on indie film distribution?
According to Daggubati, India lacks a sustainable model for alternative cinema. While commercial blockbusters thrive because their success can be replicated across markets, indie titles often disappear after a festival run. “We have places and distribution for mainstream, so how then do we institutionalise alternative cinema?” he said in a recent interview.
He pointed out that Telugu cinema’s pan-India breakthrough, starting with Baahubali and followed by KGF, Pushpa and Kantara was possible because of data-driven success. Indie cinema, he believes, needs the same consistency to grow into a bigger movement rather than remain limited to one-off wins.
Rana Daggubati says India needs data-driven models to grow indie films beyond festivals Getty Images
What did he learn from All We Imagine As Light ?
Daggubati revealed that distributing Kapadia’s Cannes Grand Prix winner was a trial-and-error process. Spirit Media released the film on around 120 screens but discovered that location mattered more than numbers. In cities like Mumbai, some neighbourhoods performed well while others lagged, giving him critical insights about targeting the right audiences.
The film went on to run in Indian cinemas for seven weeks, much longer than most mainstream films. “Word of mouth became the biggest publicity tool,” he explained, adding that requests for screenings poured in from cities like Pune and Bhubaneswar. This slow-burn success in fact showed him that a patient release strategy could build a loyal indie audience.
Rohan Parashuram Kanawade’s Sabar Bonda is a landmark in Marathi cinema, the first film in the language to premiere at Sundance. It went on to win the World Cinema Grand Jury Prize Dramatic and will now be released in India on 19 September by Spirit Media.
The project has heavyweight backing, with Nagraj Manjule, Nikkhil Advani, Vikramaditya Motwane, and actor Sai Tamhankar attached as executive producers. Daggubati says the choice to back Sabar Bonda came down to the director’s deeply personal storytelling. “It is a film only he could make because it comes from a space of honesty. That truth was our top priority,” he said.
Daggubati spoke about the shortage of cinema screens in India compared to the United States and China, arguing that many auditoriums run at only 20–25% occupancy. He also criticised the inconsistent festival ecosystem, noting how events like MAMI once provided crucial platforms but then disappeared due to funding cuts.
He warned against over-reliance on grants, pointing out that when funding is pulled, entire ecosystems collapse. Instead, he believes audience-driven support, consistent distribution models, and data-led releases are the way forward. “Our strength and weakness lies in the fact that we don’t share our common ideas as one industry,” he said.
Rana Daggubati sees a gap in India’s infrastructure for alternative cinemaGetty Images
What’s next for Rana Daggubati in indie film distribution?
With just a small team of eight at Spirit Media, Daggubati says he plans to build a “jury-type” system to evaluate films from across India. His aim is to create a slate of indie titles that can reach audiences nationwide, while also influencing streaming platforms to respond once theatrical success is established.
By backing films like Sabar Bonda and All We Imagine As Light, Rana Daggubati is clearly carving out a space where indie cinema can thrive alongside mainstream blockbusters. Just as Baahubali transformed the perception of Telugu cinema, he now hopes to spark a similar movement for Indian indie films.
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Abbey Road Music Photography Awards 2025 reveals nominees with stunning shots of Charli XCX and Doja Cat
More than 20,000 photographs from 30 countries considered for this year’s shortlist
Nominees feature stars including Chappell Roan, Lana Del Rey, Charli XCX, Doja Cat and Burna Boy
Fans can vote for Music Moment of the Year until 23 September on the MPA website
Exhibition of all 40 nominated works runs at London’s Outernet from 19–23 September
The Abbey Road Music Photography Awards 2025 has unveiled its nominees, showcasing striking images of international stars including Chappell Roan, Charli XCX and Doja Cat. After reviewing over 20,000 submissions across 30 countries, the competition aims to bring to light the growing prestige of music photography, with new categories introduced this year and a London exhibition bringing the work to the public.
Abbey Road Music Photography Awards 2025 reveals nominees with stunning shots of Charli XCX and Doja Cat Greg Noire/Instagram/abbeyroadmpa
What are the Abbey Road Music Photography Awards?
The Abbey Road Music Photography Awards, launched in 2022, are the world’s only global competition dedicated to music photography. Hosted by the iconic Abbey Road Studios in London, the awards recognise the creativity and cultural impact of photographers capturing artists on stage, behind the scenes, and within club culture.
For 2025, two new categories, Portrait and Festivals, have been added, alongside a special guest category focused on Club Culture. The judging panel includes renowned names such as Rankin, Nile Rodgers and actor Joe Keery.
The nominated works will be displayed at Outernet London’s Now Pop One venue from 19 to 23 September, giving fans the chance to view all 40 shortlisted images. The free exhibition offers an immersive experience in the capital’s entertainment district, located near Charing Cross Road.
Visitors can also vote for their favourite picture in the Music Moment of the Year category through interactive screens at the venue or online via the awards’ official website. Public voting closes on 23 September.
The winners of the Abbey Road Music Photography Awards 2025 will be revealed at a ceremony on 2 October at Abbey Road Studios in London. Dutch filmmaker and photographer Anton Corbijn, known for his decades-long collaborations with U2 and Depeche Mode, will be honoured with the prestigious Icon Award at this year’s event.
Mark Robertson, Abbey Road’s Director of Marketing and Creative, praised the “incredibly gifted community of photographers” whose work, he said, proves that music photography is not just documentation but an art form that helps shape popular culture.
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Karisma Kapoor’s children accuse Priya Kapur of suppressing will in £2.51bn Sunjay Kapur property battle
Karisma Kapoor’s kids seek share in late father Sunjay Kapur’s £2.51bn (₹30,000 crore) estate
They accuse stepmother Priya Kapur of forging a will to take full control
Lawsuit requests recognition as Class I legal heirs and partition of assets
Interim plea filed to freeze Sunjay Kapur’s personal estate until case outcome
The inheritance battle over business tycoon Sunjay Kapur’s £2.51bn (₹30,000 crore) estate has reached the Indian court, with Karisma Kapoor’s children Samaira and Kiaan accusing their stepmother Priya Kapur of presenting a forged will. The suit has opened a new chapter in the Sunjay Kapur death case, less than three months after the auto components magnate and Sona Comstar chairman died during a polo match in Windsor, UK.
Karisma Kapoor’s children accuse Priya Kapur of suppressing will in £2.51bn Sunjay Kapur property battle Instagram/therealsamairakapoor
What is Karisma Kapoor’s children’s plea in the Delhi High Court?
Samaira (20) and Kiaan (14), represented through their mother Karisma Kapoor, have filed a civil suit demanding recognition as Class I legal heirs. They are seeking partition of their late father’s assets and want a one-fifth share each of his personal estate.
The plea also asks for a freeze on Sunjay Kapur’s personal assets until the matter is resolved, to prevent any transfer or sale. According to the suit, the children were close to their father and he had repeatedly assured them of their financial security by setting up ventures and trusts in their names.
The siblings have made serious allegations against their stepmother Priya, who was married to Sunjay Kapur at the time of his death and has a six-year-old son with him. They allege Priya, along with two associates, Dinesh Agarwal and Nitin Sharma, deliberately withheld the will for seven weeks before producing it at a family meeting on 30 July 2025.
The will, dated 21 March 2025, reportedly leaves Sunjay’s entire personal estate to Priya Kapur. The children claim this document is “forged and fabricated” and surrounded by “suspicious circumstances”, as neither the original nor a copy has been shown to them.
The suit also names Priya’s son, Sunjay’s mother Rani Kapur, and the purported executor of the will, businesswoman Shradha Suri Marwah, as defendants.
Who inherits if the court recognises Karisma Kapoor’s children as legal heirs?
Under Indian succession laws, if Samaira and Kiaan are recognised as Class I heirs, they would be entitled to equal shares along with other legal heirs of Sunjay Kapur. The children argue that their father had initiated business ventures in their names and named them as trust beneficiaries, promising his commitment to their financial future.
They also mentioned how Sunjay promised them long-term security through shared holidays, business discussions, and family interactions. The case, therefore, is not only about the contested will but also about whether those assurances translate into enforceable inheritance rights.
Sunjay Kapur, a US citizen and billionaire industrialist, was the chairman of Sona BLW Precision Forgings Ltd (Sona Comstar), one of India’s largest automotive component manufacturers. He inherited the group after the death of his father, Dr Surinder Kapur, in 2015 and expanded it into a global enterprise with operations across India, China, Mexico, Serbia, and the US.
According to Forbes, his net worth at the time of his death in June 2025 stood at £950 million (₹10,300 crore), though reports place the wider family estate at £2.51bn (₹30,000 crore). His sudden death at 53, officially ruled as natural due to heart disease, has left behind a major succession crisis within one of India’s most prominent business families.
The Indian court will now examine the validity of the alleged will and decide whether Karisma Kapoor’s children can be formally recognised as legal heirs. For now, the plaintiffs are pressing for interim relief to freeze assets while the matter is under consideration.
The case is, in fact, about the intersection of Bollywood and business, drawing public attention not only because of Karisma Kapoor’s celebrity status but also due to the massive wealth involved and the serious allegation of will forgery within one of India’s most high-profile families.