India didn’t have any moment at Cannes, says filmmaker Anurag Kashyap, stressing that the victory of independent filmmakers at the European gala is theirs alone and the government doesn’t support that kind of award-winning cinema.
India won an unprecedented three awards at the 77th edition of the Cannes Film Festival last month -- Payal Kapadia became the first ever director from India to win the Grand Prix for her movie "All We Imagine As Light", Anasuya Sengupta was awarded best actress in the Un Certain Regard strand for “The Shameless”, and FTII student Chidananda S. Naik earned the best short film award at the La Cinef section for “Sunflowers Were the First Ones to Know”.
“I get very upset when it's said 'India@Cannes'. This is a boost… a shot in the arm for a lot of independent filmmakers but their victory is their own," Kashyap told PTI in an interview here.
“India didn't have any moment at Cannes, not a single of those films are Indian. We need to address it the way it should be addressed. India has stopped supporting such cinema, the kind of cinema that was at Cannes,” he said.
He said Kapadia's "All We Imagine as Light", which was also the first film from India in 30 years to feature in the main competition at Cannes known for giving a platform to new voices, received funding from a French company. The Malayalam-Hindi feature, which earned the second-highest award at Cannes after Palme d'Or, is an Indo-French co-production between Petit Chaos from France and Chalk and Cheese Films from India.
There were several films at Cannes with either India-set stories or Indian talent at the helm, but most were co-productions with banners from other countries.
Indian-British filmmaker Sandhya Suri's “Santosh” and Karan Kandhari’s “Sister Midnight” were funded by the UK, while Konstantin Bojanov’s “The Shameless” was almost self-funded. However, Chidanand's "Sunflowers..." is a production of the TV Wing's one-year programme under the Film and Television Institute of India (FTII).
“India just likes to take credit for a lot of things, they do not support these films, and they don’t even support these films to have a release in cinema,” Kashyap said.
In 2021, Kapadia had won an award at Cannes for the documentary “A Night of Knowing Nothing” but that is yet to be released in India.
"Stop taking credit for it. Let’s stop this fake celebration... Even if the film is released, no one will go to watch it in the theatre,” the 51-year-old said.
He also cited the example of Shaunak Sen's documentary "All that Breathes", which won the Golden Eye award at Cannes 2022, which didn't release on Indian screens and went straight to a streamer. Then there were independent films such as "Jaggi" and "Pokhar Ke Dunu Paar" that won awards at festivals that will eventually find home in streamers.
Kashyap was also critical of the spotlight on influencers on the famed red carpet.
"This obsession India has with Cannes... More than Cannes, it's about the red carpet. That's on another level. I get angrier when I hear these things... Geetanjali Rao got three awards at Cannes (for ‘Printed Rainbow’) in 2003, I wrote an article on it, but it was not recognised, rarely anyone wrote about that here. There’s no support system here."
Days after her win, Kapadia, also an FTII graduate, penned an open letter in which she pushed for a government fund for women filmmakers and under-represented sections to foster independent filmmaking while praising the Kerala government for starting a similar initiative.
Kashyap, whose films such as "Gangs of Wasseypur", "Ugly", and "Kennedy" have screened at Cannes over the years across sections like Director's Fortnight and Midnight Screenings, said he was also surprised when former FTII chairperson Gajendra Chauhan took credit for Kapadia's win.
Back in 2015, Kapadia was one of the students who protested against the appointment of "Mahabharat" actor-BJP politician Chauhan as FTII head. Kapadia was among the 35 students charged under various Indian Penal Code sections for offences related to unlawful assembly, criminal intimidation, and rioting.
The chargesheet was filed in 2016, and the next court hearing is scheduled for June 26, according to the defence lawyer representing the students.
"The worst part is that the man who put the case against her, and sent some students to jail, is the first man who took the credit for her and said, ‘I’m proud that I was the FTII (chairperson)’. What is his name? Yudhishthir ji (his ‘Mahabharat’ role), Gajendra Chauhan said, ‘I’m so proud that she was the student when I was the head’. You are the one who put the case against her," Kashyap added.
The director, who will be seen in an acting role in the web series "Bad Cop", said the Indian film business focuses primarily on producing blockbuster hits.
“We have made many independent films, I’ve seen how much support they get and don't get. At the end of the day, in India, everyone is here to do business. No one wants to do good work, everyone wants to do hit work (success)” he said.
Rahul’s casual dismissal of that controversy has added fuel to the fire
Rahul Bhatt sparks controversy over 'insensitive' remarks about sisters Alia and Pooja Bhatt
Rahul Bhatt, fitness trainer and son of veteran filmmaker Mahesh Bhatt, has found himself at the centre of a social media storm following controversial remarks about his half-sister, Alia Bhatt. In a recent interview, Rahul drew comparisons between Alia and their older sister Pooja Bhatt, calling the latter more talented, attractive, and principled.
The comments, which many have labelled inappropriate and insensitive, have sparked widespread criticism online. During the interview, Rahul stated, “In my opinion, she (Alia) is not even half of what my real sister Pooja is. Not in talent, not in looks, not in terms of being sexy. In front of my sister, she is ‘paani kam chai’ (watery tea). Amongst the siblings, the most talented and the most moralistic is Pooja.”
Social media users reacted strongly, questioning why Rahul would compare his sisters in such personal terms. Several users were particularly disturbed by his reference to their appearance and sex appeal, pointing out that such comparisons within a family cross boundaries of propriety. One comment read, “This is disturbing. Why talk about your sisters like that? It’s not just weird, it’s wrong.” Another post said, “There’s nothing respectful about comparing your siblings’ attractiveness in public.”
The backlash also reignited conversation around a decades-old controversy involving Mahesh Bhatt and Pooja Bhatt. Rahul was asked about the infamous 1990s magazine cover where the father-daughter duo shared a kiss, which had stirred public outrage at the time. Dismissing the criticism, Rahul said, “It doesn’t make any difference. It’s like water off a duck’s back. We know the truth, and we’ve seen everything since childhood.”
Rahul’s casual dismissal of that controversy has added fuel to the fire, with critics saying it reflects a broader issue of the Bhatt family being insensitive to public perception and boundaries. Many users questioned the need for bringing up old incidents in a bid to defend new and equally questionable statements.
As of now, neither Alia Bhatt nor Pooja Bhatt has issued any public response to Rahul’s remarks. Both actors, known for their significant contributions to Indian cinema, have typically kept family matters private despite living in the public eye.
This episode has also sparked debate over the role of public figures in maintaining respect when discussing family matters in the media. Observers say such comments, especially when involving women’s appearance and personal qualities, reinforce problematic attitudes and fuel unnecessary controversies.
While Rahul Bhatt is not as prominent in the entertainment industry as his father or sisters, his comments have made headlines and placed the Bhatt family in the spotlight for reasons beyond their creative work. For many, this serves as a reminder that public platforms come with responsibility, and that family ties should not be trivialised or dissected for attention or comparison.
The backlash is unlikely to subside soon, especially as fans and followers of Alia and Pooja continue to express disappointment over the way the situation has unfolded. Whether or not Rahul chooses to clarify or apologise remains to be seen.