To mark 48 years since its release, a guide to the film’s success story
By ASJAD NAZIR and DHARMESH PATELJan 19, 2023
WHEN lists of the greatest Bollywood films of all time are compiled, Deewaar consistently makes the top 10.
The drama about brothers on opposite sides of the law became a sensation when it was released on January 24, 1975, and remains iconic. Amitabh Bachchan and Shashi Kapoor as the siblings headlined the movie masterpiece which had many memorable moments, including an unforgettable finale. The film consolidated Bachchan’s angry young man image and he would later say it was one of the finest screenplays of his illustrious career.
Eastern Eye decided to mark 48 years of the multiaward-winning classic with an all-you-need-to know alphabetical guide to the film.
A is for Awards:Deewaar won all the major Filmfare awards for 1975, except for Best Actor, despite that performance being the focal point of the film. Bachchan had clashed with the media, and it was said that his being denied a deserved award was in retaliation to that conflict. But the superstar nevertheless graciously presented the Best Actor award at the ceremony to Sanjeev Kumar for Aandhi.
Poster of the movie
B is for Blockbuster: The film ran for more than 100 weeks in cinemas when it was released. If inflation and audience figures are taken into account, Deewaar remains one of the most successful films in Hindi cinema history.
C is for Casting: Director Yash Chopra had initially wanted to cast Rajesh Khanna as Vijay and Navin Nischol as Ravi. But Khanna had fallen out with writers Salim-Javed and rejected the offer. Shatrughan Sinha and Dev Anand were considered for the lead roles, but finally Bachchan was picked as Vijay and Kapoor was roped in to play Ravi.
Shashi Kapoor in Deewaar
D is Dialogues: The film is known for its great dialogues, including the iconic ‘Mere paas maa hain’. Considered one of the finest lines in Bollywood history, it was delivered powerfully as a comeback by the legendary Kapoor. The same dialogue plays on television in TVF’s Yeh Meri Family.
E is for English: There was a dubbed English version of Deewaar titled I’ll Die For Mama.
F is for First:Deewaar was the first official release where Bachchan worked with Kapoor, Nirupa Roy and Chopra. They would all begin dream partnerships with him in classics that followed. Kapoor became known for playing Bachchan’s brother or friend, and Roy was tagged as his onscreen mother.
G is for Ganga Jumna: Although there are elements of Oscar-nominated classic Mother India (1957) in Deewaar, the main story inspiration came from classic drama Ganga Jumna (1961). It also revolved around brothers on opposite sides of the law on a collision course, and starred Bachchan’s idol Dilip Kumar. Once writing duo Salim-Javed had the story, they wrote the entire screenplay in 45 days and charged a record fee for it.
H is for Haji Mastan: There have been several Bollywood films across the decades inspired by the life of criminal Haji Mastan, but Deewaar was the first, with Bachchan’s character being loosely based on the infamous Bombay [now Mumbai] smuggler.
Bachchan’s dying moments
I is for Improvised: No dialogue was written for Bachchan’s unforgettable death scene in the finale. The director allowed him to improvise the whole scene, which he did brilliantly.
J is for Jr NTR: The Telugu superstar, who was jointly named (with Ram Charan) as Eastern Eye’s number one Asian celebrity for 2022, has said one of his as-yet unfulfilled dreams is to remake Deewaar.
K is for Knotted shirt: Bachchan’s famous knotted shirt in Deewaar was the result of a tailor’s error. Rather than cut the over-sized garment, the actor tied the ends around his waist. That look became a style statement, with it being copied by fans, and repeated by him several times in later movies.
L is for Launch: The film was officially launched on March 21, 1974, and remarkably was shot, edited and released within a year, on January 24, 1975.
The brothers with Nirupa Roy, who played their mother
M is for Mother: Legendary actress Vyjayanthimala was offered the important mother’s role but rejected it. Waheeda Rehman was considered for the same character, but Chopra decided against it as she was playing Bachchan’s wife in Kabhi Kabhie. Roy was finally cast and it started a long list of smash-hit movies where she played Bachchan’s mother. The role was so significant that she got prominence over the two heroines in the film’s poster, and also won a Best Supporting Actress Filmfare award for her performance.
N is for Number: Bachchan’s iconic arm badge, number 786, will forever be associated with Deewaar. The badge, with the same number, was also worn by him in Coolie (1983). Incidentally, he plays an unskilled worker (coolie) in both films.
O is for Oscar winner: There are multiple influences of Deewaar in Oscar-winning film Slumdog Millionaire (2008), including brothers on opposite sides of the law. Director Danny Boyle described Deewaar as key to Indian cinema, and even paid homage to Bachchan in the movie.
P is for Producer: The film’s producer Gulshan Rai is said to have cried twice when reading the script.
Q is for Quality:Deewaar is regularly ranked high on lists of the greatest Bollywood films ever made. It was one of the three Hindi-language entries in the famous international book 1001 Movies You Must See Before You Die.
R is for Remake:Deewaar was remade in Telugu as Magaadu (1976), in Tamil as Thee (1981), in Malayalam as Nathi Muthal Nathi Vare (1983), in Persian as Koose-ye Jonoob (1978), and in Turkish as Acıların Çocugu (1985). The 1979 Hong Kong film The Brothers was based on the film, and there have been multiple other movies inspired by the classic, including Ram Lakhan (1989).
S is for Soundtrack: The original screenplay didn’t feature any songs, but six were eventually recorded by music director RD Burman at the insistence of Rai to help make his movie more saleable. Two of the songs, which didn’t make it into the movie, were included on the soundtrack.
Bachchan in bed with his girlfriend, played by Parveen Babi
T is for Taboo busting: The film was hailed for its portrayal of strong female characters and breaking societal norms, including the mother rejecting her criminal son. In addition, the gangster’s girlfriend drinks, smokes, and gets pregnant outside marriage. There was also a scene with the lead protagonist bare-chested in bed with his girlfriend, which was unheard of in Hindi cinema at the time.
T is also for Tattoo: For the first time, a tattoo featured prominently in the plotline, with a youngster forcibly having the words mera baap chor hain (my father is a thief ) inked onto his arm, and how it shapes him as an angry young man.
U is for Unforgettable: One of the film’s most poignant and emotional scene sees Vijay enter a temple for the first time towards the end and beg for his mother’s life. It took Bachchan 15 takes to get the shot right, as the thought of challenging God intimidated him. Furthermore, he insisted that only the director be present for the shooting of this scene. Years later, Bachchan spoke that same dialogue in his 2008 Unforgettable world tour, after losing his mother the year before. He tearfully told the audience how in the film his mother survived, but in real life, he could pray a million times and it wouldn’t bring his real-life mother back.
V is Violence: The action drama had plenty of violent moments, but only the most eagle-eyed in the audience noticed one very clever touch. A photograph of Mahatma Gandhi is featured in the dockyard canteen, and Bachchan’s character clearly defies Gandhi’s non-violence stance in that scene, as he sets out to deal with the thugs.
W is for Working hard: Bachchan shot for Sholay (1975) and Deewaar simultaneously, despite playing demanding roles in both films. Chopra and Sholay director Ramesh Sippy both have credited him for never being late for either shoot. Both movies became blockbusters and all-time classics.
X is for X-large: A 230-ft mural depicting Bachchan’s iconic pose from Deewaar has been created on the wall of a building in Bandra, a suburb in Mumbai, which is the tallest in the country. It was painted by Abhishek Kumar Singh and Ranjit Dahiwal to commemorate the superstar’s 75th birthday, and they chose the most defining pose from his angry young man image. Bachchan’s height also played a big part in giving the mural its record-breaking status.
Y is for Yash Chopra:Deewaar started a dream run for Chopra, after which the director teamed up with Bachchan and Kapoor for subsequent classic releases Kabhi Kabhie (1976), Trishul (1978), Kaala Patthar (1979) and Silsila (1981).
Z is for Zanjeer: This 1973 action drama played a huge part in Deewaar becoming a success. It had turned Bachchan into a superstar and led to huge crowds flooding into cinemas in subsequent years to watch his films. Zanjeer also laid a foundation for the actor’s angry young man image, which exploded to life brilliantly in Deewaar, a film that is still loved 48 years after it was first screened.
An urgent warning has been issued in the UK after several popular Jolly Rancher sweet products were recalled due to the presence of banned ingredients linked to cancer. The Food Standards Agency (FSA) has confirmed that certain products, including Jolly Rancher Hard Candy, ‘Misfits’ Gummies, Hard Candy Fruity 2 in 1, and Berry Gummies, are affected.
These sweets, produced by American confectionery giant Hershey, were found to contain Mineral Oil Aromatic Hydrocarbons (MOAH) and Mineral Oil Saturated Hydrocarbon (MOSH), both of which are derived from crude oil and have been associated with serious health risks, including cancer.
Products removed but some still on sale
Hershey has informed UK authorities that it has taken steps to withdraw the affected products from the British market. However, the FSA has warned that some Jolly Rancher sweets containing these harmful substances are still being sold in shops, and local authorities have been urged to act.
Consumers are advised not to eat them and to dispose of them safelyiStock
The FSA stated: “Consumption of the affected sweets is of toxicological concern, especially in younger age groups and where consumers eat a lot of the products or eat them regularly.”
Consumers who have purchased the recalled items are advised not to eat them and to dispose of them safely. While the risk to individuals who have already consumed the sweets is considered low, the presence of MOAH and MOSH means they are not compliant with UK food safety laws.
Growing concerns over US imports
The Jolly Rancher recall is the latest in a series of warnings about American food products being sold in the UK with banned or harmful ingredients. Earlier this year, various sweets, drinks, and snacks imported from the United States – including Fanta Pineapple, Mountain Dew, Swedish Fish, Prime Hydration, Cheetos Crunchy, and Twizzlers – were found to contain substances not approved in the UK.
Among the banned additives were brominated vegetable oil (BVO), used in Mountain Dew, and Red Dye 3, a colouring found in jelly beans and preserved cherries. White mineral oil, also used in many US-made sweets, was another concerning ingredient.
Dr Pepper recall raises additional alarm
Separately, US authorities have recalled over 19,000 cans of Dr Pepper Zero Sugar due to mislabelling. The product, manufactured by Pepsi Beverages Company, was found to contain sugar despite being marketed as sugar-free. The error poses significant risks to individuals with diabetes or those who need to control their sugar intake.
Initially labelled as a voluntary recall, the incident has now been escalated to a Class II recall by the US Food and Drug Administration, meaning consumption may lead to temporary or medically reversible adverse health effects.
Health risks of hidden ingredients
These recent incidents have drawn attention to the growing trend of importing American products into the UK without full compliance checks. Experts warn that continued exposure to banned or mislabelled ingredients can pose long-term health risks, especially for vulnerable groups such as children and people with chronic health conditions.
The FSA continues to monitor the situation and has urged consumers to remain vigilant, particularly when buying imported food and drink products online or from independent retailers.
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Rescue and relief work underway following the Air India plane crash, in Ahmedabad. (PTI Photo)
ONE survivor walked away from the Air India aircraft that crashed at Ahmedabad airport earlier this morning (12), according to the latest reports from India.
Vishwash Kumar Ramesh, 40, a UK national, was in seat 11A of the Air India Flight 171 bound for London Gatwick when it crashed shortly after take off from Ahmedabad with 242 people on board.
Initial reports suggested there were no survivors following the accident.
However, Kumar Ramesh was quoted as saying that seconds after take-off, “there was a loud noise and then the plane crashed”.
He told local media in India, “When I got up, there were bodies all around me. I was scared. I stood up and ran.
“There were pieces of the plane all around me. Someone grabbed hold of me and put me in an ambulance and brought me to the hospital.”
Two other British passengers believed to have been travelling on the aircraft were named as Fiongal and Jamie Greenlaw-Meek, who run a spiritual wellness centre and yoga studio in south London.
They spoke of their “magical experience” in India, adding they experienced “mind-blowing things”.
British Indian businessman Surinder Arora told Sky News a distant family member was on board the aircraft.
The UK government said it was sending a team to support the investigation into the Air India crash in Ahmedabad.
Vishwash Kumar Ramesh, survivor of the Air India plane crash, in Ahmedabad. (PTI photo)
In a statement, the UK Air Accidents Investigation Branch (AAIB) said it “has formally offered its assistance to the Aircraft Accident Investigation Bureau, India.
“We are deploying a multidisciplinary investigation team to India to support the Indian led investigation.”
Britain has set up crisis teams in Delhi and London to support the families of those on board the Air India Flight 171, foreign secretary David Lammy informed parliament.
“My thoughts and I’m sure those of the entire House are with those who have been affected by the tragic plane crash in India this morning,” Lammy told MPs.
“We know that British nationals were on board and I can confirm that the FCDO (Foreign, Commonwealth and Development Office) is working urgently with local authorities to support British nationals and their families, and has stood up a crisis team in both Delhi and in London,” he said.
The Tata Group said will provide Rs 10 million (£95,000) to the family of each person who died in the Air India plane crash in Ahmedabad on Thursday.
In the message posted by Tata Group on X, the company said it will cover the medical expenses of those injured and ensure that they receive all necessary care and support.
"Additionally, we will provide support in the building up of the BJ Medical's hostel,” Tata Group and Air India chairman N Chandrasekaran said.
"We remain steadfast in standing with the affected families and communities during this unimaginable time," he said.
A US government agency that investigates civil aviation accidents said it would lead a team of American investigators to India to assist in the investigation of the crash.
The National Transportation Safety Board (NTSB) said in a post on X that it will be “leading a team of US investigators travelling to India to assist the Aircraft Accident Investigation Bureau with its investigation into the crash of an Air India Boeing 787 in Ahmedabad, India, Thursday.”
— (@)
It added that as per international protocols under the International Civil Aviation Organisation, all information on the investigation will be provided by the Government of India.
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The crown for the most expensive celebrity-owned home in India has now passed on
For decades, Shah Rukh Khan’s ocean-facing mansion, Mannat, stood as the pinnacle of Bollywood royalty. Located in Mumbai’s upscale Bandra area, the house wasn’t just a home—it was a symbol. Fans from around the world still gather outside its gates, hoping for a glimpse of the man often called the “King of Bollywood.”
But the crown for the most expensive celebrity-owned home in India has now passed on.
Kapoor-Bhatt mansion takes the lead
Ranbir Kapoor and Alia Bhatt, one of Bollywood’s most celebrated couples, have completed work on a sprawling new bungalow in Bandra, reportedly worth over ₹250 crore—approximately €27 million. This figure eclipses the estimated value of Mannat, which stands around ₹200 crore or €22 million.
This isn’t just a luxurious residence. It’s a bold statement of the couple’s rising status in the industry. Their new property signals that a new generation of Bollywood royalty has arrived.
Personal touches and prime location
The Kapoor-Bhatt bungalow blends cutting-edge architecture with personal design choices. Both actors were deeply involved in shaping the interiors and layout, working closely with architects to ensure the space reflected their tastes and lifestyle.
Ranbir Kapoor and Alia Bhatt outshine Shah Rukh Khan Getty Images
The home’s location adds further weight to its emotional and symbolic value. It is situated close to Krishna Raj Bungalow, the former home of Ranbir Kapoor’s late father Rishi Kapoor, preserving a connection to the actor’s heritage and childhood memories.
A shift in Bollywood’s property powerhouses
While Mannat remains an iconic destination undergoing renovation, it no longer holds the top spot in Mumbai’s ultra-premium celebrity housing market. Other high-profile residences, like Amitabh Bachchan’s Jalsa in Juhu, are estimated at around ₹125 crore (€13.5 million), making Ranbir and Alia’s mansion the clear front-runner in terms of value.
Mannat remains an iconic destination undergoing renovationGetty Images
This €27 million investment isn’t just about luxury—it marks a turning point in how star power is defined in modern Bollywood. Kapoor and Bhatt, both at the top of their careers, are not only dominating cinema but also influencing lifestyle trends and property benchmarks.
A family home for the future
The couple are reportedly planning to make the mansion their permanent residence, raising their daughter Raha in one of Mumbai’s most exclusive neighbourhoods. The property offers them privacy, security, and all the comforts needed for their growing family.
The design also reflects a desire for permanence—this isn’t a status symbol to flip or rent, but a long-term home meant to reflect their legacy.
A new chapter in Bollywood’s legacy
The purchase of this home is being seen as symbolic of the shifting tides in Bollywood. While Mannat and Shah Rukh Khan continue to command respect and fan devotion, there’s no denying that the torch is being passed.
Ranbir Kapoor and Alia Bhatt’s new home is not just Mumbai’s most expensive celebrity bungalow—it’s also a sign of the generational shift taking place in Indian cinema. The glamour, wealth, and global reach once associated with SRK are now being matched by the power couple of the new era.
This isn’t just a real estate story. It’s a reflection of changing icons, growing ambitions, and the evolution of stardom in Bollywood.
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Keir Starmer at London Tech Week in London on Monday (9)
MORE THAN 350 technology companies from India joined London Tech Week, which began on Monday – making it the largest-ever delegation from the country to attend the event.
London mayor Sadiq Khan’s office, City Hall, described the rise in Indian participation as a reflection of deepening ties between India and London’s tech sectors, following the recent signing of the India– UK Free Trade Agreement (FTA).
Prime minister Sir Keir Starmer unveiled a £187-million government “TechFirst” programme to bring digital skills and AI learning into classrooms and communities, training people of all ages and backgrounds for the tech careers of the future.
He also announced the launch of “Extract” – an AI assistant for planning officers and local councils developed by the UK government with support from Google.
Speaking at the London Tech Week, Starmer said, “For too long, our outdated planning system has held back our country – slowing down the development of vital infrastructure and making it harder to get the homes we need built.
“With Extract, we’re harnessing the power of AI to help planning officers cut red tape, speed up decisions, and unlock the new homes for hard-working people as part of our Plan for Change. It’s a bold step forward in our mission to build 1.5 million more homes and deliver a planning system that’s fit for the 21st century.”
London Tech Week is the UK’s largest technology event, held annually in June and brings together over 45,000 attendees from more than 90 countries, including innovators, investors, tech leaders, and policymakers.
Among Indian companies taking part are a mix of high growth and established firms such as The Black Box, Digi Osmosis, Bahwan CyberTek, Arya.ai, Mphasis, Helios Batteries, Fynd, Hyperready, MoneyHOP, Siam Computing.
Hemin Bharucha, chief representative of the mayor of London and regional director for India and the Middle East at London & Partners, noted the growing presence of Indian companies in London.
“London continues to be a preferred destination for Indian innovators and investors looking to scale globally, supported by a dynamic ecosystem that nurtures collaboration, innovation, and growth,” said Bharucha.
“Our record-breaking delegation at London Tech Week 2025 highlights the immense potential and ambition of Indian tech firms to contribute to London’s thriving technology landscape,” he added.
London & Partners, as the UK capital’s growth agency supported by the mayor of London, said it hoped to promote deeper partnerships and support Indian businesses as they expand in the UK.
“This collaboration not only strengthens bilateral ties, but also positions London and India at the forefront of the global tech revolution,” added Bharucha.
Over the past three years, India has emerged as the largest investor in London.
London & Partners figures show that 31 new Indian companies were established in London in 2023, followed by 23 in 2024, and a “game changing” nine companies have already set up in just the first two months of this new financial year. Earlier this year, fintech firms such as Paytm, India’s largest digital payments app, announced plans to invest in the UK to accelerate access to affordable digital payments and credit for small businesses.
WNS, a digital-led business transformation services company founded in India with a $2.7 billion (£2bn) market cap, will expand their London presence with a new office alongside an AI design hub. Similarly, Mphasis, an Indian tech business which has established an Innovation hub in London last year, is exploring how to scale their operations in the country. Ashish Devalekar, executive vice president and head of Europe, Mphasis, said, “The UK remains an innovation powerhouse and a global hub for world-leading businesses and talent. At Mphasis, we have steadily expanded our presence in the region over the past years, and we are now on the trajectory to double the headcount through our London Innovation Hub which we opened late last year.
“This centre is a testimony to our commitment to the UK and its vibrant tech scene and will be a focal point for developing next-generation solutions in AI, quantum computing, and beyond.”
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Don't Miss Fanna-Fi-Allah's Enchanting Qawwali Performance
London is set to host an unforgettable night of spiritual depth and musical brilliance as the renowned Sufi qawwali ensemble Fanna-Fi-Allah brings their celebrated performance to Union Chapel on Friday, 27 June. Located at 19b Compton Terrace, the historic and acoustically rich venue in Islington will come alive with the passionate, poetic and soul-stirring sounds of qawwali — a centuries-old devotional music tradition rooted in the mystical practices of Sufism. This much-anticipated concert promises to be a transcendent cultural experience, fusing ancient rhythm, powerful vocals and heartfelt devotion in a way that deeply resonates with audiences from all walks of life.
Fanna-Fi-Allah, an ensemble revered across continents for their authentic interpretations of classical qawwali, continues to preserve and elevate this spiritual art form with integrity and passion. With decades of dedication and training under legendary qawwals in Pakistan and India, the group has become one of the most respected global ambassadors of Sufi music. Their performances are marked by an electrifying blend of tabla, harmonium, handclaps and rich vocal harmonies that build to ecstatic crescendos — transporting listeners into a meditative and emotional state known in the Sufi tradition as haal.
The ensemble’s name, Fanna-Fi-Allah, translates to “annihilation in the divine,” reflecting the central Sufi concept of dissolving the ego in union with the divine presence. This philosophy echoes through every note they sing, drawing from the works of revered Sufi poets such as Rumi, Bulleh Shah, Amir Khusrow and Kabir. The group’s musical journey is not merely performance but devotion — a sacred offering intended to uplift and connect hearts across linguistic, cultural and spiritual boundaries.
Over the years, Fanna-Fi-Allah has performed at some of the world’s leading world music festivals and venues, including in the United States, Europe, Australia, and South Asia. Their London appearance offers UK audiences a rare opportunity to witness the spiritual intensity and cultural richness of qawwali performed with deep respect for its origins. This performance at Union Chapel — a space renowned for its architectural beauty and spiritual ambiance — will only enhance the depth of the experience.
As interest in spiritual and world music continues to grow, events like this serve as a powerful reminder of the enduring relevance of sacred traditions. In a time when many seek moments of stillness, connection and meaning, the devotional energy of Fanna-Fi-Allah’s qawwali offers something more than entertainment — it offers healing, remembrance, and transcendence.
Tickets and event details are available at www.unionchapel.org.uk. Don’t miss the opportunity to be part of this rare and powerful musical gathering — one that bridges centuries of Sufi tradition with the vibrancy of modern global audiences.