Skip to content 
Search

Latest Stories

Mother India: Story behind a classic

Mother India: Story behind a classic

65TH ANNIVERSARY SPECIAL ABOUT THE MAKING OF AN ICONIC MOVIE AND ITS AMAZING ACHIEVEMENTS

When Mother India released on October 25, 1957, it had the kind of impact that no other


Bollywood film ever made before.

The beautifully made classic about a woman fighting against the odds to raise her family and then doing the unthinkable became the highest grossing Indian film at the time. The greatest ever Diwali release was also the first Indian movie to get an Oscar nomination, along with winning multiple honours that included a National and Filmfare award for Best Film. The many achievements also included incredible performances, memorable moments, marvellous music, and the fascinating journey towards getting it made.

At the centre of it is arguably the most famous female character in Hindi cinema history and as actress Vidya Balan once perfectly explained, “When you think of a strong woman of Indian cinema the one name that comes to your mind is Nargis from Mother India.”

To mark the movie’s 65th anniversary this week, Eastern Eye looked back at the making of an all-time classic and its fascinating behind-the-scenes story.

The legend of Mother India started with writer-director Mehboob Khan. He had worked as an assistant on films during the silent era and dreamt of becoming a big star. He commenced an acting career, but just missed out on star-making roles like India’s first talkie Alam Ara (1931), and then made the move to directing with ambitious costume drama Judgement Of Allah (1935), which also had the title Al Hilal. He developed an early interest in strong female characters and made the film Aurat (1940), which was inspired by best-selling book The Good Earth (1931) and its 1937 Hollywood adaptation of the same name.

In the decade that followed, Khan became a successful director and delivered films like legendary love triangle Andaz (1949), which became the highest grossing Bollywood release of all time. He followed that up with India’s first technicolour film Aan (1952), which broke his own box office record set by Andaz.

Despite reaching great heights with mega-budget movies, the story of his black and white classic Aurat remained with him. In 1952, he decided to remake it on a much bigger canvas as Mother India. He bought the remake rights for a record-breaking amount and commenced work. The title was taken from a 1927 book titled Mother India by American author Katherine Mayo. The controversial book had attacked every aspect of Indian culture and wrote against demands for independence from British rule. He decided to reclaim the title of the much-hated book, and put out a press release, with the now legendary lines, “There has been considerable confusion and misunderstanding in regard to our film production Mother India and Mayo’s book. Not only are the two incompatible, but totally different and indeed opposite. We have intentionally called our film Mother India, as a challenge to this book, in an attempt to evict from the minds of the people the scurrilous work that is Miss Mayo’s book.”

Lead Mehboob Khan USE 50300 Mehboob Khan

Despite Bollywood films being black and white during the 1950s, the big thinking writer-director was determined to make it in glorious technicolour, with the biggest ever budget given to a film at the time. Although the story of Aurat remained the same, more weight was added to the female character, and India now being independent led to themes of nationalism and nation-building being added.

His first choice to take on the lead role was Bollywood’s reigning queen Nargis. Although she had made her lead debut with Khan’s film Taqdeer (1943) and become a superstar with his film Andaz six years later, Nargis had been prevented from working with him because of her close relationship to rival filmmaker Raj Kapoor. But their affair had come to an end, and the 26-year-old agreed to take on the monumental role that would see her go from being a young woman battling against incredible odds to an older woman with grown sons.

Khan had worked with Bollywood’s biggest male star Dilip Kumar on his previous three films and wanted him to portray rebellious son Birju. But Kumar wanted to play the son and father in a double role, which the director didn’t agree to. Nargis also objected to the actor playing her son because they had acted as a romantic couple on-screen.

Khan turned his attention to Hollywood and tried casting Sabu Dastagir, but despite the internationally successful actor being India-born, he couldn’t get a work permit. Meanwhile, Jagdeep was making his name as a child star and was signed up to play the incendiary role, but after a few days of shooting Khan realised he didn’t have the intensity required. Those instincts were right because Jagdeep would later go on to become one of the finest comedians in Bollywood history.

Frustrated at not being able to get a big marquee name to see his vision, Khan shocked everyone by casting unknown hopeful Sunil Dutt. During filming, Dutt would save Nargis from a fire and the two would fall deeply in love. They wanted to marry immediately, but the angry director asked them to keep the relationship a secret until well after the movie released because they were playing mother and son. Marriage was definitely not an option.

Slum dweller Sajid Khan was selected from a lorry load of poor children to play the young Birju. He was later adopted by Khan and would headline the less successful Mother India sequel, Son Of India (1962).

Relative unknowns Rajendra Kumar and Raaj Kumar were cast in the other key roles. Actor Kanhaiyalal had played the villainous Sukhilal in Aurat and reprised his role for the remake.

Bollywood’s number one music director Naushad was brought in to mastermind the soundtrack, which would regularly be listed as one of the greatest and most influential in Hindi cinema history.

Filming started by 1955, before the screenplay was finalised. The master filmmaker put everything into his dream project, from shooting it in 35mm colour to flooding 500 acres of farmland for a scene.

The budget spiralling out of control meant the filmmaker was drowning in debt and ran out of funds. But members of the movie industry, including popular actress Nimmi, came forward and gave him the money needed to complete it.

He finally overcame delays, dramas and new challenges not seen in Indian cinema to complete the movie. It was supposed to release on August 15, 1957, to commemorate 10 years of Indian independence, but wasn’t ready and finally premiered at the Liberty cinema in Mumbai on October 25, where it ran for more than a year.

Mother India broke all records and remains one of the most watched movies in history. It was dubbed in multiple languages, including Russian, French, and Spanish, and a shorter version with English sub-titles was also released overseas. It made further history by becoming the first

Indian language feature to get an Oscar nomination in the Best Foreign Language Film category. Khan had no money to attend the Oscars and market his movie there, so had to get help from India’s then prime minister Jawaharlal Nehru to make the trip.

Lead Mother India USE Nargis with Sunil Dutt (left) and Rajendra Kumar

There was a hammer and sickle in the opening sequence to reflect the producer’s company, but that was removed because it would have communist connotations in America, when campaigning for the Oscars. When Khan realised Mother India had just missed out on an Oscar to Italian film Nights of Cabiria (1957) by one vote, the filmmaker was hospitalised with a heart attack.

Mother India would go on to influence many all-time classics that were released in subsequent decades, including the endings of iconic Hindi films such a Ganga Jumna (1961), Deewaar (1975) and Shakti (1982).

Despite being the hottest property in Indian cinema, Nargis married co-star Dutt and retired from acting. Dutt, Raaj Kumar, and Rajendra Kumar would go on to become huge stars.

Mother India would be the crowning glory of Khan’s glorious filmmaking career and become a jewel in Bollywood’s crown, which still glistens today.

Ace writer Javed Akhtar perfectly summed up things and once said: “The canvas of the story is huge and there is something so very Indian about it. Mehboob Khan himself was from a small village in the Kathiawad region in Gujarat, and he was quite familiar with its culture and landscape. Therefore, the smell of the soil, the feel of the fields and the breeze of the villages, everything quintessentially Indian, is all there in the film.”

Did you know?

■ Nargis won a Best Actress award for Mother India at the Karlovy Vary International Film Festival.

■ The success of Mother India was noted in classic Bollywood film Kala Bazar (1960), when lead star Dev Anand is seen selling tickets in black for Mother India.

Lead mother india 2 USE  e1666156832384

■ The film was one of the first to use western classical music and Hollywood-style orchestra for the soundtrack, which would influence others to do the same.

Mother India was remade in Telugu as Bangaru Talli (1971) and in Tamil as Punniya Boomi (1978).

■ A Turkish adaptation of the film was made as Toprak Ana (1973).

■ British collective Kala Phool released the album Mother India – 21st Century Remix, with contemporary interpretations of the movie’s music.

More For You

Raynor Winn

The controversy, now widely referred to as The Salt Path scandal

Getty Images

Raynor Winn calls Salt Path scandal claims 'highly misleading' amid backlash

Highlights

  • The Salt Path author Raynor Winn calls media claims “highly misleading”
  • Allegations published in The Observer raise doubts about key memoir details
  • PSPA charity ends relationship with Winn and her husband Moth
  • Winn pulls out of Saltlines tour but is still scheduled for literary events

Author rejects claims as legal advice sought

Raynor Winn, the author of the best-selling memoir The Salt Path, has strongly denied accusations that parts of her book are fabricated, describing recent media coverage as “highly misleading” and confirming that she and her husband are taking legal advice.

The controversy, now widely referred to as The Salt Path scandal, follows an Observer report that disputes aspects of the memoir’s central narrative, including the timeline and medical diagnosis that prompted the journey at the heart of the book.

Keep ReadingShow less
Jasbinder Bilan

Jasbinder Bilan

Jasbinder Bilan’s journey of heart and heritage: From Himalayan tales to global acclaim

When Jasbinder Bilan first paused her teaching career to pursue a creative writing degree, she had no idea it would lead to a life-changing breakthrough. What began as a leap of faith became a journey filled with hope, rejection and ultimately triumph. Inspired by her beloved grandmother and her Indian roots, Bilan poured her soul into her debut manuscript Song of the Mountain. Though the publishing world was not immediately ready for her story, perseverance paid off when she won the 2016 Times Chicken House Prize, launching her celebrated writing career. Now, following the success of her Costa Award-winning Asha and the Spirit Bird, Bilan returns with a powerful new historical adventure, Naeli and the Secret Song. In this exclusive interview, she speaks about the emotional inspiration behind the book, her love for young readers and the importance of believing in your voice — no matter how long it takes to be heard.

What first connected you to writing?
It was stories more than writing that were my first love. My grandmother, Majee, was the storyteller in our house and it was those bonding moments that sparked my love for creating my own stories. She told me lots of Indian folk tales at bedtime, but she also shared stories of our life in India on the farm near the foothills of the Himalaya. So, I grew up feeling connected to a place that I then filled with my imagination. As a little girl I loved drawing and writing, and always wanted to be a writer, but it took me a long time to make that dream come true.

Keep ReadingShow less
Rachel Zegler’s ‘Evita’ Performance Sparks Broadway Buzz

Rachel Zegler stuns in Jamie Lloyd’s Evita as Palladium crowds grow nightly

Instagram/officialevita

Rachel Zegler shines in Jamie Lloyd’s ‘Evita’ as West End hit eyes Broadway transfer

Quick highlights:

 
     
  • Rachel Zegler plays Eva Perón in Jamie Lloyd’s radical Evita revival at the London Palladium.
  •  
  • A viral moment features Zegler singing live from the theatre’s balcony to crowds on the street.
  •  
  • Lloyd’s stripped-down staging amps up visuals and sound but sacrifices storytelling depth.
  •  
  • Talks are on for a Broadway transfer as early as 2026 with Zegler confirmed to reprise her role.
  •  
 

Rachel Zegler commands the London stage as Eva Perón in Jamie Lloyd’s daring reimagining of Evita, a production that trades subtlety for spectacle and could soon be heading to Broadway.

Following the success of Sunset Boulevard, Lloyd’s signature stripped-down style meets rock concert intensity in this revived version of the Andrew Lloyd Webber and Tim Rice musical. Zegler, in only her second major stage role, dazzles with commanding vocals and presence, even as critics debate the show’s dramatic clarity.

Keep ReadingShow less
K Anis Ahmed

K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative

AMG

K Anis Ahmed’s 'Carnivore' serves up satire, class war and moral rot

From the blood-soaked backstreets of Dhaka to the polished kitchens of Manhattan’s elite, K Anis Ahmed’s new novel Carnivore is as imaginative as it is provocative. A satirical thriller steeped in class tension, culinary obsession and primal survival, Carnivore follows Kash, a Bangladeshi immigrant-turned-chef who launches a high-end restaurant serving exotic meats – only to become embroiled in a sinister world of appetite and ambition.

But this is no simple tale of knives and recipes. Ahmed – a seasoned journalist, publisher, and president of PEN Bangladesh – brings a sharp eye to the grotesqueries of power and privilege. In this exclusive interview with Eastern Eye, he speaks about his passion for food, the moral murkiness of his characters, and why even the most ordinary people can spiral into extraordinary darkness.

Keep ReadingShow less
Artists respond to a world shaped
by division at Summer Exhibition

Visitors view works in the main gallery

Artists respond to a world shaped by division at Summer Exhibition

THE theme of the Royal Academy’s Summer Exhibition 2025 is “dialogues”, prompting the question: can art help bring together the people of India and Pakistan? Or, indeed, Israel and Iran – or Israel and Palestine?

It so happens that the coordinator of this year’s Summer Exhibition is the internationally celebrated artist and Royal Academician Farshid Moussavi, who is of Iranian origin.

Keep ReadingShow less