SANJAY SERAN DISCUSSES HIS BAND, RADIO SHOW AND UNIQUE INSPIRATION
by ASJAD NAZIR
WHEN Sanjay Seran entered the Vancouver desi music as a teenager in the late 1990s, he probably didn’t imagine the amazing path and achievements that lay ahead.
The most notable of these would be forming the acclaimed band Delhi 2 Dublin, creating mesmerising music with them and touring globally, including performing at major festivals like Glastonbury and Burning Man.
Such was the band’s popularity that he was averaging over 150 shows a year at one point and creating songs that were influencing other artists. Today, he balances creating music and performing live, with hosting a global radio show.
Eastern Eye caught up with Sanjay to talk about his marvellous music journey, brilliant band, radio show and very unique inspiration.
What connected you to music?
I’ve been hooked since day one or at least very early in my life, through my dad’s record collection, including Bollywood classics to ABBA, and Diana Ross to contemporary pop that would be on the radio in the car growing up. This love affair with music is all I’ve known. Are there people out there that don’t have a connection to music, what?
How did Delhi 2 Dublin get formed and what inspired it?
It was supposed to be a one-off collaboration performance between some of us local Vancouver musicians for week-long music festival, Celtic Fest. We all brought in our own influences and sounds for the performance. Some of us came up through the Asian underground scene and combined it with the Irish fiddlers and dancers for the collaboration. The original performance was slotted for the Thursday club night called Delhi to Dublin. The collaboration went so well that we just started getting booked more and more, until we became a band. We ended up keeping the name of the night, thus Delhi 2 Dublin was born.
How do you look back on the Delhi 2 Dublin journey?
Like a proud dad! We have done some incredible things, played at some incredible places, broken down barriers and brought many walks of life together. All this, while being able to see and experience so many pockets of the globe.
Which of the group’s achievement are you most proud of?
I think that being able to last 14 years is a huge achievement. It is after all a marriage of sorts and a lot of those don’t make it this long, and that’s only involving two people.
Which of the group’s music isclosest to your heart?
The early stuff like Dil Nachde and Apples have a special place in my heart because those songs allowed me to get really creative and break away from what the traditional Punjabi vocalist trajectory looked like at the time.
What about your albums?
I had the most fun creating the We’re All Desi album, especially the writing process with our guitarist James Hussain. Our last album We Got This is by far the closet to my heart because it allowed me to see what it looked and sounded like to create a pop album with a big well-known producer. And from that album, My People is the magic song. Hearing that played on mainstream commercial radio was a childhood dream come true. It was also the song that led to us being signed to a major label, which is not always what it’s cracked out to be, but was a dream I’d been holding on to as a kid – and we did it!
What has kept the group together for so long?
Who knows, the flow of energy I guess. I think that sort of thing is out of my hands, but will say that we were willing to put in the work and our live show is kickass, no joke, but again, I’m not taking the credit for that either – I’m just the vehicle for that energy.
How much does live performance mean to you and what has been the most memorable?
The live show, especially for a band like D2D, is everything. That energy has never been able to be captured on recording – the true essence is in the live show. We’ve played well over a 1,000 so it’s hard to narrow down the most memorable because they all have their own special moments, but let’s say playing six shows in 52 hours at Burning Man was very memorable. Being invited to play in front of 150,000 people for our Canada celebrations was pretty rad too. And I’ll never forget being in Iowa City and playing for exactly one person in some club, so ya, we’ve done that too.
What is your own master plan?
Currently, my focus is on my solo project, SNJÜ, which is kind of r’n’b, soul, chill and sexy vibes. I am just addicted to creating and writing for this project. I do not know if I have a master plan, but rather than that I am just trying to have as much fun as I possibly can, and thus far, the results have been just pure joy.
Tell us about your radio show?
I basically play whatever I think is dope; it’s a mix of urban desi to electronic vibes to harder Punjabi stuff. I keep it music heavy and less talk, and try to showcase Canadian talent, and at the moment, there is an abundance of it.
What music dominates your own playlist?
Right now, I’m obsessed with Saint JHN. I can’t get enough of what he is putting out. I feel he is connecting with me on a molecular level. It’s so fun to be obsessed with music like a suburban teenager locked in a room pissed off with my parents or something. Otherwise, I’m feeling A.Chal. Khanvict, SkinnyLocal, Gashi, Jasmine Sandlas, Sidhu Moosewala and Happy Singh. There is so much good music out there. It’s exciting.
Who is your hero?
I don’t have one; I don’t think there is only one person I have put into that category. I really draw and learn from multiple artists. I feel if I had one idol or hero it would keep me in the past and subscribing to an old model from a time that no longer exists, and thus isn’t really valid. I listen to new and relevant music, and feel that I vary as the paradigm continues to shift.
What inspires you?
Sexual energy is amazing. It’s so powerful it can move mountains and destroy families. It will motivate people to do almost anything. I think that is what SNJÜ is all about, capturing that vibe, that little slice of energy in song form. I also think that’s why the word jawani is so important because it means more than just youth, but the connotation of youthful sexual energy. It works in reverse too; the energy makes one feel youthful. (Laughs) Keep the drive alive!
If you could ask any artist, alive or dead, a question, what would you ask them?
I would like to ask John Lennon if he would join me on an LSD experience, because that would be so rad and why not? I think it would be a session full of love.
What is the best advice you got?
Don’t tell someone you love them, just to get them into bed. I never have and I’m sure that has saved my ass a lot of drama. Don’t need that at all.
Why do you love music so much?
I don’t know any other way. It’s just who I am and all I’ve ever known. I guess a song can take you places, some can instil the feelings of nostalgia while others are a form of escapism. It’s like three minutes of pure power to transform you to any space or time. It’s magical.
Aishwarya Rai Bachchan has once again touched down in France for the Cannes Film Festival, and this time, as always, her daughter Aaradhya is by her side. The duo was seen arriving at Nice Airport, where they were warmly received. A video of their arrival, now circulating widely online, captures Aishwarya chatting warmly with a greeter who hands a gift to Aaradhya before they head off.
Clad in a navy blue trench coat, Aishwarya kept it simple yet elegant. Aaradhya wore an all-black outfit and seemed at ease, exchanging smiles and laughter during the brief encounter at the airport. Despite recent speculation about whether Aishwarya would attend Cannes this year, especially after a video of her dancing with husband Abhishek Bachchan at a wedding in Mumbai, her airport appearance has laid all doubts to rest.
Fans quickly jumped into action online, sharing excitement over her return to Cannes. Comments ranged from “She is back!” to eager anticipation over her upcoming looks. However, not all responses were glowing, with some commenting on her choice of hairstyle.
Aishwarya is expected to walk the Cannes red carpet on 21 and 22 May, marking her 22nd year at the prestigious event. Her first appearance was in 2002 for the premiere of Devdas, where she made headlines arriving in a traditional gold saree, accompanied by Shah Rukh Khan and director Sanjay Leela Bhansali.
As for Aaradhya, her presence at Cannes is no surprise. Aishwarya has often said that her daughter enjoys the experience, not just for the glamour but for the atmosphere and the people she’s grown familiar with over the years. She once shared that Aaradhya understands the significance of the festival and appreciates the world of cinema.
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This year’s Cannes also sees other Indian names on the guest list, including Payal Kapadia on the competition jury, and stars like Janhvi Kapoor, Ishaan Khatter, and Vishal Jethwa promoting their film Homebound. Meanwhile, the restored version of Satyajit Ray’s Aranyer Din Ratri brings legends like Sharmila Tagore and Simi Garewal back to the spotlight.
With Aishwarya back on the red carpet, the countdown to her Cannes look has officially begun.
Taylor Swift’s long-awaited Reputation (Taylor’s Version) finally made its presence known, but not through a press release or streaming platform. Instead, it emerged through the eerie silence of Gilead. The re-recorded version of “Look What You Made Me Do” debuted unexpectedly in the opening scene of the latest episode of The Handmaid’s Tale, catching fans and viewers completely off guard.
The episode begins with Elisabeth Moss’s character, June Osborne, orchestrating a quiet but fierce act of resistance against the regime. As handmaids march through a war-torn street, Swift’s voice cuts through the chaos. The updated track underscores the rebellion, syncing perfectly with the tension and defiance unfolding on screen.
The original 2017 version of the song was a turning point in Swift’s career, born out of public backlash and a media storm. Its reappearance now, in a show about fighting back against oppression, feels deeply personal. Swift’s battle to reclaim her music mirrors the episode’s themes: reclaiming agency, rewriting narratives, and refusing to be silenced.
Moss, also an executive producer of the show, shared how this moment had been years in the making. She revealed she had always wanted to feature a Taylor Swift track but waited for the right moment. “This was it,” she said. “The song, the scene, the story, it all just clicked.” Moss also attended Swift’s Eras Tour last year with castmate Bradley Whitford, making her admiration for the singer no secret.
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For Swifties, this is the clearest sign that Reputation (Taylor’s Version) is on the horizon. While fans have spotted hints in everything from merch updates to symbolic fashion choices, this full-length debut feels like the real beginning of the next chapter.
It also marks the latest move in Swift’s ongoing mission to re-record her early albums and reclaim ownership after the rights to her original masters were sold without her consent. So far, she’s re-released Fearless, Red, Speak Now, and *1989*, with Reputation and her debut album left.
Swift’s music has popped up in recent shows and documentaries, but this moment in The Handmaid’s Tale is her strongest re-entry into the Reputation era. It's less of a promo, more of a declaration. The gloves are off.
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Peppa Pig welcomes baby Evie in a royal-style announcement
After 20 years of being the star of the family, Peppa Pig is no longer the youngest girl in the house. A new face has joined the Pig family: a baby girl named Evie. Born early Tuesday morning at 5:34 AM at the Lindo Wing of St Mary’s Hospital in London (yes, the same one where the royal children were born), Evie marks the first major addition to the family since the show began in 2004.
The news was revealed in true British fashion with a town crier in a video posted on Peppa Pig’s official Instagram. The announcement, styled like a royal birth, sent fans and brands into a frenzy. Mummy Pig is said to have named the baby after her great-aunt, and while the birth was not easy, she shared that she is relieved and happy to have Evie here, safe and healthy.
Peppa’s younger brother George, who has somehow been two years old forever, now has a new sibling to share toys and tantrums with. And while Peppa seems thrilled in the official photos, it is hard not to wonder how she will really feel once the attention shifts away from her.
To mark the occasion and the show’s 20th anniversary, the creators are rolling out a cinema special called Peppa Meets The Baby. Hitting screens on 30 May, the one-hour film will follow Peppa and George as they prepare for Evie’s arrival, featuring 10 new episodes and six new songs. Evie will also become a regular on the main show, adding a new layer to the Pig family’s dynamic.
The show, which started on Channel 5 and Nick Jr. in 2004, has grown into a global phenomenon, airing in over 180 countries and more than 40 languages. In 2019, toy giant Hasbro took over the franchise, promising even more Peppa-centric content.
The buzz around baby Evie has been building for months. Mummy Pig’s pregnancy reveal in February was followed by a gender reveal in April, complete with a media rollout that rivalled any celebrity birth. Parenting tips, maternity photos, and interviews about balancing work and family were part of the package.
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Now, with baby Evie here, it feels like growing up just got real.
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The Harry Potter reboot becomes the most expensive TV show ever
The next time you think of a big-budget show, forget Game of Thrones or The Rings of Power. The new Harry Potter reboot is set to leave them all behind and not just in storytelling, but in cost. With a jaw-dropping budget of over $4.2 billion (₹33,600 crore), this upcoming series is on track to be the most expensive television production ever attempted.
Each of the 42 planned episodes, spread across seven seasons, will reportedly cost more than $100 million (₹837 crore). That’s more than many Marvel movies and nearly double the per-episode spend of Amazon’s The Rings of Power. But where is all that money going?
A massive part of the budget is being poured into something rarely attempted on this scale: a custom-built town. Nicknamed “Potterville,” this mini city is under construction at Warner Bros. Studios in Leavesden and will house life-size recreations of iconic locations like Hogwarts, King’s Cross Station, and Privet Drive. The price tag for this alone? Around £1 billion (₹10,700 crore). The idea is not just about visual realism but a long-term investment in the franchise’s future, with the possibility of spin-offs or other productions set in the same magical universe.
Unlike the original film series, which had to condense the books into blockbuster-length scripts, this version aims to give each book its own season, allowing for a deeper dive into the world J.K. Rowling created. The show is expected to go into the details that never made it to the big screen.
A fresh cast will step into some of the most recognisable roles in pop culture. John Lithgow will take on the role of Albus Dumbledore, joined by Janet McTeer as Professor McGonagall, Paapa Essiedu as Snape, and Nick Frost as Hagrid, among others. The trio of young leads Harry, Hermione, and Ron are yet to be announced.
Set to film on a sprawling 200-acre site, this reboot marks a major moment for HBO and Warner Bros. Whether it lives up to expectations or not, it’s already rewritten the rules of television production. And in the process, it’s raised a question: how much is too much to bring magic back to life?
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Liu Yifei, Lisa and Priyanka pose at the star-studded luxury gathering
At a recent Bvlgari event in Sicily, Priyanka Chopra turned heads in an elegant beige outfit, joining BLACKPINK’s Lisa and Chinese star Liu Yifei for an evening filled with fashion, glitz, and glamour. The trio, all associated with the luxury brand, were seen posing together, sparking a wave of reactions online as fans shared photos and videos from the event.
While Liu dazzled in a silver-toned off-shoulder gown, Lisa chose a white dress with soft yellow accents. Priyanka, keeping things minimal and classic, wore a sheer beige dress with subtle gold detailing, matched with Bvlgari jewellery, and tied her hair back into a sleek bun.
During the red carpet moments, Priyanka stood out not just for her look, but also for her gesture of gratitude. After posing for the photographers, she folded her hands in a traditional namaste, a simple thank-you that felt personal amidst all the glamour.
Stars at the Bvlgari event Getty Images
Inside the event, she was seen chatting with Bvlgari CEO Jean-Christophe Babin and later sharing a light-hearted moment with Lisa. A short clip from the evening shows Priyanka asking Lisa to switch spots while posing, leading to a burst of laughter between them.
Priyanka’s elegant beige look paired with Bvlgari jewellery turns heads on the red carpetGetty Images
This isn’t the first time Priyanka has represented the brand at their global events. She attended a similar gathering in Rome last year, wearing an off-shoulder cream and black dress and flaunting Bvlgari’s Serpenti Aeterna necklace alongside Anne Hathaway and Shu Qi.
Beyond red carpets, Priyanka is staying busy with a packed slate of projects. She’ll be seen in Heads of State, co-starring Idris Elba and John Cena, and in The Bluff, where she plays a pirate in the Caribbean. Back in Indian cinema, she’s confirmed to be part of SSMB29, a much-anticipated film by SS Rajamouli with Mahesh Babu. The project is expected to unfold in two parts, with releases slated for 2027 and 2029.