Pooja Pillai is an entertainment journalist with Asian Media Group, where she covers cinema, pop culture, internet trends, and the politics of representation. Her work spans interviews, cultural features, and social commentary across digital platforms.
She began her reporting career as a news anchor, scripting and presenting stories for a regional newsroom. With a background in journalism and media studies, she has since built a body of work exploring how entertainment intersects with social and cultural shifts, particularly through a South Indian lens.
She brings both newsroom rigour and narrative curiosity to her work, and believes the best stories don’t just inform — they reveal what we didn’t know we needed to hear.
Brad Pitt has spent three decades seeing his name in the headlines for reasons that have little to do with his work. And now, as he promotes his upcoming racing film F1, he’s finally speaking about how tiring the attention has become.
In an interview, Pitt shared that living under a microscope hasn’t got easier with time. “It’s always been there,” he said, about the scrutiny of his personal life. “Some version of it follows me. It’s annoying, a waste of time if you let it be.” But he also admitted he doesn’t let it get to him anymore. “My life is pretty steady. I’ve got good friends, good love, a good sense of myself. The noise is just background now.”
Brad Pitt during filming of his new motorsport drama Getty Images
F1, which co-stars Damson Idris and has Lewis Hamilton as a producer, faced delays due to the Hollywood strikes. Filming wrapped in Abu Dhabi just as Pitt closed a chapter of his personal life, his long-drawn divorce from Angelina Jolie.
The split, which began in 2016, was finalised in December 2024 after years of legal battles, including a public dispute over their shared French winery, Château Miraval. Jolie alleged that Pitt had been abusive, claims his team has consistently denied. While she sought peace and privacy for her family, Pitt stayed mostly silent, until now.
Brad Pitt breaks silence on Angelina Jolie split Getty Images
When asked if he felt any relief now that the divorce was done, Pitt’s answer was surprisingly flat. “Not really,” he said. “It was just a legal thing being wrapped up. That’s all.”
Their separation stemmed from a disturbing flight in 2016, where Jolie claimed Pitt was violent towards her and their children. Her legal filings later added that the abuse began earlier. The divorce became a drawn-out affair, involving custody issues, asset disputes, and conflicting lawsuits.
Despite the noise, Pitt isn’t stepping back. Though he hinted at slowing down in the past, F1 seems to have reignited his passion. “I wondered if I had more to give,” he said. “But this reminded me why I love doing this.”
Brad Pitt says finalising Angelina Jolie divorce brought 'no relief' as F1 movie wraps Getty Images
With F1 hitting cinemas in June and new projects already lined up, Brad Pitt seems focused on the road ahead, leaving the headlines in the rear-view mirror.
Production houses confirm three-way collaboration between Mehta, Pellissery, and Rahman
Film currently in casting stage with shooting planned later this year
Pellissery's track record suggests an unconventional take on the romance genre
Rahman returns to work with Mehta after their Gandhi series collaboration
Project marks Pellissery's first major crossover into Hindi film circles
Wait, read that again. Hansal Mehta's production is backing a romantic drama from Lijo Jose Pellissery. And AR Rahman? He's building the entire soundscape for it. The combination feels almost unreal, right? It's like three separate rivers of filmmaking talent suddenly crashing into one project.
Hansal Mehta teams up with Lijo Jose Pellissery and AR Rahman for a lyrical romantic drama. Getty Images/goodadsmatter.com
What's the actual plot of this pellissery film?
They're keeping story details locked down tight. The official line calls it a "lyrical exploration of love," which sounds nice but means very little coming from a director known for chaotic chases and funeral processions that spiral into madness. The script comes from Pellissery and writer Karan Vyas. Given Pellissery's history, expect something raw and unpredictable rather than rose-tinted. His approach to human relationships typically involves peeling back layers until things get messy.
Look at their backgrounds. Mehta built his name on biographical dramas and sharp social commentary. Pellissery operates in his own cinematic universe where conventional rules do not apply. Rahman's involvement guarantees the music will be another character entirely. Sahil Saigal from Mehta's production company called it "momentous" and for once that does not sound like empty producer talk. This feels like one of those projects that could actually shift how Indian films get made.
No confirmed release window yet; these things take time, especially with directors as particular as Pellissery. The production houses involved are Mehta's True Story Films and Amen Movie Monastery. This also marks the second time Rahman and Mehta have worked together after finishing their Gandhi series, which premiered at Toronto last year.
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