BBC TV’s wonderful six-part adaptation of Vikram Seth’s novel, A Suitable Boy, ended last Monday (24), with 20-year-old Lata Mehra deciding to marry the man her mother, Mrs Rupa Mehra, had wanted all along.
Lata probably chose wisely in the nice, considerate and down-to-earth shoemaker Haresh Mehra, though some had hoped she would make a statement by picking Kabir Durrani, the dashing cricketer who was her batchmate at college and played Malvolio while she was Olivia in a student production of Shakespeare’s Twelfth Night.
Of course, her mother disapproved strongly of Kabir because he was Muslim, but that was not the reason why Lata eventually decided he was not right for her. To be sure she loved him passionately, but Lata realised that emotional rollercoasters could prove destructive in the long run.
As for the third suitor – Amit Chatterji, the son of a high court judge in Calcutta – he was a poet, who sent her his book, The Fever Bird, and could be charming and witty. But with Amit – Seth’s alter ego, incidentally – she was unable to establish a deep emotional connection.
Next time we see Lata on television, she will be 80 and looking for a suitable match for her grandson. This is because Seth is working on A Suitable Girl, a sequel to A Suitable Boy which was published in 1993, after the author had spent eight years working on the novel that has been described as “a love letter to India”.
While A Suitable Boy is set in 1950- 1952 in the fictional town of Brahmpur as India holds its first general election, the events in A Suitable Girl take place in 2012, in a society much changed from the one Lata had known as a young girl. Were it to be left entirely to Seth, Lata’s grandson’s preference might well be for another boy, but perhaps conservative India is still not ready for that kind of novel.
The BBC took a huge risk in putting on A Suitable Boy, a television drama entirely with Indian characters, and that, too, at prime time on Sundays. But judging by most reviews and the spontaneous responses on Twitter, the experiment appears to have paid off.
Working with a cast of over 100 and shooting on location in India, the director, Mira Nair, in close association with the author and the scriptwriter, Andrew Davies, has delivered a remarkable show that will bring credit to the BBC all over the world.
On the face of it, the novel has an easy-to-understand theme running through it – the search for the right husband for Lata. Her mother has found the right man, Pran Kapoor, a college lecturer, for her elder daughter, Savita, and she intends doing the same for 19-year-old Lata.
In fact, the author begins his novel with the line: “‘You too will marry a boy I choose,’ said Mrs Rupra Mehra firmly to her younger daughter.”
But Seth, who was born in 1952, weaves in what is happening in India shortly after independence in 1947 when the wounds of Partition are still raw.
There are clashes between Hindus and Muslims when the Raja of Mahr decides, with malevolent intent, to build a temple right next to a mosque.
But there is sense of brotherhood, too, that cuts across religious lines, exemplified by the friendship between the Congress politician Mahesh Kapoor and the Nawab of Baitar and their sons, Maan Kapoor and Firoz Khan, respectively. There is a scene in which Maan rescues Firoz from a Hindu mob.
Tanya Maniktala turns out to be a sparkling Lata, but perhaps the standout performance in the series was Bollywood star Tabu’s portrayal of the courtesan Saeeda Bai. Badly treated by some of the men who have been her clients, she falls for the much younger Maan in an affair that has disastrous consequences.
Though Maan is clearly more than fond of Firoz, he stabs him in a jealous rage when he suspects his friend has been secretly seeing Saeeda. But this hides another tragedy. Firoz has been falling in love with Tasneem, believing her to be Saeeda’s younger sister. But not only is she Saeeda’s daughter but she is also Firoz’s sister. Firoz’s father, the Nawab, had once been one of Saeeda’s clients.
Maan is put on trial for Firoz’s attempted murder but is acquitted when his friend tells the court it was an accident which happened when he tripped and fell on a fruit knife. Maan and Firoz are reconciled as are their fathers.
But there is a glimpse of how poisonous politics can be when Mahesh, who has stood on a Congress ticket from the Nawab’s estate, loses to the latter’s Muslim servant who was meant to have been his faithful election agent. Instead the man accuses Maan of being a murderer and urges local Muslims not to vote for his father.
All very different from the elegant Muslim culture portrayed by the Nawab and Saeeda is the Anglicised lifestyle of the Chatterjis in Calcutta. They come into the reckoning because Lata’s elder brother, Arun Mehra, who is proud of working for a British firm and believes that things worked better under the Raj, has married one of the flighty Chatterji girls, Meenakshi (who has a lover on the side).
Her England-returned brother, Amit, is put up as a possible suitor for Lata. Amit and his sisters, Meenakshi and Kakoli, delight in speaking to each other in rhyming couplets. Even after the curtain came down on the Raj, aristocratic Bengali families in Calcutta kept up a westernised lifestyle which exists to this day.
In the novel, the snobbish Arun lectures Lata on why marrying Haresh would be going downmarket.
“Despite his having studied English at Stephen’s and having lived in England for two years, his use of the English language leaves a great deal to be desired,” writes Arun in a letter to Lata.
He adds: “Haresh is simply not on the same wavelength as you – or any us for that matter. This is not merely a question of his accent, which immediately betrays that English is very far from being his first language; it is a question of his idiom and diction…A second, not unrelated, point is Haresh does not, and can never aspire to, move in the same social circles as we do.”
Lata’s response is opposite to the one Arun had urged. “She wrote to Haresh the same evening, accepting with gratitude – and, indeed, warmth – his often repeated offer of marriage.”
In the finale of the show last week, viewers see Lata running to the station before Haresh is lost to her and asking him to marry her.
It made sense to ask Davies to adapt Seth’s masterpiece because he has the experience necessary to compress the 1,366-page novel into a length suitable for TV, respect the quintessential Indian quality of the tale and yet make it accessible to the broad mass of British viewers.
“Best TV drama I’ve seen in ages!” was a typical tweet. “I didn’t want it to end. An enchanting adaptation of such a wonderful novel.”
Another said: “Just seen the last episode of A Suitable Boy. Never would have guessed the ending. Great stuff!”
“I take back everything I said about A Suitable Boy. I’ve enjoyed it so much that I shall revisit the book,” commented a third viewer.
That’s not a bad decision.
Davies himself has urged: “For people who haven’t read the book but love the series, do get the book because there’s almost twice as much story in it as we had room for.”
• South Park pulled from Paramount+ globally after licence expiry • Fans in UK, Canada, Australia, and Europe react with outrage • Dispute linked to £6.3 billion (₹673 billion) Paramount-Skydance merger and ongoing contract standoff • Season 27 premieres 23 July on Comedy Central in the US, leaving global fans stranded
Fans around the world are up in arms after South Park disappeared from Paramount+ outside the US. With just days to go until the season 27 premiere, international viewers are calling out Paramount Global for yanking the show due to a lapsed streaming deal and are threatening to cancel subscriptions over what they see as corporate mishandling.
Streaming blackout angers fans just days before new South Park seasonPrime Video
Paramount+ drops South Park amid licensing fallout
Viewers from the UK, Canada, Australia, Germany, and Latin America were left stunned last week when South Park vanished from Paramount+ in their regions. The move follows the expiration of an international streaming licence and ongoing tension between the show’s creators Trey Parker and Matt Stone, and Paramount Global, which owns Comedy Central.
The timing couldn’t be worse: after a two-year wait, season 27 is set to debut on Comedy Central in the US on 23 July. But thanks to the unresolved deal, international fans are now scrambling to figure out how they’ll be able to watch the new episodes.
The backlash has been swift and loud. On Reddit and X, long-time viewers expressed frustration, many vowing to quit Paramount+ altogether.
"The only reason I had Paramount+ was to watch South Park. I just cancelled,” wrote one user. Another fumed, “How does one go about setting Paramount on fire?”, a comment met with dark humour by others who blamed the platform for “setting itself on fire.”
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Some users began sharing ways to legally access older episodes via platforms like Apple TV and Amazon Prime, while others admitted they were considering alternative, less official methods.
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Parker and Stone threaten legal action
Behind the scenes, the show’s creators are fighting their own battle. Trey Parker and Matt Stone, through their company Park County, have accused Skydance’s incoming president Jeff Shell of meddling in licensing talks. Their allegations claim Shell tried to skew negotiations with Warner Bros. Discovery and Netflix to favour Paramount’s streaming ambitions.
They argue this interference ultimately led to the shortened contract term and the fallout with HBO Max, leaving the show without a cohesive global distribution strategy just as a new season approaches.
Global outrage grows as South Park vanishes from Paramount PlusWikipedia
What’s available—and what’s not
While South Park episodes remain available on Comedy Central’s traditional TV networks in several international markets, streaming access is now patchy. Some specials are still on Paramount+, and ad-supported options exist via Pluto TV in select regions like Canada and Europe.
Back episodes can be purchased on services like Amazon Prime and Apple TV, and in countries like Germany and across Latin America, some content is accessible through a standalone South Park website. But for many fans, none of this replaces the convenience of a centralised platform like Paramount+.
Fans slam Paramount and Skydance for blocking South Park accessRotten Tomatoes
Season 27 still coming—but not for everyone
Despite the chaos, South Park season 27 will premiere in the US as planned on 23 July on Comedy Central. But for fans outside the country, there’s still no confirmed way to watch the new season legally on demand.
Some fans are already hoping this real-life drama makes its way into a future episode. As one Reddit user joked, “The silver lining of all this merger crap is that it’s gonna make for an excellent South Park takedown.”
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Lauren Pisciotta has accused Kanye West of repeated sexual misconduct
Kanye West has dismissed ex-assistant Lauren Pisciotta’s latest lawsuit as a “delusional” and “contradictory” narrative.
Pisciotta accuses West of multiple acts of sexual assault and misconduct, including forced oral sex and workplace harassment.
West’s team argues the claims are inconsistent and defamatory, pledging to fight them in court.
Pisciotta’s attorney Lisa Bloom insists West has already admitted to key parts of the allegations and will face justice.
Kanye West has hit back at explosive sexual assault and sex trafficking allegations from former Yeezy employee Lauren Pisciotta, branding her newly amended lawsuit as a fabricated and conflicting tale. The rapper’s legal team released a fiery statement slamming the accusations, which include claims of rape, forced sexual exposure, and workplace abuse.
Kanye West’s spokesperson says the claims are inconsistent and defamatoryBBC/Getty Images
West’s team rejects allegations as “outlandish” and “contradictory”
On 13 July, West’s spokesperson issued a strongly worded denial of Pisciotta’s lawsuit, the fourth version she has filed since 2024. Calling her claims “fantasy fiction,” the representative argued that each amended complaint undermines the previous ones. “Each new revision contradicts the others; each is more absurd and outlandish than all previous claims combined,” the statement read.
The rep further claimed Pisciotta’s testimony “discredits all past, present and future” versions, vowing to “annihilate” her narrative in front of a jury. Milo Yiannopoulos, also speaking on behalf of West, claimed Pisciotta “chose the wrong target,” describing West as a non-violent man with no criminal record or firearm ownership.
Photo of Kanye West from a past public appearance Getty Images
Pisciotta accuses West of repeated sexual violence and harassment
In her newly revised legal complaint, Pisciotta details multiple disturbing incidents that allegedly occurred while she worked for West from 2021 to 2022. She accuses the rapper of groping her, masturbating in her presence, forcibly kissing her, and later sexually assaulting her in a hotel room during a business trip to San Francisco.
She alleges he raped her orally while she was frozen in shock and later offered her to other men as a “sexual gift.” Pisciotta claims the rapper subjected her to constant verbal harassment, sent her unsolicited explicit images, demanded sexual content from her in return, and attempted to involve her in his sexual encounters, all of which she says she refused. The complaint also alleges that after firing her, West moved into her apartment building and physically assaulted her by grabbing her throat and licking her ear.
Attorney Lisa Bloom says Kanye West has already admitted to key allegations Expresso
Lisa Bloom says Kanye’s own words will “destroy him in court”
Pisciotta’s attorney Lisa Bloom fired back at West’s response, stating that much of what Pisciotta alleges has already been acknowledged publicly by the rapper himself.
“While Kanye West’s publicist has come up with a slickly worded and outrageously false and defamatory attack on Ms. Pisciotta, Kanye himself has publicly admitted much of what she’s claiming,” Bloom told Daily Mail. “His spin team cannot protect him in court.”
She added that Pisciotta’s case would be built on these admissions and challenged West to face the allegations directly under legal scrutiny.
Kanye West’s spokesperson says the claims are inconsistent and defamatoryGetty Images
West’s team maintains lawsuit is a “cash grab”
West’s lawyers have consistently dismissed Pisciotta’s claims since she filed her original wrongful termination and sexual harassment suit in June 2024. They insist the lawsuit is “baseless,” “frivolous,” and part of a larger effort to extort money from a high-profile figure.
Despite the strong public denials, the legal battle is expected to escalate as both sides prepare for a potential trial.
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Gregg Wallace was dropped after a 19-year misconduct span
Investigation confirms 45 out of 83 allegations against MasterChef presenter Gregg Wallace.
BBC and production company Banijay say his return to the show is “untenable”.
Complaints span nearly two decades, including inappropriate sexual comments and unwanted touching.
Wallace insists he was “cleared of the most serious claims” and blames a toxic culture.
The BBC has formally cut ties with MasterChef presenter Gregg Wallace after a seven-month investigation upheld 45 allegations of misconduct, including unwanted physical contact and inappropriate sexual remarks, made against him over a 19-year period.
The inquiry, commissioned by MasterChef’s production company Banijay UK and led by law firm Lewis Silkin, examined 83 separate claims against the 60-year-old, with over half substantiated. The BBC has confirmed it has “no plans to work with him in future,” citing behaviour that falls short of the broadcaster’s values.
Gregg Wallace dropped from MasterChef after over 50 sexual misconduct claims surface Getty Images
BBC drops Gregg Wallace following sexual misconduct and racism claims
Among the upheld allegations are 16 instances of sexually explicit comments, 12 inappropriate jokes or innuendos, four racist or culturally insensitive remarks, three episodes of being in a state of undress, and one claim of unwanted touching. Seven complaints of bullying were also validated.
The report revealed that most of the inappropriate behaviour took place between 2005 and 2018, with only one confirmed case occurring after that. Although Wallace was interviewed three times during the investigation and cooperated throughout, he has denied any criminal wrongdoing.
Last week, Wallace announced he had been sacked from MasterChef and criticised the BBC for “cancelling” him. In an Instagram post, he blamed what he described as a toxic environment and pointed to his recent autism diagnosis, saying he had received no protection or understanding from colleagues or management during his time on the show.
Report criticises BBC and Banijay for ‘missed opportunities’
The investigation also found serious failings in how complaints were handled. Six concerns were raised with Banijay (and its predecessor companies) between 2005 and 2024, and another six were lodged with the BBC. According to the report, most were dealt with informally or not escalated appropriately.
Banijay’s chief executive Patrick Holland admitted that past HR procedures were “not robust,” but said steps had been taken in recent years to improve reporting systems. He described the report as “uncomfortable reading” and apologised to those affected.
The BBC also acknowledged institutional failure. “We accept more could and should have been done sooner,” a spokesperson said. “We apologise to everyone impacted by Mr Wallace’s behaviour.” The broadcaster added that his conduct was “below the values of the BBC and the expectations we have for anyone who works with or for us.”
Gregg Wallace seen filming prior to being removed from the show Youtube Screengrab
Wallace's autism diagnosis draws backlash from disability groups
Wallace’s attempt to link his conduct to autism has been criticised by neurodiversity organisations and charities. Seema Flower, founder of BlindAmbition, said that using autism to justify inappropriate actions was “unacceptable and harmful.” Other disability advocates shared the sentiment, warning against conflating neurodiversity with misconduct.
The report acknowledged Wallace’s diagnosis and said his neurodiversity might explain some behaviour, particularly issues with social cues and reliance on humour as a “masking” technique, but made clear it was not a justification. Wallace himself stated he did not wish to “hide behind” his diagnosis.
BBC confirmed it will not work with Wallace againGetty Images
MasterChef future uncertain as BBC weighs unaired season
A decision is still pending on whether the last season of MasterChef, which was filmed with Wallace before his departure, will be aired. The BBC has said it will consult with participants before making a final call.
Wallace, once a defining presence on British food television, had hosted various editions of MasterChef for nearly two decades. His exit marks a rare public reckoning for behind-the-scenes behaviour in the UK’s entertainment industry.
Wallace claimed he was scapegoated amid a toxic production cultureGetty Images
The report also substantiated two allegations against other unnamed individuals on the production team, one involving racist language and the other swearing. Banijay says disciplinary action in those cases is underway.
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Pedro Pascal shuts down age criticism after being cast as Mister Fantastic
Pedro Pascal is cast as Reed Richards in Fantastic Four: First Steps, making him the oldest actor to play the role.
Some Marvel fans criticised his age, claiming he’s too old to portray the superhero.
Pascal responded at a London fan event, saying the negativity "comes with the territory."
The Marvel reboot releases in cinemas on 25 July 2025 and features Vanessa Kirby, Joseph Quinn, and Julia Garner.
Pedro Pascal is brushing off the online criticism surrounding his casting as Reed Richards in Fantastic Four: First Steps, saying he’s focused on meeting fan expectations, even if some think he’s too old for the role. The 50-year-old The Last of Us star, who will soon join the Marvel Cinematic Universe as the stretchy genius Mister Fantastic, addressed the backlash at a fan event in London. Many social media users had argued that Pascal was miscast due to his age, but the actor says he’s learned to take the criticism in stride.
Pedro Pascal addresses fan backlash over playing Reed Richards at 50Getty Images
Pedro Pascal responds to ‘too old’ remarks
During a media interaction, Pascal admitted the negativity around his casting had affected him more than usual. “Sometimes the outside will find you no matter how much you try to protect yourself from it,” he said. “It just comes with the territory.” He added that his heightened nerves were likely tied to the legacy and love fans have for the character. “These stories only exist because of how much people care about them, and I felt that responsibility more than usual.”
Despite the noise online, Pascal emphasised that he’s putting everything he has into the role. “The only way to meet expectations is to give it all my focus, all my heart, my body, and my soul. That’s what I’ve done.”
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Marvel’s new take on the First Family
Directed by Matt Shakman (WandaVision), Fantastic Four: First Steps will reintroduce Marvel’s First Family in a retro-futuristic 1960s-inspired universe. The film is separate from previous versions and aims to establish a new corner of the MCU. Pascal’s co-stars include Vanessa Kirby as Sue Storm, Joseph Quinn as Johnny Storm, and Ebon Moss-Bachrach as Ben Grimm. Julia Garner will portray the Silver Surfer, while Ralph Ineson plays Galactus. Robert Downey Jr. is expected to return as Doctor Doom in later instalments.
Pascal follows in the footsteps of Ioan Gruffudd, Miles Teller, and John Krasinski, who all played Reed Richards in earlier Fantastic Four adaptations. At 50, Pascal is the oldest to take on the role. Gruffudd was 31, Teller 28, and Krasinski 42 during their respective stints.
Some fans have pointed out that in the original Marvel comics, Reed Richards was in his mid-30s when he gained his powers, while Sue and Johnny Storm were in their 20s and teens. However, the upcoming film doesn’t strictly follow those age references, and the entire main cast is older than their comic counterparts.
Still, Marvel seems to be aiming for emotional depth and performance over precise comic book accuracy, a trend that’s become more common in recent adaptations.
A role unlike any other
Despite his success in The Mandalorian, Game of Thrones, and The Last of Us, Pascal said that playing Mister Fantastic feels uniquely demanding and exciting. “This is the best time of my life,” he told fans at the event. “I’m having an amazing time, and I hope that comes through in the film.”
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Kangana says she isn’t equal to a labourer, mother or Mukesh Ambani
Kangana Ranaut says the concept of equality has created a “generation of morons”.
Claims she’s not equal to Ambani, her mother, or even a labourer.
Her current views contradict her 2018 stance on gender equality in cinema.
Actor-MP to appear in a psychological thriller with R. Madhavan.
Kangana Ranaut has courted controversy again, this time with her take on equality. In a recent interview, the actor-turned-politician called the modern idea of equality “a delusion”, claiming it has produced a generation that overestimates itself. The Queen star, now an elected MP from Mandi, also argued that no one is equal to anyone, citing herself, Mukesh Ambani, her mother, and even daily-wage workers as examples of how everyone plays unique roles in society.
Kangana Ranaut speaks on equality and her role as a ParliamentarianGetty Images
‘A child isn’t equal to a woman, and I’m not equal to Ambani,’ says Kangana
In a candid chat with Times Now, Kangana said, “Since the world has started believing that we are all equal, we’ve only produced a generation of morons.” She illustrated her argument by comparing herself to others: “I am not equal to Ambani ji, and he is not equal to me; I have four National Awards. I am not equal to my mother. When I sit next to a labourer, I feel they have far more tolerance than me.”
Ranaut believes this blind chase for equality has blurred the lines between respect and entitlement. “People don’t admire their seniors anymore. They think they’re born perfect,” she said, blaming the notion for younger generations avoiding promotions because they don’t want more responsibilities.
Kangana Ranaut calls equality a flawed idea, claims it’s ruining work ethic in today’s youthGetty Images
Contradicts her earlier views on feminism and gender parity
Kangana’s statements sharply contrast with her previous public opinions. Back in 2018, during a Cannes panel moderated by Prasoon Joshi, she had argued for equal status in the film industry. “An actor and actress do the same job. Why shouldn’t they get equal recognition?” she had said.
She had also described feminism as “compensation” for a flawed society, stating, “Feminism is medicine for a sick society,” and pushed for equal pay and opportunities in male-dominated Bollywood. At the time, she championed the cause loudly, even claiming she rejected films with major male stars like the Khans and Kapoors to stand her ground.
Kangana Ranaut says belief in equality has created a ‘generation of morons’ in viral Times Now interviewGetty Images
Recent backlash for Mandi disaster response
Kangana is also under fire for her comments about the limits of her powers as a Member of Parliament. When asked why she hadn’t provided financial relief to flood-affected areas in Mandi, she told ANI, “I do not have any funds for disaster relief or hold any cabinet post. Our role as MPs is limited to raising concerns.”
Her remarks didn’t sit well with many constituents, but she later clarified that her intent was to “tell people the reality” of how bureaucratic systems work. “I will make sure the Centre helps. I have my limitations, but my party and I will fulfil our promises,” she said.
Kangana Ranaut blames equality for entitlement culture, says no two people are equalGetty Images
On the professional front, Kangana will reunite with Tanu Weds Manu co-star R. Madhavan for a psychological thriller. She is also slated to appear in Sita: The Incarnation, directed by Alaukik Desai, and Bharat Bhagya Vidhata, a socio-political drama helmed by Manoj Tapadia.