SEEING her mother and grandmothers constantly trying new recipes in the kitchen as a youngster, first connect Aanal Kotak to cooking.
Growing up with these culinary queens constantly trying new dishes drove her towards becoming a celebrity chef, TV personality and hotelier.
The Gujarat-based entrepreneur owns renowned restaurants such as South Ak , The Baking Couture, and The Secret Kitchen in India and Australia. She has also written the captivating book Secrets of a Professional Kitchen and appeared on Master chef India.
Eastern Eye caught up with the food trailblazer to speak about her culinary journey and future plans, including the use of AI.
She also gave top cooking and dinner party tips. What has been your most memorable moment?
The most memorable moment was the opening of our first Secret Kitchen restaurant in Vadodara seven years ago. We got kids from the rural area for the opening and served them first before it was open for the public. All the restaurants have been opened like this. Seeing such happiness on the kid’s faces is the ultimate happiness. These under privileged kids are welcomed every time, including at our luxury fine dining restaurants, and served good food. I cherish these moments.
Which of your ventures has been closest to your heart?
The Secret Kitchen and Akshada are the two brands closest to my heart. Akshada is very authentic and historic Gujarati cuisine, with recipes from my mom, dadi and nani. It’s very much how they historically made dishes when living in the villages. Those recipes have that home cooked, traditional method, which is being lost today because lots of fusion has happened.
Kotak cooking
Having that authenticity is very close to my heart. Tell us about The Secret Kitchen restaurant brand?
Secret Kitchen is all about modern Indian cuisine. It is not typical north Indian cuisine. We have dishes including from Gujarat, which combine tradition with a modern way of serving. For example, we have samosas from a small town in Kutch, which are served to a global clientele, including in Australia, in a contemporary way. It’s a great meeting of the old and new worlds. We will be opening in Canada soon.
Tell us about some of The Secret Kitchen recipes.
In The Secret Kitchen, we change our menu every eight months. The recipes are based on finding hidden gems, whilst travelling across India. They are served in a very modernised way. We have a much loved stuffed white pasta dish, which I created on my TV show, which was revamped for The Secret Kitchen. There are many such dishes, where I have taken inspiration from different parts of India.
What top cookery tip would you give?
When you are happy in the kitchen it makes a lot of difference. A simple dish cooked when in a good mood will always taste better than something complex made in a bad mood. So, for me, a pinch of love, creativity, dedication, and passion into cooking is the biggest secret ingredient, which takes all your dishes to a whole new level.
How important is it to learn about spices in cooking?
A good knowledge about spices when learning about cooking is first and foremost. If you know about spices well enough, and understand their various combinations and uses, then they become the biggest strength and secret ingredient to taking your dishes to the next level. I truly believe spices are the hero of any successful culinary journey.
What is the best advice you can offer for organising a good dinner party?
A good dinner party should have variety, which will enable guests to create their own dishes. So, for example having rice with a choice of different gravies, veggies and toppings enables guests to create something they will like. A small variety can make a big difference. You can add a little fun with barbecue or desert stations. Find out ahead of time what dishes guests like and if they have any allergies.
Who is your own culinary hero?
My mother and grandmothers will always be my culinary heroes. Seeing them cooking every day and learning from them has shaped me. Even today, I ask them for advice if I am stuck with a recipe or the creation of any product at my factory. Their knowledge helps me develop new products and understand the technique behind, making it perfectly. They are my biggest guiding lights.
If you could master something new in cooking, what would it be?
With cooking, there will always be something new to learn. Every day, there are new things and ingredients coming in the market. You need to adapt to those new techniques and technology. So, it’s a constant learning process. These days AI is helping the cooking and restaurant industry evolve.
Tell us more about that.
A lot of new tools, technology and text is coming up for professionals. I’m very keen right now to gather that knowledge and merge AI into routine operations of being a chef. I’m enjoying trying to master that optimised use of AI as a tool into my kitchen.
What are your future plans?
There are many ventures coming up, including a new dine in restaurant and two new brands. A luxury dining restaurant above The Secret Kitchen is something I’m working on. So, I’m coming up with a lot of new things and constantly evolving.
What inspires you?
Every day, I am seeing a growth within myself in terms of knowledge and growth. Both personally and at my company level. This inspires me to work harder, aim higher and achieve more goals. So, my own growth is a constant source of inspiration.
UK growers are reporting a bumper crop of unusually large strawberries this spring, thanks to a spell of bright sunshine and cool nights that has created near-perfect growing conditions. However, as the dry weather continues, experts are warning that water shortages could pose a risk to future harvests.
According to Bartosz Pinkosz, operations director at the Summer Berry Company, strawberry plants have benefited significantly from this year’s weather pattern. “We had the darkest January and February since the 1970s, but then the brightest March and April since 1910,” he said. “From March onwards, it was really kind of perfect for tunnel strawberries.”
The company, which grows fruit at its farm in Colworth, West Sussex, supplies major UK retailers. Pinkosz said the strawberries being harvested this month are consistently larger than average, with some weighing as much as 50g – around the size of a plum or even a kiwi. The average size this season is approximately 30g, still well above the norm.
He explained that the combination of abundant sunshine and cool night temperatures had slowed the ripening process, allowing more time for the fruit to develop. “The slower the development of the fruits, the more time to expand the cells and create the bigger berry,” he said. “I have genuinely never seen a harvest produce such large berries consistently in my 19 years of working in this field.”
The UK strawberries' large size has drawn attention from across the industry. Nick Marston, chair of British Berry Growers, confirmed that this year’s crop is showing excellent quality across several key characteristics. “We’re seeing very good size, shape, appearance, and most of all, really great flavour and sugar content, which is what consumers want when they buy British strawberries,” he said.
Marston cautioned that while reports of strawberries being 20% bigger are accurate for some growers, averages across the country may vary. “Some crops will be slightly smaller than others, but it would be fair to say that the very nice sunshine and cool overnight temperatures have been ideal for fruit development,” he added.
Strawberries being 20% bigger are accurate for some growersGetty
The season's early warmth also led to gluts of aubergines and tomatoes at the start of May. However, with continued dry conditions, concern is growing among farmers about the possibility of a summer drought, especially in the south-east of England. Marston acknowledged the risk but noted that strawberry crops generally use water-efficient drip irrigation systems. “Water is used very sparingly,” he said.
Despite the potential challenges, this season’s UK strawberries have started strong, and the signs are positive ahead of the summer. With Wimbledon on the horizon in June, British tennis fans may once again be treated to large, juicy strawberries during the tournament – a popular seasonal tradition.
The consistently warmer spring and its effects on UK strawberries' large size have been welcomed by consumers and retailers alike. Yet growers remain alert to the challenges posed by climate change and the importance of sustainable water management.
As the strawberry season progresses, the industry is watching closely to see whether the favourable conditions can be maintained. While the current outlook for size and flavour is positive, the warning about water supply highlights the delicate balance required to maintain crop health and quality in the months ahead.
Nancy Tyagi is back at Cannes. But this time, the 24 year old influencer and designer from Uttar Pradesh is not just a surprise guest, she is a name many were waiting to see again.
Last year, she made her debut at the prestigious festival in a self stitched 44 lb (20 kg) ruffled pink gown, crafted from scratch in her Delhi home. It was not just the weight of the dress that turned heads but the story behind it. A year later, Nancy returned with another outfit of her own making.
This time, she wore a silver aqua gown with a plunging neckline, a shimmering corset, and layers of tulle. It had roses stitched into the skirt and headpiece, and bold shoulders that looked like unfolding petals. Her makeup was clean and glam with silver smoky eyes, a neatly tied bun, and just the right sparkle.
What is special is not just the gown, but the fabric. She sourced it from Seelampur, a market in northeast Delhi better known for its chaos than couture. But that is what makes Nancy different. She turns everyday materials into red carpet magic. She does not come from fashion schools or big labels. She learnt it all by herself.
The self-taught designer walks the red carpet in a look stitched from Seelampur fabricInstagram/nancytyagi
Nancy said she felt emotional returning to Cannes, where everything changed for her. “Last year, I was overwhelmed. This year, I feel proud,” she said. “This is my outfit. I made it. It is all mine.”
Her Instagram post summed it up in Hindi: “Phir se Cannes… phir se red carpet. Kabhi socha nahi tha yeh safar itna khoobsurat hoga” (Back to Cannes, back to the red carpet. I never imagined this journey would be so beautiful).
Nancy Tyagi brings local craftsmanship to the global stage in her second Cannes appearanceInstagram/nancytyagi
And the internet agreed. From fashion fans to fellow creators, the applause was loud. Comments flooded in praising her evolution, confidence, and creativity. One user wrote, “You have inspired millions. This is real talent: self made, rooted, and unstoppable.”
Nancy’s journey from a small town girl stitching clothes in her room to walking the world’s most watched red carpet continues to be proof that success does not need privilege. Just skill, grit, and imagination.
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Luxury in 2025: Iconic brands raise prices, making designer pieces harder to afford
Imagine your dream designer bag now costs more than a month’s rent. Welcome to 2025, now luxury isn’t just a splurge but a high-stakes financial tango, right? Inflation, tariffs, and a dash of geopolitical drama have collided, sending price tags into orbit. This time, brands aren’t just nudging numbers, but they’re launching full-blown price tsunamis. Can you still play the luxury game without drowning in debt? Let’s break down who’s hiking, why, and whether that iconic piece is worth the squeeze.
Chanel
In 2025, Chanel has been on a price-raising spree, almost as relentless as their signature tweed. The iconic Classic Flap Bag Large, for instance, now retails at 9,400 GBP (9,52,000 INR), a steep jump from 7,870 GBP (7,97,000 INR) back in January. That’s not just a rise; it’s a whole statement. With demand booming and the brand’s push for exclusivity, Chanel clearly shows no signs of slowing down.
Louis Vuitton’s strategy? Keep things steady but consistently pricier. In 2025, the Alma PM handbag crept up to 1,590 GBP (1,61,000 INR), marking a 6.4% increase. Meanwhile, the Clooney BB inched to 1,925 GBP (1,95,000 INR), a 4.9% hike, while the Capucines MM surged by 7.2%, now priced at 6,310 GBP (6,39,000 INR). Inflation’s impact? Definitely. The only thing rising faster than these prices? Their legendary prestige.
The iconic Hermès is giving luxury lovers something to chew on, especially if their taste leans toward legendary bags like the Birkin or Kelly. In the U.S., prices for the Birkin 25 in Togo leather rose from 8,400 GBP (8,52,000 INR) to 8,900 GBP (9,03,000 INR): a 6.1% increase. The Kelly 25 in Togo Retourne jumped from 8,350 GBP (8,47,000 INR) to 8,900 GBP (9,03,000 INR), marking a 6.2% hike. Some exotic models, like the Kelly 25 in Matte Alligator, saw a staggering 23.8% increase, now priced at 38,800 GBP (39,37,000 INR). Because nothing says 'forever status' like a price tag that stings.
Rolex has increased prices on its gold models by up to 14%, reflecting a 27% rise in the cost of gold itself. For instance, the white gold Daytona with the OysterFlex bracelet now retails at 24,300 GBP (24,70,000 INR), up from 22,350 GBP (22,70,000 INR) last year. Stainless steel models have seen more modest increases of about 1-3%. Gold just got a little more golden right?
Known for its cashmere and quiet luxury, Loro Piana isn’t shying away from price hikes either. Some items, like the Loom handbag, rose by 8%, while select pieces saw a staggering 23% increase. Soft just got pricier.
Tag Heuer quietly nudged up the price of select U.S. models by around 10% this summer, a direct response to looming U.S. tariffs on Swiss imports. It’s a cautious buffer rather than a drastic shock, as the brand hedges against potential margin hits. Rather than surprising buyers later, Tag Heuer is choosing to gently pad prices now, just in case.
Even beauty brands aren’t safe from the pricing squeeze. Sisley bumped up the price of its Korean products by 5%, while L’Oréal increased prices of Yves Saint Laurent and Lancôme items at duty-free outlets by about 10%. It’s partly due to higher ingredient costs and partly because “flex splurging” in Korea shows buyers aren’t put off by a little extra cost.
In a more gradual move, Coach has been incrementally hiking prices over 19 of the last 20 quarters, while Ralph Lauren pushed its average retail price up by about 12%. Instead of shocking customers, they’re taking a slow and steady approach, which has surprisingly fuelled demand rather than dampened it.
Cartier’s parent company, Richemont, is taking a softer approach, avoiding major price hikes despite the pressure of U.S. tariffs. Instead of gambling on big increases, Richemont is holding prices steady, particularly for its luxury jewellery, which continues to perform well without any drastic changes.
With higher-end items becoming even more unreachable, brands are shifting focus to “affordable luxury.” Think sub-400 GBP (40,000 INR) accessories like designer scarves and wallets, small indulgences that keep aspirational customers engaged. It’s a strategic play to maintain interest without alienating the middle-class luxury lover.
Luxury prices in 2025 are skyrocketing as iconic brands make big movesiStock
The luxury gamble?
The overall picture is clear. Some players have quietly bet on patient, incremental hikes and are already reaping rewards, while others have pushed hard and risk alienating shoppers. Observers note that Coach and Ralph Lauren’s measured markups drove a surprising sales boom (+42% Coach growth in Europe in Q4), whereas ultra-luxe giants saw only minimal gains. In short, moving slowly seems to have paid off, at least so far while exorbitant jumps have mostly just made headlines.
The gamble now is on for every brand. Every new price tag is a wager: will wealthy buyers shrug and splurge, or push back and hunt for deals?
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The initiative will empower more women to speak openly about their health
A new community-led initiative has been launched in the UK to provide culturally sensitive support for South Asian women navigating midlife and menopause.
The Sattva Collective, founded by certified Midlife and Menopause Coach Kiran Singh, officially launched on 14 May 2025 as a registered Community Interest Company (CIC). It is the first initiative in the UK focused specifically on the experiences of South Asian women during what Singh describes as a “deeply personal and often stigmatised” phase of life.
“South Asian women are navigating physical, emotional, and identity shifts in silence – often without the language, space, or support to talk about it,” Singh said. “The Sattva Collective is here to change that. We are reclaiming midlife as a powerful, transformative time – and doing it together.”
The name 'Sattva' is drawn from Sanskrit, referring to clarity, balance, and inner peace – values reflected in the collective’s approach.
The organisation will offer a range of services throughout the year, including:
Monthly community meet-ups in local cafés
Educational workshops on hormone health, mental well-being, and cultural stigma
An annual flagship Midlife Summit launching in January 2026
Public awareness campaigns and digital resources
One-to-one and group coaching sessions
Singh, who is of Indian heritage, aims to address the gaps in both mainstream and cultural conversations around menopause. According to her, many South Asian women face barriers to accessing support due to stigma, lack of awareness, and limited representation in public discourse.
The Sattva Collective is now preparing to roll out its 2025 programme and is actively seeking funding, sponsorship, and community partners to expand its reach and resources.
Describing midlife as “not a crisis, but a calling,” Singh hopes the initiative will empower more women to speak openly about their health and experiences, while building a supportive community.
Further details about upcoming events and resources will be made available through the collective’s official channels in the coming weeks.
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Bella Hadid stuns at the Cannes Film Festival 2025 in a daring Saint Laurent black gown
Bella Hadid’s return to the Cannes Film Festival was anything but quiet. This year, the model showed up ready to challenge the red carpet rules without actually breaking them.
With new restrictions in place like no sheer fabrics, no visible nudity, no dramatic trains or bulky silhouettes, fashion-watchers wondered if Bella, known for her daring Cannes looks in the past, would tone it down. Instead, she found a clever way around the rules.
Her choice for the opening ceremony? A sleek black Saint Laurent dress with a high slit that climbed nearly to her hip. It was revealing but not banned. The asymmetrical cowl neckline and bare back added to the drama without crossing any lines. Paired with barely-there strappy heels, emerald statement earrings, and a ring, the outfit managed to be both understated and provocative.
Earlier in the day, she’d already turned heads arriving at Hotel Martinez in a white corset top and matching bootcut trousers, another Saint Laurent nod. Her honey-blonde updo, oversized sunglasses, and vintage accessories made it clear that Bella wasn’t here to just blend in.
And while the Met Gala missed her this year, Cannes got the full Hadid effect.
The model’s new hair colour, a shift from brunette to a summery honey blonde, felt like a fresh chapter. Soft waves framed her face, complementing the dark, moody tones of her red carpet outfit. Makeup stayed simple with smokey eyes, matte skin, and nude lips. No theatrics, pure elegance and confidence.
The most impressive part of it all? She managed to follow every rule while still standing out. While some stars played it safe under the stricter dress code, Bella turned the limits into a challenge. No sheer panels? Try bold cut-outs. No dramatic trains? Go for shape-hugging minimalism with impact.
Fashion at Cannes has always been about pushing boundaries. This time, Bella Hadid did it with precision, walking the tightrope between compliance and creativity.